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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFC887 it is the complementary color #503778. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFC887. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFC887 shade: #B4C882, #C5DA95, #D6ECA8, #E7FEBB and #F8FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFC887. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFC887 shade: #AFC887, #9EB674, #8DA461, #7C924E and #6B803B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFC887 shade: #B0C888, #C1C888, #C8BE88, #C8AD88 and #C89C88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFC887 shade: #B0C888, #9EC888, #8DC888, #88C895 and #88C8A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFC887 shade matches the following richer shades: #B0C888, #B3D67A, #B6E46C and #B9F25E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFC887 shade: #B0C888, #ACBA96, #A9ACA4, #A69EB2 and #A390C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFC887 shade: #C8BF88, #C1C888, #B0C888, #9FC888 and #8EC888

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFC887 shade: #8AAE50, #9DBB6C, #B0C888, #C3D5A4 and #D5E2C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFC887 shade: #AFC887, #88C8AE and #C788C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFC887 shade: #AFC887, #88B0C8 and #C888B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFC887 shade: #AFC887, #88C8AE, #A188C8 and #C888A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFC887 shade: #AFC887, #88C8C1, #A188C8 and #C88890

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 33 / 22

HEX #AFC887

RGB 175 200 135

HSL 83.08, 0.37%, 0.66%

LAB 77.38, -19.55, 29.8

 

Complementary color

CMYK 33 / 54 / 0 / 53

HEX #503778

RGB 80 55 120

HSL 263.08, 0.37%, 0.34%

LAB 28.89, 26.23, -33.31

 

CMYK 10 / 0 / 35 / 22

HEX #B4C882

RGB 180 200 130

HSL 77.14, 0.39%, 0.65%

LAB 77.65, -18.34, 32.81

 

CMYK 10 / 0 / 32 / 15

HEX #C5DA95

RGB 197 218 149

HSL 78.26, 0.48%, 0.72%

LAB 84.06, -18.41, 31.71

 

CMYK 9 / 0 / 29 / 7

HEX #D6ECA8

RGB 214 236 168

HSL 79.41, 0.64%, 0.79%

LAB 90.37, -18.46, 30.65

 

CMYK 9 / 0 / 26 / 0

HEX #E7FEBB

RGB 231 254 187

HSL 80.6, 0.97%, 0.86%

LAB 96.6, -18.49, 29.63

 

CMYK 3 / 0 / 19 / 0

HEX #F8FFCE

RGB 248 255 206

HSL 68.57, 1%, 0.9%

LAB 98.41, -10.25, 22.69

 

CMYK 13 / 0 / 33 / 22

HEX #AFC887

RGB 175 200 135

HSL 83.08, 0.37%, 0.66%

LAB 77.38, -19.55, 29.8

 

CMYK 13 / 0 / 36 / 29

HEX #9EB674

RGB 158 182 116

HSL 81.82, 0.31%, 0.58%

LAB 70.86, -19.53, 30.93

 

CMYK 14 / 0 / 41 / 36

HEX #8DA461

RGB 141 164 97

HSL 80.6, 0.27%, 0.51%

LAB 64.22, -19.49, 32.12

 

CMYK 15 / 0 / 47 / 43

HEX #7C924E

RGB 124 146 78

HSL 79.41, 0.3%, 0.44%

LAB 57.46, -19.39, 33.34

 

CMYK 16 / 0 / 54 / 50

HEX #6B803B

RGB 107 128 59

HSL 78.26, 0.37%, 0.37%

LAB 50.55, -19.23, 34.56

 

CMYK 12 / 0 / 32 / 22

HEX #B0C888

RGB 176 200 136

HSL 82.5, 0.37%, 0.66%

LAB 77.47, -19.04, 29.41

 

CMYK 4 / 0 / 32 / 22

HEX #C1C888

RGB 193 200 136

HSL 66.56, 0.37%, 0.66%

LAB 78.71, -12.58, 31.27

 

CMYK 0 / 5 / 32 / 22

HEX #C8BE88

RGB 200 190 136

HSL 50.63, 0.37%, 0.66%

LAB 76.61, -4.7, 28.59

 

CMYK 0 / 14 / 32 / 22

HEX #C8AD88

RGB 200 173 136

HSL 34.69, 0.37%, 0.66%

LAB 72.19, 4.32, 22.64

 

CMYK 0 / 22 / 32 / 22

HEX #C89C88

RGB 200 156 136

HSL 18.75, 0.37%, 0.66%

LAB 67.9, 13.54, 16.75

 

CMYK 12 / 0 / 32 / 22

HEX #B0C888

RGB 176 200 136

HSL 82.5, 0.37%, 0.66%

LAB 77.47, -19.04, 29.41

 

CMYK 21 / 0 / 32 / 22

HEX #9EC888

RGB 158 200 136

HSL 99.38, 0.37%, 0.66%

LAB 76.29, -25.61, 27.62

 

CMYK 30 / 0 / 32 / 22

HEX #8DC888

RGB 141 200 136

HSL 115.31, 0.37%, 0.66%

LAB 75.29, -31.47, 26.12

 

CMYK 32 / 0 / 26 / 22

HEX #88C895

RGB 136 200 149

HSL 132.19, 0.37%, 0.66%

LAB 75.27, -30.87, 19.16

 

CMYK 32 / 0 / 17 / 22

HEX #88C8A6

RGB 136 200 166

HSL 148.13, 0.37%, 0.66%

LAB 75.64, -27.64, 10.57

 

CMYK 12 / 0 / 32 / 22

HEX #B0C888

RGB 176 200 136

HSL 82.5, 0.37%, 0.66%

LAB 77.47, -19.04, 29.41

 

CMYK 16 / 0 / 43 / 16

HEX #B3D67A

RGB 179 214 122

HSL 82.83, 0.53%, 0.66%

LAB 81.34, -26.57, 41.58

 

CMYK 20 / 0 / 53 / 11

HEX #B6E46C

RGB 182 228 108

HSL 83, 0.69%, 0.66%

LAB 85.26, -33.53, 53.1

 

CMYK 24 / 0 / 61 / 5

HEX #B9F25E

RGB 185 242 94

HSL 83.11, 0.85%, 0.66%

LAB 89.22, -39.97, 63.77

 

CMYK 12 / 0 / 32 / 22

HEX #B0C888

RGB 176 200 136

HSL 82.5, 0.37%, 0.66%

LAB 77.47, -19.04, 29.41

 

CMYK 8 / 0 / 19 / 27

HEX #ACBA96

RGB 172 186 150

HSL 83.33, 0.21%, 0.66%

LAB 73.6, -11.29, 16.66

 

CMYK 2 / 0 / 5 / 33

HEX #A9ACA4

RGB 169 172 164

HSL 82.5, 0.05%, 0.66%

LAB 69.91, -2.55, 3.73

 

CMYK 7 / 11 / 0 / 30

HEX #A69EB2

RGB 166 158 178

HSL 264, 0.11%, 0.66%

LAB 66.35, 6.78, -9.31

 

CMYK 15 / 25 / 0 / 25

HEX #A390C0

RGB 163 144 192

HSL 263.75, 0.28%, 0.66%

LAB 62.96, 16.64, -22.3

 

CMYK 0 / 5 / 32 / 22

HEX #C8BF88

RGB 200 191 136

HSL 51.56, 0.37%, 0.66%

LAB 76.87, -5.22, 28.94

 

CMYK 4 / 0 / 32 / 22

HEX #C1C888

RGB 193 200 136

HSL 66.56, 0.37%, 0.66%

LAB 78.71, -12.58, 31.27

 

CMYK 12 / 0 / 32 / 22

HEX #B0C888

RGB 176 200 136

HSL 82.5, 0.37%, 0.66%

LAB 77.47, -19.04, 29.41

 

CMYK 21 / 0 / 32 / 22

HEX #9FC888

RGB 159 200 136

HSL 98.44, 0.37%, 0.66%

LAB 76.35, -25.26, 27.71

 

CMYK 29 / 0 / 32 / 22

HEX #8EC888

RGB 142 200 136

HSL 114.38, 0.37%, 0.66%

LAB 75.35, -31.14, 26.2

 

CMYK 21 / 0 / 54 / 32

HEX #8AAE50

RGB 138 174 80

HSL 82.98, 0.37%, 0.5%

LAB 66.71, -27.58, 43.72

 

CMYK 16 / 0 / 42 / 27

HEX #9DBB6C

RGB 157 187 108

HSL 82.78, 0.37%, 0.58%

LAB 72.09, -23.43, 36.64

 

CMYK 12 / 0 / 32 / 22

HEX #B0C888

RGB 176 200 136

HSL 82.5, 0.37%, 0.66%

LAB 77.47, -19.04, 29.41

 

CMYK 8 / 0 / 23 / 16

HEX #C3D5A4

RGB 195 213 164

HSL 82.04, 0.37%, 0.74%

LAB 82.84, -14.51, 22.26

 

CMYK 6 / 0 / 15 / 11

HEX #D5E2C1

RGB 213 226 193

HSL 83.64, 0.36%, 0.82%

LAB 88.16, -10.1, 14.67

 

CMYK 13 / 0 / 33 / 22

HEX #AFC887

RGB 175 200 135

HSL 83.08, 0.37%, 0.66%

LAB 77.38, -19.55, 29.8

 

CMYK 32 / 0 / 13 / 22

HEX #88C8AE

RGB 136 200 174

HSL 155.63, 0.37%, 0.66%

LAB 75.82, -26, 6.53

 

CMYK 0 / 32 / 0 / 22

HEX #C788C8

RGB 199 136 200

HSL 299.06, 0.37%, 0.66%

LAB 64.9, 34.48, -23.51

 

CMYK 13 / 0 / 33 / 22

HEX #AFC887

RGB 175 200 135

HSL 83.08, 0.37%, 0.66%

LAB 77.38, -19.55, 29.8

 

CMYK 32 / 12 / 0 / 22

HEX #88B0C8

RGB 136 176 200

HSL 202.5, 0.37%, 0.66%

LAB 69.79, -7.68, -16.55

 

CMYK 0 / 32 / 12 / 22

HEX #C888B0

RGB 200 136 176

HSL 322.5, 0.37%, 0.66%

LAB 64.18, 30.53, -11.08

 

CMYK 13 / 0 / 33 / 22

HEX #AFC887

RGB 175 200 135

HSL 83.08, 0.37%, 0.66%

LAB 77.38, -19.55, 29.8

 

CMYK 32 / 0 / 13 / 22

HEX #88C8AE

RGB 136 200 174

HSL 155.63, 0.37%, 0.66%

LAB 75.82, -26, 6.53

 

CMYK 20 / 32 / 0 / 22

HEX #A188C8

RGB 161 136 200

HSL 263.44, 0.37%, 0.66%

LAB 61.09, 22.38, -29.69

 

CMYK 0 / 32 / 19 / 22

HEX #C888A3

RGB 200 136 163

HSL 334.69, 0.37%, 0.66%

LAB 63.78, 28.41, -4.32

 

CMYK 13 / 0 / 33 / 22

HEX #AFC887

RGB 175 200 135

HSL 83.08, 0.37%, 0.66%

LAB 77.38, -19.55, 29.8

 

CMYK 32 / 0 / 4 / 22

HEX #88C8C1

RGB 136 200 193

HSL 173.44, 0.37%, 0.66%

LAB 76.31, -21.85, -3.02

 

CMYK 20 / 32 / 0 / 22

HEX #A188C8

RGB 161 136 200

HSL 263.44, 0.37%, 0.66%

LAB 61.09, 22.38, -29.69

 

CMYK 0 / 32 / 28 / 22

HEX #C88890

RGB 200 136 144

HSL 352.5, 0.37%, 0.66%

LAB 63.26, 25.59, 5.71

 

Description

Color code: HEX #AFC887 | qconv.com Color code: HEX #AFC887 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 200 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 200 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 33 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 33% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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