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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFB7DF00 it is the complementary color #50482000. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFB7DF00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFB7DF00 shade: #B4B7DA00, #C5C9ED00, #D6DBFF00, #E7EDFF00 and #F8FFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFB7DF00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFB7DF00 shade: #AFB7DF00, #9EA5CC00, #8D93B900, #7C81A600 and #6B6F9300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFB7DF00 shade: #AFB7DF, #B4AFDF, #C1AFDF, #CEAFDF and #DBAFDF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFB7DF00 shade: #AFB7DF and #AFAFDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFB7DF00 shade matches the following richer shades: #AFB7DF, #A6B1E8, #9DABF1 and #94A5FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFB7DF00 shade: #AFB7DF, #B8BDD6, #C1C3CD, #CAC9C4 and #D3CFBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFB7DF00 shade: #AFD1DF, #AFC4DF, #AFB7DF, #B4AFDF and #C0AFDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFB7DF00 shade: #7482C8, #919CD3, #AFB7DF, #CCD1EB and #EAECF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFB7DF00 shade: #AFB7DF, #DFAFDD and #CADFAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFB7DF00 shade: #AFB7DF, #DFAFB7 and #B7DFAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFB7DF00 shade: #AFB7DF, #DFAFDD, #DFD7AF and #AFDFB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFB7DF00 shade: #AFB7DF, #DFAFCF, #DFD7AF and #AFDFBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #AFB7DF00

RGBA 175 183 223 0

HSLA 230, 0.43%, 0.78%, 0

LABA 75.02, 5.66, -20.96, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #50482000

RGBA 80 72 32 0

HSLA 50, 0.43%, 0.22%, 0

LABA 30.51, -2.64, 24.9, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B4B7DA00

RGBA 180 183 218 0

HSLA 235.26, 0.34%, 0.78%, 0

LABA 75.22, 6.11, -17.9, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C5C9ED00

RGBA 197 201 237 0

HSLA 234, 0.53%, 0.85%, 0

LABA 81.71, 5.85, -18.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D6DBFF00

RGBA 214 219 255 0

HSLA 232.68, 1%, 0.92%, 0

LABA 88.05, 5.4, -18.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E7EDFF00

RGBA 231 237 255 0

HSLA 225, 1%, 0.95%, 0

LABA 93.79, 1.39, -9.36, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F8FFFF00

RGBA 248 255 255 0

HSLA 180, 1%, 0.99%, 0

LABA 99.49, -2.29, -0.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AFB7DF00

RGBA 175 183 223 0

HSLA 230, 0.43%, 0.78%, 0

LABA 75.02, 5.66, -20.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9EA5CC00

RGBA 158 165 204 0

HSLA 230.87, 0.31%, 0.71%, 0

LABA 68.42, 5.94, -20.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8D93B900

RGBA 141 147 185 0

HSLA 231.82, 0.24%, 0.64%, 0

LABA 61.68, 6.25, -20.47, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7C81A600

RGBA 124 129 166 0

HSLA 232.86, 0.19%, 0.57%, 0

LABA 54.8, 6.6, -20.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6B6F9300

RGBA 107 111 147 0

HSLA 234, 0.16%, 0.5%, 0

LABA 47.75, 6.99, -20.09, 0

 

CMYK 22 / 18 / 0 / 13

HEX #AFB7DF

RGB 175 183 223

HSL 230, 0.43%, 0.78%

LAB 75.02, 5.66, -20.96

 

CMYK 19 / 22 / 0 / 13

HEX #B4AFDF

RGB 180 175 223

HSL 246.25, 0.43%, 0.78%

LAB 73.34, 11.6, -23.47

 

CMYK 13 / 22 / 0 / 13

HEX #C1AFDF

RGB 193 175 223

HSL 262.5, 0.43%, 0.78%

LAB 74.4, 15.7, -21.77

 

CMYK 8 / 22 / 0 / 13

HEX #CEAFDF

RGB 206 175 223

HSL 278.75, 0.43%, 0.78%

LAB 75.52, 19.9, -19.96

 

CMYK 2 / 22 / 0 / 13

HEX #DBAFDF

RGB 219 175 223

HSL 295, 0.43%, 0.78%

LAB 76.71, 24.16, -18.05

 

CMYK 22 / 18 / 0 / 13

HEX #AFB7DF

RGB 175 183 223

HSL 230, 0.43%, 0.78%

LAB 75.02, 5.66, -20.96

 

CMYK 22 / 22 / 0 / 13

HEX #AFAFDF

RGB 175 175 223

HSL 240, 0.43%, 0.78%

LAB 72.96, 10.05, -24.09

 

CMYK 22 / 18 / 0 / 13

HEX #AFB7DF

RGB 175 183 223

HSL 230, 0.43%, 0.78%

LAB 75.02, 5.66, -20.96

 

CMYK 28 / 24 / 0 / 9

HEX #A6B1E8

RGB 166 177 232

HSL 230, 0.59%, 0.78%

LAB 73.14, 8.38, -28.77

 

CMYK 35 / 29 / 0 / 5

HEX #9DABF1

RGB 157 171 241

HSL 230, 0.75%, 0.78%

LAB 71.31, 11.45, -36.54

 

CMYK 41 / 34 / 0 / 2

HEX #94A5FA

RGB 148 165 250

HSL 230, 0.91%, 0.78%

LAB 69.55, 14.87, -44.23

 

CMYK 22 / 18 / 0 / 13

HEX #AFB7DF

RGB 175 183 223

HSL 230, 0.43%, 0.78%

LAB 75.02, 5.66, -20.96

 

CMYK 14 / 12 / 0 / 16

HEX #B8BDD6

RGB 184 189 214

HSL 230, 0.27%, 0.78%

LAB 76.95, 3.28, -13.11

 

CMYK 6 / 5 / 0 / 20

HEX #C1C3CD

RGB 193 195 205

HSL 230, 0.11%, 0.78%

LAB 78.91, 1.21, -5.25

 

CMYK 0 / 0 / 3 / 21

HEX #CAC9C4

RGB 202 201 196

HSL 50, 0.05%, 0.78%

LAB 80.91, -0.55, 2.61

 

CMYK 0 / 2 / 11 / 17

HEX #D3CFBB

RGB 211 207 187

HSL 50, 0.21%, 0.78%

LAB 82.95, -2.04, 10.43

 

CMYK 22 / 6 / 0 / 13

HEX #AFD1DF

RGB 175 209 223

HSL 197.5, 0.43%, 0.78%

LAB 81.86, -8.21, -10.66

 

CMYK 22 / 12 / 0 / 13

HEX #AFC4DF

RGB 175 196 223

HSL 213.75, 0.43%, 0.78%

LAB 78.42, -1.36, -15.82

 

CMYK 22 / 18 / 0 / 13

HEX #AFB7DF

RGB 175 183 223

HSL 230, 0.43%, 0.78%

LAB 75.02, 5.66, -20.96

 

CMYK 19 / 22 / 0 / 13

HEX #B4AFDF

RGB 180 175 223

HSL 246.25, 0.43%, 0.78%

LAB 73.34, 11.6, -23.47

 

CMYK 14 / 22 / 0 / 13

HEX #C0AFDF

RGB 192 175 223

HSL 261.25, 0.43%, 0.78%

LAB 74.31, 15.38, -21.9

 

CMYK 42 / 35 / 0 / 22

HEX #7482C8

RGB 116 130 200

HSL 230, 0.43%, 0.62%

LAB 55.94, 12.88, -38

 

CMYK 31 / 26 / 0 / 17

HEX #919CD3

RGB 145 156 211

HSL 230, 0.43%, 0.7%

LAB 65.36, 8.8, -29.35

 

CMYK 22 / 18 / 0 / 13

HEX #AFB7DF

RGB 175 183 223

HSL 230, 0.43%, 0.78%

LAB 75.02, 5.66, -20.96

 

CMYK 13 / 11 / 0 / 8

HEX #CCD1EB

RGB 204 209 235

HSL 230.32, 0.44%, 0.86%

LAB 84.19, 3.39, -13.36

 

CMYK 5 / 4 / 0 / 3

HEX #EAECF7

RGB 234 236 247

HSL 230.77, 0.45%, 0.94%

LAB 93.54, 1.35, -5.55

 

CMYK 22 / 18 / 0 / 13

HEX #AFB7DF

RGB 175 183 223

HSL 230, 0.43%, 0.78%

LAB 75.02, 5.66, -20.96

 

CMYK 0 / 22 / 1 / 13

HEX #DFAFDD

RGB 223 175 221

HSL 302.5, 0.43%, 0.78%

LAB 77.02, 25.11, -16.45

 

CMYK 9 / 0 / 22 / 13

HEX #CADFAF

RGB 202 223 175

HSL 86.25, 0.43%, 0.78%

LAB 86.22, -15.33, 21.24

 

CMYK 22 / 18 / 0 / 13

HEX #AFB7DF

RGB 175 183 223

HSL 230, 0.43%, 0.78%

LAB 75.02, 5.66, -20.96

 

CMYK 0 / 22 / 18 / 13

HEX #DFAFB7

RGB 223 175 183

HSL 350, 0.43%, 0.78%

LAB 75.93, 18.67, 2.62

 

CMYK 18 / 0 / 22 / 13

HEX #B7DFAF

RGB 183 223 175

HSL 110, 0.43%, 0.78%

LAB 84.96, -21.96, 19.31

 

CMYK 22 / 18 / 0 / 13

HEX #AFB7DF

RGB 175 183 223

HSL 230, 0.43%, 0.78%

LAB 75.02, 5.66, -20.96

 

CMYK 0 / 22 / 1 / 13

HEX #DFAFDD

RGB 223 175 221

HSL 302.5, 0.43%, 0.78%

LAB 77.02, 25.11, -16.45

 

CMYK 0 / 4 / 22 / 13

HEX #DFD7AF

RGB 223 215 175

HSL 50, 0.43%, 0.78%

LAB 85.7, -3.63, 20.76

 

CMYK 22 / 0 / 21 / 13

HEX #AFDFB0

RGB 175 223 176

HSL 121.25, 0.43%, 0.78%

LAB 84.5, -24.49, 18.06

 

CMYK 22 / 18 / 0 / 13

HEX #AFB7DF

RGB 175 183 223

HSL 230, 0.43%, 0.78%

LAB 75.02, 5.66, -20.96

 

CMYK 0 / 22 / 7 / 13

HEX #DFAFCF

RGB 223 175 207

HSL 320, 0.43%, 0.78%

LAB 76.59, 22.61, -9.49

 

CMYK 0 / 4 / 22 / 13

HEX #DFD7AF

RGB 223 215 175

HSL 50, 0.43%, 0.78%

LAB 85.7, -3.63, 20.76

 

CMYK 22 / 0 / 14 / 13

HEX #AFDFBF

RGB 175 223 191

HSL 140, 0.43%, 0.78%

LAB 84.82, -21.8, 10.64

 

Description

Color code: HEX #AFB7DF00 | qconv.com Color code: HEX #AFB7DF00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 183 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 183 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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