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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFC5E3 it is the complementary color #503A1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFC5E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFC5E3 shade: #B4C5DE, #C5D7F1, #D6E9FF, #E7FBFF and #F8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFC5E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFC5E3 shade: #AFC5E3, #9EB3D0, #8DA1BD, #7C8FAA and #6B7D97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFC5E3 shade: #B0C5E3, #B0B8E3, #B6B0E3, #C4B0E3 and #D1B0E3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFC5E3 shade: #B0C5E3, #B0B8E3 and #B0B0E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFC5E3 shade matches the following richer shades: #B0C5E3, #A7C4EC, #9EC3F4 and #96C1FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFC5E3 shade: #B0C5E3, #B8C7DA, #C1C8D2, #CAC9C9 and #D2CBC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFC5E3 shade: #B0E1E3, #B0D4E3, #B0C6E3, #B0B8E3 and #B5B0E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFC5E3 shade: #7399CE, #91AFD8, #B0C5E3, #CEDCEE and #EDF2F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFC5E3 shade: #AFC5E3, #D7B0E3 and #DBE3B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFC5E3 shade: #AFC5E3, #E3B0C6 and #C6E3B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFC5E3 shade: #AFC5E3, #D7B0E3, #E3CDB0 and #BCE3B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFC5E3 shade: #AFC5E3, #E3B0E0, #E3CDB0 and #B0E3B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 13 / 0 / 11

HEX #AFC5E3

RGB 175 197 227

HSL 214.62, 0.48%, 0.79%

LAB 78.81, -0.99, -17.38

 

Complementary color

CMYK 0 / 28 / 65 / 69

HEX #503A1C

RGB 80 58 28

HSL 34.62, 0.48%, 0.21%

LAB 26.2, 5.83, 22.17

 

CMYK 19 / 11 / 0 / 13

HEX #B4C5DE

RGB 180 197 222

HSL 215.71, 0.39%, 0.79%

LAB 78.99, -0.57, -14.39

 

CMYK 18 / 11 / 0 / 5

HEX #C5D7F1

RGB 197 215 241

HSL 215.45, 0.61%, 0.86%

LAB 85.41, -0.71, -14.76

 

CMYK 16 / 9 / 0 / 0

HEX #D6E9FF

RGB 214 233 255

HSL 212.2, 1%, 0.92%

LAB 91.59, -1.89, -12.75

 

CMYK 9 / 2 / 0 / 0

HEX #E7FBFF

RGB 231 251 255

HSL 190, 1%, 0.95%

LAB 97.31, -5.74, -4.15

 

CMYK 3 / 0 / 0 / 0

HEX #F8FFFF

RGB 248 255 255

HSL 180, 1%, 0.99%

LAB 99.49, -2.29, -0.81

 

CMYK 23 / 13 / 0 / 11

HEX #AFC5E3

RGB 175 197 227

HSL 214.62, 0.48%, 0.79%

LAB 78.81, -0.99, -17.38

 

CMYK 24 / 14 / 0 / 18

HEX #9EB3D0

RGB 158 179 208

HSL 214.8, 0.35%, 0.72%

LAB 72.27, -0.83, -17.06

 

CMYK 25 / 15 / 0 / 26

HEX #8DA1BD

RGB 141 161 189

HSL 215, 0.27%, 0.65%

LAB 65.61, -0.66, -16.74

 

CMYK 27 / 16 / 0 / 33

HEX #7C8FAA

RGB 124 143 170

HSL 215.22, 0.21%, 0.58%

LAB 58.82, -0.48, -16.44

 

CMYK 29 / 17 / 0 / 41

HEX #6B7D97

RGB 107 125 151

HSL 215.45, 0.17%, 0.51%

LAB 51.87, -0.27, -16.16

 

CMYK 22 / 13 / 0 / 11

HEX #B0C5E3

RGB 176 197 227

HSL 215.29, 0.48%, 0.79%

LAB 78.87, -0.69, -17.28

 

CMYK 22 / 19 / 0 / 11

HEX #B0B8E3

RGB 176 184 227

HSL 230.59, 0.48%, 0.79%

LAB 75.49, 6.33, -22.41

 

CMYK 20 / 22 / 0 / 11

HEX #B6B0E3

RGB 182 176 227

HSL 247.06, 0.48%, 0.79%

LAB 73.9, 12.57, -24.79

 

CMYK 14 / 22 / 0 / 11

HEX #C4B0E3

RGB 196 176 227

HSL 263.53, 0.48%, 0.79%

LAB 75.03, 16.96, -22.95

 

CMYK 8 / 22 / 0 / 11

HEX #D1B0E3

RGB 209 176 227

HSL 278.82, 0.48%, 0.79%

LAB 76.16, 21.13, -21.13

 

CMYK 22 / 13 / 0 / 11

HEX #B0C5E3

RGB 176 197 227

HSL 215.29, 0.48%, 0.79%

LAB 78.87, -0.69, -17.28

 

CMYK 22 / 19 / 0 / 11

HEX #B0B8E3

RGB 176 184 227

HSL 230.59, 0.48%, 0.79%

LAB 75.49, 6.33, -22.41

 

CMYK 22 / 22 / 0 / 11

HEX #B0B0E3

RGB 176 176 227

HSL 240, 0.48%, 0.79%

LAB 73.43, 10.73, -25.54

 

CMYK 22 / 13 / 0 / 11

HEX #B0C5E3

RGB 176 197 227

HSL 215.29, 0.48%, 0.79%

LAB 78.87, -0.69, -17.28

 

CMYK 29 / 17 / 0 / 7

HEX #A7C4EC

RGB 167 196 236

HSL 214.78, 0.64%, 0.79%

LAB 78.32, -0.72, -23.01

 

CMYK 35 / 20 / 0 / 4

HEX #9EC3F4

RGB 158 195 244

HSL 214.19, 0.8%, 0.79%

LAB 77.78, -0.72, -28.18

 

CMYK 41 / 24 / 0 / 1

HEX #96C1FD

RGB 150 193 253

HSL 214.95, 0.96%, 0.79%

LAB 77.11, 0.61, -34.07

 

CMYK 22 / 13 / 0 / 11

HEX #B0C5E3

RGB 176 197 227

HSL 215.29, 0.48%, 0.79%

LAB 78.87, -0.69, -17.28

 

CMYK 16 / 9 / 0 / 15

HEX #B8C7DA

RGB 184 199 218

HSL 213.53, 0.31%, 0.79%

LAB 79.67, -1.23, -11.19

 

CMYK 8 / 5 / 0 / 18

HEX #C1C8D2

RGB 193 200 210

HSL 215.29, 0.16%, 0.79%

LAB 80.35, -0.46, -5.81

 

CMYK 0 / 0 / 0 / 21

HEX #CAC9C9

RGB 202 201 201

HSL 0, 0.01%, 0.79%

LAB 81.04, 0.35, 0.11

 

CMYK 0 / 3 / 9 / 18

HEX #D2CBC0

RGB 210 203 192

HSL 36.67, 0.17%, 0.79%

LAB 81.96, 0.52, 6.33

 

CMYK 22 / 1 / 0 / 11

HEX #B0E1E3

RGB 176 225 227

HSL 182.35, 0.48%, 0.79%

LAB 86.32, -15.24, -6.16

 

CMYK 22 / 7 / 0 / 11

HEX #B0D4E3

RGB 176 212 227

HSL 197.65, 0.48%, 0.79%

LAB 82.84, -8.59, -11.32

 

CMYK 22 / 13 / 0 / 11

HEX #B0C6E3

RGB 176 198 227

HSL 214.12, 0.48%, 0.79%

LAB 79.14, -1.22, -16.88

 

CMYK 22 / 19 / 0 / 11

HEX #B0B8E3

RGB 176 184 227

HSL 230.59, 0.48%, 0.79%

LAB 75.49, 6.33, -22.41

 

CMYK 20 / 22 / 0 / 11

HEX #B5B0E3

RGB 181 176 227

HSL 245.88, 0.48%, 0.79%

LAB 73.82, 12.26, -24.92

 

CMYK 44 / 26 / 0 / 19

HEX #7399CE

RGB 115 153 206

HSL 214.95, 0.48%, 0.63%

LAB 62.41, 0.95, -31.29

 

CMYK 33 / 19 / 0 / 15

HEX #91AFD8

RGB 145 175 216

HSL 214.65, 0.48%, 0.71%

LAB 70.62, -0.55, -24.03

 

CMYK 22 / 13 / 0 / 11

HEX #B0C5E3

RGB 176 197 227

HSL 215.29, 0.48%, 0.79%

LAB 78.87, -0.69, -17.28

 

CMYK 13 / 8 / 0 / 7

HEX #CEDCEE

RGB 206 220 238

HSL 213.75, 0.48%, 0.87%

LAB 87.23, -1.13, -10.4

 

CMYK 5 / 3 / 0 / 2

HEX #EDF2F9

RGB 237 242 249

HSL 215, 0.5%, 0.95%

LAB 95.31, -0.37, -3.95

 

CMYK 23 / 13 / 0 / 11

HEX #AFC5E3

RGB 175 197 227

HSL 214.62, 0.48%, 0.79%

LAB 78.81, -0.99, -17.38

 

CMYK 5 / 22 / 0 / 11

HEX #D7B0E3

RGB 215 176 227

HSL 285.88, 0.48%, 0.79%

LAB 76.71, 23.07, -20.26

 

CMYK 4 / 0 / 22 / 11

HEX #DBE3B0

RGB 219 227 176

HSL 69.41, 0.48%, 0.79%

LAB 88.51, -11.05, 24.07

 

CMYK 23 / 13 / 0 / 11

HEX #AFC5E3

RGB 175 197 227

HSL 214.62, 0.48%, 0.79%

LAB 78.81, -0.99, -17.38

 

CMYK 0 / 22 / 13 / 11

HEX #E3B0C6

RGB 227 176 198

HSL 334.12, 0.48%, 0.79%

LAB 76.96, 21.95, -4

 

CMYK 13 / 0 / 22 / 11

HEX #C6E3B0

RGB 198 227 176

HSL 94.12, 0.48%, 0.79%

LAB 87.04, -18.58, 21.81

 

CMYK 23 / 13 / 0 / 11

HEX #AFC5E3

RGB 175 197 227

HSL 214.62, 0.48%, 0.79%

LAB 78.81, -0.99, -17.38

 

CMYK 5 / 22 / 0 / 11

HEX #D7B0E3

RGB 215 176 227

HSL 285.88, 0.48%, 0.79%

LAB 76.71, 23.07, -20.26

 

CMYK 0 / 10 / 22 / 11

HEX #E3CDB0

RGB 227 205 176

HSL 34.12, 0.48%, 0.79%

LAB 83.51, 3.18, 17.24

 

CMYK 17 / 0 / 22 / 11

HEX #BCE3B0

RGB 188 227 176

HSL 105.88, 0.48%, 0.79%

LAB 86.39, -22.05, 20.81

 

CMYK 23 / 13 / 0 / 11

HEX #AFC5E3

RGB 175 197 227

HSL 214.62, 0.48%, 0.79%

LAB 78.81, -0.99, -17.38

 

CMYK 0 / 22 / 1 / 11

HEX #E3B0E0

RGB 227 176 224

HSL 303.53, 0.48%, 0.79%

LAB 77.74, 26.45, -16.97

 

CMYK 0 / 10 / 22 / 11

HEX #E3CDB0

RGB 227 205 176

HSL 34.12, 0.48%, 0.79%

LAB 83.51, 3.18, 17.24

 

CMYK 22 / 0 / 21 / 11

HEX #B0E3B3

RGB 176 227 179

HSL 123.53, 0.48%, 0.79%

LAB 85.72, -25.58, 18.2

 

Description

Color code: HEX #AFC5E3 | qconv.com Color code: HEX #AFC5E3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 197 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 197 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 13 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 13% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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