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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFB4BF00 it is the complementary color #504B4000. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFB4BF00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFB4BF00 shade: #B4B4BA00, #C5C6CD00, #D6D8E000, #E7EAF300 and #F8FCFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFB4BF00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFB4BF00 shade: #AFB4BF00, #9EA2AC00, #8D909900, #7C7E8600 and #6B6C7300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFB4BF00 shade: #B0B5BF, #B0B0BF, #B3B0BF, #B8B0BF and #BCB0BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFB4BF00 shade: #B0B5BF and #B0B0BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFB4BF00 shade matches the following richer shades: #B0B5BF, #A4B0CB, #99ACD7, #8DA8E2 and #82A3EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFB4BF00 shade: #B0B5BF, #BBB9B4, #C7BDA8, #D2C29D and #DEC691

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFB4BF00 shade: #B0BDBF, #B0B9BF, #B0B5BF, #B0B1BF and #B3B0BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFB4BF00 shade: #828A9B, #999FAD, #B0B5BF, #C7CAD2 and #DEE0E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFB4BF00 shade: #AFB4BF, #BEB0BF and #BBBFB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFB4BF00 shade: #AFB4BF, #BFB0B5 and #B5BFB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFB4BF00 shade: #AFB4BF, #BEB0BF, #BFBAB0 and #B2BFB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFB4BF00 shade: #AFB4BF, #BFB0BD, #BFBAB0 and #B0BFB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #AFB4BF00

RGBA 175 180 191 0

HSLA 221.25, 0.11%, 0.72%, 0

LABA 73.23, 0.42, -6.19, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #504B4000

RGBA 80 75 64 0

HSLA 41.25, 0.11%, 0.28%, 0

LABA 32.05, -0.06, 7.31, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B4B4BA00

RGBA 180 180 186 0

HSLA 240, 0.04%, 0.72%, 0

LABA 73.47, 1.14, -3.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C5C6CD00

RGBA 197 198 205 0

HSLA 232.5, 0.07%, 0.79%, 0

LABA 79.99, 0.97, -3.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D6D8E000

RGBA 214 216 224 0

HSLA 228, 0.14%, 0.86%, 0

LABA 86.4, 0.81, -4.17, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E7EAF300

RGBA 231 234 243 0

HSLA 225, 0.33%, 0.93%, 0

LABA 92.71, 0.65, -4.71, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F8FCFF00

RGBA 248 252 255 0

HSLA 205.71, 1%, 0.99%, 0

LABA 98.75, -0.77, -1.9, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AFB4BF00

RGBA 175 180 191 0

HSLA 221.25, 0.11%, 0.72%, 0

LABA 73.23, 0.42, -6.19, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9EA2AC00

RGBA 158 162 172 0

HSLA 222.86, 0.08%, 0.65%, 0

LABA 66.59, 0.57, -5.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8D909900

RGBA 141 144 153 0

HSLA 225, 0.06%, 0.58%, 0

LABA 59.81, 0.74, -5.14, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7C7E8600

RGBA 124 126 134 0

HSLA 228, 0.04%, 0.51%, 0

LABA 52.87, 0.92, -4.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6B6C7300

RGBA 107 108 115 0

HSLA 232.5, 0.04%, 0.44%, 0

LABA 45.76, 1.1, -4.03, 0

 

CMYK 8 / 5 / 0 / 25

HEX #B0B5BF

RGB 176 181 191

HSL 220, 0.1%, 0.72%

LAB 73.57, 0.22, -5.68

 

CMYK 8 / 8 / 0 / 25

HEX #B0B0BF

RGB 176 176 191

HSL 240, 0.1%, 0.72%

LAB 72.26, 2.92, -7.63

 

CMYK 6 / 8 / 0 / 25

HEX #B3B0BF

RGB 179 176 191

HSL 252, 0.1%, 0.72%

LAB 72.49, 3.94, -7.25

 

CMYK 4 / 8 / 0 / 25

HEX #B8B0BF

RGB 184 176 191

HSL 272, 0.1%, 0.72%

LAB 72.89, 5.66, -6.61

 

CMYK 2 / 8 / 0 / 25

HEX #BCB0BF

RGB 188 176 191

HSL 288, 0.1%, 0.72%

LAB 73.22, 7.04, -6.09

 

CMYK 8 / 5 / 0 / 25

HEX #B0B5BF

RGB 176 181 191

HSL 220, 0.1%, 0.72%

LAB 73.57, 0.22, -5.68

 

CMYK 8 / 8 / 0 / 25

HEX #B0B0BF

RGB 176 176 191

HSL 240, 0.1%, 0.72%

LAB 72.26, 2.92, -7.63

 

CMYK 8 / 5 / 0 / 25

HEX #B0B5BF

RGB 176 181 191

HSL 220, 0.1%, 0.72%

LAB 73.57, 0.22, -5.68

 

CMYK 19 / 13 / 0 / 20

HEX #A4B0CB

RGB 164 176 203

HSL 221.54, 0.27%, 0.72%

LAB 71.73, 1.53, -15.1

 

CMYK 29 / 20 / 0 / 16

HEX #99ACD7

RGB 153 172 215

HSL 221.61, 0.44%, 0.72%

LAB 70.3, 3.18, -23.91

 

CMYK 38 / 26 / 0 / 11

HEX #8DA8E2

RGB 141 168 226

HSL 220.94, 0.59%, 0.72%

LAB 68.87, 4.83, -32.23

 

CMYK 45 / 32 / 0 / 7

HEX #82A3EE

RGB 130 163 238

HSL 221.67, 0.76%, 0.72%

LAB 67.36, 8.17, -41.19

 

CMYK 8 / 5 / 0 / 25

HEX #B0B5BF

RGB 176 181 191

HSL 220, 0.1%, 0.72%

LAB 73.57, 0.22, -5.68

 

CMYK 0 / 1 / 4 / 27

HEX #BBB9B4

RGB 187 185 180

HSL 42.86, 0.05%, 0.72%

LAB 75.18, -0.21, 2.77

 

CMYK 0 / 5 / 16 / 22

HEX #C7BDA8

RGB 199 189 168

HSL 40.65, 0.22%, 0.72%

LAB 76.9, -0, 11.88

 

CMYK 0 / 8 / 25 / 18

HEX #D2C29D

RGB 210 194 157

HSL 41.89, 0.37%, 0.72%

LAB 78.88, -0.14, 20.68

 

CMYK 0 / 11 / 35 / 13

HEX #DEC691

RGB 222 198 145

HSL 41.3, 0.54%, 0.72%

LAB 80.72, 0.85, 29.68

 

CMYK 8 / 1 / 0 / 25

HEX #B0BDBF

RGB 176 189 191

HSL 188, 0.1%, 0.72%

LAB 75.69, -4.07, -2.56

 

CMYK 8 / 3 / 0 / 25

HEX #B0B9BF

RGB 176 185 191

HSL 204, 0.1%, 0.72%

LAB 74.63, -1.93, -4.12

 

CMYK 8 / 5 / 0 / 25

HEX #B0B5BF

RGB 176 181 191

HSL 220, 0.1%, 0.72%

LAB 73.57, 0.22, -5.68

 

CMYK 8 / 7 / 0 / 25

HEX #B0B1BF

RGB 176 177 191

HSL 236, 0.1%, 0.72%

LAB 72.52, 2.38, -7.24

 

CMYK 6 / 8 / 0 / 25

HEX #B3B0BF

RGB 179 176 191

HSL 252, 0.1%, 0.72%

LAB 72.49, 3.94, -7.25

 

CMYK 16 / 11 / 0 / 39

HEX #828A9B

RGB 130 138 155

HSL 220.8, 0.11%, 0.56%

LAB 57.36, 0.76, -10.02

 

CMYK 12 / 8 / 0 / 32

HEX #999FAD

RGB 153 159 173

HSL 222, 0.11%, 0.64%

LAB 65.42, 0.73, -8

 

CMYK 8 / 5 / 0 / 25

HEX #B0B5BF

RGB 176 181 191

HSL 220, 0.1%, 0.72%

LAB 73.57, 0.22, -5.68

 

CMYK 5 / 4 / 0 / 18

HEX #C7CAD2

RGB 199 202 210

HSL 223.64, 0.11%, 0.8%

LAB 81.31, 0.48, -4.34

 

CMYK 3 / 2 / 0 / 11

HEX #DEE0E4

RGB 222 224 228

HSL 220, 0.1%, 0.88%

LAB 89.13, 0.06, -2.2

 

CMYK 8 / 6 / 0 / 25

HEX #AFB4BF

RGB 175 180 191

HSL 221.25, 0.11%, 0.72%

LAB 73.23, 0.42, -6.19

 

CMYK 1 / 8 / 0 / 25

HEX #BEB0BF

RGB 190 176 191

HSL 296, 0.1%, 0.72%

LAB 73.39, 7.73, -5.82

 

CMYK 2 / 0 / 8 / 25

HEX #BBBFB0

RGB 187 191 176

HSL 76, 0.1%, 0.72%

LAB 76.66, -4.1, 7.08

 

CMYK 8 / 6 / 0 / 25

HEX #AFB4BF

RGB 175 180 191

HSL 221.25, 0.11%, 0.72%

LAB 73.23, 0.42, -6.19

 

CMYK 0 / 8 / 5 / 25

HEX #BFB0B5

RGB 191 176 181

HSL 340, 0.1%, 0.72%

LAB 73.2, 6.25, -0.62

 

CMYK 5 / 0 / 8 / 25

HEX #B5BFB0

RGB 181 191 176

HSL 100, 0.1%, 0.72%

LAB 76.2, -6.23, 6.37

 

CMYK 8 / 6 / 0 / 25

HEX #AFB4BF

RGB 175 180 191

HSL 221.25, 0.11%, 0.72%

LAB 73.23, 0.42, -6.19

 

CMYK 1 / 8 / 0 / 25

HEX #BEB0BF

RGB 190 176 191

HSL 296, 0.1%, 0.72%

LAB 73.39, 7.73, -5.82

 

CMYK 0 / 3 / 8 / 25

HEX #BFBAB0

RGB 191 186 176

HSL 40, 0.1%, 0.72%

LAB 75.66, -0.01, 5.68

 

CMYK 7 / 0 / 8 / 25

HEX #B2BFB0

RGB 178 191 176

HSL 112, 0.1%, 0.72%

LAB 75.98, -7.28, 6.02

 

CMYK 8 / 6 / 0 / 25

HEX #AFB4BF

RGB 175 180 191

HSL 221.25, 0.11%, 0.72%

LAB 73.23, 0.42, -6.19

 

CMYK 0 / 8 / 1 / 25

HEX #BFB0BD

RGB 191 176 189

HSL 308, 0.1%, 0.72%

LAB 73.42, 7.71, -4.68

 

CMYK 0 / 3 / 8 / 25

HEX #BFBAB0

RGB 191 186 176

HSL 40, 0.1%, 0.72%

LAB 75.66, -0.01, 5.68

 

CMYK 8 / 0 / 6 / 25

HEX #B0BFB3

RGB 176 191 179

HSL 132, 0.1%, 0.72%

LAB 75.91, -7.43, 4.28

 

Description

Color code: HEX #AFB4BF00 | qconv.com Color code: HEX #AFB4BF00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 180 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 180 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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