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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFDBEB4C it is the complementary color #5024144C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFDBEB4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFDBEB4C shade: #B4DBE64C, #C5EDF94C, #D6FFFF4C, #E7FFFF4C and #F8FFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFDBEB4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFDBEB4C shade: #AFDBEB4C, #9EC9D84C, #8DB7C54C, #7CA5B24C and #6B939F4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFDBEB4C shade: #ADDAEB, #ADCAEB, #ADB9EB, #B2ADEB and #C3ADEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFDBEB4C shade: #ADDAEB, #ADCAEB, #ADB9EB and #ADADEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFDBEB4C shade matches the following richer shades: #ADDAEB, #A5DEF3 and #9DE2FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFDBEB4C shade: #ADDAEB, #B6D6E2, #BED3DA, #C6CFD2 and #CECBCA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFDBEB4C shade: #ADEBDA, #ADEBEB, #ADDAEB, #ADCAEB and #ADBAEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFDBEB4C shade: #6BBDDA, #8CCBE2, #ADDAEB, #CEE9F3 and #EFF8FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFDBEB4C shade: #AFDBEB, #CAADEB and #EBE2AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFDBEB4C shade: #AFDBEB, #EBADDA and #DAEBAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFDBEB4C shade: #AFDBEB, #CAADEB, #EBBEAD and #CEEBAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFDBEB4C shade: #AFDBEB, #DCADEB, #EBBEAD and #BCEBAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 2 / 0 / 2

HEX #AFDBEB4C

RGBA 175 219 235 0.3

HSLA 196, 0.6%, 0.8%, 0.3

LABA 84.88, -10.72, -12.53, 0.3

 

Complementary color

CMYK 0 / 17 / 23 / 21

HEX #5024144C

RGBA 80 36 20 0.3

HSLA 16, 0.6%, 0.2%, 0.3

LABA 20.11, 19.19, 19.97, 0.3

 

CMYK 7 / 1 / 0 / 3

HEX #B4DBE64C

RGBA 180 219 230 0.3

HSLA 193.2, 0.5%, 0.8%, 0.3

LABA 85.04, -10.34, -9.62, 0.3

 

CMYK 6 / 1 / 0 / 1

HEX #C5EDF94C

RGBA 197 237 249 0.3

HSLA 193.85, 0.81%, 0.87%, 0.3

LABA 91.36, -10.35, -10.09, 0.3

 

CMYK 5 / 0 / 0 / 0

HEX #D6FFFF4C

RGBA 214 255 255 0.3

HSLA 180, 1%, 0.92%, 0.3

LABA 97.24, -13.01, -4.38, 0.3

 

CMYK 3 / 0 / 0 / 0

HEX #E7FFFF4C

RGBA 231 255 255 0.3

HSLA 180, 1%, 0.95%, 0.3

LABA 98.32, -7.74, -2.66, 0.3

 

CMYK 1 / 0 / 0 / 0

HEX #F8FFFF4C

RGBA 248 255 255 0.3

HSLA 180, 1%, 0.99%, 0.3

LABA 99.49, -2.29, -0.81, 0.3

 

CMYK 8 / 2 / 0 / 2

HEX #AFDBEB4C

RGBA 175 219 235 0.3

HSLA 196, 0.6%, 0.8%, 0.3

LABA 84.88, -10.72, -12.53, 0.3

 

CMYK 8 / 2 / 0 / 5

HEX #9EC9D84C

RGBA 158 201 216 0.3

HSLA 195.52, 0.43%, 0.73%, 0.3

LABA 78.46, -10.71, -12.09, 0.3

 

CMYK 9 / 2 / 0 / 7

HEX #8DB7C54C

RGBA 141 183 197 0.3

HSLA 195, 0.33%, 0.66%, 0.3

LABA 71.93, -10.7, -11.65, 0.3

 

CMYK 9 / 2 / 0 / 9

HEX #7CA5B24C

RGBA 124 165 178 0.3

HSLA 194.44, 0.26%, 0.59%, 0.3

LABA 65.29, -10.69, -11.21, 0.3

 

CMYK 10 / 2 / 0 / 11

HEX #6B939F4C

RGBA 107 147 159 0.3

HSLA 193.85, 0.21%, 0.52%, 0.3

LABA 58.51, -10.68, -10.75, 0.3

 

CMYK 26 / 7 / 0 / 8

HEX #ADDAEB

RGB 173 218 235

HSL 196.45, 0.61%, 0.8%

LAB 84.5, -10.79, -13.12

 

CMYK 26 / 14 / 0 / 8

HEX #ADCAEB

RGB 173 202 235

HSL 211.94, 0.61%, 0.8%

LAB 80.25, -2.42, -19.51

 

CMYK 26 / 21 / 0 / 8

HEX #ADB9EB

RGB 173 185 235

HSL 228.39, 0.61%, 0.8%

LAB 75.81, 6.75, -26.26

 

CMYK 24 / 26 / 0 / 8

HEX #B2ADEB

RGB 178 173 235

HSL 244.84, 0.61%, 0.8%

LAB 73.12, 14.85, -30.36

 

CMYK 17 / 26 / 0 / 8

HEX #C3ADEB

RGB 195 173 235

HSL 261.29, 0.61%, 0.8%

LAB 74.5, 20.01, -28.12

 

CMYK 26 / 7 / 0 / 8

HEX #ADDAEB

RGB 173 218 235

HSL 196.45, 0.61%, 0.8%

LAB 84.5, -10.79, -13.12

 

CMYK 26 / 14 / 0 / 8

HEX #ADCAEB

RGB 173 202 235

HSL 211.94, 0.61%, 0.8%

LAB 80.25, -2.42, -19.51

 

CMYK 26 / 21 / 0 / 8

HEX #ADB9EB

RGB 173 185 235

HSL 228.39, 0.61%, 0.8%

LAB 75.81, 6.75, -26.26

 

CMYK 26 / 26 / 0 / 8

HEX #ADADEB

RGB 173 173 235

HSL 240, 0.61%, 0.8%

LAB 72.74, 13.37, -30.98

 

CMYK 26 / 7 / 0 / 8

HEX #ADDAEB

RGB 173 218 235

HSL 196.45, 0.61%, 0.8%

LAB 84.5, -10.79, -13.12

 

CMYK 32 / 9 / 0 / 5

HEX #A5DEF3

RGB 165 222 243

HSL 196.15, 0.76%, 0.8%

LAB 85.36, -13.24, -16.1

 

CMYK 37 / 10 / 0 / 2

HEX #9DE2FB

RGB 157 226 251

HSL 195.96, 0.92%, 0.8%

LAB 86.27, -15.47, -18.99

 

CMYK 26 / 7 / 0 / 8

HEX #ADDAEB

RGB 173 218 235

HSL 196.45, 0.61%, 0.8%

LAB 84.5, -10.79, -13.12

 

CMYK 19 / 5 / 0 / 11

HEX #B6D6E2

RGB 182 214 226

HSL 196.36, 0.43%, 0.8%

LAB 83.72, -8.02, -9.44

 

CMYK 13 / 3 / 0 / 15

HEX #BED3DA

RGB 190 211 218

HSL 195, 0.27%, 0.8%

LAB 83.23, -5.62, -5.86

 

CMYK 6 / 1 / 0 / 18

HEX #C6CFD2

RGB 198 207 210

HSL 195, 0.12%, 0.8%

LAB 82.53, -2.48, -2.56

 

CMYK 0 / 1 / 2 / 19

HEX #CECBCA

RGB 206 203 202

HSL 15, 0.04%, 0.8%

LAB 81.89, 0.86, 0.85

 

CMYK 26 / 0 / 7 / 8

HEX #ADEBDA

RGB 173 235 218

HSL 163.55, 0.61%, 0.8%

LAB 88.62, -23, 1.93

 

CMYK 26 / 0 / 0 / 8

HEX #ADEBEB

RGB 173 235 235

HSL 180, 0.61%, 0.8%

LAB 89.06, -19.37, -6.33

 

CMYK 26 / 7 / 0 / 8

HEX #ADDAEB

RGB 173 218 235

HSL 196.45, 0.61%, 0.8%

LAB 84.5, -10.79, -13.12

 

CMYK 26 / 14 / 0 / 8

HEX #ADCAEB

RGB 173 202 235

HSL 211.94, 0.61%, 0.8%

LAB 80.25, -2.42, -19.51

 

CMYK 26 / 21 / 0 / 8

HEX #ADBAEB

RGB 173 186 235

HSL 227.42, 0.61%, 0.8%

LAB 76.07, 6.2, -25.86

 

CMYK 51 / 13 / 0 / 15

HEX #6BBDDA

RGB 107 189 218

HSL 195.68, 0.6%, 0.64%

LAB 72.62, -17.16, -22.25

 

CMYK 38 / 10 / 0 / 11

HEX #8CCBE2

RGB 140 203 226

HSL 196.05, 0.6%, 0.72%

LAB 78.33, -14.33, -17.76

 

CMYK 26 / 7 / 0 / 8

HEX #ADDAEB

RGB 173 218 235

HSL 196.45, 0.61%, 0.8%

LAB 84.5, -10.79, -13.12

 

CMYK 15 / 4 / 0 / 5

HEX #CEE9F3

RGB 206 233 243

HSL 196.22, 0.61%, 0.88%

LAB 90.72, -6.82, -7.84

 

CMYK 5 / 1 / 0 / 2

HEX #EFF8FB

RGB 239 248 251

HSL 195, 0.6%, 0.96%

LAB 97, -2.4, -2.48

 

CMYK 26 / 7 / 0 / 8

HEX #AFDBEB

RGB 175 219 235

HSL 196, 0.6%, 0.8%

LAB 84.88, -10.72, -12.53

 

CMYK 14 / 26 / 0 / 8

HEX #CAADEB

RGB 202 173 235

HSL 268.06, 0.61%, 0.8%

LAB 75.1, 22.19, -27.14

 

CMYK 0 / 4 / 26 / 8

HEX #EBE2AD

RGB 235 226 173

HSL 51.29, 0.61%, 0.8%

LAB 89.43, -5.05, 27.07

 

CMYK 26 / 7 / 0 / 8

HEX #AFDBEB

RGB 175 219 235

HSL 196, 0.6%, 0.8%

LAB 84.88, -10.72, -12.53

 

CMYK 0 / 26 / 7 / 8

HEX #EBADDA

RGB 235 173 218

HSL 316.45, 0.61%, 0.8%

LAB 77.64, 29.66, -13.77

 

CMYK 7 / 0 / 26 / 8

HEX #DAEBAD

RGB 218 235 173

HSL 76.45, 0.61%, 0.8%

LAB 90.48, -15.82, 28.28

 

CMYK 26 / 7 / 0 / 8

HEX #AFDBEB

RGB 175 219 235

HSL 196, 0.6%, 0.8%

LAB 84.88, -10.72, -12.53

 

CMYK 14 / 26 / 0 / 8

HEX #CAADEB

RGB 202 173 235

HSL 268.06, 0.61%, 0.8%

LAB 75.1, 22.19, -27.14

 

CMYK 0 / 19 / 26 / 8

HEX #EBBEAD

RGB 235 190 173

HSL 16.45, 0.61%, 0.8%

LAB 80.46, 13.64, 14.67

 

CMYK 12 / 0 / 26 / 8

HEX #CEEBAD

RGB 206 235 173

HSL 88.06, 0.61%, 0.8%

LAB 89.65, -20.13, 27.03

 

CMYK 26 / 7 / 0 / 8

HEX #AFDBEB

RGB 175 219 235

HSL 196, 0.6%, 0.8%

LAB 84.88, -10.72, -12.53

 

CMYK 6 / 26 / 0 / 8

HEX #DCADEB

RGB 220 173 235

HSL 285.48, 0.61%, 0.8%

LAB 76.74, 27.87, -24.49

 

CMYK 0 / 19 / 26 / 8

HEX #EBBEAD

RGB 235 190 173

HSL 16.45, 0.61%, 0.8%

LAB 80.46, 13.64, 14.67

 

CMYK 20 / 0 / 26 / 8

HEX #BCEBAD

RGB 188 235 173

HSL 105.48, 0.61%, 0.8%

LAB 88.51, -26.39, 25.28

 

Description

Color code: HEX #AFDBEB4C | qconv.com Color code: HEX #AFDBEB4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 219 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 219 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 2 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 2% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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