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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFD9C5 it is the complementary color #50263A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFD9C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFD9C5 shade: #B4D9C0, #C5EBD3, #D6FDE6, #E7FFF9 and #F8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFD9C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFD9C5 shade: #AFD9C5, #9EC7B2, #8DB59F, #7CA38C and #6B9179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFD9C5 shade: #AFD9C5, #AFD9B9, #AFD9AF, #BBD9AF and #C6D9AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFD9C5 shade: #AFD9C5, #AFD9D0, #AFD6D9, #AFCBD9 and #AFC0D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFD9C5 shade matches the following richer shades: #AFD9C5, #A5E2C5, #9CECC6 and #92F5C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFD9C5 shade: #AFD9C5, #B8CFC4, #C2C6C4, #CBBCC3 and #D5B3C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFD9C5 shade: #AFD9AF, #AFD9B9, #AFD9C5, #AFD9D0 and #AFD7D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFD9C5 shade: #77BF9C, #93CCB1, #AFD9C5, #CBE6D9 and #E7F3ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFD9C5 shade: #AFD9C5, #AFBBD9 and #D9B4AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFD9C5 shade: #AFD9C5, #C5AFD9 and #D9C5AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFD9C5 shade: #AFD9C5, #AFBBD9, #D9AFC3 and #D9CDAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFD9C5 shade: #AFD9C5, #AFAFD9, #D9AFC3 and #D8D9AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 9 / 15

HEX #AFD9C5

RGB 175 217 197

HSL 151.43, 0.36%, 0.77%

LAB 83.32, -17.68, 5.32

 

Complementary color

CMYK 0 / 53 / 28 / 69

HEX #50263A

RGB 80 38 58

HSL 331.43, 0.36%, 0.23%

LAB 21.57, 22.43, -3.9

 

CMYK 17 / 0 / 12 / 15

HEX #B4D9C0

RGB 180 217 192

HSL 139.46, 0.33%, 0.78%

LAB 83.51, -17.01, 8.29

 

CMYK 16 / 0 / 10 / 8

HEX #C5EBD3

RGB 197 235 211

HSL 142.11, 0.49%, 0.85%

LAB 89.85, -16.9, 7.55

 

CMYK 15 / 0 / 9 / 1

HEX #D6FDE6

RGB 214 253 230

HSL 144.62, 0.91%, 0.92%

LAB 96.1, -16.82, 6.83

 

CMYK 9 / 0 / 2 / 0

HEX #E7FFF9

RGB 231 255 249

HSL 165, 1%, 0.95%

LAB 98.17, -8.87, 0.2

 

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

 

CMYK 19 / 0 / 9 / 15

HEX #AFD9C5

RGB 175 217 197

HSL 151.43, 0.36%, 0.77%

LAB 83.32, -17.68, 5.32

 

CMYK 21 / 0 / 11 / 22

HEX #9EC7B2

RGB 158 199 178

HSL 149.27, 0.27%, 0.7%

LAB 76.88, -17.82, 6.06

 

CMYK 22 / 0 / 12 / 29

HEX #8DB59F

RGB 141 181 159

HSL 147, 0.21%, 0.63%

LAB 70.33, -17.97, 6.83

 

CMYK 24 / 0 / 14 / 36

HEX #7CA38C

RGB 124 163 140

HSL 144.62, 0.17%, 0.56%

LAB 63.65, -18.15, 7.65

 

CMYK 26 / 0 / 17 / 43

HEX #6B9179

RGB 107 145 121

HSL 142.11, 0.15%, 0.49%

LAB 56.84, -18.36, 8.52

 

CMYK 19 / 0 / 9 / 15

HEX #AFD9C5

RGB 175 217 197

HSL 151.43, 0.36%, 0.77%

LAB 83.32, -17.68, 5.32

 

CMYK 19 / 0 / 15 / 15

HEX #AFD9B9

RGB 175 217 185

HSL 134.29, 0.36%, 0.77%

LAB 83.04, -19.95, 11.28

 

CMYK 19 / 0 / 19 / 15

HEX #AFD9AF

RGB 175 217 175

HSL 120, 0.36%, 0.77%

LAB 82.83, -21.73, 16.25

 

CMYK 14 / 0 / 19 / 15

HEX #BBD9AF

RGB 187 217 175

HSL 102.86, 0.36%, 0.77%

LAB 83.59, -17.62, 17.43

 

CMYK 9 / 0 / 19 / 15

HEX #C6D9AF

RGB 198 217 175

HSL 87.14, 0.36%, 0.77%

LAB 84.34, -13.75, 18.59

 

CMYK 19 / 0 / 9 / 15

HEX #AFD9C5

RGB 175 217 197

HSL 151.43, 0.36%, 0.77%

LAB 83.32, -17.68, 5.32

 

CMYK 19 / 0 / 4 / 15

HEX #AFD9D0

RGB 175 217 208

HSL 167.14, 0.36%, 0.77%

LAB 83.6, -15.49, -0.11

 

CMYK 19 / 1 / 0 / 15

HEX #AFD6D9

RGB 175 214 217

HSL 184.29, 0.36%, 0.77%

LAB 83.03, -12.09, -5.73

 

CMYK 19 / 6 / 0 / 15

HEX #AFCBD9

RGB 175 203 217

HSL 200, 0.36%, 0.77%

LAB 80.09, -6.39, -10.09

 

CMYK 19 / 12 / 0 / 15

HEX #AFC0D9

RGB 175 192 217

HSL 215.71, 0.36%, 0.77%

LAB 77.17, -0.55, -14.45

 

CMYK 19 / 0 / 9 / 15

HEX #AFD9C5

RGB 175 217 197

HSL 151.43, 0.36%, 0.77%

LAB 83.32, -17.68, 5.32

 

CMYK 27 / 0 / 13 / 11

HEX #A5E2C5

RGB 165 226 197

HSL 151.48, 0.51%, 0.77%

LAB 85.21, -25.25, 7.97

 

CMYK 34 / 0 / 16 / 7

HEX #9CECC6

RGB 156 236 198

HSL 151.5, 0.68%, 0.77%

LAB 87.55, -32.48, 10.73

 

CMYK 40 / 0 / 19 / 4

HEX #92F5C6

RGB 146 245 198

HSL 151.52, 0.83%, 0.77%

LAB 89.62, -39.38, 13.61

 

CMYK 19 / 0 / 9 / 15

HEX #AFD9C5

RGB 175 217 197

HSL 151.43, 0.36%, 0.77%

LAB 83.32, -17.68, 5.32

 

CMYK 11 / 0 / 5 / 19

HEX #B8CFC4

RGB 184 207 196

HSL 151.3, 0.19%, 0.77%

LAB 81.18, -9.84, 2.83

 

CMYK 2 / 0 / 1 / 22

HEX #C2C6C4

RGB 194 198 196

HSL 150, 0.03%, 0.77%

LAB 79.52, -1.74, 0.51

 

CMYK 0 / 7 / 4 / 20

HEX #CBBCC3

RGB 203 188 195

HSL 332, 0.13%, 0.77%

LAB 77.64, 6.53, -1.62

 

CMYK 0 / 16 / 8 / 16

HEX #D5B3C3

RGB 213 179 195

HSL 331.76, 0.29%, 0.77%

LAB 76.27, 14.89, -3.53

 

CMYK 19 / 0 / 19 / 15

HEX #AFD9AF

RGB 175 217 175

HSL 120, 0.36%, 0.77%

LAB 82.83, -21.73, 16.25

 

CMYK 19 / 0 / 15 / 15

HEX #AFD9B9

RGB 175 217 185

HSL 134.29, 0.36%, 0.77%

LAB 83.04, -19.95, 11.28

 

CMYK 19 / 0 / 9 / 15

HEX #AFD9C5

RGB 175 217 197

HSL 151.43, 0.36%, 0.77%

LAB 83.32, -17.68, 5.32

 

CMYK 19 / 0 / 4 / 15

HEX #AFD9D0

RGB 175 217 208

HSL 167.14, 0.36%, 0.77%

LAB 83.6, -15.49, -0.11

 

CMYK 19 / 1 / 0 / 15

HEX #AFD7D9

RGB 175 215 217

HSL 182.86, 0.36%, 0.77%

LAB 83.3, -12.61, -5.33

 

CMYK 38 / 0 / 18 / 25

HEX #77BF9C

RGB 119 191 156

HSL 150.83, 0.36%, 0.61%

LAB 71.95, -30.39, 10.62

 

CMYK 28 / 0 / 13 / 20

HEX #93CCB1

RGB 147 204 177

HSL 151.58, 0.36%, 0.69%

LAB 77.62, -24.01, 7.57

 

CMYK 19 / 0 / 9 / 15

HEX #AFD9C5

RGB 175 217 197

HSL 151.43, 0.36%, 0.77%

LAB 83.32, -17.68, 5.32

 

CMYK 12 / 0 / 6 / 10

HEX #CBE6D9

RGB 203 230 217

HSL 151.11, 0.35%, 0.85%

LAB 89.06, -11.33, 3.32

 

CMYK 5 / 0 / 2 / 5

HEX #E7F3ED

RGB 231 243 237

HSL 150, 0.33%, 0.93%

LAB 94.82, -5.04, 1.51

 

CMYK 19 / 0 / 9 / 15

HEX #AFD9C5

RGB 175 217 197

HSL 151.43, 0.36%, 0.77%

LAB 83.32, -17.68, 5.32

 

CMYK 19 / 14 / 0 / 15

HEX #AFBBD9

RGB 175 187 217

HSL 222.86, 0.36%, 0.77%

LAB 75.86, 2.14, -16.42

 

CMYK 0 / 17 / 19 / 15

HEX #D9B4AF

RGB 217 180 175

HSL 7.14, 0.36%, 0.77%

LAB 76.37, 12.56, 7.54

 

CMYK 19 / 0 / 9 / 15

HEX #AFD9C5

RGB 175 217 197

HSL 151.43, 0.36%, 0.77%

LAB 83.32, -17.68, 5.32

 

CMYK 9 / 19 / 0 / 15

HEX #C5AFD9

RGB 197 175 217

HSL 271.43, 0.36%, 0.77%

LAB 74.53, 15.75, -18.26

 

CMYK 0 / 9 / 19 / 15

HEX #D9C5AF

RGB 217 197 175

HSL 31.43, 0.36%, 0.77%

LAB 80.62, 3.51, 13.58

 

CMYK 19 / 0 / 9 / 15

HEX #AFD9C5

RGB 175 217 197

HSL 151.43, 0.36%, 0.77%

LAB 83.32, -17.68, 5.32

 

CMYK 19 / 14 / 0 / 15

HEX #AFBBD9

RGB 175 187 217

HSL 222.86, 0.36%, 0.77%

LAB 75.86, 2.14, -16.42

 

CMYK 0 / 19 / 10 / 15

HEX #D9AFC3

RGB 217 175 195

HSL 331.43, 0.36%, 0.77%

LAB 75.67, 18.46, -4.37

 

CMYK 0 / 6 / 19 / 15

HEX #D9CDAF

RGB 217 205 175

HSL 42.86, 0.36%, 0.77%

LAB 82.65, -0.68, 16.45

 

CMYK 19 / 0 / 9 / 15

HEX #AFD9C5

RGB 175 217 197

HSL 151.43, 0.36%, 0.77%

LAB 83.32, -17.68, 5.32

 

CMYK 19 / 19 / 0 / 15

HEX #AFAFD9

RGB 175 175 217

HSL 240, 0.36%, 0.77%

LAB 72.75, 8.69, -21.14

 

CMYK 0 / 19 / 10 / 15

HEX #D9AFC3

RGB 217 175 195

HSL 331.43, 0.36%, 0.77%

LAB 75.67, 18.46, -4.37

 

CMYK 0 / 0 / 19 / 15

HEX #D8D9AF

RGB 216 217 175

HSL 61.43, 0.36%, 0.77%

LAB 85.67, -7.23, 20.63

 

Description

Color code: HEX #AFD9C5 | qconv.com Color code: HEX #AFD9C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 217 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 217 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 9 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 9% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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