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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFB7DECE it is the complementary color #504821CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFB7DECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFB7DECE shade: #B4B7D9CE, #C5C9ECCE, #D6DBFFCE, #E7EDFFCE and #F8FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFB7DECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFB7DECE shade: #AFB7DECE, #9EA5CBCE, #8D93B8CE, #7C81A5CE and #6B6F92CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFB7DECE shade: #AFB7DE, #B4AFDE, #C1AFDE, #CDAFDE and #DAAFDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFB7DECE shade: #AFB7DE and #AFAFDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFB7DECE shade matches the following richer shades: #AFB7DE, #A6B1E8, #9DABF1 and #94A5FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFB7DECE shade: #AFB7DE, #B8BDD5, #C1C3CC, #CBC9C3 and #D4CFBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFB7DECE shade: #AFD1DE, #AFC5DE, #AFB8DE, #B3AFDE and #C0AFDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFB7DECE shade: #7583C7, #929DD2, #AFB7DE, #CDD2EA and #EAECF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFB7DECE shade: #AFB7DE, #DEAFDE and #CBDEAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFB7DECE shade: #AFB7DE, #DEAFB8 and #B8DEAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFB7DECE shade: #AFB7DE, #DEAFDE, #DED6AF and #AFDEB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFB7DECE shade: #AFB7DE, #DEAFD0, #DED6AF and #AFDEBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 14 / 0 / 10

HEX #AFB7DECE

RGBA 175 183 222 0.81

HSLA 229.79, 0.42%, 0.78%, 0.81

LABA 74.99, 5.43, -20.46, 0.81

 

Complementary color

CMYK 0 / 8 / 48 / 56

HEX #504821CE

RGBA 80 72 33 0.81

HSLA 49.79, 0.42%, 0.22%, 0.81

LABA 30.52, -2.54, 24.34, 0.81

 

CMYK 14 / 13 / 0 / 12

HEX #B4B7D9CE

RGBA 180 183 217 0.81

HSLA 235.14, 0.33%, 0.78%, 0.81

LABA 75.19, 5.89, -17.4, 0.81

 

CMYK 13 / 12 / 0 / 6

HEX #C5C9ECCE

RGBA 197 201 236 0.81

HSLA 233.85, 0.51%, 0.85%, 0.81

LABA 81.67, 5.64, -17.73, 0.81

 

CMYK 13 / 11 / 0 / 0

HEX #D6DBFFCE

RGBA 214 219 255 0.81

HSLA 232.68, 1%, 0.92%, 0.81

LABA 88.05, 5.4, -18.06, 0.81

 

CMYK 8 / 6 / 0 / 0

HEX #E7EDFFCE

RGBA 231 237 255 0.81

HSLA 225, 1%, 0.95%, 0.81

LABA 93.79, 1.39, -9.36, 0.81

 

CMYK 2 / 0 / 0 / 0

HEX #F8FFFFCE

RGBA 248 255 255 0.81

HSLA 180, 1%, 0.99%, 0.81

LABA 99.49, -2.29, -0.81, 0.81

 

CMYK 17 / 14 / 0 / 10

HEX #AFB7DECE

RGBA 175 183 222 0.81

HSLA 229.79, 0.42%, 0.78%, 0.81

LABA 74.99, 5.43, -20.46, 0.81

 

CMYK 18 / 15 / 0 / 17

HEX #9EA5CBCE

RGBA 158 165 203 0.81

HSLA 230.67, 0.3%, 0.71%, 0.81

LABA 68.38, 5.71, -20.2, 0.81

 

CMYK 19 / 16 / 0 / 23

HEX #8D93B8CE

RGBA 141 147 184 0.81

HSLA 231.63, 0.23%, 0.64%, 0.81

LABA 61.65, 6.01, -19.96, 0.81

 

CMYK 20 / 18 / 0 / 29

HEX #7C81A5CE

RGBA 124 129 165 0.81

HSLA 232.68, 0.19%, 0.57%, 0.81

LABA 54.76, 6.35, -19.75, 0.81

 

CMYK 22 / 19 / 0 / 35

HEX #6B6F92CE

RGBA 107 111 146 0.81

HSLA 233.85, 0.15%, 0.5%, 0.81

LABA 47.71, 6.73, -19.56, 0.81

 

CMYK 21 / 18 / 0 / 13

HEX #AFB7DE

RGB 175 183 222

HSL 229.79, 0.42%, 0.78%

LAB 74.99, 5.43, -20.46

 

CMYK 19 / 21 / 0 / 13

HEX #B4AFDE

RGB 180 175 222

HSL 246.38, 0.42%, 0.78%

LAB 73.31, 11.38, -22.98

 

CMYK 13 / 21 / 0 / 13

HEX #C1AFDE

RGB 193 175 222

HSL 262.98, 0.42%, 0.78%

LAB 74.36, 15.49, -21.28

 

CMYK 8 / 21 / 0 / 13

HEX #CDAFDE

RGB 205 175 222

HSL 278.3, 0.42%, 0.78%

LAB 75.4, 19.37, -19.61

 

CMYK 2 / 21 / 0 / 13

HEX #DAAFDE

RGB 218 175 222

HSL 294.89, 0.42%, 0.78%

LAB 76.58, 23.64, -17.7

 

CMYK 21 / 18 / 0 / 13

HEX #AFB7DE

RGB 175 183 222

HSL 229.79, 0.42%, 0.78%

LAB 74.99, 5.43, -20.46

 

CMYK 21 / 21 / 0 / 13

HEX #AFAFDE

RGB 175 175 222

HSL 240, 0.42%, 0.78%

LAB 72.92, 9.82, -23.6

 

CMYK 21 / 18 / 0 / 13

HEX #AFB7DE

RGB 175 183 222

HSL 229.79, 0.42%, 0.78%

LAB 74.99, 5.43, -20.46

 

CMYK 28 / 24 / 0 / 9

HEX #A6B1E8

RGB 166 177 232

HSL 230, 0.59%, 0.78%

LAB 73.14, 8.38, -28.77

 

CMYK 35 / 29 / 0 / 5

HEX #9DABF1

RGB 157 171 241

HSL 230, 0.75%, 0.78%

LAB 71.31, 11.45, -36.54

 

CMYK 41 / 34 / 0 / 2

HEX #94A5FA

RGB 148 165 250

HSL 230, 0.91%, 0.78%

LAB 69.55, 14.87, -44.23

 

CMYK 21 / 18 / 0 / 13

HEX #AFB7DE

RGB 175 183 222

HSL 229.79, 0.42%, 0.78%

LAB 74.99, 5.43, -20.46

 

CMYK 14 / 11 / 0 / 16

HEX #B8BDD5

RGB 184 189 213

HSL 229.66, 0.26%, 0.78%

LAB 76.91, 3.07, -12.61

 

CMYK 5 / 4 / 0 / 20

HEX #C1C3CC

RGB 193 195 204

HSL 229.09, 0.1%, 0.78%

LAB 78.88, 1.02, -4.75

 

CMYK 0 / 1 / 4 / 20

HEX #CBC9C3

RGB 203 201 195

HSL 45, 0.07%, 0.78%

LAB 80.97, -0.38, 3.23

 

CMYK 0 / 2 / 12 / 17

HEX #D4CFBA

RGB 212 207 186

HSL 48.46, 0.23%, 0.78%

LAB 83, -1.84, 11.05

 

CMYK 21 / 6 / 0 / 13

HEX #AFD1DE

RGB 175 209 222

HSL 196.6, 0.42%, 0.78%

LAB 81.83, -8.43, -10.17

 

CMYK 21 / 11 / 0 / 13

HEX #AFC5DE

RGB 175 197 222

HSL 211.91, 0.42%, 0.78%

LAB 78.65, -2.12, -14.93

 

CMYK 21 / 17 / 0 / 13

HEX #AFB8DE

RGB 175 184 222

HSL 228.51, 0.42%, 0.78%

LAB 75.24, 4.89, -20.07

 

CMYK 19 / 21 / 0 / 13

HEX #B3AFDE

RGB 179 175 222

HSL 245.11, 0.42%, 0.78%

LAB 73.23, 11.06, -23.1

 

CMYK 14 / 21 / 0 / 13

HEX #C0AFDE

RGB 192 175 222

HSL 261.7, 0.42%, 0.78%

LAB 74.28, 15.17, -21.41

 

CMYK 41 / 34 / 0 / 22

HEX #7583C7

RGB 117 131 199

HSL 229.76, 0.42%, 0.62%

LAB 56.23, 12.26, -36.98

 

CMYK 30 / 25 / 0 / 18

HEX #929DD2

RGB 146 157 210

HSL 229.69, 0.42%, 0.7%

LAB 65.65, 8.27, -28.34

 

CMYK 21 / 18 / 0 / 13

HEX #AFB7DE

RGB 175 183 222

HSL 229.79, 0.42%, 0.78%

LAB 74.99, 5.43, -20.46

 

CMYK 12 / 10 / 0 / 8

HEX #CDD2EA

RGB 205 210 234

HSL 229.66, 0.41%, 0.86%

LAB 84.49, 2.97, -12.38

 

CMYK 5 / 4 / 0 / 4

HEX #EAECF6

RGB 234 236 246

HSL 230, 0.4%, 0.94%

LAB 93.51, 1.16, -5.06

 

CMYK 21 / 18 / 0 / 13

HEX #AFB7DE

RGB 175 183 222

HSL 229.79, 0.42%, 0.78%

LAB 74.99, 5.43, -20.46

 

CMYK 0 / 21 / 0 / 13

HEX #DEAFDE

RGB 222 175 222

HSL 300, 0.42%, 0.78%

LAB 76.96, 24.97, -17.1

 

CMYK 9 / 0 / 21 / 13

HEX #CBDEAF

RGB 203 222 175

HSL 84.26, 0.42%, 0.78%

LAB 86.02, -14.47, 20.98

 

CMYK 21 / 18 / 0 / 13

HEX #AFB7DE

RGB 175 183 222

HSL 229.79, 0.42%, 0.78%

LAB 74.99, 5.43, -20.46

 

CMYK 0 / 21 / 17 / 13

HEX #DEAFB8

RGB 222 175 184

HSL 348.51, 0.42%, 0.78%

LAB 75.85, 18.46, 1.96

 

CMYK 17 / 0 / 21 / 13

HEX #B8DEAF

RGB 184 222 175

HSL 108.51, 0.42%, 0.78%

LAB 84.76, -21.13, 19.03

 

CMYK 21 / 18 / 0 / 13

HEX #AFB7DE

RGB 175 183 222

HSL 229.79, 0.42%, 0.78%

LAB 74.99, 5.43, -20.46

 

CMYK 0 / 21 / 0 / 13

HEX #DEAFDE

RGB 222 175 222

HSL 300, 0.42%, 0.78%

LAB 76.96, 24.97, -17.1

 

CMYK 0 / 4 / 21 / 13

HEX #DED6AF

RGB 222 214 175

HSL 49.79, 0.42%, 0.78%

LAB 85.36, -3.48, 20.28

 

CMYK 21 / 0 / 21 / 13

HEX #AFDEB0

RGB 175 222 176

HSL 121.28, 0.42%, 0.78%

LAB 84.22, -24, 17.67

 

CMYK 21 / 18 / 0 / 13

HEX #AFB7DE

RGB 175 183 222

HSL 229.79, 0.42%, 0.78%

LAB 74.99, 5.43, -20.46

 

CMYK 0 / 21 / 6 / 13

HEX #DEAFD0

RGB 222 175 208

HSL 317.87, 0.42%, 0.78%

LAB 76.52, 22.44, -10.14

 

CMYK 0 / 4 / 21 / 13

HEX #DED6AF

RGB 222 214 175

HSL 49.79, 0.42%, 0.78%

LAB 85.36, -3.48, 20.28

 

CMYK 21 / 0 / 14 / 13

HEX #AFDEBE

RGB 175 222 190

HSL 139.15, 0.42%, 0.78%

LAB 84.52, -21.5, 10.74

 

Description

Color code: HEX #AFB7DECE | qconv.com Color code: HEX #AFB7DECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 183 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 183 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 14 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 14% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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