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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFB4E7CE it is the complementary color #504B18CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFB4E7CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFB4E7CE shade: #B4B4E2CE, #C5C6F5CE, #D6D8FFCE, #E7EAFFCE and #F8FCFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFB4E7CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFB4E7CE shade: #AFB4E7CE, #9EA2D4CE, #8D90C1CE, #7C7EAECE and #6B6C9BCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFB4E7CE shade: #B0B5E8, #BAB0E8, #C9B0E8, #D8B0E8 and #E7B0E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFB4E7CE shade: #B0B5E8 and #B0B0E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFB4E7CE shade matches the following richer shades: #B0B5E8, #A8AFF0 and #A0A8F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFB4E7CE shade: #B0B5E8, #B9BCDF, #C1C3D7, #C9CACF and #D1D0C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFB4E7CE shade: #B0D3E8, #B0C5E8, #B0B6E8, #BAB0E8 and #C8B0E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFB4E7CE shade: #717AD5, #9198DE, #B0B5E8, #D0D3F1 and #F0F1FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFB4E7CE shade: #AFB4E7, #E8B0E2 and #CCE8B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFB4E7CE shade: #AFB4E7, #E8B0B6 and #B6E8B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFB4E7CE shade: #AFB4E7, #E8B0E2, #E8E2B0 and #B0E8B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFB4E7CE shade: #AFB4E7, #E8B0D2, #E8E2B0 and #B0E8C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 18 / 0 / 8

HEX #AFB4E7CE

RGBA 175 180 231 0.81

HSLA 234.64, 0.54%, 0.8%, 0.81

LABA 74.52, 9.15, -26.05, 0.81

 

Complementary color

CMYK 0 / 5 / 57 / 56

HEX #504B18CE

RGBA 80 75 24 0.81

HSLA 54.64, 0.54%, 0.2%, 0.81

LABA 31.36, -5.15, 30.12, 0.81

 

CMYK 16 / 16 / 0 / 9

HEX #B4B4E2CE

RGBA 180 180 226 0.81

HSLA 240, 0.44%, 0.8%, 0.81

LABA 74.72, 9.52, -23, 0.81

 

CMYK 16 / 16 / 0 / 3

HEX #C5C6F5CE

RGBA 197 198 245 0.81

HSLA 238.75, 0.71%, 0.87%, 0.81

LABA 81.21, 9.2, -23.24, 0.81

 

CMYK 13 / 12 / 0 / 0

HEX #D6D8FFCE

RGBA 214 216 255 0.81

HSLA 237.07, 1%, 0.92%, 0.81

LABA 87.3, 6.98, -19.19, 0.81

 

CMYK 8 / 7 / 0 / 0

HEX #E7EAFFCE

RGBA 231 234 255 0.81

HSLA 232.5, 1%, 0.95%, 0.81

LABA 93.04, 2.93, -10.47, 0.81

 

CMYK 2 / 1 / 0 / 0

HEX #F8FCFFCE

RGBA 248 252 255 0.81

HSLA 205.71, 1%, 0.99%, 0.81

LABA 98.75, -0.77, -1.9, 0.81

 

CMYK 20 / 18 / 0 / 8

HEX #AFB4E7CE

RGBA 175 180 231 0.81

HSLA 234.64, 0.54%, 0.8%, 0.81

LABA 74.52, 9.15, -26.05, 0.81

 

CMYK 21 / 19 / 0 / 14

HEX #9EA2D4CE

RGBA 158 162 212 0.81

HSLA 235.56, 0.39%, 0.73%, 0.81

LABA 67.92, 9.52, -25.88, 0.81

 

CMYK 22 / 21 / 0 / 20

HEX #8D90C1CE

RGBA 141 144 193 0.81

HSLA 236.54, 0.3%, 0.65%, 0.81

LABA 61.19, 9.93, -25.74, 0.81

 

CMYK 23 / 22 / 0 / 26

HEX #7C7EAECE

RGBA 124 126 174 0.81

HSLA 237.6, 0.24%, 0.58%, 0.81

LABA 54.3, 10.39, -25.64, 0.81

 

CMYK 25 / 25 / 0 / 32

HEX #6B6C9BCE

RGBA 107 108 155 0.81

HSLA 238.75, 0.19%, 0.51%, 0.81

LABA 47.26, 10.93, -25.58, 0.81

 

CMYK 24 / 22 / 0 / 9

HEX #B0B5E8

RGB 176 181 232

HSL 234.64, 0.55%, 0.8%

LAB 74.89, 9.13, -26.03

 

CMYK 20 / 24 / 0 / 9

HEX #BAB0E8

RGB 186 176 232

HSL 250.71, 0.55%, 0.8%

LAB 74.39, 14.92, -26.72

 

CMYK 13 / 24 / 0 / 9

HEX #C9B0E8

RGB 201 176 232

HSL 266.79, 0.55%, 0.8%

LAB 75.63, 19.6, -24.71

 

CMYK 7 / 24 / 0 / 9

HEX #D8B0E8

RGB 216 176 232

HSL 282.86, 0.55%, 0.8%

LAB 76.97, 24.38, -22.56

 

CMYK 0 / 24 / 0 / 9

HEX #E7B0E8

RGB 231 176 232

HSL 298.93, 0.55%, 0.8%

LAB 78.38, 29.23, -20.28

 

CMYK 24 / 22 / 0 / 9

HEX #B0B5E8

RGB 176 181 232

HSL 234.64, 0.55%, 0.8%

LAB 74.89, 9.13, -26.03

 

CMYK 24 / 24 / 0 / 9

HEX #B0B0E8

RGB 176 176 232

HSL 240, 0.55%, 0.8%

LAB 73.61, 11.89, -27.98

 

CMYK 24 / 22 / 0 / 9

HEX #B0B5E8

RGB 176 181 232

HSL 234.64, 0.55%, 0.8%

LAB 74.89, 9.13, -26.03

 

CMYK 30 / 27 / 0 / 6

HEX #A8AFF0

RGB 168 175 240

HSL 234.17, 0.71%, 0.8%

LAB 73.07, 12.03, -33.21

 

CMYK 35 / 32 / 0 / 3

HEX #A0A8F8

RGB 160 168 248

HSL 234.55, 0.86%, 0.8%

LAB 71.05, 15.77, -40.74

 

CMYK 24 / 22 / 0 / 9

HEX #B0B5E8

RGB 176 181 232

HSL 234.64, 0.55%, 0.8%

LAB 74.89, 9.13, -26.03

 

CMYK 17 / 16 / 0 / 13

HEX #B9BCDF

RGB 185 188 223

HSL 235.26, 0.37%, 0.8%

LAB 77.05, 6.06, -17.81

 

CMYK 10 / 9 / 0 / 16

HEX #C1C3D7

RGB 193 195 215

HSL 234.55, 0.22%, 0.8%

LAB 79.2, 3.2, -10.21

 

CMYK 3 / 2 / 0 / 19

HEX #C9CACF

RGB 201 202 207

HSL 230, 0.06%, 0.8%

LAB 81.38, 0.59, -2.61

 

CMYK 0 / 0 / 5 / 18

HEX #D1D0C7

RGB 209 208 199

HSL 54, 0.1%, 0.8%

LAB 83.33, -1.25, 4.57

 

CMYK 24 / 9 / 0 / 9

HEX #B0D3E8

RGB 176 211 232

HSL 202.5, 0.55%, 0.8%

LAB 82.72, -6.96, -14.16

 

CMYK 24 / 15 / 0 / 9

HEX #B0C5E8

RGB 176 197 232

HSL 217.5, 0.55%, 0.8%

LAB 79.03, 0.45, -19.72

 

CMYK 24 / 22 / 0 / 9

HEX #B0B6E8

RGB 176 182 232

HSL 233.57, 0.55%, 0.8%

LAB 75.15, 8.58, -25.63

 

CMYK 20 / 24 / 0 / 9

HEX #BAB0E8

RGB 186 176 232

HSL 250.71, 0.55%, 0.8%

LAB 74.39, 14.92, -26.72

 

CMYK 14 / 24 / 0 / 9

HEX #C8B0E8

RGB 200 176 232

HSL 265.71, 0.55%, 0.8%

LAB 75.55, 19.28, -24.85

 

CMYK 47 / 43 / 0 / 16

HEX #717AD5

RGB 113 122 213

HSL 234.6, 0.54%, 0.64%

LAB 54.27, 20.75, -48

 

CMYK 35 / 32 / 0 / 13

HEX #9198DE

RGB 145 152 222

HSL 234.55, 0.54%, 0.72%

LAB 64.76, 13.95, -36.37

 

CMYK 24 / 22 / 0 / 9

HEX #B0B5E8

RGB 176 181 232

HSL 234.64, 0.55%, 0.8%

LAB 74.89, 9.13, -26.03

 

CMYK 14 / 12 / 0 / 5

HEX #D0D3F1

RGB 208 211 241

HSL 234.55, 0.54%, 0.88%

LAB 85.17, 4.83, -15.04

 

CMYK 4 / 4 / 0 / 2

HEX #F0F1FB

RGB 240 241 251

HSL 234.55, 0.58%, 0.96%

LAB 95.33, 1.48, -4.93

 

CMYK 24 / 22 / 0 / 9

HEX #AFB4E7

RGB 175 180 231

HSL 234.64, 0.54%, 0.8%

LAB 74.52, 9.15, -26.05

 

CMYK 0 / 24 / 3 / 9

HEX #E8B0E2

RGB 232 176 226

HSL 306.43, 0.55%, 0.8%

LAB 78.28, 28.47, -17.17

 

CMYK 12 / 0 / 24 / 9

HEX #CCE8B0

RGB 204 232 176

HSL 90, 0.55%, 0.8%

LAB 88.77, -18.92, 24.26

 

CMYK 24 / 22 / 0 / 9

HEX #AFB4E7

RGB 175 180 231

HSL 234.64, 0.54%, 0.8%

LAB 74.52, 9.15, -26.05

 

CMYK 0 / 24 / 22 / 9

HEX #E8B0B6

RGB 232 176 182

HSL 353.57, 0.55%, 0.8%

LAB 77.03, 21.26, 4.88

 

CMYK 22 / 0 / 24 / 9

HEX #B6E8B0

RGB 182 232 176

HSL 113.57, 0.55%, 0.8%

LAB 87.38, -26.49, 22.13

 

CMYK 24 / 22 / 0 / 9

HEX #AFB4E7

RGB 175 180 231

HSL 234.64, 0.54%, 0.8%

LAB 74.52, 9.15, -26.05

 

CMYK 0 / 24 / 3 / 9

HEX #E8B0E2

RGB 232 176 226

HSL 306.43, 0.55%, 0.8%

LAB 78.28, 28.47, -17.17

 

CMYK 0 / 3 / 24 / 9

HEX #E8E2B0

RGB 232 226 176

HSL 53.57, 0.55%, 0.8%

LAB 89.24, -5.77, 25.24

 

CMYK 24 / 0 / 22 / 9

HEX #B0E8B6

RGB 176 232 182

HSL 126.43, 0.55%, 0.8%

LAB 87.15, -27.46, 18.65

 

CMYK 24 / 22 / 0 / 9

HEX #AFB4E7

RGB 175 180 231

HSL 234.64, 0.54%, 0.8%

LAB 74.52, 9.15, -26.05

 

CMYK 0 / 24 / 9 / 9

HEX #E8B0D2

RGB 232 176 210

HSL 323.57, 0.55%, 0.8%

LAB 77.79, 25.68, -9.24

 

CMYK 0 / 3 / 24 / 9

HEX #E8E2B0

RGB 232 226 176

HSL 53.57, 0.55%, 0.8%

LAB 89.24, -5.77, 25.24

 

CMYK 24 / 0 / 15 / 9

HEX #B0E8C6

RGB 176 232 198

HSL 143.57, 0.55%, 0.8%

LAB 87.49, -24.57, 10.79

 

Description

Color code: HEX #AFB4E7CE | qconv.com Color code: HEX #AFB4E7CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 180 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 180 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 18 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 18% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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