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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFB4F0CE it is the complementary color #504B0FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFB4F0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFB4F0CE shade: #B4B4EBCE, #C5C6FECE, #D6D8FFCE, #E7EAFFCE and #F8FCFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFB4F0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFB4F0CE shade: #AFB4F0CE, #9EA2DDCE, #8D90CACE, #7C7EB7CE and #6B6CA4CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFB4F0CE shade: #AEB3EF, #BAAEEF, #CCAEEF, #DEAEEF and #EFAEEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFB4F0CE shade: #AEB3EF and #AEAEEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFB4F0CE shade matches the following richer shades: #AEB3EF and #A6ACF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFB4F0CE shade: #AEB3EF, #B5B9E8, #BDC0E0, #C5C7D8 and #CDCDD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFB4F0CE shade: #AED6EF, #AEC5EF, #AEB3EF, #BAAEEF and #CBAEEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFB4F0CE shade: #6872E2, #8B92E9, #AEB3EF, #D0D3F6 and #F3F4FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFB4F0CE shade: #AFB4F0, #EFAEE8 and #CDEFAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFB4F0CE shade: #AFB4F0, #EFAEB3 and #B3EFAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFB4F0CE shade: #AFB4F0, #EFAEE8, #EFEAAE and #AEEFB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFB4F0CE shade: #AFB4F0, #EFAED4, #EFEAAE and #AEEFC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 20 / 0 / 5

HEX #AFB4F0CE

RGBA 175 180 240 0.81

HSLA 235.38, 0.68%, 0.81%, 0.81

LABA 74.86, 11.28, -30.42, 0.81

 

Complementary color

CMYK 0 / 5 / 66 / 56

HEX #504B0FCE

RGBA 80 75 15 0.81

HSLA 55.38, 0.68%, 0.19%, 0.81

LABA 31.28, -5.71, 34.14, 0.81

 

CMYK 19 / 19 / 0 / 6

HEX #B4B4EBCE

RGBA 180 180 235 0.81

HSLA 240, 0.58%, 0.81%, 0.81

LABA 75.04, 11.58, -27.39, 0.81

 

CMYK 18 / 18 / 0 / 0

HEX #C5C6FECE

RGBA 197 198 254 0.81

HSLA 238.95, 0.97%, 0.88%, 0.81

LABA 81.52, 11.21, -27.57, 0.81

 

CMYK 13 / 12 / 0 / 0

HEX #D6D8FFCE

RGBA 214 216 255 0.81

HSLA 237.07, 1%, 0.92%, 0.81

LABA 87.3, 6.98, -19.19, 0.81

 

CMYK 8 / 7 / 0 / 0

HEX #E7EAFFCE

RGBA 231 234 255 0.81

HSLA 232.5, 1%, 0.95%, 0.81

LABA 93.04, 2.93, -10.47, 0.81

 

CMYK 2 / 1 / 0 / 0

HEX #F8FCFFCE

RGBA 248 252 255 0.81

HSLA 205.71, 1%, 0.99%, 0.81

LABA 98.75, -0.77, -1.9, 0.81

 

CMYK 22 / 20 / 0 / 5

HEX #AFB4F0CE

RGBA 175 180 240 0.81

HSLA 235.38, 0.68%, 0.81%, 0.81

LABA 74.86, 11.28, -30.42, 0.81

 

CMYK 23 / 22 / 0 / 11

HEX #9EA2DDCE

RGBA 158 162 221 0.81

HSLA 236.19, 0.48%, 0.74%, 0.81

LABA 68.26, 11.72, -30.32, 0.81

 

CMYK 24 / 23 / 0 / 17

HEX #8D90CACE

RGBA 141 144 202 0.81

HSLA 237.05, 0.37%, 0.67%, 0.81

LABA 61.54, 12.2, -30.25, 0.81

 

CMYK 26 / 25 / 0 / 23

HEX #7C7EB7CE

RGBA 124 126 183 0.81

HSLA 237.97, 0.29%, 0.6%, 0.81

LABA 54.68, 12.75, -30.22, 0.81

 

CMYK 28 / 28 / 0 / 29

HEX #6B6CA4CE

RGBA 107 108 164 0.81

HSLA 238.95, 0.24%, 0.53%, 0.81

LABA 47.66, 13.39, -30.25, 0.81

 

CMYK 27 / 25 / 0 / 6

HEX #AEB3EF

RGB 174 179 239

HSL 235.38, 0.67%, 0.81%

LAB 74.49, 11.3, -30.44

 

CMYK 22 / 27 / 0 / 6

HEX #BAAEEF

RGB 186 174 239

HSL 251.08, 0.67%, 0.81%

LAB 74.15, 17.62, -30.88

 

CMYK 15 / 27 / 0 / 6

HEX #CCAEEF

RGB 204 174 239

HSL 267.69, 0.67%, 0.81%

LAB 75.66, 23.11, -28.44

 

CMYK 7 / 27 / 0 / 6

HEX #DEAEEF

RGB 222 174 239

HSL 284.31, 0.67%, 0.81%

LAB 77.3, 28.75, -25.78

 

CMYK 0 / 27 / 0 / 6

HEX #EFAEEF

RGB 239 174 239

HSL 300, 0.67%, 0.81%

LAB 78.96, 34.16, -23.11

 

CMYK 27 / 25 / 0 / 6

HEX #AEB3EF

RGB 174 179 239

HSL 235.38, 0.67%, 0.81%

LAB 74.49, 11.3, -30.44

 

CMYK 27 / 27 / 0 / 6

HEX #AEAEEF

RGB 174 174 239

HSL 240, 0.67%, 0.81%

LAB 73.22, 14.07, -32.4

 

CMYK 27 / 25 / 0 / 6

HEX #AEB3EF

RGB 174 179 239

HSL 235.38, 0.67%, 0.81%

LAB 74.49, 11.3, -30.44

 

CMYK 33 / 30 / 0 / 3

HEX #A6ACF7

RGB 166 172 247

HSL 235.56, 0.84%, 0.81%

LAB 72.45, 14.9, -37.98

 

CMYK 27 / 25 / 0 / 6

HEX #AEB3EF

RGB 174 179 239

HSL 235.38, 0.67%, 0.81%

LAB 74.49, 11.3, -30.44

 

CMYK 22 / 20 / 0 / 9

HEX #B5B9E8

RGB 181 185 232

HSL 235.29, 0.53%, 0.81%

LAB 76.28, 8.45, -23.87

 

CMYK 16 / 14 / 0 / 12

HEX #BDC0E0

RGB 189 192 224

HSL 234.86, 0.36%, 0.81%

LAB 78.4, 5.38, -16.28

 

CMYK 9 / 8 / 0 / 15

HEX #C5C7D8

RGB 197 199 216

HSL 233.68, 0.2%, 0.81%

LAB 80.56, 2.58, -8.69

 

CMYK 1 / 1 / 0 / 18

HEX #CDCDD0

RGB 205 205 208

HSL 240, 0.03%, 0.81%

LAB 82.48, 0.56, -1.5

 

CMYK 27 / 10 / 0 / 6

HEX #AED6EF

RGB 174 214 239

HSL 203.08, 0.67%, 0.81%

LAB 83.61, -7.51, -16.56

 

CMYK 27 / 18 / 0 / 6

HEX #AEC5EF

RGB 174 197 239

HSL 218.77, 0.67%, 0.81%

LAB 79.14, 1.48, -23.33

 

CMYK 27 / 25 / 0 / 6

HEX #AEB3EF

RGB 174 179 239

HSL 235.38, 0.67%, 0.81%

LAB 74.49, 11.3, -30.44

 

CMYK 22 / 27 / 0 / 6

HEX #BAAEEF

RGB 186 174 239

HSL 251.08, 0.67%, 0.81%

LAB 74.15, 17.62, -30.88

 

CMYK 15 / 27 / 0 / 6

HEX #CBAEEF

RGB 203 174 239

HSL 266.77, 0.67%, 0.81%

LAB 75.58, 22.8, -28.58

 

CMYK 54 / 50 / 0 / 11

HEX #6872E2

RGB 104 114 226

HSL 235.08, 0.68%, 0.65%

LAB 52.36, 27.62, -58.42

 

CMYK 40 / 37 / 0 / 9

HEX #8B92E9

RGB 139 146 233

HSL 235.53, 0.68%, 0.73%

LAB 63.28, 18.79, -44.8

 

CMYK 27 / 25 / 0 / 6

HEX #AEB3EF

RGB 174 179 239

HSL 235.38, 0.67%, 0.81%

LAB 74.49, 11.3, -30.44

 

CMYK 15 / 14 / 0 / 4

HEX #D0D3F6

RGB 208 211 246

HSL 235.26, 0.68%, 0.89%

LAB 85.33, 5.87, -17.46

 

CMYK 4 / 4 / 0 / 1

HEX #F3F4FD

RGB 243 244 253

HSL 234, 0.71%, 0.97%

LAB 96.35, 1.29, -4.44

 

CMYK 27 / 25 / 0 / 6

HEX #AFB4F0

RGB 175 180 240

HSL 235.38, 0.68%, 0.81%

LAB 74.86, 11.28, -30.42

 

CMYK 0 / 27 / 3 / 6

HEX #EFAEE8

RGB 239 174 232

HSL 306.46, 0.67%, 0.81%

LAB 78.72, 32.9, -19.69

 

CMYK 14 / 0 / 27 / 6

HEX #CDEFAE

RGB 205 239 174

HSL 91.38, 0.67%, 0.81%

LAB 90.67, -22.28, 27.89

 

CMYK 27 / 25 / 0 / 6

HEX #AFB4F0

RGB 175 180 240

HSL 235.38, 0.68%, 0.81%

LAB 74.86, 11.28, -30.42

 

CMYK 0 / 27 / 25 / 6

HEX #EFAEB3

RGB 239 174 179

HSL 355.38, 0.67%, 0.81%

LAB 77.21, 24.45, 6.86

 

CMYK 25 / 0 / 27 / 6

HEX #B3EFAE

RGB 179 239 174

HSL 115.38, 0.67%, 0.81%

LAB 89.1, -31.12, 25.49

 

CMYK 27 / 25 / 0 / 6

HEX #AFB4F0

RGB 175 180 240

HSL 235.38, 0.68%, 0.81%

LAB 74.86, 11.28, -30.42

 

CMYK 0 / 27 / 3 / 6

HEX #EFAEE8

RGB 239 174 232

HSL 306.46, 0.67%, 0.81%

LAB 78.72, 32.9, -19.69

 

CMYK 0 / 2 / 27 / 6

HEX #EFEAAE

RGB 239 234 174

HSL 55.38, 0.67%, 0.81%

LAB 91.8, -7.47, 29.82

 

CMYK 27 / 0 / 24 / 6

HEX #AEEFB5

RGB 174 239 181

HSL 126.46, 0.67%, 0.81%

LAB 88.95, -31.58, 21.65

 

CMYK 27 / 25 / 0 / 6

HEX #AFB4F0

RGB 175 180 240

HSL 235.38, 0.68%, 0.81%

LAB 74.86, 11.28, -30.42

 

CMYK 0 / 27 / 11 / 6

HEX #EFAED4

RGB 239 174 212

HSL 324.92, 0.67%, 0.81%

LAB 78.1, 29.47, -9.79

 

CMYK 0 / 2 / 27 / 6

HEX #EFEAAE

RGB 239 234 174

HSL 55.38, 0.67%, 0.81%

LAB 91.8, -7.47, 29.82

 

CMYK 27 / 0 / 16 / 6

HEX #AEEFC9

RGB 174 239 201

HSL 144.92, 0.67%, 0.81%

LAB 89.37, -27.98, 11.88

 

Description

Color code: HEX #AFB4F0CE | qconv.com Color code: HEX #AFB4F0CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 180 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 180 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 20 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 20% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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