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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFC8EB it is the complementary color #503714. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFC8EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFC8EB shade: #B4C8E6, #C5DAF9, #D6ECFF, #E7FEFF and #F8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFC8EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFC8EB shade: #AFC8EB, #9EB6D8, #8DA4C5, #7C92B2 and #6B809F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFC8EB shade: #ADC7EB, #ADB6EB, #B5ADEB, #C5ADEB and #D6ADEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFC8EB shade: #ADC7EB, #ADB6EB and #ADADEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFC8EB shade matches the following richer shades: #ADC7EB, #A5C6F3 and #9DC4FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFC8EB shade: #ADC7EB, #B6C8E2, #BECADA, #C6CBD2 and #CECCCA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFC8EB shade: #ADE8EB, #ADD7EB, #ADC7EB, #ADB7EB and #B5ADEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFC8EB shade: #6B9ADA, #8CB0E2, #ADC7EB, #CEDEF3 and #EFF4FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFC8EB shade: #AFC8EB, #DDADEB and #DFEBAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFC8EB shade: #AFC8EB, #EBADC7 and #C7EBAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFC8EB shade: #AFC8EB, #DDADEB, #EBD1AD and #BBEBAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFC8EB shade: #AFC8EB, #EBADE6, #EBD1AD and #ADEBB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 15 / 0 / 8

HEX #AFC8EB

RGB 175 200 235

HSL 215, 0.6%, 0.8%

LAB 79.85, -0.76, -20.09

 

Complementary color

CMYK 0 / 31 / 75 / 69

HEX #503714

RGB 80 55 20

HSL 35, 0.6%, 0.2%

LAB 25.22, 7.13, 25.66

 

CMYK 22 / 13 / 0 / 10

HEX #B4C8E6

RGB 180 200 230

HSL 216, 0.5%, 0.8%

LAB 80.02, -0.4, -17.12

 

CMYK 21 / 12 / 0 / 2

HEX #C5DAF9

RGB 197 218 249

HSL 215.77, 0.81%, 0.87%

LAB 86.43, -0.55, -17.46

 

CMYK 16 / 7 / 0 / 0

HEX #D6ECFF

RGB 214 236 255

HSL 207.8, 1%, 0.92%

LAB 92.36, -3.43, -11.61

 

CMYK 9 / 0 / 0 / 0

HEX #E7FEFF

RGB 231 254 255

HSL 182.5, 1%, 0.95%

LAB 98.07, -7.24, -3.03

 

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

 

CMYK 26 / 15 / 0 / 8

HEX #AFC8EB

RGB 175 200 235

HSL 215, 0.6%, 0.8%

LAB 79.85, -0.76, -20.09

 

CMYK 27 / 16 / 0 / 15

HEX #9EB6D8

RGB 158 182 216

HSL 215.17, 0.43%, 0.73%

LAB 73.34, -0.58, -19.81

 

CMYK 28 / 17 / 0 / 23

HEX #8DA4C5

RGB 141 164 197

HSL 215.36, 0.33%, 0.66%

LAB 66.71, -0.39, -19.54

 

CMYK 30 / 18 / 0 / 30

HEX #7C92B2

RGB 124 146 178

HSL 215.56, 0.26%, 0.59%

LAB 59.94, -0.17, -19.28

 

CMYK 33 / 19 / 0 / 38

HEX #6B809F

RGB 107 128 159

HSL 215.77, 0.21%, 0.52%

LAB 53.02, 0.08, -19.05

 

CMYK 26 / 15 / 0 / 8

HEX #ADC7EB

RGB 173 199 235

HSL 214.84, 0.61%, 0.8%

LAB 79.46, -0.82, -20.7

 

CMYK 26 / 23 / 0 / 8

HEX #ADB6EB

RGB 173 182 235

HSL 231.29, 0.61%, 0.8%

LAB 75.04, 8.4, -27.44

 

CMYK 23 / 26 / 0 / 8

HEX #B5ADEB

RGB 181 173 235

HSL 247.74, 0.61%, 0.8%

LAB 73.36, 15.75, -29.97

 

CMYK 16 / 26 / 0 / 8

HEX #C5ADEB

RGB 197 173 235

HSL 263.23, 0.61%, 0.8%

LAB 74.67, 20.63, -27.84

 

CMYK 9 / 26 / 0 / 8

HEX #D6ADEB

RGB 214 173 235

HSL 279.68, 0.61%, 0.8%

LAB 76.18, 25.96, -25.4

 

CMYK 26 / 15 / 0 / 8

HEX #ADC7EB

RGB 173 199 235

HSL 214.84, 0.61%, 0.8%

LAB 79.46, -0.82, -20.7

 

CMYK 26 / 23 / 0 / 8

HEX #ADB6EB

RGB 173 182 235

HSL 231.29, 0.61%, 0.8%

LAB 75.04, 8.4, -27.44

 

CMYK 26 / 26 / 0 / 8

HEX #ADADEB

RGB 173 173 235

HSL 240, 0.61%, 0.8%

LAB 72.74, 13.37, -30.98

 

CMYK 26 / 15 / 0 / 8

HEX #ADC7EB

RGB 173 199 235

HSL 214.84, 0.61%, 0.8%

LAB 79.46, -0.82, -20.7

 

CMYK 32 / 19 / 0 / 5

HEX #A5C6F3

RGB 165 198 243

HSL 214.62, 0.76%, 0.8%

LAB 78.96, -0.66, -25.8

 

CMYK 37 / 22 / 0 / 2

HEX #9DC4FB

RGB 157 196 251

HSL 215.11, 0.92%, 0.8%

LAB 78.24, 0.26, -31.23

 

CMYK 26 / 15 / 0 / 8

HEX #ADC7EB

RGB 173 199 235

HSL 214.84, 0.61%, 0.8%

LAB 79.46, -0.82, -20.7

 

CMYK 19 / 12 / 0 / 11

HEX #B6C8E2

RGB 182 200 226

HSL 215.45, 0.43%, 0.8%

LAB 80.04, -0.67, -14.95

 

CMYK 13 / 7 / 0 / 15

HEX #BECADA

RGB 190 202 218

HSL 214.29, 0.27%, 0.8%

LAB 80.88, -0.89, -9.34

 

CMYK 6 / 3 / 0 / 18

HEX #C6CBD2

RGB 198 203 210

HSL 215, 0.12%, 0.8%

LAB 81.49, -0.38, -4.08

 

CMYK 0 / 1 / 2 / 19

HEX #CECCCA

RGB 206 204 202

HSL 30, 0.04%, 0.8%

LAB 82.15, 0.33, 1.23

 

CMYK 26 / 1 / 0 / 8

HEX #ADE8EB

RGB 173 232 235

HSL 182.9, 0.61%, 0.8%

LAB 88.25, -17.88, -7.52

 

CMYK 26 / 9 / 0 / 8

HEX #ADD7EB

RGB 173 215 235

HSL 199.35, 0.61%, 0.8%

LAB 83.7, -9.24, -14.32

 

CMYK 26 / 15 / 0 / 8

HEX #ADC7EB

RGB 173 199 235

HSL 214.84, 0.61%, 0.8%

LAB 79.46, -0.82, -20.7

 

CMYK 26 / 22 / 0 / 8

HEX #ADB7EB

RGB 173 183 235

HSL 230.32, 0.61%, 0.8%

LAB 75.3, 7.85, -27.05

 

CMYK 23 / 26 / 0 / 8

HEX #B5ADEB

RGB 181 173 235

HSL 247.74, 0.61%, 0.8%

LAB 73.36, 15.75, -29.97

 

CMYK 51 / 29 / 0 / 15

HEX #6B9ADA

RGB 107 154 218

HSL 214.59, 0.6%, 0.64%

LAB 62.76, 1.99, -37.46

 

CMYK 38 / 22 / 0 / 11

HEX #8CB0E2

RGB 140 176 226

HSL 214.88, 0.6%, 0.72%

LAB 70.95, 0.12, -29.01

 

CMYK 26 / 15 / 0 / 8

HEX #ADC7EB

RGB 173 199 235

HSL 214.84, 0.61%, 0.8%

LAB 79.46, -0.82, -20.7

 

CMYK 15 / 9 / 0 / 5

HEX #CEDEF3

RGB 206 222 243

HSL 214.05, 0.61%, 0.88%

LAB 87.89, -1.15, -12.05

 

CMYK 5 / 3 / 0 / 2

HEX #EFF4FB

RGB 239 244 251

HSL 215, 0.6%, 0.96%

LAB 96, -0.37, -3.94

 

CMYK 26 / 15 / 0 / 8

HEX #AFC8EB

RGB 175 200 235

HSL 215, 0.6%, 0.8%

LAB 79.85, -0.76, -20.09

 

CMYK 6 / 26 / 0 / 8

HEX #DDADEB

RGB 221 173 235

HSL 286.45, 0.61%, 0.8%

LAB 76.83, 28.19, -24.34

 

CMYK 5 / 0 / 26 / 8

HEX #DFEBAD

RGB 223 235 173

HSL 71.61, 0.61%, 0.8%

LAB 90.84, -14, 28.83

 

CMYK 26 / 15 / 0 / 8

HEX #AFC8EB

RGB 175 200 235

HSL 215, 0.6%, 0.8%

LAB 79.85, -0.76, -20.09

 

CMYK 0 / 26 / 15 / 8

HEX #EBADC7

RGB 235 173 199

HSL 334.84, 0.61%, 0.8%

LAB 77.08, 26.53, -4.27

 

CMYK 15 / 0 / 26 / 8

HEX #C7EBAD

RGB 199 235 173

HSL 94.84, 0.61%, 0.8%

LAB 89.19, -22.6, 26.33

 

CMYK 26 / 15 / 0 / 8

HEX #AFC8EB

RGB 175 200 235

HSL 215, 0.6%, 0.8%

LAB 79.85, -0.76, -20.09

 

CMYK 6 / 26 / 0 / 8

HEX #DDADEB

RGB 221 173 235

HSL 286.45, 0.61%, 0.8%

LAB 76.83, 28.19, -24.34

 

CMYK 0 / 11 / 26 / 8

HEX #EBD1AD

RGB 235 209 173

HSL 34.84, 0.61%, 0.8%

LAB 85.14, 3.68, 21.19

 

CMYK 20 / 0 / 26 / 8

HEX #BBEBAD

RGB 187 235 173

HSL 106.45, 0.61%, 0.8%

LAB 88.45, -26.73, 25.18

 

CMYK 26 / 15 / 0 / 8

HEX #AFC8EB

RGB 175 200 235

HSL 215, 0.6%, 0.8%

LAB 79.85, -0.76, -20.09

 

CMYK 0 / 26 / 2 / 8

HEX #EBADE6

RGB 235 173 230

HSL 304.84, 0.61%, 0.8%

LAB 78.03, 31.77, -19.69

 

CMYK 0 / 11 / 26 / 8

HEX #EBD1AD

RGB 235 209 173

HSL 34.84, 0.61%, 0.8%

LAB 85.14, 3.68, 21.19

 

CMYK 26 / 0 / 24 / 8

HEX #ADEBB3

RGB 173 235 179

HSL 125.81, 0.61%, 0.8%

LAB 87.75, -30.36, 21.01

 

Description

Color code: HEX #AFC8EB | qconv.com Color code: HEX #AFC8EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 200 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 200 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 15 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 15% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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