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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFD059 it is the complementary color #502FA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFD059. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFD059 shade: #B4D054, #C5E267, #D6F47A, #E7FF8D and #F8FFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFD059. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFD059 shade: #AFD059, #9EBE46, #8DAC33, #7C9A20 and #6B880D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFD059 shade: #AFD058, #CFD058, #D0B058, #D09058 and #D07058

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFD059 shade: #AFD058, #8ED058, #6ED058, #58D062 and #58D083

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFD059 shade matches the following richer shades: #AFD058, #B6E147 and #BEF335

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFD059 shade: #AFD058, #A7BF69, #9FAD7B, #979C8C and #908B9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFD059 shade: #D0B058, #D0D058, #B0D058, #90D058 and #70D058

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFD059 shade: #85A62F, #9FC738, #AFD058, #BED978 and #CEE298

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFD059 shade: #AFD059, #58D090 and #C058D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFD059 shade: #AFD059, #58B0D0 and #D058B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFD059 shade: #AFD059, #58D090, #7858D0 and #D05898

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFD059 shade: #AFD059, #58D0B4, #7858D0 and #D05874

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 57 / 18

HEX #AFD059

RGB 175 208 89

HSL 76.64, 0.56%, 0.58%

LAB 79.01, -28.58, 54.37

 

Complementary color

CMYK 52 / 72 / 0 / 35

HEX #502FA6

RGB 80 47 166

HSL 256.64, 0.56%, 0.42%

LAB 30.62, 44.24, -58.86

 

CMYK 13 / 0 / 60 / 18

HEX #B4D054

RGB 180 208 84

HSL 73.55, 0.57%, 0.57%

LAB 79.3, -27.01, 56.99

 

CMYK 13 / 0 / 54 / 11

HEX #C5E267

RGB 197 226 103

HSL 74.15, 0.68%, 0.65%

LAB 85.63, -27.35, 56.05

 

CMYK 12 / 0 / 50 / 4

HEX #D6F47A

RGB 214 244 122

HSL 74.75, 0.85%, 0.72%

LAB 91.87, -27.62, 55

 

CMYK 9 / 0 / 45 / 0

HEX #E7FF8D

RGB 231 255 141

HSL 72.63, 1%, 0.78%

LAB 96.18, -24.53, 51.64

 

CMYK 3 / 0 / 37 / 0

HEX #F8FFA0

RGB 248 255 160

HSL 64.42, 1%, 0.81%

LAB 97.64, -16.13, 44.62

 

CMYK 16 / 0 / 57 / 18

HEX #AFD059

RGB 175 208 89

HSL 76.64, 0.56%, 0.58%

LAB 79.01, -28.58, 54.37

 

CMYK 17 / 0 / 63 / 25

HEX #9EBE46

RGB 158 190 70

HSL 76, 0.48%, 0.51%

LAB 72.59, -28.23, 55.22

 

CMYK 18 / 0 / 70 / 33

HEX #8DAC33

RGB 141 172 51

HSL 75.37, 0.54%, 0.44%

LAB 66.06, -27.76, 55.75

 

CMYK 19 / 0 / 79 / 40

HEX #7C9A20

RGB 124 154 32

HSL 74.75, 0.66%, 0.36%

LAB 59.43, -27.12, 55.62

 

CMYK 21 / 0 / 90 / 47

HEX #6B880D

RGB 107 136 13

HSL 74.15, 0.83%, 0.29%

LAB 52.69, -26.23, 54.23

 

CMYK 16 / 0 / 58 / 18

HEX #AFD058

RGB 175 208 88

HSL 76.5, 0.56%, 0.58%

LAB 79, -28.66, 54.8

 

CMYK 0 / 0 / 58 / 18

HEX #CFD058

RGB 207 208 88

HSL 60.5, 0.56%, 0.58%

LAB 81.34, -15.79, 58.06

 

CMYK 0 / 15 / 58 / 18

HEX #D0B058

RGB 208 176 88

HSL 44, 0.56%, 0.58%

LAB 73, 1.1, 48.64

 

CMYK 0 / 31 / 58 / 18

HEX #D09058

RGB 208 144 88

HSL 28, 0.56%, 0.58%

LAB 65.01, 18.34, 39.17

 

CMYK 0 / 46 / 58 / 18

HEX #D07058

RGB 208 112 88

HSL 12, 0.56%, 0.58%

LAB 57.75, 35.52, 30.16

 

CMYK 16 / 0 / 58 / 18

HEX #AFD058

RGB 175 208 88

HSL 76.5, 0.56%, 0.58%

LAB 79, -28.66, 54.8

 

CMYK 32 / 0 / 58 / 18

HEX #8ED058

RGB 142 208 88

HSL 93, 0.56%, 0.58%

LAB 77.02, -40.97, 52.02

 

CMYK 47 / 0 / 58 / 18

HEX #6ED058

RGB 110 208 88

HSL 109, 0.56%, 0.58%

LAB 75.53, -51.3, 49.92

 

CMYK 58 / 0 / 53 / 18

HEX #58D062

RGB 88 208 98

HSL 125, 0.56%, 0.58%

LAB 74.87, -55.9, 44.29

 

CMYK 58 / 0 / 37 / 18

HEX #58D083

RGB 88 208 131

HSL 141.5, 0.56%, 0.58%

LAB 75.34, -50.74, 28.39

 

CMYK 16 / 0 / 58 / 18

HEX #AFD058

RGB 175 208 88

HSL 76.5, 0.56%, 0.58%

LAB 79, -28.66, 54.8

 

CMYK 19 / 0 / 68 / 12

HEX #B6E147

RGB 182 225 71

HSL 76.75, 0.72%, 0.58%

LAB 84.1, -35.07, 67.33

 

CMYK 22 / 0 / 78 / 5

HEX #BEF335

RGB 190 243 53

HSL 76.74, 0.89%, 0.58%

LAB 89.54, -40.96, 78.52

 

CMYK 16 / 0 / 58 / 18

HEX #AFD058

RGB 175 208 88

HSL 76.5, 0.56%, 0.58%

LAB 79, -28.66, 54.8

 

CMYK 13 / 0 / 45 / 25

HEX #A7BF69

RGB 167 191 105

HSL 76.74, 0.4%, 0.58%

LAB 73.87, -21.89, 40.53

 

CMYK 8 / 0 / 29 / 32

HEX #9FAD7B

RGB 159 173 123

HSL 76.8, 0.23%, 0.58%

LAB 68.52, -13.56, 24.12

 

CMYK 3 / 0 / 10 / 39

HEX #979C8C

RGB 151 156 140

HSL 78.75, 0.07%, 0.58%

LAB 63.55, -4.79, 7.76

 

CMYK 8 / 11 / 0 / 38

HEX #908B9D

RGB 144 139 157

HSL 256.67, 0.08%, 0.58%

LAB 58.82, 5.47, -8.87

 

CMYK 0 / 15 / 58 / 18

HEX #D0B058

RGB 208 176 88

HSL 44, 0.56%, 0.58%

LAB 73, 1.1, 48.64

 

CMYK 0 / 0 / 58 / 18

HEX #D0D058

RGB 208 208 88

HSL 60, 0.56%, 0.58%

LAB 81.42, -15.38, 58.17

 

CMYK 15 / 0 / 58 / 18

HEX #B0D058

RGB 176 208 88

HSL 76, 0.56%, 0.58%

LAB 79.07, -28.27, 54.9

 

CMYK 31 / 0 / 58 / 18

HEX #90D058

RGB 144 208 88

HSL 92, 0.56%, 0.58%

LAB 77.13, -40.26, 52.17

 

CMYK 46 / 0 / 58 / 18

HEX #70D058

RGB 112 208 88

HSL 108, 0.56%, 0.58%

LAB 75.61, -50.71, 50.03

 

CMYK 20 / 0 / 72 / 35

HEX #85A62F

RGB 133 166 47

HSL 76.64, 0.56%, 0.42%

LAB 63.72, -28.39, 54.75

 

CMYK 20 / 0 / 72 / 22

HEX #9FC738

RGB 159 199 56

HSL 76.78, 0.56%, 0.5%

LAB 75.14, -32.99, 63.33

 

CMYK 16 / 0 / 58 / 18

HEX #AFD058

RGB 175 208 88

HSL 76.5, 0.56%, 0.58%

LAB 79, -28.66, 54.8

 

CMYK 12 / 0 / 45 / 15

HEX #BED978

RGB 190 217 120

HSL 76.7, 0.56%, 0.66%

LAB 82.88, -24.08, 44.64

 

CMYK 9 / 0 / 33 / 11

HEX #CEE298

RGB 206 226 152

HSL 76.22, 0.56%, 0.74%

LAB 86.89, -18.62, 34.04

 

CMYK 16 / 0 / 57 / 18

HEX #AFD059

RGB 175 208 89

HSL 76.64, 0.56%, 0.58%

LAB 79.01, -28.58, 54.37

 

CMYK 58 / 0 / 31 / 18

HEX #58D090

RGB 88 208 144

HSL 148, 0.56%, 0.58%

LAB 75.58, -48.29, 21.92

 

CMYK 8 / 58 / 0 / 18

HEX #C058D0

RGB 192 88 208

HSL 292, 0.56%, 0.58%

LAB 54.8, 58.62, -43.81

 

CMYK 16 / 0 / 57 / 18

HEX #AFD059

RGB 175 208 89

HSL 76.64, 0.56%, 0.58%

LAB 79.01, -28.58, 54.37

 

CMYK 58 / 15 / 0 / 18

HEX #58B0D0

RGB 88 176 208

HSL 196, 0.56%, 0.58%

LAB 67.78, -17.2, -24.22

 

CMYK 0 / 58 / 15 / 18

HEX #D058B0

RGB 208 88 176

HSL 316, 0.56%, 0.58%

LAB 55.61, 57.54, -24

 

CMYK 16 / 0 / 57 / 18

HEX #AFD059

RGB 175 208 89

HSL 76.64, 0.56%, 0.58%

LAB 79.01, -28.58, 54.37

 

CMYK 58 / 0 / 31 / 18

HEX #58D090

RGB 88 208 144

HSL 148, 0.56%, 0.58%

LAB 75.58, -48.29, 21.92

 

CMYK 42 / 58 / 0 / 18

HEX #7858D0

RGB 120 88 208

HSL 256, 0.56%, 0.58%

LAB 46.35, 41.12, -57.81

 

CMYK 0 / 58 / 27 / 18

HEX #D05898

RGB 208 88 152

HSL 328, 0.56%, 0.58%

LAB 54.72, 54.15, -11.36

 

CMYK 16 / 0 / 57 / 18

HEX #AFD059

RGB 175 208 89

HSL 76.64, 0.56%, 0.58%

LAB 79.01, -28.58, 54.37

 

CMYK 58 / 0 / 13 / 18

HEX #58D0B4

RGB 88 208 180

HSL 166, 0.56%, 0.58%

LAB 76.36, -40.36, 3.84

 

CMYK 42 / 58 / 0 / 18

HEX #7858D0

RGB 120 88 208

HSL 256, 0.56%, 0.58%

LAB 46.35, 41.12, -57.81

 

CMYK 0 / 58 / 44 / 18

HEX #D05874

RGB 208 88 116

HSL 346, 0.56%, 0.58%

LAB 53.65, 49.96, 8.37

 

Description

Color code: HEX #AFD059 | qconv.com Color code: HEX #AFD059 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 208 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 208 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 57 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 57% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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