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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFC998CE it is the complementary color #503667CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFC998CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFC998CE shade: #B4C993CE, #C5DBA6CE, #D6EDB9CE, #E7FFCCCE and #F8FFDFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFC998CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFC998CE shade: #AFC998CE, #9EB785CE, #8DA572CE, #7C935FCE and #6B814CCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFC998CE shade: #AEC897, #BCC897, #C8C897, #C8BB97 and #C8AE97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFC998CE shade: #AEC897, #A1C897, #97C89B, #97C8A8 and #97C8B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFC998CE shade matches the following richer shades: #AEC897, #AED58B, #ADE27E, #ACEF71 and #ABFC64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFC998CE shade: #AEC897, #AFBCA4, #B0AFB1, #B1A2BE and #B295CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFC998CE shade: #C8C897, #BCC897, #AFC897, #A2C897 and #97C89A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFC998CE shade: #84AC61, #99BA7C, #AEC897, #C3D7B2 and #D8E5CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFC998CE shade: #AFC998, #97C8BB and #C897C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFC998CE shade: #AFC998, #97AFC8 and #C897AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFC998CE shade: #AFC998, #97C8BB, #B197C8 and #C897A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFC998CE shade: #AFC998, #97C8C8, #B197C8 and #C89897

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 20 / 17

HEX #AFC998CE

RGBA 175 201 152 0.81

HSLA 91.84, 0.31%, 0.69%, 0.81

LABA 77.97, -17.55, 21.65, 0.81

 

Complementary color

CMYK 18 / 39 / 0 / 48

HEX #503667CE

RGBA 80 54 103 0.81

HSLA 271.84, 0.31%, 0.31%, 0.81

LABA 27.64, 22.25, -24.46, 0.81

 

CMYK 8 / 0 / 22 / 17

HEX #B4C993CE

RGBA 180 201 147 0.81

HSLA 83.33, 0.33%, 0.68%, 0.81

LABA 78.22, -16.49, 24.69, 0.81

 

CMYK 8 / 0 / 20 / 11

HEX #C5DBA6CE

RGBA 197 219 166 0.81

HSLA 84.91, 0.42%, 0.75%, 0.81

LABA 84.63, -16.49, 23.69, 0.81

 

CMYK 8 / 0 / 18 / 6

HEX #D6EDB9CE

RGBA 214 237 185 0.81

HSLA 86.54, 0.59%, 0.83%, 0.81

LABA 90.95, -16.49, 22.73, 0.81

 

CMYK 8 / 0 / 16 / 0

HEX #E7FFCCCE

RGBA 231 255 204 0.81

HSLA 88.24, 1%, 0.9%, 0.81

LABA 97.17, -16.49, 21.81, 0.81

 

CMYK 2 / 0 / 10 / 0

HEX #F8FFDFCE

RGBA 248 255 223 0.81

HSLA 73.13, 1%, 0.94%, 0.81

LABA 98.75, -7.68, 14.51, 0.81

 

CMYK 10 / 0 / 20 / 17

HEX #AFC998CE

RGBA 175 201 152 0.81

HSLA 91.84, 0.31%, 0.69%, 0.81

LABA 77.97, -17.55, 21.65, 0.81

 

CMYK 11 / 0 / 22 / 23

HEX #9EB785CE

RGBA 158 183 133 0.81

HSLA 90, 0.26%, 0.62%, 0.81

LABA 71.44, -17.6, 22.67, 0.81

 

CMYK 12 / 0 / 25 / 29

HEX #8DA572CE

RGBA 141 165 114 0.81

HSLA 88.24, 0.22%, 0.55%, 0.81

LABA 64.79, -17.64, 23.76, 0.81

 

CMYK 13 / 0 / 29 / 34

HEX #7C935FCE

RGBA 124 147 95 0.81

HSLA 86.54, 0.21%, 0.47%, 0.81

LABA 58.02, -17.67, 24.91, 0.81

 

CMYK 14 / 0 / 33 / 40

HEX #6B814CCE

RGBA 107 129 76 0.81

HSLA 84.91, 0.26%, 0.4%, 0.81

LABA 51.09, -17.68, 26.14, 0.81

 

CMYK 13 / 0 / 25 / 22

HEX #AEC897

RGB 174 200 151

HSL 91.84, 0.31%, 0.69%

LAB 77.6, -17.57, 21.67

 

CMYK 6 / 0 / 25 / 22

HEX #BCC897

RGB 188 200 151

HSL 74.69, 0.31%, 0.69%

LAB 78.6, -12.42, 23.2

 

CMYK 0 / 0 / 25 / 22

HEX #C8C897

RGB 200 200 151

HSL 60, 0.31%, 0.69%

LAB 79.51, -7.9, 24.59

 

CMYK 0 / 7 / 25 / 22

HEX #C8BB97

RGB 200 187 151

HSL 44.08, 0.31%, 0.69%

LAB 76.1, -1.11, 19.92

 

CMYK 0 / 13 / 25 / 22

HEX #C8AE97

RGB 200 174 151

HSL 28.16, 0.31%, 0.69%

LAB 72.75, 5.82, 15.27

 

CMYK 13 / 0 / 25 / 22

HEX #AEC897

RGB 174 200 151

HSL 91.84, 0.31%, 0.69%

LAB 77.6, -17.57, 21.67

 

CMYK 20 / 0 / 25 / 22

HEX #A1C897

RGB 161 200 151

HSL 107.76, 0.31%, 0.69%

LAB 76.75, -22.19, 20.37

 

CMYK 25 / 0 / 23 / 22

HEX #97C89B

RGB 151 200 155

HSL 124.9, 0.31%, 0.69%

LAB 76.23, -24.92, 17.41

 

CMYK 25 / 0 / 16 / 22

HEX #97C8A8

RGB 151 200 168

HSL 140.82, 0.31%, 0.69%

LAB 76.51, -22.53, 10.85

 

CMYK 25 / 0 / 10 / 22

HEX #97C8B5

RGB 151 200 181

HSL 156.73, 0.31%, 0.69%

LAB 76.81, -19.96, 4.3

 

CMYK 13 / 0 / 25 / 22

HEX #AEC897

RGB 174 200 151

HSL 91.84, 0.31%, 0.69%

LAB 77.6, -17.57, 21.67

 

CMYK 18 / 0 / 35 / 16

HEX #AED58B

RGB 174 213 139

HSL 91.62, 0.47%, 0.69%

LAB 80.99, -25.75, 32.49

 

CMYK 23 / 0 / 44 / 11

HEX #ADE27E

RGB 173 226 126

HSL 91.8, 0.63%, 0.69%

LAB 84.37, -33.92, 43.34

 

CMYK 28 / 0 / 53 / 6

HEX #ACEF71

RGB 172 239 113

HSL 91.9, 0.8%, 0.69%

LAB 87.82, -41.58, 53.69

 

CMYK 32 / 0 / 60 / 1

HEX #ABFC64

RGB 171 252 100

HSL 91.97, 0.96%, 0.69%

LAB 91.32, -48.73, 63.39

 

CMYK 13 / 0 / 25 / 22

HEX #AEC897

RGB 174 200 151

HSL 91.84, 0.31%, 0.69%

LAB 77.6, -17.57, 21.67

 

CMYK 7 / 0 / 13 / 26

HEX #AFBCA4

RGB 175 188 164

HSL 92.5, 0.15%, 0.69%

LAB 74.67, -8.9, 10.62

 

CMYK 1 / 1 / 0 / 31

HEX #B0AFB1

RGB 176 175 177

HSL 270, 0.01%, 0.69%

LAB 71.6, 0.73, -0.9

 

CMYK 7 / 15 / 0 / 25

HEX #B1A2BE

RGB 177 162 190

HSL 272.14, 0.18%, 0.69%

LAB 68.68, 10.76, -12.4

 

CMYK 12 / 27 / 0 / 20

HEX #B295CB

RGB 178 149 203

HSL 272.22, 0.34%, 0.69%

LAB 65.96, 21.07, -23.75

 

CMYK 0 / 0 / 25 / 22

HEX #C8C897

RGB 200 200 151

HSL 60, 0.31%, 0.69%

LAB 79.51, -7.9, 24.59

 

CMYK 6 / 0 / 25 / 22

HEX #BCC897

RGB 188 200 151

HSL 74.69, 0.31%, 0.69%

LAB 78.6, -12.42, 23.2

 

CMYK 13 / 0 / 25 / 22

HEX #AFC897

RGB 175 200 151

HSL 90.61, 0.31%, 0.69%

LAB 77.67, -17.21, 21.78

 

CMYK 19 / 0 / 25 / 22

HEX #A2C897

RGB 162 200 151

HSL 106.53, 0.31%, 0.69%

LAB 76.81, -21.84, 20.46

 

CMYK 25 / 0 / 23 / 22

HEX #97C89A

RGB 151 200 154

HSL 123.67, 0.31%, 0.69%

LAB 76.2, -25.1, 17.92

 

CMYK 23 / 0 / 44 / 33

HEX #84AC61

RGB 132 172 97

HSL 92, 0.31%, 0.53%

LAB 65.96, -26.94, 34.2

 

CMYK 18 / 0 / 33 / 27

HEX #99BA7C

RGB 153 186 124

HSL 91.94, 0.31%, 0.61%

LAB 71.79, -22.31, 27.88

 

CMYK 13 / 0 / 25 / 22

HEX #AEC897

RGB 174 200 151

HSL 91.84, 0.31%, 0.69%

LAB 77.6, -17.57, 21.67

 

CMYK 9 / 0 / 17 / 16

HEX #C3D7B2

RGB 195 215 178

HSL 92.43, 0.32%, 0.77%

LAB 83.66, -13.32, 16.03

 

CMYK 6 / 0 / 10 / 10

HEX #D8E5CD

RGB 216 229 205

HSL 92.5, 0.32%, 0.85%

LAB 89.41, -8.59, 10.22

 

CMYK 13 / 0 / 24 / 21

HEX #AFC998

RGB 175 201 152

HSL 91.84, 0.31%, 0.69%

LAB 77.97, -17.55, 21.65

 

CMYK 25 / 0 / 7 / 22

HEX #97C8BB

RGB 151 200 187

HSL 164.08, 0.31%, 0.69%

LAB 76.97, -18.71, 1.28

 

CMYK 0 / 25 / 3 / 22

HEX #C897C3

RGB 200 151 195

HSL 306.12, 0.31%, 0.69%

LAB 68.28, 25.66, -15.57

 

CMYK 13 / 0 / 24 / 21

HEX #AFC998

RGB 175 201 152

HSL 91.84, 0.31%, 0.69%

LAB 77.97, -17.55, 21.65

 

CMYK 25 / 13 / 0 / 22

HEX #97AFC8

RGB 151 175 200

HSL 210.61, 0.31%, 0.69%

LAB 70.46, -2.67, -15.45

 

CMYK 0 / 25 / 13 / 22

HEX #C897AF

RGB 200 151 175

HSL 330.61, 0.31%, 0.69%

LAB 67.66, 22.13, -5.35

 

CMYK 13 / 0 / 24 / 21

HEX #AFC998

RGB 175 201 152

HSL 91.84, 0.31%, 0.69%

LAB 77.97, -17.55, 21.65

 

CMYK 25 / 0 / 7 / 22

HEX #97C8BB

RGB 151 200 187

HSL 164.08, 0.31%, 0.69%

LAB 76.97, -18.71, 1.28

 

CMYK 12 / 25 / 0 / 22

HEX #B197C8

RGB 177 151 200

HSL 271.84, 0.31%, 0.69%

LAB 66.25, 18.98, -21.64

 

CMYK 0 / 25 / 18 / 22

HEX #C897A5

RGB 200 151 165

HSL 342.86, 0.31%, 0.69%

LAB 67.37, 20.49, -0.17

 

CMYK 13 / 0 / 24 / 21

HEX #AFC998

RGB 175 201 152

HSL 91.84, 0.31%, 0.69%

LAB 77.97, -17.55, 21.65

 

CMYK 25 / 0 / 0 / 22

HEX #97C8C8

RGB 151 200 200

HSL 180, 0.31%, 0.69%

LAB 77.32, -15.9, -5.22

 

CMYK 12 / 25 / 0 / 22

HEX #B197C8

RGB 177 151 200

HSL 271.84, 0.31%, 0.69%

LAB 66.25, 18.98, -21.64

 

CMYK 0 / 24 / 25 / 22

HEX #C89897

RGB 200 152 151

HSL 1.22, 0.31%, 0.69%

LAB 67.25, 17.81, 7.49

 

Description

Color code: HEX #AFC998CE | qconv.com Color code: HEX #AFC998CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 201 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 201 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 20 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 20% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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