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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFBDF43F it is the complementary color #50420B3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFBDF43F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFBDF43F shade: #B4BDEF3F, #C5CFFF3F, #D6E1FF3F, #E7F3FF3F and #F8FFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFBDF43F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFBDF43F shade: #AFBDF43F, #9EABE13F, #8D99CE3F, #7C87BB3F and #6B75A83F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFBDF43F shade: #AEBCF4, #B3AEF4, #C6AEF4, #D9AEF4 and #EBAEF4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFBDF43F shade: #AEBCF4 and #AEAEF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFBDF43F shade matches the following richer shades: #AEBCF4 and #A7B8FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFBDF43F shade: #AEBCF4, #B6C1ED, #BDC5E5, #C4CADE and #CCCED6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFBDF43F shade: #AEE3F4, #AED0F4, #AEBDF4, #B2AEF4 and #C4AEF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFBDF43F shade: #6680EA, #8A9EEF, #AEBCF4, #D3DAF9 and #F7F8FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFBDF43F shade: #AFBDF4, #F3AEF4 and #D9F4AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFBDF43F shade: #AFBDF4, #F4AEBD and #BDF4AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFBDF43F shade: #AFBDF4, #F3AEF4, #F4E5AE and #AFF4AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFBDF43F shade: #AFBDF4, #F4AEE0, #F4E5AE and #AEF4C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 6 / 0 / 1

HEX #AFBDF43F

RGBA 175 189 244 0.25

HSLA 227.83, 0.76%, 0.82%, 0.25

LABA 77.31, 7.3, -28.81, 0.25

 

Complementary color

CMYK 0 / 4 / 22 / 17

HEX #50420B3F

RGBA 80 66 11 0.25

HSLA 47.83, 0.76%, 0.18%, 0.25

LABA 28.45, -0.37, 33.11, 0.25

 

CMYK 6 / 5 / 0 / 2

HEX #B4BDEF3F

RGBA 180 189 239 0.25

HSLA 230.85, 0.65%, 0.82%, 0.25

LABA 77.48, 7.58, -25.82, 0.25

 

CMYK 6 / 5 / 0 / 0

HEX #C5CFFF3F

RGBA 197 207 255 0.25

HSLA 229.66, 1%, 0.89%, 0.25

LABA 83.82, 6.6, -24.59, 0.25

 

CMYK 4 / 3 / 0 / 0

HEX #D6E1FF3F

RGBA 214 225 255 0.25

HSLA 223.9, 1%, 0.92%, 0.25

LABA 89.56, 2.26, -15.79, 0.25

 

CMYK 2 / 1 / 0 / 0

HEX #E7F3FF3F

RGBA 231 243 255 0.25

HSLA 210, 1%, 0.95%, 0.25

LABA 95.29, -1.68, -7.13, 0.25

 

CMYK 1 / 0 / 0 / 0

HEX #F8FFFF3F

RGBA 248 255 255 0.25

HSLA 180, 1%, 0.99%, 0.25

LABA 99.49, -2.29, -0.81, 0.25

 

CMYK 7 / 6 / 0 / 1

HEX #AFBDF43F

RGBA 175 189 244 0.25

HSLA 227.83, 0.76%, 0.82%, 0.25

LABA 77.31, 7.3, -28.81, 0.25

 

CMYK 7 / 6 / 0 / 3

HEX #9EABE13F

RGBA 158 171 225 0.25

HSLA 228.36, 0.53%, 0.75%, 0.25

LABA 70.75, 7.66, -28.67, 0.25

 

CMYK 8 / 6 / 0 / 5

HEX #8D99CE3F

RGBA 141 153 206 0.25

HSLA 228.92, 0.4%, 0.68%, 0.25

LABA 64.08, 8.07, -28.57, 0.25

 

CMYK 8 / 7 / 0 / 7

HEX #7C87BB3F

RGBA 124 135 187 0.25

HSLA 229.52, 0.32%, 0.61%, 0.25

LABA 57.27, 8.53, -28.49, 0.25

 

CMYK 9 / 8 / 0 / 9

HEX #6B75A83F

RGBA 107 117 168 0.25

HSLA 230.16, 0.26%, 0.54%, 0.25

LABA 50.31, 9.06, -28.47, 0.25

 

CMYK 29 / 23 / 0 / 4

HEX #AEBCF4

RGB 174 188 244

HSL 228, 0.76%, 0.82%

LAB 76.98, 7.56, -29.31

 

CMYK 27 / 29 / 0 / 4

HEX #B3AEF4

RGB 179 174 244

HSL 244.29, 0.76%, 0.82%

LAB 73.8, 16.72, -34.19

 

CMYK 19 / 29 / 0 / 4

HEX #C6AEF4

RGB 198 174 244

HSL 260.57, 0.76%, 0.82%

LAB 75.33, 22.36, -31.69

 

CMYK 11 / 29 / 0 / 4

HEX #D9AEF4

RGB 217 174 244

HSL 276.86, 0.76%, 0.82%

LAB 77.01, 28.19, -28.96

 

CMYK 4 / 29 / 0 / 4

HEX #EBAEF4

RGB 235 174 244

HSL 292.29, 0.76%, 0.82%

LAB 78.73, 33.82, -26.18

 

CMYK 29 / 23 / 0 / 4

HEX #AEBCF4

RGB 174 188 244

HSL 228, 0.76%, 0.82%

LAB 76.98, 7.56, -29.31

 

CMYK 29 / 29 / 0 / 4

HEX #AEAEF4

RGB 174 174 244

HSL 240, 0.76%, 0.82%

LAB 73.42, 15.28, -34.81

 

CMYK 29 / 23 / 0 / 4

HEX #AEBCF4

RGB 174 188 244

HSL 228, 0.76%, 0.82%

LAB 76.98, 7.56, -29.31

 

CMYK 33 / 27 / 0 / 2

HEX #A7B8FB

RGB 167 184 251

HSL 227.86, 0.91%, 0.82%

LAB 75.74, 9.52, -35.03

 

CMYK 29 / 23 / 0 / 4

HEX #AEBCF4

RGB 174 188 244

HSL 228, 0.76%, 0.82%

LAB 76.98, 7.56, -29.31

 

CMYK 23 / 19 / 0 / 7

HEX #B6C1ED

RGB 182 193 237

HSL 228, 0.6%, 0.82%

LAB 78.58, 5.55, -23.06

 

CMYK 17 / 14 / 0 / 10

HEX #BDC5E5

RGB 189 197 229

HSL 228, 0.43%, 0.82%

LAB 79.85, 3.77, -16.79

 

CMYK 12 / 9 / 0 / 13

HEX #C4CADE

RGB 196 202 222

HSL 226.15, 0.28%, 0.82%

LAB 81.43, 1.87, -10.62

 

CMYK 5 / 4 / 0 / 16

HEX #CCCED6

RGB 204 206 214

HSL 228, 0.11%, 0.82%

LAB 82.83, 0.82, -4.21

 

CMYK 29 / 7 / 0 / 4

HEX #AEE3F4

RGB 174 227 244

HSL 194.57, 0.76%, 0.82%

LAB 87.23, -13.06, -13.78

 

CMYK 29 / 15 / 0 / 4

HEX #AED0F4

RGB 174 208 244

HSL 210.86, 0.76%, 0.82%

LAB 82.19, -3.2, -21.37

 

CMYK 29 / 23 / 0 / 4

HEX #AEBDF4

RGB 174 189 244

HSL 227.14, 0.76%, 0.82%

LAB 77.24, 7.01, -28.92

 

CMYK 27 / 29 / 0 / 4

HEX #B2AEF4

RGB 178 174 244

HSL 243.43, 0.76%, 0.82%

LAB 73.72, 16.43, -34.31

 

CMYK 20 / 29 / 0 / 4

HEX #C4AEF4

RGB 196 174 244

HSL 258.86, 0.76%, 0.82%

LAB 75.16, 21.76, -31.97

 

CMYK 56 / 45 / 0 / 8

HEX #6680EA

RGB 102 128 234

HSL 228.18, 0.76%, 0.66%

LAB 56.29, 21.29, -56.61

 

CMYK 42 / 34 / 0 / 6

HEX #8A9EEF

RGB 138 158 239

HSL 228.12, 0.76%, 0.74%

LAB 66.59, 13.29, -42.92

 

CMYK 29 / 23 / 0 / 4

HEX #AEBCF4

RGB 174 188 244

HSL 228, 0.76%, 0.82%

LAB 76.98, 7.56, -29.31

 

CMYK 15 / 12 / 0 / 2

HEX #D3DAF9

RGB 211 218 249

HSL 228.95, 0.76%, 0.9%

LAB 87.4, 3.74, -15.9

 

CMYK 3 / 2 / 0 / 0

HEX #F7F8FE

RGB 247 248 254

HSL 231.43, 0.78%, 0.98%

LAB 97.66, 0.75, -2.99

 

CMYK 28 / 23 / 0 / 4

HEX #AFBDF4

RGB 175 189 244

HSL 227.83, 0.76%, 0.82%

LAB 77.31, 7.3, -28.81

 

CMYK 0 / 29 / 0 / 4

HEX #F3AEF4

RGB 243 174 244

HSL 299.14, 0.76%, 0.82%

LAB 79.53, 36.35, -24.89

 

CMYK 11 / 0 / 29 / 4

HEX #D9F4AE

RGB 217 244 174

HSL 83.14, 0.76%, 0.82%

LAB 92.8, -20.45, 30.9

 

CMYK 28 / 23 / 0 / 4

HEX #AFBDF4

RGB 175 189 244

HSL 227.83, 0.76%, 0.82%

LAB 77.31, 7.3, -28.81

 

CMYK 0 / 29 / 23 / 4

HEX #F4AEBD

RGB 244 174 189

HSL 347.14, 0.76%, 0.82%

LAB 77.98, 27.68, 2.6

 

CMYK 23 / 0 / 29 / 4

HEX #BDF4AE

RGB 189 244 174

HSL 107.14, 0.76%, 0.82%

LAB 91.04, -30.16, 28.23

 

CMYK 28 / 23 / 0 / 4

HEX #AFBDF4

RGB 175 189 244

HSL 227.83, 0.76%, 0.82%

LAB 77.31, 7.3, -28.81

 

CMYK 0 / 29 / 0 / 4

HEX #F3AEF4

RGB 243 174 244

HSL 299.14, 0.76%, 0.82%

LAB 79.53, 36.35, -24.89

 

CMYK 0 / 6 / 29 / 4

HEX #F4E5AE

RGB 244 229 174

HSL 47.14, 0.76%, 0.82%

LAB 90.93, -3.08, 28.72

 

CMYK 28 / 0 / 29 / 4

HEX #AFF4AE

RGB 175 244 174

HSL 119.14, 0.76%, 0.82%

LAB 90.26, -34.74, 27.04

 

CMYK 28 / 23 / 0 / 4

HEX #AFBDF4

RGB 175 189 244

HSL 227.83, 0.76%, 0.82%

LAB 77.31, 7.3, -28.81

 

CMYK 0 / 29 / 8 / 4

HEX #F4AEE0

RGB 244 174 224

HSL 317.14, 0.76%, 0.82%

LAB 78.98, 33.16, -14.93

 

CMYK 0 / 6 / 29 / 4

HEX #F4E5AE

RGB 244 229 174

HSL 47.14, 0.76%, 0.82%

LAB 90.93, -3.08, 28.72

 

CMYK 29 / 0 / 20 / 4

HEX #AEF4C2

RGB 174 244 194

HSL 137.14, 0.76%, 0.82%

LAB 90.59, -31.63, 17.23

 

Description

Color code: HEX #AFBDF43F | qconv.com Color code: HEX #AFBDF43F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 189 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 189 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 6 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 6% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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