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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFD43D it is the complementary color #502BC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFD43D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFD43D shade: #B4D438, #C5E64B, #D6F85E, #E7FF71 and #F8FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFD43D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFD43D shade: #AFD43D, #9EC22A, #8DB017, #7C9E04 and #6B8C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFD43D shade: #B0D53F, #D5D13F, #D5A93F, #D5803F and #D5583F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFD43D shade: #B0D53F, #87D53F, #5FD53F, #3FD547 and #3FD56F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFD43D shade matches the following richer shades: #B0D53F, #BAE82C and #C3FB19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFD43D shade: #B0D53F, #A6C252, #9DAF65, #939C78 and #89898B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFD43D shade: #D5A83F, #D5D03F, #B2D53F, #8AD53F and #62D53F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFD43D shade: #809E23, #9BC02A, #B0D53F, #BEDC60 and #CCE482

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFD43D shade: #AFD43D, #3FD580 and #BC3FD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFD43D shade: #AFD43D, #3FB2D5 and #D53FB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFD43D shade: #AFD43D, #3FD580, #623FD5 and #D53F94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFD43D shade: #AFD43D, #3FD5AD, #623FD5 and #D53F67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 71 / 17

HEX #AFD43D

RGB 175 212 61

HSL 74.7, 0.64%, 0.54%

LAB 79.92, -32.41, 66.62

 

Complementary color

CMYK 59 / 78 / 0 / 24

HEX #502BC2

RGB 80 43 194

HSL 254.7, 0.64%, 0.46%

LAB 32.54, 54.25, -72.36

 

CMYK 15 / 0 / 74 / 17

HEX #B4D438

RGB 180 212 56

HSL 72.31, 0.64%, 0.53%

LAB 80.22, -30.68, 68.73

 

CMYK 14 / 0 / 67 / 10

HEX #C5E64B

RGB 197 230 75

HSL 72.77, 0.76%, 0.6%

LAB 86.49, -31.28, 68.6

 

CMYK 14 / 0 / 62 / 3

HEX #D6F85E

RGB 214 248 94

HSL 73.25, 0.92%, 0.67%

LAB 92.68, -31.76, 68.05

 

CMYK 9 / 0 / 56 / 0

HEX #E7FF71

RGB 231 255 113

HSL 70.14, 1%, 0.72%

LAB 95.87, -27.06, 63.97

 

CMYK 3 / 0 / 48 / 0

HEX #F8FF84

RGB 248 255 132

HSL 63.41, 1%, 0.76%

LAB 97.29, -18.91, 57.46

 

CMYK 17 / 0 / 71 / 17

HEX #AFD43D

RGB 175 212 61

HSL 74.7, 0.64%, 0.54%

LAB 79.92, -32.41, 66.62

 

CMYK 19 / 0 / 78 / 24

HEX #9EC22A

RGB 158 194 42

HSL 74.21, 0.64%, 0.46%

LAB 73.56, -31.75, 66.36

 

CMYK 20 / 0 / 87 / 31

HEX #8DB017

RGB 141 176 23

HSL 73.73, 0.77%, 0.39%

LAB 67.11, -30.91, 65.11

 

CMYK 22 / 0 / 97 / 38

HEX #7C9E04

RGB 124 158 4

HSL 73.25, 0.95%, 0.32%

LAB 60.56, -29.84, 62.44

 

CMYK 24 / 0 / 100 / 45

HEX #6B8C00

RGB 107 140 0

HSL 74.14, 1%, 0.27%

LAB 53.9, -28.47, 57.48

 

CMYK 17 / 0 / 70 / 16

HEX #B0D53F

RGB 176 213 63

HSL 74.8, 0.64%, 0.54%

LAB 80.28, -32.37, 66.28

 

CMYK 0 / 2 / 70 / 16

HEX #D5D13F

RGB 213 209 63

HSL 58.4, 0.64%, 0.54%

LAB 81.9, -15.3, 68.79

 

CMYK 0 / 21 / 70 / 16

HEX #D5A93F

RGB 213 169 63

HSL 42.4, 0.64%, 0.54%

LAB 71.47, 5.38, 58.41

 

CMYK 0 / 40 / 70 / 16

HEX #D5803F

RGB 213 128 63

HSL 26, 0.64%, 0.54%

LAB 61.61, 27.45, 48.05

 

CMYK 0 / 59 / 70 / 16

HEX #D5583F

RGB 213 88 63

HSL 10, 0.64%, 0.54%

LAB 53.48, 47.75, 39.01

 

CMYK 17 / 0 / 70 / 16

HEX #B0D53F

RGB 176 213 63

HSL 74.8, 0.64%, 0.54%

LAB 80.28, -32.37, 66.28

 

CMYK 37 / 0 / 70 / 16

HEX #87D53F

RGB 135 213 63

HSL 91.2, 0.64%, 0.54%

LAB 77.93, -47.59, 63.16

 

CMYK 55 / 0 / 70 / 16

HEX #5FD53F

RGB 95 213 63

HSL 107.2, 0.64%, 0.54%

LAB 76.3, -59.66, 60.97

 

CMYK 70 / 0 / 67 / 16

HEX #3FD547

RGB 63 213 71

HSL 123.2, 0.64%, 0.54%

LAB 75.51, -65.85, 56.8

 

CMYK 70 / 0 / 48 / 16

HEX #3FD56F

RGB 63 213 111

HSL 139.2, 0.64%, 0.54%

LAB 75.94, -60.81, 39.17

 

CMYK 17 / 0 / 70 / 16

HEX #B0D53F

RGB 176 213 63

HSL 74.8, 0.64%, 0.54%

LAB 80.28, -32.37, 66.28

 

CMYK 20 / 0 / 81 / 9

HEX #BAE82C

RGB 186 232 44

HSL 74.68, 0.8%, 0.54%

LAB 86.17, -37.96, 77.78

 

CMYK 22 / 0 / 90 / 2

HEX #C3FB19

RGB 195 251 25

HSL 74.87, 0.97%, 0.54%

LAB 91.98, -43.36, 86.51

 

CMYK 17 / 0 / 70 / 16

HEX #B0D53F

RGB 176 213 63

HSL 74.8, 0.64%, 0.54%

LAB 80.28, -32.37, 66.28

 

CMYK 14 / 0 / 58 / 24

HEX #A6C252

RGB 166 194 82

HSL 75, 0.48%, 0.54%

LAB 74.38, -26.01, 52.11

 

CMYK 10 / 0 / 42 / 31

HEX #9DAF65

RGB 157 175 101

HSL 74.59, 0.32%, 0.54%

LAB 68.58, -18.26, 35.8

 

CMYK 6 / 0 / 23 / 39

HEX #939C78

RGB 147 156 120

HSL 75, 0.15%, 0.54%

LAB 62.79, -9.67, 17.82

 

CMYK 1 / 1 / 0 / 45

HEX #89898B

RGB 137 137 139

HSL 240, 0.01%, 0.54%

LAB 57.15, 0.4, -1.07

 

CMYK 0 / 21 / 70 / 16

HEX #D5A83F

RGB 213 168 63

HSL 42, 0.64%, 0.54%

LAB 71.22, 5.91, 58.16

 

CMYK 0 / 2 / 70 / 16

HEX #D5D03F

RGB 213 208 63

HSL 58, 0.64%, 0.54%

LAB 81.63, -14.8, 68.53

 

CMYK 16 / 0 / 70 / 16

HEX #B2D53F

RGB 178 213 63

HSL 74, 0.64%, 0.54%

LAB 80.41, -31.57, 66.46

 

CMYK 35 / 0 / 70 / 16

HEX #8AD53F

RGB 138 213 63

HSL 90, 0.64%, 0.54%

LAB 78.08, -46.55, 63.36

 

CMYK 54 / 0 / 70 / 16

HEX #62D53F

RGB 98 213 63

HSL 106, 0.64%, 0.54%

LAB 76.4, -58.88, 61.11

 

CMYK 19 / 0 / 78 / 38

HEX #809E23

RGB 128 158 35

HSL 74.63, 0.64%, 0.38%

LAB 60.93, -27.25, 56.15

 

CMYK 19 / 0 / 78 / 25

HEX #9BC02A

RGB 155 192 42

HSL 74.8, 0.64%, 0.46%

LAB 72.78, -32.03, 65.58

 

CMYK 17 / 0 / 70 / 16

HEX #B0D53F

RGB 176 213 63

HSL 74.8, 0.64%, 0.54%

LAB 80.28, -32.37, 66.28

 

CMYK 14 / 0 / 56 / 14

HEX #BEDC60

RGB 190 220 96

HSL 74.52, 0.64%, 0.62%

LAB 83.43, -27.83, 56.54

 

CMYK 11 / 0 / 43 / 11

HEX #CCE482

RGB 204 228 130

HSL 74.69, 0.64%, 0.7%

LAB 86.97, -22.97, 45.07

 

CMYK 17 / 0 / 71 / 17

HEX #AFD43D

RGB 175 212 61

HSL 74.7, 0.64%, 0.54%

LAB 79.92, -32.41, 66.62

 

CMYK 70 / 0 / 40 / 16

HEX #3FD580

RGB 63 213 128

HSL 146, 0.64%, 0.54%

LAB 76.19, -57.94, 30.95

 

CMYK 12 / 70 / 0 / 16

HEX #BC3FD5

RGB 188 63 213

HSL 290, 0.64%, 0.54%

LAB 50.75, 69.06, -53.16

 

CMYK 17 / 0 / 71 / 17

HEX #AFD43D

RGB 175 212 61

HSL 74.7, 0.64%, 0.54%

LAB 79.92, -32.41, 66.62

 

CMYK 70 / 16 / 0 / 16

HEX #3FB2D5

RGB 63 178 213

HSL 194, 0.64%, 0.54%

LAB 67.8, -20.85, -27.01

 

CMYK 0 / 70 / 16 / 16

HEX #D53FB2

RGB 213 63 178

HSL 314, 0.64%, 0.54%

LAB 52.86, 69.12, -29.36

 

CMYK 17 / 0 / 71 / 17

HEX #AFD43D

RGB 175 212 61

HSL 74.7, 0.64%, 0.54%

LAB 79.92, -32.41, 66.62

 

CMYK 70 / 0 / 40 / 16

HEX #3FD580

RGB 63 213 128

HSL 146, 0.64%, 0.54%

LAB 76.19, -57.94, 30.95

 

CMYK 54 / 70 / 0 / 16

HEX #623FD5

RGB 98 63 213

HSL 254, 0.64%, 0.54%

LAB 39.51, 52.2, -71.9

 

CMYK 0 / 70 / 31 / 16

HEX #D53F94

RGB 213 63 148

HSL 326, 0.64%, 0.54%

LAB 51.65, 65.27, -13.53

 

CMYK 17 / 0 / 71 / 17

HEX #AFD43D

RGB 175 212 61

HSL 74.7, 0.64%, 0.54%

LAB 79.92, -32.41, 66.62

 

CMYK 70 / 0 / 19 / 16

HEX #3FD5AD

RGB 63 213 173

HSL 164, 0.64%, 0.54%

LAB 77.08, -48.41, 8.53

 

CMYK 54 / 70 / 0 / 16

HEX #623FD5

RGB 98 63 213

HSL 254, 0.64%, 0.54%

LAB 39.51, 52.2, -71.9

 

CMYK 0 / 70 / 52 / 16

HEX #D53F67

RGB 213 63 103

HSL 344, 0.64%, 0.54%

LAB 50.31, 60.8, 11.57

 

Description

Color code: HEX #AFD43D | qconv.com Color code: HEX #AFD43D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 212 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 212 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 71 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 71% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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