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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFB4DBCE it is the complementary color #504B24CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFB4DBCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFB4DBCE shade: #B4B4D6CE, #C5C6E9CE, #D6D8FCCE, #E7EAFFCE and #F8FCFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFB4DBCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFB4DBCE shade: #AFB4DBCE, #9EA2C8CE, #8D90B5CE, #7C7EA2CE and #6B6C8FCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFB4DBCE shade: #AEB3DB, #B5AEDB, #C1AEDB, #CDAEDB and #D9AEDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFB4DBCE shade: #AEB3DB and #AEAEDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFB4DBCE shade matches the following richer shades: #AEB3DB, #A5ACE4, #9BA4EE and #929DF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFB4DBCE shade: #AEB3DB, #B8BAD1, #C1C2C8, #CBC9BE and #D4D0B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFB4DBCE shade: #AECBDB, #AEBFDB, #AEB3DB, #B5AEDB and #C1AEDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFB4DBCE shade: #757EC1, #9298CE, #AEB3DB, #CBCEE7 and #E7E9F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFB4DBCE shade: #AFB4DB, #DBAED7 and #C5DBAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFB4DBCE shade: #AFB4DB, #DBAEB3 and #B3DBAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFB4DBCE shade: #AFB4DB, #DBAED7, #DBD5AE and #AEDBB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFB4DBCE shade: #AFB4DB, #DBAECA, #DBD5AE and #AEDBBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 14 / 0 / 11

HEX #AFB4DBCE

RGBA 175 180 219 0.81

HSLA 233.18, 0.38%, 0.77%, 0.81

LABA 74.11, 6.4, -20.17, 0.81

 

Complementary color

CMYK 0 / 5 / 45 / 56

HEX #504B24CE

RGBA 80 75 36 0.81

HSLA 53.18, 0.38%, 0.23%, 0.81

LABA 31.5, -4.08, 23.78, 0.81

 

CMYK 13 / 13 / 0 / 13

HEX #B4B4D6CE

RGBA 180 180 214 0.81

HSLA 240, 0.29%, 0.77%, 0.81

LABA 74.32, 6.87, -17.09, 0.81

 

CMYK 13 / 12 / 0 / 7

HEX #C5C6E9CE

RGBA 197 198 233 0.81

HSLA 238.33, 0.45%, 0.84%, 0.81

LABA 80.82, 6.61, -17.42, 0.81

 

CMYK 12 / 12 / 0 / 1

HEX #D6D8FCCE

RGBA 214 216 252 0.81

HSLA 236.84, 0.86%, 0.91%, 0.81

LABA 87.21, 6.36, -17.75, 0.81

 

CMYK 8 / 7 / 0 / 0

HEX #E7EAFFCE

RGBA 231 234 255 0.81

HSLA 232.5, 1%, 0.95%, 0.81

LABA 93.04, 2.93, -10.47, 0.81

 

CMYK 2 / 1 / 0 / 0

HEX #F8FCFFCE

RGBA 248 252 255 0.81

HSLA 205.71, 1%, 0.99%, 0.81

LABA 98.75, -0.77, -1.9, 0.81

 

CMYK 16 / 14 / 0 / 11

HEX #AFB4DBCE

RGBA 175 180 219 0.81

HSLA 233.18, 0.38%, 0.77%, 0.81

LABA 74.11, 6.4, -20.17, 0.81

 

CMYK 17 / 15 / 0 / 17

HEX #9EA2C8CE

RGBA 158 162 200 0.81

HSLA 234.29, 0.28%, 0.7%, 0.81

LABA 67.49, 6.69, -19.9, 0.81

 

CMYK 18 / 17 / 0 / 24

HEX #8D90B5CE

RGBA 141 144 181 0.81

HSLA 235.5, 0.21%, 0.63%, 0.81

LABA 60.73, 7.01, -19.66, 0.81

 

CMYK 19 / 18 / 0 / 30

HEX #7C7EA2CE

RGBA 124 126 162 0.81

HSLA 236.84, 0.17%, 0.56%, 0.81

LABA 53.83, 7.37, -19.44, 0.81

 

CMYK 20 / 20 / 0 / 36

HEX #6B6C8FCE

RGBA 107 108 143 0.81

HSLA 238.33, 0.14%, 0.49%, 0.81

LABA 46.76, 7.77, -19.25, 0.81

 

CMYK 21 / 18 / 0 / 14

HEX #AEB3DB

RGB 174 179 219

HSL 233.33, 0.38%, 0.77%

LAB 73.77, 6.63, -20.68

 

CMYK 17 / 21 / 0 / 14

HEX #B5AEDB

RGB 181 174 219

HSL 249.33, 0.38%, 0.77%

LAB 73.03, 11.58, -21.76

 

CMYK 12 / 21 / 0 / 14

HEX #C1AEDB

RGB 193 174 219

HSL 265.33, 0.38%, 0.77%

LAB 74.01, 15.41, -20.17

 

CMYK 6 / 21 / 0 / 14

HEX #CDAEDB

RGB 205 174 219

HSL 281.33, 0.38%, 0.77%

LAB 75.06, 19.32, -18.5

 

CMYK 1 / 21 / 0 / 14

HEX #D9AEDB

RGB 217 174 219

HSL 297.33, 0.38%, 0.77%

LAB 76.15, 23.29, -16.73

 

CMYK 21 / 18 / 0 / 14

HEX #AEB3DB

RGB 174 179 219

HSL 233.33, 0.38%, 0.77%

LAB 73.77, 6.63, -20.68

 

CMYK 21 / 21 / 0 / 14

HEX #AEAEDB

RGB 174 174 219

HSL 240, 0.38%, 0.77%

LAB 72.49, 9.38, -22.64

 

CMYK 21 / 18 / 0 / 14

HEX #AEB3DB

RGB 174 179 219

HSL 233.33, 0.38%, 0.77%

LAB 73.77, 6.63, -20.68

 

CMYK 28 / 25 / 0 / 11

HEX #A5ACE4

RGB 165 172 228

HSL 233.33, 0.54%, 0.77%

LAB 71.63, 9.89, -28.93

 

CMYK 35 / 31 / 0 / 7

HEX #9BA4EE

RGB 155 164 238

HSL 233.49, 0.71%, 0.77%

LAB 69.25, 14.06, -38.12

 

CMYK 41 / 36 / 0 / 3

HEX #929DF7

RGB 146 157 247

HSL 233.47, 0.86%, 0.77%

LAB 67.23, 18.11, -46.24

 

CMYK 21 / 18 / 0 / 14

HEX #AEB3DB

RGB 174 179 219

HSL 233.33, 0.38%, 0.77%

LAB 73.77, 6.63, -20.68

 

CMYK 12 / 11 / 0 / 18

HEX #B8BAD1

RGB 184 186 209

HSL 235.2, 0.21%, 0.77%

LAB 76.01, 3.85, -11.79

 

CMYK 4 / 3 / 0 / 22

HEX #C1C2C8

RGB 193 194 200

HSL 231.43, 0.06%, 0.77%

LAB 78.51, 0.78, -3.13

 

CMYK 0 / 1 / 6 / 20

HEX #CBC9BE

RGB 203 201 190

HSL 50.77, 0.11%, 0.77%

LAB 80.84, -1.25, 5.73

 

CMYK 0 / 2 / 15 / 17

HEX #D4D0B5

RGB 212 208 181

HSL 52.26, 0.26%, 0.77%

LAB 83.15, -3.15, 13.91

 

CMYK 21 / 7 / 0 / 14

HEX #AECBDB

RGB 174 203 219

HSL 201.33, 0.38%, 0.77%

LAB 80.08, -6.26, -11.18

 

CMYK 21 / 13 / 0 / 14

HEX #AEBFDB

RGB 174 191 219

HSL 217.33, 0.38%, 0.77%

LAB 76.91, 0.12, -15.94

 

CMYK 21 / 18 / 0 / 14

HEX #AEB3DB

RGB 174 179 219

HSL 233.33, 0.38%, 0.77%

LAB 73.77, 6.63, -20.68

 

CMYK 17 / 21 / 0 / 14

HEX #B5AEDB

RGB 181 174 219

HSL 249.33, 0.38%, 0.77%

LAB 73.03, 11.58, -21.76

 

CMYK 12 / 21 / 0 / 14

HEX #C1AEDB

RGB 193 174 219

HSL 265.33, 0.38%, 0.77%

LAB 74.01, 15.41, -20.17

 

CMYK 39 / 35 / 0 / 24

HEX #757EC1

RGB 117 126 193

HSL 232.89, 0.38%, 0.61%

LAB 54.61, 13.52, -36.1

 

CMYK 29 / 26 / 0 / 19

HEX #9298CE

RGB 146 152 206

HSL 234, 0.38%, 0.69%

LAB 64.18, 10.11, -28.38

 

CMYK 21 / 18 / 0 / 14

HEX #AEB3DB

RGB 174 179 219

HSL 233.33, 0.38%, 0.77%

LAB 73.77, 6.63, -20.68

 

CMYK 12 / 11 / 0 / 9

HEX #CBCEE7

RGB 203 206 231

HSL 233.57, 0.37%, 0.85%

LAB 83.24, 3.84, -12.67

 

CMYK 5 / 5 / 0 / 4

HEX #E7E9F4

RGB 231 233 244

HSL 230.77, 0.37%, 0.93%

LAB 92.49, 1.35, -5.56

 

CMYK 20 / 18 / 0 / 14

HEX #AFB4DB

RGB 175 180 219

HSL 233.18, 0.38%, 0.77%

LAB 74.11, 6.4, -20.17

 

CMYK 0 / 21 / 2 / 14

HEX #DBAED7

RGB 219 174 215

HSL 305.33, 0.38%, 0.77%

LAB 76.22, 23.22, -14.44

 

CMYK 10 / 0 / 21 / 14

HEX #C5DBAE

RGB 197 219 174

HSL 89.33, 0.38%, 0.77%

LAB 84.79, -15.26, 19.72

 

CMYK 20 / 18 / 0 / 14

HEX #AFB4DB

RGB 175 180 219

HSL 233.18, 0.38%, 0.77%

LAB 74.11, 6.4, -20.17

 

CMYK 0 / 21 / 18 / 14

HEX #DBAEB3

RGB 219 174 179

HSL 353.33, 0.38%, 0.77%

LAB 75.19, 17.13, 3.7

 

CMYK 18 / 0 / 21 / 14

HEX #B3DBAE

RGB 179 219 174

HSL 113.33, 0.38%, 0.77%

LAB 83.6, -21.53, 17.9

 

CMYK 20 / 18 / 0 / 14

HEX #AFB4DB

RGB 175 180 219

HSL 233.18, 0.38%, 0.77%

LAB 74.11, 6.4, -20.17

 

CMYK 0 / 21 / 2 / 14

HEX #DBAED7

RGB 219 174 215

HSL 305.33, 0.38%, 0.77%

LAB 76.22, 23.22, -14.44

 

CMYK 0 / 3 / 21 / 14

HEX #DBD5AE

RGB 219 213 174

HSL 52, 0.38%, 0.77%

LAB 84.85, -4.22, 20.06

 

CMYK 21 / 0 / 19 / 14

HEX #AEDBB2

RGB 174 219 178

HSL 125.33, 0.38%, 0.77%

LAB 83.38, -22.52, 15.43

 

CMYK 20 / 18 / 0 / 14

HEX #AFB4DB

RGB 175 180 219

HSL 233.18, 0.38%, 0.77%

LAB 74.11, 6.4, -20.17

 

CMYK 0 / 21 / 8 / 14

HEX #DBAECA

RGB 219 174 202

HSL 322.67, 0.38%, 0.77%

LAB 75.82, 20.9, -7.95

 

CMYK 0 / 3 / 21 / 14

HEX #DBD5AE

RGB 219 213 174

HSL 52, 0.38%, 0.77%

LAB 84.85, -4.22, 20.06

 

CMYK 21 / 0 / 13 / 14

HEX #AEDBBF

RGB 174 219 191

HSL 142.67, 0.38%, 0.77%

LAB 83.66, -20.15, 8.98

 

Description

Color code: HEX #AFB4DBCE | qconv.com Color code: HEX #AFB4DBCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 180 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 180 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 14 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 14% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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