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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFB4DACE it is the complementary color #504B25CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFB4DACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFB4DACE shade: #B4B4D5CE, #C5C6E8CE, #D6D8FBCE, #E7EAFFCE and #F8FCFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFB4DACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFB4DACE shade: #AFB4DACE, #9EA2C7CE, #8D90B4CE, #7C7EA1CE and #6B6C8ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFB4DACE shade: #AFB4DA, #B5AFDA, #C1AFDA, #CDAFDA and #D8AFDA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFB4DACE shade: #AFB4DA and #AFAFDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFB4DACE shade matches the following richer shades: #AFB4DA, #A5ACE4, #9CA5ED and #929EF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFB4DACE shade: #AFB4DA, #B8BBD1, #C2C2C7, #CBCABE and #D5D1B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFB4DACE shade: #AFCBDA, #AFBFDA, #AFB4DA, #B5AFDA and #C1AFDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFB4DACE shade: #767FC0, #9299CD, #AFB4DA, #CBCEE7 and #E7E9F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFB4DACE shade: #AFB4DA, #DAAFD6 and #C5DAAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFB4DACE shade: #AFB4DA, #DAAFB4 and #B4DAAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFB4DACE shade: #AFB4DA, #DAAFD6, #DAD5AF and #AFDAB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFB4DACE shade: #AFB4DA, #DAAFC9, #DAD5AF and #AFDABF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 14 / 0 / 12

HEX #AFB4DACE

RGBA 175 180 218 0.81

HSLA 233.02, 0.37%, 0.77%, 0.81

LABA 74.07, 6.17, -19.67, 0.81

 

Complementary color

CMYK 0 / 5 / 44 / 56

HEX #504B25CE

RGBA 80 75 37 0.81

HSLA 53.02, 0.37%, 0.23%, 0.81

LABA 31.51, -3.97, 23.22, 0.81

 

CMYK 13 / 13 / 0 / 13

HEX #B4B4D5CE

RGBA 180 180 213 0.81

HSLA 240, 0.28%, 0.77%, 0.81

LABA 74.29, 6.66, -16.59, 0.81

 

CMYK 12 / 12 / 0 / 7

HEX #C5C6E8CE

RGBA 197 198 232 0.81

HSLA 238.29, 0.43%, 0.84%, 0.81

LABA 80.79, 6.39, -16.93, 0.81

 

CMYK 12 / 11 / 0 / 1

HEX #D6D8FBCE

RGBA 214 216 251 0.81

HSLA 236.76, 0.82%, 0.91%, 0.81

LABA 87.18, 6.15, -17.27, 0.81

 

CMYK 8 / 7 / 0 / 0

HEX #E7EAFFCE

RGBA 231 234 255 0.81

HSLA 232.5, 1%, 0.95%, 0.81

LABA 93.04, 2.93, -10.47, 0.81

 

CMYK 2 / 1 / 0 / 0

HEX #F8FCFFCE

RGBA 248 252 255 0.81

HSLA 205.71, 1%, 0.99%, 0.81

LABA 98.75, -0.77, -1.9, 0.81

 

CMYK 16 / 14 / 0 / 12

HEX #AFB4DACE

RGBA 175 180 218 0.81

HSLA 233.02, 0.37%, 0.77%, 0.81

LABA 74.07, 6.17, -19.67, 0.81

 

CMYK 17 / 15 / 0 / 18

HEX #9EA2C7CE

RGBA 158 162 199 0.81

HSLA 234.15, 0.27%, 0.7%, 0.81

LABA 67.45, 6.46, -19.4, 0.81

 

CMYK 18 / 16 / 0 / 24

HEX #8D90B4CE

RGBA 141 144 180 0.81

HSLA 235.38, 0.21%, 0.63%, 0.81

LABA 60.7, 6.77, -19.15, 0.81

 

CMYK 19 / 18 / 0 / 30

HEX #7C7EA1CE

RGBA 124 126 161 0.81

HSLA 236.76, 0.16%, 0.56%, 0.81

LABA 53.79, 7.12, -18.92, 0.81

 

CMYK 20 / 19 / 0 / 36

HEX #6B6C8ECE

RGBA 107 108 142 0.81

HSLA 238.29, 0.14%, 0.49%, 0.81

LABA 46.72, 7.51, -18.72, 0.81

 

CMYK 20 / 17 / 0 / 15

HEX #AFB4DA

RGB 175 180 218

HSL 233.02, 0.37%, 0.77%

LAB 74.07, 6.17, -19.67

 

CMYK 17 / 20 / 0 / 15

HEX #B5AFDA

RGB 181 175 218

HSL 248.37, 0.37%, 0.77%

LAB 73.25, 10.81, -20.88

 

CMYK 11 / 20 / 0 / 15

HEX #C1AFDA

RGB 193 175 218

HSL 265.12, 0.37%, 0.77%

LAB 74.23, 14.65, -19.3

 

CMYK 6 / 20 / 0 / 15

HEX #CDAFDA

RGB 205 175 218

HSL 281.86, 0.37%, 0.77%

LAB 75.26, 18.58, -17.63

 

CMYK 1 / 20 / 0 / 15

HEX #D8AFDA

RGB 216 175 218

HSL 297.21, 0.37%, 0.77%

LAB 76.27, 22.23, -16.03

 

CMYK 20 / 17 / 0 / 15

HEX #AFB4DA

RGB 175 180 218

HSL 233.02, 0.37%, 0.77%

LAB 74.07, 6.17, -19.67

 

CMYK 20 / 20 / 0 / 15

HEX #AFAFDA

RGB 175 175 218

HSL 240, 0.37%, 0.77%

LAB 72.78, 8.92, -21.63

 

CMYK 20 / 17 / 0 / 15

HEX #AFB4DA

RGB 175 180 218

HSL 233.02, 0.37%, 0.77%

LAB 74.07, 6.17, -19.67

 

CMYK 28 / 25 / 0 / 11

HEX #A5ACE4

RGB 165 172 228

HSL 233.33, 0.54%, 0.77%

LAB 71.63, 9.89, -28.93

 

CMYK 34 / 30 / 0 / 7

HEX #9CA5ED

RGB 156 165 237

HSL 233.33, 0.69%, 0.77%

LAB 69.54, 13.51, -37.13

 

CMYK 41 / 36 / 0 / 3

HEX #929EF7

RGB 146 158 247

HSL 232.87, 0.86%, 0.77%

LAB 67.49, 17.53, -45.84

 

CMYK 20 / 17 / 0 / 15

HEX #AFB4DA

RGB 175 180 218

HSL 233.02, 0.37%, 0.77%

LAB 74.07, 6.17, -19.67

 

CMYK 12 / 11 / 0 / 18

HEX #B8BBD1

RGB 184 187 209

HSL 232.8, 0.21%, 0.77%

LAB 76.27, 3.31, -11.4

 

CMYK 3 / 3 / 0 / 22

HEX #C2C2C7

RGB 194 194 199

HSL 240, 0.04%, 0.77%

LAB 78.56, 0.94, -2.51

 

CMYK 0 / 0 / 6 / 20

HEX #CBCABE

RGB 203 202 190

HSL 55.38, 0.11%, 0.77%

LAB 81.1, -1.78, 6.1

 

CMYK 0 / 2 / 15 / 16

HEX #D5D1B4

RGB 213 209 180

HSL 52.73, 0.28%, 0.77%

LAB 83.46, -3.46, 14.89

 

CMYK 20 / 7 / 0 / 15

HEX #AFCBDA

RGB 175 203 218

HSL 200.93, 0.37%, 0.77%

LAB 80.12, -6.17, -10.59

 

CMYK 20 / 12 / 0 / 15

HEX #AFBFDA

RGB 175 191 218

HSL 217.67, 0.37%, 0.77%

LAB 76.94, 0.2, -15.34

 

CMYK 20 / 17 / 0 / 15

HEX #AFB4DA

RGB 175 180 218

HSL 233.02, 0.37%, 0.77%

LAB 74.07, 6.17, -19.67

 

CMYK 17 / 20 / 0 / 15

HEX #B5AFDA

RGB 181 175 218

HSL 248.37, 0.37%, 0.77%

LAB 73.25, 10.81, -20.88

 

CMYK 11 / 20 / 0 / 15

HEX #C1AFDA

RGB 193 175 218

HSL 265.12, 0.37%, 0.77%

LAB 74.23, 14.65, -19.3

 

CMYK 39 / 34 / 0 / 25

HEX #767FC0

RGB 118 127 192

HSL 232.7, 0.37%, 0.61%

LAB 54.9, 12.92, -35.06

 

CMYK 29 / 25 / 0 / 20

HEX #9299CD

RGB 146 153 205

HSL 232.88, 0.37%, 0.69%

LAB 64.4, 9.29, -27.48

 

CMYK 20 / 17 / 0 / 15

HEX #AFB4DA

RGB 175 180 218

HSL 233.02, 0.37%, 0.77%

LAB 74.07, 6.17, -19.67

 

CMYK 12 / 11 / 0 / 9

HEX #CBCEE7

RGB 203 206 231

HSL 233.57, 0.37%, 0.85%

LAB 83.24, 3.84, -12.67

 

CMYK 5 / 5 / 0 / 4

HEX #E7E9F4

RGB 231 233 244

HSL 230.77, 0.37%, 0.93%

LAB 92.49, 1.35, -5.56

 

CMYK 20 / 17 / 0 / 15

HEX #AFB4DA

RGB 175 180 218

HSL 233.02, 0.37%, 0.77%

LAB 74.07, 6.17, -19.67

 

CMYK 0 / 20 / 2 / 15

HEX #DAAFD6

RGB 218 175 214

HSL 305.58, 0.37%, 0.77%

LAB 76.33, 22.16, -13.74

 

CMYK 10 / 0 / 20 / 15

HEX #C5DAAF

RGB 197 218 175

HSL 89.3, 0.37%, 0.77%

LAB 84.54, -14.6, 18.86

 

CMYK 20 / 17 / 0 / 15

HEX #AFB4DA

RGB 175 180 218

HSL 233.02, 0.37%, 0.77%

LAB 74.07, 6.17, -19.67

 

CMYK 0 / 20 / 17 / 15

HEX #DAAFB4

RGB 218 175 180

HSL 353.02, 0.37%, 0.77%

LAB 75.36, 16.38, 3.38

 

CMYK 17 / 0 / 20 / 15

HEX #B4DAAF

RGB 180 218 175

HSL 113.02, 0.37%, 0.77%

LAB 83.41, -20.53, 17.11

 

CMYK 20 / 17 / 0 / 15

HEX #AFB4DA

RGB 175 180 218

HSL 233.02, 0.37%, 0.77%

LAB 74.07, 6.17, -19.67

 

CMYK 0 / 20 / 2 / 15

HEX #DAAFD6

RGB 218 175 214

HSL 305.58, 0.37%, 0.77%

LAB 76.33, 22.16, -13.74

 

CMYK 0 / 2 / 20 / 15

HEX #DAD5AF

RGB 218 213 175

HSL 53.02, 0.37%, 0.77%

LAB 84.79, -4.45, 19.44

 

CMYK 20 / 0 / 18 / 15

HEX #AFDAB2

RGB 175 218 178

HSL 124.19, 0.37%, 0.77%

LAB 83.16, -21.7, 15.14

 

CMYK 20 / 17 / 0 / 15

HEX #AFB4DA

RGB 175 180 218

HSL 233.02, 0.37%, 0.77%

LAB 74.07, 6.17, -19.67

 

CMYK 0 / 20 / 8 / 15

HEX #DAAFC9

RGB 218 175 201

HSL 323.72, 0.37%, 0.77%

LAB 75.94, 19.84, -7.24

 

CMYK 0 / 2 / 20 / 15

HEX #DAD5AF

RGB 218 213 175

HSL 53.02, 0.37%, 0.77%

LAB 84.79, -4.45, 19.44

 

CMYK 20 / 0 / 12 / 15

HEX #AFDABF

RGB 175 218 191

HSL 142.33, 0.37%, 0.77%

LAB 83.45, -19.33, 8.69

 

Description

Color code: HEX #AFB4DACE | qconv.com Color code: HEX #AFB4DACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 180 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 180 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 14 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 14% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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