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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFC150 it is the complementary color #503EAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFC150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFC150 shade: #B4C14B, #C5D35E, #D6E571, #E7F784 and #F8FF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFC150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFC150 shade: #AFC150, #9EAF3D, #8D9D2A, #7C8B17 and #6B7904

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFC150 shade: #B0C251, #C2B651, #C29751, #C27951 and #C25A51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFC150 shade: #B0C251, #92C251, #73C251, #55C251 and #51C26C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFC150 shade matches the following richer shades: #B0C251, #BDD53E, #CAE82B and #D7FB18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFC150 shade: #B0C251, #A3AF64, #969C77, #89898A and #7C769D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFC150 shade: #C29751, #C2B551, #B1C251, #93C251 and #75C251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFC150 shade: #808F32, #9BAD3D, #B0C251, #BECD70 and #CCD78E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFC150 shade: #AFC150, #51C279 and #A651C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFC150 shade: #AFC150, #51B1C2 and #C251B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFC150 shade: #AFC150, #51C279, #6251C2 and #C2519B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFC150 shade: #AFC150, #51C29B, #6251C2 and #C25179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 59 / 24

HEX #AFC150

RGB 175 193 80

HSL 69.56, 0.48%, 0.54%

LAB 74.72, -22.05, 53.56

 

Complementary color

CMYK 54 / 65 / 0 / 31

HEX #503EAF

RGB 80 62 175

HSL 249.56, 0.48%, 0.46%

LAB 34.49, 38.45, -57.93

 

CMYK 7 / 0 / 61 / 24

HEX #B4C14B

RGB 180 193 75

HSL 66.61, 0.49%, 0.53%

LAB 75.05, -20.38, 56.21

 

CMYK 7 / 0 / 55 / 17

HEX #C5D35E

RGB 197 211 94

HSL 67.18, 0.57%, 0.6%

LAB 81.44, -20.88, 55.3

 

CMYK 7 / 0 / 51 / 10

HEX #D6E571

RGB 214 229 113

HSL 67.76, 0.69%, 0.67%

LAB 87.74, -21.28, 54.25

 

CMYK 6 / 0 / 47 / 3

HEX #E7F784

RGB 231 247 132

HSL 68.35, 0.88%, 0.74%

LAB 93.96, -21.61, 53.16

 

CMYK 3 / 0 / 41 / 0

HEX #F8FF97

RGB 248 255 151

HSL 64.04, 1%, 0.8%

LAB 97.52, -17.09, 48.81

 

CMYK 9 / 0 / 59 / 24

HEX #AFC150

RGB 175 193 80

HSL 69.56, 0.48%, 0.54%

LAB 74.72, -22.05, 53.56

 

CMYK 10 / 0 / 65 / 31

HEX #9EAF3D

RGB 158 175 61

HSL 68.95, 0.48%, 0.46%

LAB 68.22, -21.54, 54.35

 

CMYK 10 / 0 / 73 / 38

HEX #8D9D2A

RGB 141 157 42

HSL 68.35, 0.58%, 0.39%

LAB 61.61, -20.87, 54.71

 

CMYK 11 / 0 / 83 / 45

HEX #7C8B17

RGB 124 139 23

HSL 67.76, 0.72%, 0.32%

LAB 54.88, -19.99, 54.2

 

CMYK 12 / 0 / 97 / 53

HEX #6B7904

RGB 107 121 4

HSL 67.18, 0.94%, 0.25%

LAB 48.02, -18.84, 52.21

 

CMYK 9 / 0 / 58 / 24

HEX #B0C251

RGB 176 194 81

HSL 69.56, 0.48%, 0.54%

LAB 75.08, -22.06, 53.54

 

CMYK 0 / 6 / 58 / 24

HEX #C2B651

RGB 194 182 81

HSL 53.63, 0.48%, 0.54%

LAB 73.23, -8.49, 51.86

 

CMYK 0 / 22 / 58 / 24

HEX #C29751

RGB 194 151 81

HSL 37.17, 0.48%, 0.54%

LAB 65.12, 8.05, 42.52

 

CMYK 0 / 38 / 58 / 24

HEX #C27951

RGB 194 121 81

HSL 21.24, 0.48%, 0.54%

LAB 57.79, 24.53, 33.67

 

CMYK 0 / 54 / 58 / 24

HEX #C25A51

RGB 194 90 81

HSL 4.78, 0.48%, 0.54%

LAB 51.12, 40.93, 25.25

 

CMYK 9 / 0 / 58 / 24

HEX #B0C251

RGB 176 194 81

HSL 69.56, 0.48%, 0.54%

LAB 75.08, -22.06, 53.54

 

CMYK 25 / 0 / 58 / 24

HEX #92C251

RGB 146 194 81

HSL 85.49, 0.48%, 0.54%

LAB 73.08, -33.87, 50.74

 

CMYK 41 / 0 / 58 / 24

HEX #73C251

RGB 115 194 81

HSL 101.95, 0.48%, 0.54%

LAB 71.43, -44.79, 48.42

 

CMYK 56 / 0 / 58 / 24

HEX #55C251

RGB 85 194 81

HSL 117.88, 0.48%, 0.54%

LAB 70.25, -53.47, 46.75

 

CMYK 58 / 0 / 44 / 24

HEX #51C26C

RGB 81 194 108

HSL 134.34, 0.48%, 0.54%

LAB 70.47, -50.67, 33.81

 

CMYK 9 / 0 / 58 / 24

HEX #B0C251

RGB 176 194 81

HSL 69.56, 0.48%, 0.54%

LAB 75.08, -22.06, 53.54

 

CMYK 11 / 0 / 71 / 16

HEX #BDD53E

RGB 189 213 62

HSL 69.54, 0.64%, 0.54%

LAB 81.16, -27.21, 67.8

 

CMYK 13 / 0 / 81 / 9

HEX #CAE82B

RGB 202 232 43

HSL 69.52, 0.8%, 0.54%

LAB 87.21, -31.67, 79.33

 

CMYK 14 / 0 / 90 / 2

HEX #D7FB18

RGB 215 251 24

HSL 69.52, 0.97%, 0.54%

LAB 93.24, -35.62, 88.17

 

CMYK 9 / 0 / 58 / 24

HEX #B0C251

RGB 176 194 81

HSL 69.56, 0.48%, 0.54%

LAB 75.08, -22.06, 53.54

 

CMYK 7 / 0 / 43 / 31

HEX #A3AF64

RGB 163 175 100

HSL 69.6, 0.32%, 0.54%

LAB 69.02, -15.97, 36.96

 

CMYK 4 / 0 / 24 / 39

HEX #969C77

RGB 150 156 119

HSL 69.73, 0.16%, 0.54%

LAB 63, -8.66, 18.7

 

CMYK 1 / 1 / 0 / 46

HEX #89898A

RGB 137 137 138

HSL 240, 0%, 0.54%

LAB 57.12, 0.2, -0.54

 

CMYK 21 / 25 / 0 / 38

HEX #7C769D

RGB 124 118 157

HSL 249.23, 0.17%, 0.54%

LAB 51.47, 10.86, -20.15

 

CMYK 0 / 22 / 58 / 24

HEX #C29751

RGB 194 151 81

HSL 37.17, 0.48%, 0.54%

LAB 65.12, 8.05, 42.52

 

CMYK 0 / 7 / 58 / 24

HEX #C2B551

RGB 194 181 81

HSL 53.1, 0.48%, 0.54%

LAB 72.97, -7.97, 51.56

 

CMYK 9 / 0 / 58 / 24

HEX #B1C251

RGB 177 194 81

HSL 69.03, 0.48%, 0.54%

LAB 75.15, -21.65, 53.64

 

CMYK 24 / 0 / 58 / 24

HEX #93C251

RGB 147 194 81

HSL 84.96, 0.48%, 0.54%

LAB 73.14, -33.49, 50.83

 

CMYK 40 / 0 / 58 / 24

HEX #75C251

RGB 117 194 81

HSL 100.88, 0.48%, 0.54%

LAB 71.53, -44.13, 48.55

 

CMYK 10 / 0 / 65 / 44

HEX #808F32

RGB 128 143 50

HSL 69.68, 0.48%, 0.38%

LAB 56.55, -18.83, 46.04

 

CMYK 10 / 0 / 65 / 32

HEX #9BAD3D

RGB 155 173 61

HSL 69.64, 0.48%, 0.46%

LAB 67.42, -21.8, 53.45

 

CMYK 9 / 0 / 58 / 24

HEX #B0C251

RGB 176 194 81

HSL 69.56, 0.48%, 0.54%

LAB 75.08, -22.06, 53.54

 

CMYK 7 / 0 / 45 / 20

HEX #BECD70

RGB 190 205 112

HSL 69.68, 0.48%, 0.62%

LAB 79.49, -19.05, 44.38

 

CMYK 5 / 0 / 34 / 16

HEX #CCD78E

RGB 204 215 142

HSL 69.04, 0.48%, 0.7%

LAB 83.65, -15.18, 34.83

 

CMYK 9 / 0 / 59 / 24

HEX #AFC150

RGB 175 193 80

HSL 69.56, 0.48%, 0.54%

LAB 74.72, -22.05, 53.56

 

CMYK 58 / 0 / 38 / 24

HEX #51C279

RGB 81 194 121

HSL 141.24, 0.48%, 0.54%

LAB 70.67, -48.45, 27.36

 

CMYK 14 / 58 / 0 / 24

HEX #A651C2

RGB 166 81 194

HSL 285.13, 0.48%, 0.54%

LAB 49.36, 52.57, -44.63

 

CMYK 9 / 0 / 59 / 24

HEX #AFC150

RGB 175 193 80

HSL 69.56, 0.48%, 0.54%

LAB 74.72, -22.05, 53.56

 

CMYK 58 / 9 / 0 / 24

HEX #51B1C2

RGB 81 177 194

HSL 189.03, 0.48%, 0.54%

LAB 67.34, -23.2, -17.19

 

CMYK 0 / 58 / 9 / 24

HEX #C251B1

RGB 194 81 177

HSL 309.03, 0.48%, 0.54%

LAB 52.43, 56.91, -29.67

 

CMYK 9 / 0 / 59 / 24

HEX #AFC150

RGB 175 193 80

HSL 69.56, 0.48%, 0.54%

LAB 74.72, -22.05, 53.56

 

CMYK 58 / 0 / 38 / 24

HEX #51C279

RGB 81 194 121

HSL 141.24, 0.48%, 0.54%

LAB 70.67, -48.45, 27.36

 

CMYK 49 / 58 / 0 / 24

HEX #6251C2

RGB 98 81 194

HSL 249.03, 0.48%, 0.54%

LAB 41.81, 36.44, -57.15

 

CMYK 0 / 58 / 20 / 24

HEX #C2519B

RGB 194 81 155

HSL 320.71, 0.48%, 0.54%

LAB 51.52, 53.53, -18.17

 

CMYK 9 / 0 / 59 / 24

HEX #AFC150

RGB 175 193 80

HSL 69.56, 0.48%, 0.54%

LAB 74.72, -22.05, 53.56

 

CMYK 58 / 0 / 20 / 24

HEX #51C29B

RGB 81 194 155

HSL 159.29, 0.48%, 0.54%

LAB 71.35, -41.45, 10.11

 

CMYK 49 / 58 / 0 / 24

HEX #6251C2

RGB 98 81 194

HSL 249.03, 0.48%, 0.54%

LAB 41.81, 36.44, -57.15

 

CMYK 0 / 58 / 38 / 24

HEX #C25179

RGB 194 81 121

HSL 338.76, 0.48%, 0.54%

LAB 50.38, 49.11, 0.38

 

Description

Color code: HEX #AFC150 | qconv.com Color code: HEX #AFC150 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 193 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 193 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 59 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 59% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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