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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFCC72 it is the complementary color #50338D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFCC72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFCC72 shade: #B4CC6D, #C5DE80, #D6F093, #E7FFA6 and #F8FFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFCC72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFCC72 shade: #AFCC72, #9EBA5F, #8DA84C, #7C9639 and #6B8426

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFCC72 shade: #AECC71, #C7CC71, #CCB871, #CC9F71 and #CC8771

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFCC72 shade: #AECC71, #96CC71, #7DCC71, #71CC7D and #71CC95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFCC72 shade matches the following richer shades: #AECC71, #B4DB61, #B9EB51 and #BFFB42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFCC72 shade: #AECC71, #A9BC80, #A3AC90, #9E9DA0 and #988DAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFCC72 shade: #CCB871, #C7CC71, #AFCC71, #97CC71 and #7ECC71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFCC72 shade: #88AC3E, #9DC152, #AECC71, #BFD78F and #D1E2AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFCC72 shade: #AFCC72, #71CCA0 and #C471CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFCC72 shade: #AFCC72, #71AFCC and #CC71AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFCC72 shade: #AFCC72, #71CCA0, #8D71CC and #CC719D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFCC72 shade: #AFCC72, #71CCBB, #8D71CC and #CC7181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 44 / 20

HEX #AFCC72

RGB 175 204 114

HSL 79.33, 0.47%, 0.62%

LAB 78.18, -24.17, 41.53

 

Complementary color

CMYK 43 / 64 / 0 / 45

HEX #50338D

RGB 80 51 141

HSL 259.33, 0.47%, 0.38%

LAB 29.4, 34.7, -45.59

 

CMYK 12 / 0 / 47 / 20

HEX #B4CC6D

RGB 180 204 109

HSL 75.16, 0.48%, 0.61%

LAB 78.46, -22.79, 44.42

 

CMYK 11 / 0 / 42 / 13

HEX #C5DE80

RGB 197 222 128

HSL 75.96, 0.59%, 0.69%

LAB 84.83, -22.95, 43.26

 

CMYK 11 / 0 / 39 / 6

HEX #D6F093

RGB 214 240 147

HSL 76.77, 0.76%, 0.76%

LAB 91.11, -23.07, 42.13

 

CMYK 9 / 0 / 35 / 0

HEX #E7FFA6

RGB 231 255 166

HSL 76.18, 1%, 0.83%

LAB 96.52, -21.73, 40

 

CMYK 3 / 0 / 27 / 0

HEX #F8FFB9

RGB 248 255 185

HSL 66, 1%, 0.86%

LAB 98.03, -13.14, 32.77

 

CMYK 14 / 0 / 44 / 20

HEX #AFCC72

RGB 175 204 114

HSL 79.33, 0.47%, 0.62%

LAB 78.18, -24.17, 41.53

 

CMYK 15 / 0 / 49 / 27

HEX #9EBA5F

RGB 158 186 95

HSL 78.46, 0.4%, 0.55%

LAB 71.7, -24.04, 42.69

 

CMYK 16 / 0 / 55 / 34

HEX #8DA84C

RGB 141 168 76

HSL 77.61, 0.38%, 0.48%

LAB 65.11, -23.84, 43.82

 

CMYK 17 / 0 / 62 / 41

HEX #7C9639

RGB 124 150 57

HSL 76.77, 0.45%, 0.41%

LAB 58.41, -23.54, 44.83

 

CMYK 19 / 0 / 71 / 48

HEX #6B8426

RGB 107 132 38

HSL 75.96, 0.55%, 0.33%

LAB 51.57, -23.1, 45.48

 

CMYK 15 / 0 / 45 / 20

HEX #AECC71

RGB 174 204 113

HSL 79.78, 0.47%, 0.62%

LAB 78.1, -24.66, 41.91

 

CMYK 2 / 0 / 45 / 20

HEX #C7CC71

RGB 199 204 113

HSL 63.3, 0.47%, 0.62%

LAB 79.91, -14.88, 44.55

 

CMYK 0 / 10 / 45 / 20

HEX #CCB871

RGB 204 184 113

HSL 46.81, 0.47%, 0.62%

LAB 75.02, -2.57, 38.56

 

CMYK 0 / 22 / 45 / 20

HEX #CC9F71

RGB 204 159 113

HSL 30.33, 0.47%, 0.62%

LAB 68.62, 10.81, 30.36

 

CMYK 0 / 34 / 45 / 20

HEX #CC8771

RGB 204 135 113

HSL 14.51, 0.47%, 0.62%

LAB 62.81, 23.89, 22.66

 

CMYK 15 / 0 / 45 / 20

HEX #AECC71

RGB 174 204 113

HSL 79.78, 0.47%, 0.62%

LAB 78.1, -24.66, 41.91

 

CMYK 26 / 0 / 45 / 20

HEX #96CC71

RGB 150 204 113

HSL 95.6, 0.47%, 0.62%

LAB 76.6, -33.54, 39.71

 

CMYK 39 / 0 / 45 / 20

HEX #7DCC71

RGB 125 204 113

HSL 112.09, 0.47%, 0.62%

LAB 75.29, -41.95, 37.78

 

CMYK 45 / 0 / 39 / 20

HEX #71CC7D

RGB 113 204 125

HSL 127.91, 0.47%, 0.62%

LAB 74.94, -43.75, 31.12

 

CMYK 45 / 0 / 27 / 20

HEX #71CC95

RGB 113 204 149

HSL 143.74, 0.47%, 0.62%

LAB 75.37, -39.49, 19.13

 

CMYK 15 / 0 / 45 / 20

HEX #AECC71

RGB 174 204 113

HSL 79.78, 0.47%, 0.62%

LAB 78.1, -24.66, 41.91

 

CMYK 18 / 0 / 56 / 14

HEX #B4DB61

RGB 180 219 97

HSL 79.18, 0.63%, 0.62%

LAB 82.5, -31.13, 54.85

 

CMYK 21 / 0 / 66 / 8

HEX #B9EB51

RGB 185 235 81

HSL 79.48, 0.79%, 0.62%

LAB 87.16, -37.8, 66.76

 

CMYK 24 / 0 / 74 / 2

HEX #BFFB42

RGB 191 251 66

HSL 79.46, 0.96%, 0.62%

LAB 91.89, -43.49, 76.9

 

CMYK 15 / 0 / 45 / 20

HEX #AECC71

RGB 174 204 113

HSL 79.78, 0.47%, 0.62%

LAB 78.1, -24.66, 41.91

 

CMYK 10 / 0 / 32 / 26

HEX #A9BC80

RGB 169 188 128

HSL 79, 0.31%, 0.62%

LAB 73.52, -16.74, 28.26

 

CMYK 5 / 0 / 16 / 33

HEX #A3AC90

RGB 163 172 144

HSL 79.29, 0.14%, 0.62%

LAB 68.97, -8.25, 13.35

 

CMYK 1 / 2 / 0 / 37

HEX #9E9DA0

RGB 158 157 160

HSL 260, 0.02%, 0.62%

LAB 64.9, 0.94, -1.44

 

CMYK 13 / 19 / 0 / 31

HEX #988DAF

RGB 152 141 175

HSL 259.41, 0.18%, 0.62%

LAB 60.62, 10.96, -16.34

 

CMYK 0 / 10 / 45 / 20

HEX #CCB871

RGB 204 184 113

HSL 46.81, 0.47%, 0.62%

LAB 75.02, -2.57, 38.56

 

CMYK 2 / 0 / 45 / 20

HEX #C7CC71

RGB 199 204 113

HSL 63.3, 0.47%, 0.62%

LAB 79.91, -14.88, 44.55

 

CMYK 14 / 0 / 45 / 20

HEX #AFCC71

RGB 175 204 113

HSL 79.12, 0.47%, 0.62%

LAB 78.16, -24.28, 42.01

 

CMYK 26 / 0 / 45 / 20

HEX #97CC71

RGB 151 204 113

HSL 94.95, 0.47%, 0.62%

LAB 76.65, -33.18, 39.79

 

CMYK 38 / 0 / 45 / 20

HEX #7ECC71

RGB 126 204 113

HSL 111.43, 0.47%, 0.62%

LAB 75.34, -41.64, 37.85

 

CMYK 21 / 0 / 64 / 33

HEX #88AC3E

RGB 136 172 62

HSL 79.64, 0.47%, 0.46%

LAB 65.82, -29.02, 50.91

 

CMYK 19 / 0 / 58 / 24

HEX #9DC152

RGB 157 193 82

HSL 79.46, 0.47%, 0.54%

LAB 73.49, -29.08, 50.94

 

CMYK 15 / 0 / 45 / 20

HEX #AECC71

RGB 174 204 113

HSL 79.78, 0.47%, 0.62%

LAB 78.1, -24.66, 41.91

 

CMYK 11 / 0 / 33 / 16

HEX #BFD78F

RGB 191 215 143

HSL 80, 0.47%, 0.7%

LAB 82.73, -19.95, 32.95

 

CMYK 8 / 0 / 23 / 11

HEX #D1E2AD

RGB 209 226 173

HSL 79.25, 0.48%, 0.78%

LAB 87.47, -14.62, 24.08

 

CMYK 14 / 0 / 44 / 20

HEX #AFCC72

RGB 175 204 114

HSL 79.33, 0.47%, 0.62%

LAB 78.18, -24.17, 41.53

 

CMYK 45 / 0 / 22 / 20

HEX #71CCA0

RGB 113 204 160

HSL 150.99, 0.47%, 0.62%

LAB 75.6, -37.29, 13.59

 

CMYK 4 / 45 / 0 / 20

HEX #C471CC

RGB 196 113 204

HSL 294.73, 0.47%, 0.62%

LAB 59.8, 46.61, -33.66

 

CMYK 14 / 0 / 44 / 20

HEX #AFCC72

RGB 175 204 114

HSL 79.33, 0.47%, 0.62%

LAB 78.18, -24.17, 41.53

 

CMYK 45 / 14 / 0 / 20

HEX #71AFCC

RGB 113 175 204

HSL 199.12, 0.47%, 0.62%

LAB 68.41, -12.27, -20.97

 

CMYK 0 / 45 / 14 / 20

HEX #CC71AF

RGB 204 113 175

HSL 319.12, 0.47%, 0.62%

LAB 59.66, 43.99, -17.29

 

CMYK 14 / 0 / 44 / 20

HEX #AFCC72

RGB 175 204 114

HSL 79.33, 0.47%, 0.62%

LAB 78.18, -24.17, 41.53

 

CMYK 45 / 0 / 22 / 20

HEX #71CCA0

RGB 113 204 160

HSL 150.99, 0.47%, 0.62%

LAB 75.6, -37.29, 13.59

 

CMYK 31 / 45 / 0 / 20

HEX #8D71CC

RGB 141 113 204

HSL 258.46, 0.47%, 0.62%

LAB 53.85, 30.78, -43.43

 

CMYK 0 / 45 / 23 / 20

HEX #CC719D

RGB 204 113 157

HSL 330.99, 0.47%, 0.62%

LAB 59.05, 41.24, -7.84

 

CMYK 14 / 0 / 44 / 20

HEX #AFCC72

RGB 175 204 114

HSL 79.33, 0.47%, 0.62%

LAB 78.18, -24.17, 41.53

 

CMYK 45 / 0 / 8 / 20

HEX #71CCBB

RGB 113 204 187

HSL 168.79, 0.47%, 0.62%

LAB 76.24, -31.3, 0

 

CMYK 31 / 45 / 0 / 20

HEX #8D71CC

RGB 141 113 204

HSL 258.46, 0.47%, 0.62%

LAB 53.85, 30.78, -43.43

 

CMYK 0 / 45 / 37 / 20

HEX #CC7181

RGB 204 113 129

HSL 349.45, 0.47%, 0.62%

LAB 58.26, 37.52, 7.22

 

Description

Color code: HEX #AFCC72 | qconv.com Color code: HEX #AFCC72 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 204 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 204 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 44 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 44% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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