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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFD9A0 it is the complementary color #50265F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFD9A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFD9A0 shade: #B4D99B, #C5EBAE, #D6FDC1, #E7FFD4 and #F8FFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFD9A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFD9A0 shade: #AFD9A0, #9EC78D, #8DB57A, #7CA367 and #6B9154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFD9A0 shade: #AFD9A0, #BFD9A0, #CED9A0, #D9D5A0 and #D9C6A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFD9A0 shade: #AFD9A0, #A0D9A1, #A0D9B0, #A0D9BF and #A0D9CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFD9A0 shade matches the following richer shades: #AFD9A0, #AAE495, #A5EF8B and #A0F980

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFD9A0 shade: #AFD9A0, #B4CEAB, #B9C4B6, #BEB9C0 and #C4AECB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFD9A0 shade: #CED9A0, #BFD9A0, #AFD9A0, #A0D9A0 and #A0D9AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFD9A0 shade: #7EC265, #96CD83, #AFD9A0, #C8E5BE and #E1F1DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFD9A0 shade: #AFD9A0, #A0D9D5 and #D9A0C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFD9A0 shade: #AFD9A0, #A0AFD9 and #D9A0AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFD9A0 shade: #AFD9A0, #A0D9D5, #CAA0D9 and #D9A0A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFD9A0 shade: #AFD9A0, #A0CCD9, #CAA0D9 and #D9ADA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 26 / 15

HEX #AFD9A0

RGB 175 217 160

HSL 104.21, 0.43%, 0.74%

LAB 82.53, -24.22, 23.7

 

Complementary color

CMYK 16 / 60 / 0 / 63

HEX #50265F

RGB 80 38 95

HSL 284.21, 0.43%, 0.26%

LAB 23.4, 30, -25.96

 

CMYK 17 / 0 / 29 / 15

HEX #B4D99B

RGB 180 217 155

HSL 95.81, 0.45%, 0.73%

LAB 82.75, -23.23, 26.66

 

CMYK 16 / 0 / 26 / 8

HEX #C5EBAE

RGB 197 235 174

HSL 97.38, 0.6%, 0.8%

LAB 89.08, -23.14, 25.64

 

CMYK 15 / 0 / 24 / 1

HEX #D6FDC1

RGB 214 253 193

HSL 99, 0.94%, 0.87%

LAB 95.33, -23.05, 24.68

 

CMYK 9 / 0 / 17 / 0

HEX #E7FFD4

RGB 231 255 212

HSL 93.49, 1%, 0.92%

LAB 97.33, -15.25, 17.96

 

CMYK 3 / 0 / 9 / 0

HEX #F8FFE7

RGB 248 255 231

HSL 77.5, 1%, 0.95%

LAB 98.93, -6.4, 10.67

 

CMYK 19 / 0 / 26 / 15

HEX #AFD9A0

RGB 175 217 160

HSL 104.21, 0.43%, 0.74%

LAB 82.53, -24.22, 23.7

 

CMYK 21 / 0 / 29 / 22

HEX #9EC78D

RGB 158 199 141

HSL 102.41, 0.34%, 0.67%

LAB 76.09, -24.36, 24.73

 

CMYK 22 / 0 / 33 / 29

HEX #8DB57A

RGB 141 181 122

HSL 100.68, 0.29%, 0.59%

LAB 69.55, -24.51, 25.82

 

CMYK 24 / 0 / 37 / 36

HEX #7CA367

RGB 124 163 103

HSL 99, 0.25%, 0.52%

LAB 62.89, -24.65, 26.98

 

CMYK 26 / 0 / 42 / 43

HEX #6B9154

RGB 107 145 84

HSL 97.38, 0.27%, 0.45%

LAB 56.1, -24.79, 28.2

 

CMYK 19 / 0 / 26 / 15

HEX #AFD9A0

RGB 175 217 160

HSL 104.21, 0.43%, 0.74%

LAB 82.53, -24.22, 23.7

 

CMYK 12 / 0 / 26 / 15

HEX #BFD9A0

RGB 191 217 160

HSL 87.37, 0.43%, 0.74%

LAB 83.57, -18.56, 25.29

 

CMYK 5 / 0 / 26 / 15

HEX #CED9A0

RGB 206 217 160

HSL 71.58, 0.43%, 0.74%

LAB 84.63, -13.07, 26.91

 

CMYK 0 / 2 / 26 / 15

HEX #D9D5A0

RGB 217 213 160

HSL 55.79, 0.43%, 0.74%

LAB 84.42, -6.92, 26.77

 

CMYK 0 / 9 / 26 / 15

HEX #D9C6A0

RGB 217 198 160

HSL 40, 0.43%, 0.74%

LAB 80.56, 0.84, 21.49

 

CMYK 19 / 0 / 26 / 15

HEX #AFD9A0

RGB 175 217 160

HSL 104.21, 0.43%, 0.74%

LAB 82.53, -24.22, 23.7

 

CMYK 26 / 0 / 26 / 15

HEX #A0D9A1

RGB 160 217 161

HSL 121.05, 0.43%, 0.74%

LAB 81.66, -29.12, 21.84

 

CMYK 26 / 0 / 19 / 15

HEX #A0D9B0

RGB 160 217 176

HSL 136.84, 0.43%, 0.74%

LAB 81.97, -26.47, 14.38

 

CMYK 26 / 0 / 12 / 15

HEX #A0D9BF

RGB 160 217 191

HSL 152.63, 0.43%, 0.74%

LAB 82.3, -23.59, 6.93

 

CMYK 26 / 0 / 5 / 15

HEX #A0D9CF

RGB 160 217 207

HSL 169.47, 0.43%, 0.74%

LAB 82.7, -20.28, -0.99

 

CMYK 19 / 0 / 26 / 15

HEX #AFD9A0

RGB 175 217 160

HSL 104.21, 0.43%, 0.74%

LAB 82.53, -24.22, 23.7

 

CMYK 25 / 0 / 35 / 11

HEX #AAE495

RGB 170 228 149

HSL 104.05, 0.59%, 0.74%

LAB 85.1, -32.83, 32.77

 

CMYK 31 / 0 / 42 / 6

HEX #A5EF8B

RGB 165 239 139

HSL 104.4, 0.76%, 0.74%

LAB 87.77, -40.89, 41.2

 

CMYK 36 / 0 / 49 / 2

HEX #A0F980

RGB 160 249 128

HSL 104.13, 0.91%, 0.74%

LAB 90.22, -48.21, 49.5

 

CMYK 19 / 0 / 26 / 15

HEX #AFD9A0

RGB 175 217 160

HSL 104.21, 0.43%, 0.74%

LAB 82.53, -24.22, 23.7

 

CMYK 13 / 0 / 17 / 19

HEX #B4CEAB

RGB 180 206 171

HSL 104.57, 0.26%, 0.74%

LAB 80.06, -15.2, 14.53

 

CMYK 6 / 0 / 7 / 23

HEX #B9C4B6

RGB 185 196 182

HSL 107.14, 0.11%, 0.74%

LAB 77.98, -6.37, 5.72

 

CMYK 1 / 4 / 0 / 25

HEX #BEB9C0

RGB 190 185 192

HSL 282.86, 0.05%, 0.74%

LAB 75.73, 3.05, -2.92

 

CMYK 3 / 14 / 0 / 20

HEX #C4AECB

RGB 196 174 203

HSL 285.52, 0.22%, 0.74%

LAB 73.75, 13.18, -11.8

 

CMYK 5 / 0 / 26 / 15

HEX #CED9A0

RGB 206 217 160

HSL 71.58, 0.43%, 0.74%

LAB 84.63, -13.07, 26.91

 

CMYK 12 / 0 / 26 / 15

HEX #BFD9A0

RGB 191 217 160

HSL 87.37, 0.43%, 0.74%

LAB 83.57, -18.56, 25.29

 

CMYK 19 / 0 / 26 / 15

HEX #AFD9A0

RGB 175 217 160

HSL 104.21, 0.43%, 0.74%

LAB 82.53, -24.22, 23.7

 

CMYK 26 / 0 / 26 / 15

HEX #A0D9A0

RGB 160 217 160

HSL 120, 0.43%, 0.74%

LAB 81.64, -29.28, 22.34

 

CMYK 26 / 0 / 19 / 15

HEX #A0D9AF

RGB 160 217 175

HSL 135.79, 0.43%, 0.74%

LAB 81.94, -26.65, 14.88

 

CMYK 35 / 0 / 48 / 24

HEX #7EC265

RGB 126 194 101

HSL 103.87, 0.43%, 0.58%

LAB 72.2, -38.82, 39.91

 

CMYK 27 / 0 / 36 / 20

HEX #96CD83

RGB 150 205 131

HSL 104.59, 0.43%, 0.66%

LAB 77.15, -31.55, 31.28

 

CMYK 19 / 0 / 26 / 15

HEX #AFD9A0

RGB 175 217 160

HSL 104.21, 0.43%, 0.74%

LAB 82.53, -24.22, 23.7

 

CMYK 13 / 0 / 17 / 10

HEX #C8E5BE

RGB 200 229 190

HSL 104.62, 0.43%, 0.82%

LAB 87.99, -16.61, 15.87

 

CMYK 7 / 0 / 9 / 5

HEX #E1F1DB

RGB 225 241 219

HSL 103.64, 0.44%, 0.9%

LAB 93.46, -9.19, 8.81

 

CMYK 19 / 0 / 26 / 15

HEX #AFD9A0

RGB 175 217 160

HSL 104.21, 0.43%, 0.74%

LAB 82.53, -24.22, 23.7

 

CMYK 26 / 0 / 2 / 15

HEX #A0D9D5

RGB 160 217 213

HSL 175.79, 0.43%, 0.74%

LAB 82.86, -18.98, -3.95

 

CMYK 0 / 26 / 9 / 15

HEX #D9A0C6

RGB 217 160 198

HSL 320, 0.43%, 0.74%

LAB 72.21, 27.09, -11.16

 

CMYK 19 / 0 / 26 / 15

HEX #AFD9A0

RGB 175 217 160

HSL 104.21, 0.43%, 0.74%

LAB 82.53, -24.22, 23.7

 

CMYK 26 / 19 / 0 / 15

HEX #A0AFD9

RGB 160 175 217

HSL 224.21, 0.43%, 0.74%

LAB 71.65, 4.09, -22.91

 

CMYK 0 / 26 / 19 / 15

HEX #D9A0AF

RGB 217 160 175

HSL 344.21, 0.43%, 0.74%

LAB 71.55, 23.35, 0.57

 

CMYK 19 / 0 / 26 / 15

HEX #AFD9A0

RGB 175 217 160

HSL 104.21, 0.43%, 0.74%

LAB 82.53, -24.22, 23.7

 

CMYK 26 / 0 / 2 / 15

HEX #A0D9D5

RGB 160 217 213

HSL 175.79, 0.43%, 0.74%

LAB 82.86, -18.98, -3.95

 

CMYK 7 / 26 / 0 / 15

HEX #CAA0D9

RGB 202 160 217

HSL 284.21, 0.43%, 0.74%

LAB 71.36, 25.61, -23.05

 

CMYK 0 / 26 / 24 / 15

HEX #D9A0A4

RGB 217 160 164

HSL 355.79, 0.43%, 0.74%

LAB 71.26, 21.72, 6.25

 

CMYK 19 / 0 / 26 / 15

HEX #AFD9A0

RGB 175 217 160

HSL 104.21, 0.43%, 0.74%

LAB 82.53, -24.22, 23.7

 

CMYK 26 / 6 / 0 / 15

HEX #A0CCD9

RGB 160 204 217

HSL 193.68, 0.43%, 0.74%

LAB 79.43, -11.45, -11.18

 

CMYK 7 / 26 / 0 / 15

HEX #CAA0D9

RGB 202 160 217

HSL 284.21, 0.43%, 0.74%

LAB 71.36, 25.61, -23.05

 

CMYK 0 / 20 / 26 / 15

HEX #D9ADA0

RGB 217 173 160

HSL 13.68, 0.43%, 0.74%

LAB 74.3, 14.13, 12.77

 

Description

Color code: HEX #AFD9A0 | qconv.com Color code: HEX #AFD9A0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 217 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 217 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 26 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 26% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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