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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFB129 it is the complementary color #504ED6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFB129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFB129 shade: #B4B124, #C5C337, #D6D54A, #E7E75D and #F8F970

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFB129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFB129 shade: #AFB129, #9E9F16, #8D8D03, #7C7B00 and #6B6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFB129 shade: #B0B22A, #B28F2A, #B26A2A, #B2462A and #B22A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFB129 shade: #B0B22A, #8BB22A, #66B22A, #42B22A and #2AB236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFB129 shade matches the following richer shades: #B0B22A, #C1C318 and #D2D506

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFB129 shade: #B0B22A, #9EA03B, #8D8E4D, #7C7C5F and #6B6B71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFB129 shade: #B2692A, #B28D2A, #B2B22A, #8DB22A and #69B22A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFB129 shade: #6E6F1A, #8F9022, #B0B22A, #CDD035 and #D6D756

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFB129 shade: #AFB129, #2AB245 and #7B2AB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFB129 shade: #AFB129, #2AB2B2 and #B22AB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFB129 shade: #AFB129, #2AB245, #2A2AB2 and #B22A96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFB129 shade: #AFB129, #2AB26E, #2A2AB2 and #B22A6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 77 / 31

HEX #AFB129

RGB 175 177 41

HSL 60.88, 0.62%, 0.43%

LAB 69.98, -16.35, 63.86

 

Complementary color

CMYK 63 / 64 / 0 / 16

HEX #504ED6

RGB 80 78 214

HSL 240.88, 0.62%, 0.57%

LAB 41.23, 41.35, -69.71

 

CMYK 0 / 2 / 80 / 29

HEX #B4B124

RGB 180 177 36

HSL 58.75, 0.67%, 0.42%

LAB 70.37, -14.36, 65.85

 

CMYK 0 / 1 / 72 / 23

HEX #C5C337

RGB 197 195 55

HSL 59.15, 0.56%, 0.49%

LAB 76.79, -15.42, 66.23

 

CMYK 0 / 0 / 65 / 16

HEX #D6D54A

RGB 214 213 74

HSL 59.57, 0.63%, 0.56%

LAB 83.11, -16.29, 65.93

 

CMYK 0 / 0 / 60 / 9

HEX #E7E75D

RGB 231 231 93

HSL 60, 0.74%, 0.64%

LAB 89.36, -17.02, 65.24

 

CMYK 0 / 0 / 55 / 2

HEX #F8F970

RGB 248 249 112

HSL 60.44, 0.92%, 0.71%

LAB 95.53, -17.64, 64.35

 

CMYK 1 / 0 / 77 / 31

HEX #AFB129

RGB 175 177 41

HSL 60.88, 0.62%, 0.43%

LAB 69.98, -16.35, 63.86

 

CMYK 1 / 0 / 86 / 38

HEX #9E9F16

RGB 158 159 22

HSL 60.44, 0.76%, 0.35%

LAB 63.44, -15.2, 62.8

 

CMYK 0 / 0 / 98 / 45

HEX #8D8D03

RGB 141 141 3

HSL 60, 0.96%, 0.28%

LAB 56.8, -13.82, 60.3

 

CMYK 0 / 1 / 100 / 51

HEX #7C7B00

RGB 124 123 0

HSL 59.52, 1%, 0.24%

LAB 50.04, -12.1, 55.18

 

CMYK 0 / 2 / 100 / 58

HEX #6B6900

RGB 107 105 0

HSL 58.88, 1%, 0.21%

LAB 43.11, -10.26, 49.42

 

CMYK 1 / 0 / 76 / 30

HEX #B0B22A

RGB 176 178 42

HSL 60.88, 0.62%, 0.43%

LAB 70.34, -16.39, 63.91

 

CMYK 0 / 20 / 76 / 30

HEX #B28F2A

RGB 178 143 42

HSL 44.56, 0.62%, 0.43%

LAB 61.03, 3.05, 55.31

 

CMYK 0 / 40 / 76 / 30

HEX #B26A2A

RGB 178 106 42

HSL 28.24, 0.62%, 0.43%

LAB 51.77, 23.62, 46.3

 

CMYK 0 / 61 / 76 / 30

HEX #B2462A

RGB 178 70 42

HSL 12.35, 0.62%, 0.43%

LAB 44.25, 42.42, 38.58

 

CMYK 0 / 76 / 76 / 30

HEX #B22A2A

RGB 178 42 42

HSL 0, 0.62%, 0.43%

LAB 40.06, 53.78, 34.08

 

CMYK 1 / 0 / 76 / 30

HEX #B0B22A

RGB 176 178 42

HSL 60.88, 0.62%, 0.43%

LAB 70.34, -16.39, 63.91

 

CMYK 22 / 0 / 76 / 30

HEX #8BB22A

RGB 139 178 42

HSL 77.21, 0.62%, 0.43%

LAB 67.65, -31.93, 60.43

 

CMYK 43 / 0 / 76 / 30

HEX #66B22A

RGB 102 178 42

HSL 93.53, 0.62%, 0.43%

LAB 65.62, -45.66, 57.79

 

CMYK 63 / 0 / 76 / 30

HEX #42B22A

RGB 66 178 42

HSL 109.41, 0.62%, 0.43%

LAB 64.3, -55.89, 56.05

 

CMYK 76 / 0 / 70 / 30

HEX #2AB236

RGB 42 178 54

HSL 125.29, 0.62%, 0.43%

LAB 63.84, -59.45, 50.99

 

CMYK 1 / 0 / 76 / 30

HEX #B0B22A

RGB 176 178 42

HSL 60.88, 0.62%, 0.43%

LAB 70.34, -16.39, 63.91

 

CMYK 1 / 0 / 88 / 24

HEX #C1C318

RGB 193 195 24

HSL 60.7, 0.78%, 0.43%

LAB 76.33, -18.15, 74.05

 

CMYK 1 / 0 / 97 / 16

HEX #D2D506

RGB 210 213 6

HSL 60.87, 0.95%, 0.43%

LAB 82.54, -20.03, 81.67

 

CMYK 1 / 0 / 76 / 30

HEX #B0B22A

RGB 176 178 42

HSL 60.88, 0.62%, 0.43%

LAB 70.34, -16.39, 63.91

 

CMYK 1 / 0 / 63 / 37

HEX #9EA03B

RGB 158 160 59

HSL 61.19, 0.46%, 0.43%

LAB 63.94, -14.02, 50.68

 

CMYK 1 / 0 / 46 / 44

HEX #8D8E4D

RGB 141 142 77

HSL 60.92, 0.3%, 0.43%

LAB 57.6, -10.27, 34.34

 

CMYK 0 / 0 / 23 / 51

HEX #7C7C5F

RGB 124 124 95

HSL 60, 0.13%, 0.43%

LAB 51.3, -5.17, 15.89

 

CMYK 5 / 5 / 0 / 56

HEX #6B6B71

RGB 107 107 113

HSL 240, 0.03%, 0.43%

LAB 45.41, 1.26, -3.35

 

CMYK 0 / 41 / 76 / 30

HEX #B2692A

RGB 178 105 42

HSL 27.79, 0.62%, 0.43%

LAB 51.54, 24.17, 46.07

 

CMYK 0 / 21 / 76 / 30

HEX #B28D2A

RGB 178 141 42

HSL 43.68, 0.62%, 0.43%

LAB 60.5, 4.15, 54.81

 

CMYK 0 / 0 / 76 / 30

HEX #B2B22A

RGB 178 178 42

HSL 60, 0.62%, 0.43%

LAB 70.51, -15.52, 64.12

 

CMYK 21 / 0 / 76 / 30

HEX #8DB22A

RGB 141 178 42

HSL 76.32, 0.62%, 0.43%

LAB 67.78, -31.12, 60.6

 

CMYK 41 / 0 / 76 / 30

HEX #69B22A

RGB 105 178 42

HSL 92.21, 0.62%, 0.43%

LAB 65.76, -44.65, 57.97

 

CMYK 1 / 0 / 77 / 56

HEX #6E6F1A

RGB 110 111 26

HSL 60.71, 0.62%, 0.27%

LAB 45.3, -11.32, 44.12

 

CMYK 1 / 0 / 76 / 44

HEX #8F9022

RGB 143 144 34

HSL 60.55, 0.62%, 0.35%

LAB 57.94, -13.65, 54.12

 

CMYK 1 / 0 / 76 / 30

HEX #B0B22A

RGB 176 178 42

HSL 60.88, 0.62%, 0.43%

LAB 70.34, -16.39, 63.91

 

CMYK 1 / 0 / 75 / 18

HEX #CDD035

RGB 205 208 53

HSL 61.16, 0.62%, 0.51%

LAB 80.93, -18.6, 71.02

 

CMYK 0 / 0 / 60 / 16

HEX #D6D756

RGB 214 215 86

HSL 60.47, 0.62%, 0.59%

LAB 83.74, -16.54, 61.71

 

CMYK 1 / 0 / 77 / 31

HEX #AFB129

RGB 175 177 41

HSL 60.88, 0.62%, 0.43%

LAB 69.98, -16.35, 63.86

 

CMYK 76 / 0 / 61 / 30

HEX #2AB245

RGB 42 178 69

HSL 131.91, 0.62%, 0.43%

LAB 63.97, -57.83, 44.71

 

CMYK 31 / 76 / 0 / 30

HEX #7B2AB2

RGB 123 42 178

HSL 275.74, 0.62%, 0.43%

LAB 36.14, 57.15, -56.81

 

CMYK 1 / 0 / 77 / 31

HEX #AFB129

RGB 175 177 41

HSL 60.88, 0.62%, 0.43%

LAB 69.98, -16.35, 63.86

 

CMYK 76 / 0 / 0 / 30

HEX #2AB2B2

RGB 42 178 178

HSL 180, 0.62%, 0.43%

LAB 66.17, -34.21, -10.19

 

CMYK 0 / 76 / 0 / 30

HEX #B22AB2

RGB 178 42 178

HSL 300, 0.62%, 0.43%

LAB 44.71, 67.91, -42.57

 

CMYK 1 / 0 / 77 / 31

HEX #AFB129

RGB 175 177 41

HSL 60.88, 0.62%, 0.43%

LAB 69.98, -16.35, 63.86

 

CMYK 76 / 0 / 61 / 30

HEX #2AB245

RGB 42 178 69

HSL 131.91, 0.62%, 0.43%

LAB 63.97, -57.83, 44.71

 

CMYK 76 / 76 / 0 / 30

HEX #2A2AB2

RGB 42 42 178

HSL 240, 0.62%, 0.43%

LAB 27.74, 46.06, -70.9

 

CMYK 0 / 76 / 16 / 30

HEX #B22A96

RGB 178 42 150

HSL 312.35, 0.62%, 0.43%

LAB 43.25, 63.67, -28.17

 

CMYK 1 / 0 / 77 / 31

HEX #AFB129

RGB 175 177 41

HSL 60.88, 0.62%, 0.43%

LAB 69.98, -16.35, 63.86

 

CMYK 76 / 0 / 38 / 30

HEX #2AB26E

RGB 42 178 110

HSL 150, 0.62%, 0.43%

LAB 64.53, -51.27, 24.83

 

CMYK 76 / 76 / 0 / 30

HEX #2A2AB2

RGB 42 42 178

HSL 240, 0.62%, 0.43%

LAB 27.74, 46.06, -70.9

 

CMYK 0 / 76 / 38 / 30

HEX #B22A6E

RGB 178 42 110

HSL 330, 0.62%, 0.43%

LAB 41.61, 58.71, -6.12

 

Description

Color code: HEX #AFB129 | qconv.com Color code: HEX #AFB129 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 177 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 177 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 77 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 77% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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