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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFD3F6 it is the complementary color #502C09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFD3F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFD3F6 shade: #B4D3F1, #C5E5FF, #D6F7FF, #E7FFFF and #F8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFD3F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFD3F6 shade: #AFD3F6, #9EC1E3, #8DAFD0, #7C9DBD and #6B8BAA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFD3F6 shade: #B1D4F6, #B1C1F6, #B3B1F6, #C6B1F6 and #D9B1F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFD3F6 shade: #B1D4F6, #B1C1F6 and #B1B1F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFD3F6 shade matches the following richer shades: #B1D4F6 and #AAD4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFD3F6 shade: #B1D4F6, #B8D4EF, #BFD4E8, #C6D4E1 and #CDD4DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFD3F6 shade: #B1F6F3, #B1E7F6, #B1D5F6, #B1C2F6 and #B2B1F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFD3F6 shade: #67ABEE, #8CC0F2, #B1D4F6, #D6E9FA and #FBFDFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFD3F6 shade: #AFD3F6, #E0B1F6 and #F1F6B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFD3F6 shade: #AFD3F6, #F6B1D5 and #D5F6B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFD3F6 shade: #AFD3F6, #E0B1F6, #F6D2B1 and #C7F6B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFD3F6 shade: #AFD3F6, #F5B1F6, #F6D2B1 and #B2F6B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 14 / 0 / 4

HEX #AFD3F6

RGB 175 211 246

HSL 209.58, 0.8%, 0.83%

LAB 83.1, -4.03, -21.04

 

Complementary color

CMYK 0 / 45 / 89 / 69

HEX #502C09

RGB 80 44 9

HSL 29.58, 0.8%, 0.17%

LAB 22.04, 13.62, 27.78

 

CMYK 25 / 12 / 0 / 5

HEX #B4D3F1

RGB 180 211 241

HSL 209.51, 0.69%, 0.83%

LAB 83.25, -3.74, -18.12

 

CMYK 23 / 10 / 0 / 0

HEX #C5E5FF

RGB 197 229 255

HSL 206.9, 1%, 0.89%

LAB 89.45, -4.96, -16.07

 

CMYK 16 / 3 / 0 / 0

HEX #D6F7FF

RGB 214 247 255

HSL 191.71, 1%, 0.92%

LAB 95.18, -9.02, -7.43

 

CMYK 9 / 0 / 0 / 0

HEX #E7FFFF

RGB 231 255 255

HSL 180, 1%, 0.95%

LAB 98.32, -7.74, -2.66

 

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

 

CMYK 29 / 14 / 0 / 4

HEX #AFD3F6

RGB 175 211 246

HSL 209.58, 0.8%, 0.83%

LAB 83.1, -4.03, -21.04

 

CMYK 30 / 15 / 0 / 11

HEX #9EC1E3

RGB 158 193 227

HSL 209.57, 0.55%, 0.75%

LAB 76.65, -3.87, -20.75

 

CMYK 32 / 16 / 0 / 18

HEX #8DAFD0

RGB 141 175 208

HSL 209.55, 0.42%, 0.68%

LAB 70.09, -3.71, -20.47

 

CMYK 34 / 17 / 0 / 26

HEX #7C9DBD

RGB 124 157 189

HSL 209.54, 0.33%, 0.61%

LAB 63.4, -3.52, -20.2

 

CMYK 37 / 18 / 0 / 33

HEX #6B8BAA

RGB 107 139 170

HSL 209.52, 0.27%, 0.54%

LAB 56.58, -3.3, -19.95

 

CMYK 28 / 14 / 0 / 4

HEX #B1D4F6

RGB 177 212 246

HSL 209.57, 0.79%, 0.83%

LAB 83.49, -3.98, -20.44

 

CMYK 28 / 22 / 0 / 4

HEX #B1C1F6

RGB 177 193 246

HSL 226.09, 0.79%, 0.83%

LAB 78.54, 6.18, -27.97

 

CMYK 27 / 28 / 0 / 4

HEX #B3B1F6

RGB 179 177 246

HSL 241.74, 0.79%, 0.83%

LAB 74.62, 15.54, -33.99

 

CMYK 20 / 28 / 0 / 4

HEX #C6B1F6

RGB 198 177 246

HSL 258.26, 0.79%, 0.83%

LAB 76.13, 21.15, -31.54

 

CMYK 12 / 28 / 0 / 4

HEX #D9B1F6

RGB 217 177 246

HSL 274.78, 0.79%, 0.83%

LAB 77.79, 26.97, -28.86

 

CMYK 28 / 14 / 0 / 4

HEX #B1D4F6

RGB 177 212 246

HSL 209.57, 0.79%, 0.83%

LAB 83.49, -3.98, -20.44

 

CMYK 28 / 22 / 0 / 4

HEX #B1C1F6

RGB 177 193 246

HSL 226.09, 0.79%, 0.83%

LAB 78.54, 6.18, -27.97

 

CMYK 28 / 28 / 0 / 4

HEX #B1B1F6

RGB 177 177 246

HSL 240, 0.79%, 0.83%

LAB 74.47, 14.96, -34.24

 

CMYK 28 / 14 / 0 / 4

HEX #B1D4F6

RGB 177 212 246

HSL 209.57, 0.79%, 0.83%

LAB 83.49, -3.98, -20.44

 

CMYK 33 / 16 / 0 / 1

HEX #AAD4FD

RGB 170 212 253

HSL 209.64, 0.95%, 0.83%

LAB 83.3, -4.27, -24.48

 

CMYK 28 / 14 / 0 / 4

HEX #B1D4F6

RGB 177 212 246

HSL 209.57, 0.79%, 0.83%

LAB 83.49, -3.98, -20.44

 

CMYK 23 / 11 / 0 / 6

HEX #B8D4EF

RGB 184 212 239

HSL 209.45, 0.63%, 0.83%

LAB 83.71, -3.52, -16.35

 

CMYK 18 / 9 / 0 / 9

HEX #BFD4E8

RGB 191 212 232

HSL 209.27, 0.47%, 0.83%

LAB 83.96, -2.91, -12.21

 

CMYK 12 / 6 / 0 / 12

HEX #C6D4E1

RGB 198 212 225

HSL 208.89, 0.31%, 0.83%

LAB 84.24, -2.15, -8.02

 

CMYK 6 / 3 / 0 / 15

HEX #CDD4DA

RGB 205 212 218

HSL 207.69, 0.15%, 0.83%

LAB 84.55, -1.23, -3.79

 

CMYK 28 / 0 / 1 / 4

HEX #B1F6F3

RGB 177 246 243

HSL 177.39, 0.79%, 0.83%

LAB 92.46, -21.91, -5.47

 

CMYK 28 / 6 / 0 / 4

HEX #B1E7F6

RGB 177 231 246

HSL 193.04, 0.79%, 0.83%

LAB 88.52, -13.78, -12.87

 

CMYK 28 / 13 / 0 / 4

HEX #B1D5F6

RGB 177 213 246

HSL 208.7, 0.79%, 0.83%

LAB 83.75, -4.5, -20.04

 

CMYK 28 / 21 / 0 / 4

HEX #B1C2F6

RGB 177 194 246

HSL 225.22, 0.79%, 0.83%

LAB 78.8, 5.64, -27.58

 

CMYK 28 / 28 / 0 / 4

HEX #B2B1F6

RGB 178 177 246

HSL 240.87, 0.79%, 0.83%

LAB 74.55, 15.25, -34.11

 

CMYK 57 / 28 / 0 / 7

HEX #67ABEE

RGB 103 171 238

HSL 209.78, 0.8%, 0.67%

LAB 68.15, -2.35, -40.05

 

CMYK 42 / 21 / 0 / 5

HEX #8CC0F2

RGB 140 192 242

HSL 209.41, 0.8%, 0.75%

LAB 75.88, -4.33, -30.11

 

CMYK 28 / 14 / 0 / 4

HEX #B1D4F6

RGB 177 212 246

HSL 209.57, 0.79%, 0.83%

LAB 83.49, -3.98, -20.44

 

CMYK 14 / 7 / 0 / 2

HEX #D6E9FA

RGB 214 233 250

HSL 208.33, 0.78%, 0.91%

LAB 91.45, -2.91, -10.36

 

CMYK 2 / 1 / 0 / 0

HEX #FBFDFF

RGB 251 253 255

HSL 210, 1%, 0.99%

LAB 99.21, -0.3, -1.19

 

CMYK 29 / 14 / 0 / 4

HEX #AFD3F6

RGB 175 211 246

HSL 209.58, 0.8%, 0.83%

LAB 83.1, -4.03, -21.04

 

CMYK 9 / 28 / 0 / 4

HEX #E0B1F6

RGB 224 177 246

HSL 280.87, 0.79%, 0.83%

LAB 78.43, 29.15, -27.81

 

CMYK 2 / 0 / 28 / 4

HEX #F1F6B1

RGB 241 246 177

HSL 64.35, 0.79%, 0.83%

LAB 95.07, -12.31, 32.73

 

CMYK 29 / 14 / 0 / 4

HEX #AFD3F6

RGB 175 211 246

HSL 209.58, 0.8%, 0.83%

LAB 83.1, -4.03, -21.04

 

CMYK 0 / 28 / 13 / 4

HEX #F6B1D5

RGB 246 177 213

HSL 328.7, 0.79%, 0.83%

LAB 79.52, 30.44, -8.14

 

CMYK 13 / 0 / 28 / 4

HEX #D5F6B1

RGB 213 246 177

HSL 88.7, 0.79%, 0.83%

LAB 93.12, -22.41, 29.76

 

CMYK 29 / 14 / 0 / 4

HEX #AFD3F6

RGB 175 211 246

HSL 209.58, 0.8%, 0.83%

LAB 83.1, -4.03, -21.04

 

CMYK 9 / 28 / 0 / 4

HEX #E0B1F6

RGB 224 177 246

HSL 280.87, 0.79%, 0.83%

LAB 78.43, 29.15, -27.81

 

CMYK 0 / 15 / 28 / 4

HEX #F6D2B1

RGB 246 210 177

HSL 28.7, 0.79%, 0.83%

LAB 86.43, 7.82, 21.04

 

CMYK 19 / 0 / 28 / 4

HEX #C7F6B1

RGB 199 246 177

HSL 100.87, 0.79%, 0.83%

LAB 92.23, -27.26, 28.42

 

CMYK 29 / 14 / 0 / 4

HEX #AFD3F6

RGB 175 211 246

HSL 209.58, 0.8%, 0.83%

LAB 83.1, -4.03, -21.04

 

CMYK 0 / 28 / 0 / 4

HEX #F5B1F6

RGB 245 177 246

HSL 299.13, 0.79%, 0.83%

LAB 80.47, 35.76, -24.52

 

CMYK 0 / 15 / 28 / 4

HEX #F6D2B1

RGB 246 210 177

HSL 28.7, 0.79%, 0.83%

LAB 86.43, 7.82, 21.04

 

CMYK 28 / 0 / 28 / 4

HEX #B2F6B1

RGB 178 246 177

HSL 119.13, 0.79%, 0.83%

LAB 91.03, -34.21, 26.58

 

Description

Color code: HEX #AFD3F6 | qconv.com Color code: HEX #AFD3F6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 211 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 211 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 14 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 14% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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