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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFB4E13F it is the complementary color #504B1E3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFB4E13F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFB4E13F shade: #B4B4DC3F, #C5C6EF3F, #D6D8FF3F, #E7EAFF3F and #F8FCFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFB4E13F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFB4E13F shade: #AFB4E13F, #9EA2CE3F, #8D90BB3F, #7C7EA83F and #6B6C953F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFB4E13F shade: #AEB3E0, #B6AEE0, #C4AEE0, #D1AEE0 and #DFAEE0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFB4E13F shade: #AEB3E0 and #AEAEE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFB4E13F shade matches the following richer shades: #AEB3E0, #A5ABE9, #9CA4F2 and #929DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFB4E13F shade: #AEB3E0, #B7BAD7, #C0C1CE, #C9C8C5 and #D2D0BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFB4E13F shade: #AECEE0, #AEC0E0, #AEB3E0, #B6AEE0 and #C4AEE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFB4E13F shade: #727BC9, #9097D5, #AEB3E0, #CCCFEB and #E9EBF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFB4E13F shade: #AFB4E1, #E0AEDB and #C7E0AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFB4E13F shade: #AFB4E1, #E0AEB3 and #B3E0AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFB4E13F shade: #AFB4E1, #E0AEDB, #E0DBAE and #AEE0B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFB4E13F shade: #AFB4E1, #E0AECC, #E0DBAE and #AEE0C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 5 / 0 / 3

HEX #AFB4E13F

RGBA 175 180 225 0.25

HSLA 234, 0.45%, 0.78%, 0.25

LABA 74.31, 7.76, -23.12, 0.25

 

Complementary color

CMYK 0 / 2 / 16 / 17

HEX #504B1E3F

RGBA 80 75 30 0.25

HSLA 54, 0.45%, 0.22%, 0.25

LABA 31.42, -4.66, 27.06, 0.25

 

CMYK 5 / 5 / 0 / 3

HEX #B4B4DC3F

RGBA 180 180 220 0.25

HSLA 240, 0.36%, 0.78%, 0.25

LABA 74.52, 8.18, -20.05, 0.25

 

CMYK 4 / 4 / 0 / 2

HEX #C5C6EF3F

RGBA 197 198 239 0.25

HSLA 238.57, 0.57%, 0.85%, 0.25

LABA 81.01, 7.89, -20.33, 0.25

 

CMYK 4 / 4 / 0 / 0

HEX #D6D8FF3F

RGBA 214 216 255 0.25

HSLA 237.07, 1%, 0.92%, 0.25

LABA 87.3, 6.98, -19.19, 0.25

 

CMYK 2 / 2 / 0 / 0

HEX #E7EAFF3F

RGBA 231 234 255 0.25

HSLA 232.5, 1%, 0.95%, 0.25

LABA 93.04, 2.93, -10.47, 0.25

 

CMYK 1 / 0 / 0 / 0

HEX #F8FCFF3F

RGBA 248 252 255 0.25

HSLA 205.71, 1%, 0.99%, 0.25

LABA 98.75, -0.77, -1.9, 0.25

 

CMYK 6 / 5 / 0 / 3

HEX #AFB4E13F

RGBA 175 180 225 0.25

HSLA 234, 0.45%, 0.78%, 0.25

LABA 74.31, 7.76, -23.12, 0.25

 

CMYK 6 / 5 / 0 / 5

HEX #9EA2CE3F

RGBA 158 162 206 0.25

HSLA 235, 0.33%, 0.71%, 0.25

LABA 67.7, 8.09, -22.9, 0.25

 

CMYK 6 / 6 / 0 / 7

HEX #8D90BB3F

RGBA 141 144 187 0.25

HSLA 236.09, 0.25%, 0.64%, 0.25

LABA 60.96, 8.45, -22.71, 0.25

 

CMYK 7 / 6 / 0 / 9

HEX #7C7EA83F

RGBA 124 126 168 0.25

HSLA 237.27, 0.2%, 0.57%, 0.25

LABA 54.06, 8.86, -22.55, 0.25

 

CMYK 7 / 7 / 0 / 10

HEX #6B6C953F

RGBA 107 108 149 0.25

HSLA 238.57, 0.17%, 0.5%, 0.25

LABA 47, 9.33, -22.43, 0.25

 

CMYK 22 / 20 / 0 / 12

HEX #AEB3E0

RGB 174 179 224

HSL 234, 0.45%, 0.78%

LAB 73.95, 7.77, -23.14

 

CMYK 19 / 22 / 0 / 12

HEX #B6AEE0

RGB 182 174 224

HSL 249.6, 0.45%, 0.78%

LAB 73.28, 13, -24.09

 

CMYK 13 / 22 / 0 / 12

HEX #C4AEE0

RGB 196 174 224

HSL 266.4, 0.45%, 0.78%

LAB 74.44, 17.42, -22.23

 

CMYK 7 / 22 / 0 / 12

HEX #D1AEE0

RGB 209 174 224

HSL 282, 0.45%, 0.78%

LAB 75.58, 21.62, -20.38

 

CMYK 0 / 22 / 0 / 12

HEX #DFAEE0

RGB 223 174 224

HSL 298.8, 0.45%, 0.78%

LAB 76.89, 26.21, -18.28

 

CMYK 22 / 20 / 0 / 12

HEX #AEB3E0

RGB 174 179 224

HSL 234, 0.45%, 0.78%

LAB 73.95, 7.77, -23.14

 

CMYK 22 / 22 / 0 / 12

HEX #AEAEE0

RGB 174 174 224

HSL 240, 0.45%, 0.78%

LAB 72.66, 10.53, -25.1

 

CMYK 22 / 20 / 0 / 12

HEX #AEB3E0

RGB 174 179 224

HSL 234, 0.45%, 0.78%

LAB 73.95, 7.77, -23.14

 

CMYK 29 / 27 / 0 / 9

HEX #A5ABE9

RGB 165 171 233

HSL 234.71, 0.61%, 0.78%

LAB 71.56, 11.67, -31.76

 

CMYK 36 / 32 / 0 / 5

HEX #9CA4F2

RGB 156 164 242

HSL 234.42, 0.77%, 0.78%

LAB 69.49, 15.38, -39.93

 

CMYK 42 / 37 / 0 / 2

HEX #929DFB

RGB 146 157 251

HSL 233.71, 0.93%, 0.78%

LAB 67.42, 19.22, -48.13

 

CMYK 22 / 20 / 0 / 12

HEX #AEB3E0

RGB 174 179 224

HSL 234, 0.45%, 0.78%

LAB 73.95, 7.77, -23.14

 

CMYK 15 / 13 / 0 / 16

HEX #B7BAD7

RGB 183 186 215

HSL 234.38, 0.29%, 0.78%

LAB 76.13, 4.79, -14.89

 

CMYK 7 / 6 / 0 / 19

HEX #C0C1CE

RGB 192 193 206

HSL 235.71, 0.13%, 0.78%

LAB 78.35, 2.14, -6.63

 

CMYK 0 / 0 / 2 / 21

HEX #C9C8C5

RGB 201 200 197

HSL 45, 0.04%, 0.78%

LAB 80.6, -0.19, 1.61

 

CMYK 0 / 1 / 10 / 18

HEX #D2D0BC

RGB 210 208 188

HSL 54.55, 0.2%, 0.78%

LAB 83.15, -2.75, 10.17

 

CMYK 22 / 8 / 0 / 12

HEX #AECEE0

RGB 174 206 224

HSL 201.6, 0.45%, 0.78%

LAB 81.03, -6.73, -12.44

 

CMYK 22 / 14 / 0 / 12

HEX #AEC0E0

RGB 174 192 224

HSL 218.4, 0.45%, 0.78%

LAB 77.33, 0.7, -18.01

 

CMYK 22 / 20 / 0 / 12

HEX #AEB3E0

RGB 174 179 224

HSL 234, 0.45%, 0.78%

LAB 73.95, 7.77, -23.14

 

CMYK 19 / 22 / 0 / 12

HEX #B6AEE0

RGB 182 174 224

HSL 249.6, 0.45%, 0.78%

LAB 73.28, 13, -24.09

 

CMYK 13 / 22 / 0 / 12

HEX #C4AEE0

RGB 196 174 224

HSL 266.4, 0.45%, 0.78%

LAB 74.44, 17.42, -22.23

 

CMYK 43 / 39 / 0 / 21

HEX #727BC9

RGB 114 123 201

HSL 233.79, 0.45%, 0.62%

LAB 53.98, 16.83, -41.65

 

CMYK 32 / 29 / 0 / 16

HEX #9097D5

RGB 144 151 213

HSL 233.91, 0.45%, 0.7%

LAB 64.05, 11.88, -32.49

 

CMYK 22 / 20 / 0 / 12

HEX #AEB3E0

RGB 174 179 224

HSL 234, 0.45%, 0.78%

LAB 73.95, 7.77, -23.14

 

CMYK 13 / 12 / 0 / 8

HEX #CCCFEB

RGB 204 207 235

HSL 234.19, 0.44%, 0.86%

LAB 83.68, 4.45, -14.12

 

CMYK 6 / 5 / 0 / 3

HEX #E9EBF7

RGB 233 235 247

HSL 231.43, 0.47%, 0.94%

LAB 93.21, 1.54, -6.03

 

CMYK 22 / 20 / 0 / 12

HEX #AFB4E1

RGB 175 180 225

HSL 234, 0.45%, 0.78%

LAB 74.31, 7.76, -23.12

 

CMYK 0 / 22 / 2 / 12

HEX #E0AEDB

RGB 224 174 219

HSL 306, 0.45%, 0.78%

LAB 76.82, 25.62, -15.66

 

CMYK 11 / 0 / 22 / 12

HEX #C7E0AE

RGB 199 224 174

HSL 90, 0.45%, 0.78%

LAB 86.26, -17.05, 21.79

 

CMYK 22 / 20 / 0 / 12

HEX #AFB4E1

RGB 175 180 225

HSL 234, 0.45%, 0.78%

LAB 74.31, 7.76, -23.12

 

CMYK 0 / 22 / 20 / 12

HEX #E0AEB3

RGB 224 174 179

HSL 354, 0.45%, 0.78%

LAB 75.68, 18.96, 4.47

 

CMYK 20 / 0 / 22 / 12

HEX #B3E0AE

RGB 179 224 174

HSL 114, 0.45%, 0.78%

LAB 84.97, -23.97, 19.8

 

CMYK 22 / 20 / 0 / 12

HEX #AFB4E1

RGB 175 180 225

HSL 234, 0.45%, 0.78%

LAB 74.31, 7.76, -23.12

 

CMYK 0 / 22 / 2 / 12

HEX #E0AEDB

RGB 224 174 219

HSL 306, 0.45%, 0.78%

LAB 76.82, 25.62, -15.66

 

CMYK 0 / 2 / 22 / 12

HEX #E0DBAE

RGB 224 219 174

HSL 54, 0.45%, 0.78%

LAB 86.78, -5.45, 22.8

 

CMYK 22 / 0 / 20 / 12

HEX #AEE0B3

RGB 174 224 179

HSL 126, 0.45%, 0.78%

LAB 84.77, -24.78, 16.87

 

CMYK 22 / 20 / 0 / 12

HEX #AFB4E1

RGB 175 180 225

HSL 234, 0.45%, 0.78%

LAB 74.31, 7.76, -23.12

 

CMYK 0 / 22 / 9 / 12

HEX #E0AECC

RGB 224 174 204

HSL 324, 0.45%, 0.78%

LAB 76.36, 22.98, -8.18

 

CMYK 0 / 2 / 22 / 12

HEX #E0DBAE

RGB 224 219 174

HSL 54, 0.45%, 0.78%

LAB 86.78, -5.45, 22.8

 

CMYK 22 / 0 / 13 / 12

HEX #AEE0C2

RGB 174 224 194

HSL 144, 0.45%, 0.78%

LAB 85.1, -22.05, 9.46

 

Description

Color code: HEX #AFB4E13F | qconv.com Color code: HEX #AFB4E13F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 180 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 180 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 5 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 5% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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