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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFADE5 it is the complementary color #50521A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFADE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFADE5 shade: #B4ADE0, #C5BFF3, #D6D1FF, #E7E3FF and #F8F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFADE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFADE5 shade: #AFADE5, #9E9BD2, #8D89BF, #7C77AC and #6B6599

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFADE5 shade: #AFADE5, #BEADE5, #CDADE5, #DCADE5 and #E5ADDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFADE5 shade: #AFADE5 and #ADADE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFADE5 shade matches the following richer shades: #AFADE5, #A7A4ED and #9F9CF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFADE5 shade: #AFADE5, #B7B6DC, #BFBED3, #C7C7CB and #CFD0C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFADE5 shade: #ADC9E5, #ADBAE5, #AFADE5, #BEADE5 and #CDADE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFADE5 shade: #726ED1, #908EDB, #AFADE5, #CECCEF and #ECECF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFADE5 shade: #AFADE5, #E5ADD8 and #C2E5AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFADE5 shade: #AFADE5, #E5AFAD and #ADE5AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFADE5 shade: #AFADE5, #E5ADD8, #E3E5AD and #ADE5BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFADE5 shade: #AFADE5, #E5ADC7, #E3E5AD and #ADE5CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 24 / 0 / 10

HEX #AFADE5

RGB 175 173 229

HSL 242.14, 0.52%, 0.79%

LAB 72.67, 12.55, -27.81

 

Complementary color

CMYK 2 / 0 / 68 / 68

HEX #50521A

RGB 80 82 26

HSL 62.14, 0.52%, 0.21%

LAB 33.59, -9.17, 31.51

 

CMYK 20 / 23 / 0 / 12

HEX #B4ADE0

RGB 180 173 224

HSL 248.24, 0.45%, 0.78%

LAB 72.87, 12.93, -24.73

 

CMYK 19 / 21 / 0 / 5

HEX #C5BFF3

RGB 197 191 243

HSL 246.92, 0.68%, 0.85%

LAB 79.39, 12.54, -24.94

 

CMYK 16 / 18 / 0 / 0

HEX #D6D1FF

RGB 214 209 255

HSL 246.52, 1%, 0.91%

LAB 85.56, 10.69, -21.82

 

CMYK 9 / 11 / 0 / 0

HEX #E7E3FF

RGB 231 227 255

HSL 248.57, 1%, 0.95%

LAB 91.3, 6.56, -13.06

 

CMYK 3 / 4 / 0 / 0

HEX #F8F5FF

RGB 248 245 255

HSL 258, 1%, 0.98%

LAB 97.02, 2.78, -4.44

 

CMYK 24 / 24 / 0 / 10

HEX #AFADE5

RGB 175 173 229

HSL 242.14, 0.52%, 0.79%

LAB 72.67, 12.55, -27.81

 

CMYK 25 / 26 / 0 / 18

HEX #9E9BD2

RGB 158 155 210

HSL 243.27, 0.38%, 0.72%

LAB 66.03, 12.99, -27.68

 

CMYK 26 / 28 / 0 / 25

HEX #8D89BF

RGB 141 137 191

HSL 244.44, 0.3%, 0.64%

LAB 59.27, 13.48, -27.58

 

CMYK 28 / 31 / 0 / 33

HEX #7C77AC

RGB 124 119 172

HSL 245.66, 0.24%, 0.57%

LAB 52.35, 14.03, -27.51

 

CMYK 30 / 34 / 0 / 40

HEX #6B6599

RGB 107 101 153

HSL 246.92, 0.2%, 0.5%

LAB 45.27, 14.66, -27.5

 

CMYK 24 / 24 / 0 / 10

HEX #AFADE5

RGB 175 173 229

HSL 242.14, 0.52%, 0.79%

LAB 72.67, 12.55, -27.81

 

CMYK 17 / 24 / 0 / 10

HEX #BEADE5

RGB 190 173 229

HSL 258.21, 0.52%, 0.79%

LAB 73.86, 17.15, -25.87

 

CMYK 10 / 24 / 0 / 10

HEX #CDADE5

RGB 205 173 229

HSL 274.29, 0.52%, 0.79%

LAB 75.15, 21.88, -23.78

 

CMYK 4 / 24 / 0 / 10

HEX #DCADE5

RGB 220 173 229

HSL 290.36, 0.52%, 0.79%

LAB 76.53, 26.71, -21.56

 

CMYK 0 / 24 / 3 / 10

HEX #E5ADDE

RGB 229 173 222

HSL 307.5, 0.52%, 0.79%

LAB 77.17, 28.36, -16.71

 

CMYK 24 / 24 / 0 / 10

HEX #AFADE5

RGB 175 173 229

HSL 242.14, 0.52%, 0.79%

LAB 72.67, 12.55, -27.81

 

CMYK 24 / 24 / 0 / 10

HEX #ADADE5

RGB 173 173 229

HSL 240, 0.52%, 0.79%

LAB 72.51, 11.95, -28.06

 

CMYK 24 / 24 / 0 / 10

HEX #AFADE5

RGB 175 173 229

HSL 242.14, 0.52%, 0.79%

LAB 72.67, 12.55, -27.81

 

CMYK 30 / 31 / 0 / 7

HEX #A7A4ED

RGB 167 164 237

HSL 242.47, 0.67%, 0.79%

LAB 70.09, 17.16, -36.2

 

CMYK 35 / 37 / 0 / 4

HEX #9F9CF6

RGB 159 156 246

HSL 242, 0.83%, 0.79%

LAB 67.87, 21.78, -44.62

 

CMYK 24 / 24 / 0 / 10

HEX #AFADE5

RGB 175 173 229

HSL 242.14, 0.52%, 0.79%

LAB 72.67, 12.55, -27.81

 

CMYK 17 / 17 / 0 / 14

HEX #B7B6DC

RGB 183 182 220

HSL 241.58, 0.35%, 0.79%

LAB 75.26, 8.04, -18.91

 

CMYK 9 / 10 / 0 / 17

HEX #BFBED3

RGB 191 190 211

HSL 242.86, 0.19%, 0.79%

LAB 77.64, 4.41, -10.39

 

CMYK 2 / 2 / 0 / 20

HEX #C7C7CB

RGB 199 199 203

HSL 240, 0.04%, 0.79%

LAB 80.35, 0.74, -2

 

CMYK 0 / 0 / 7 / 18

HEX #CFD0C2

RGB 207 208 194

HSL 64.29, 0.13%, 0.79%

LAB 83.06, -2.81, 6.82

 

CMYK 24 / 12 / 0 / 10

HEX #ADC9E5

RGB 173 201 229

HSL 210, 0.52%, 0.79%

LAB 79.79, -3.27, -16.98

 

CMYK 24 / 19 / 0 / 10

HEX #ADBAE5

RGB 173 186 229

HSL 226.07, 0.52%, 0.79%

LAB 75.86, 4.8, -22.94

 

CMYK 24 / 24 / 0 / 10

HEX #AFADE5

RGB 175 173 229

HSL 242.14, 0.52%, 0.79%

LAB 72.67, 12.55, -27.81

 

CMYK 17 / 24 / 0 / 10

HEX #BEADE5

RGB 190 173 229

HSL 258.21, 0.52%, 0.79%

LAB 73.86, 17.15, -25.87

 

CMYK 10 / 24 / 0 / 10

HEX #CDADE5

RGB 205 173 229

HSL 274.29, 0.52%, 0.79%

LAB 75.15, 21.88, -23.78

 

CMYK 45 / 47 / 0 / 18

HEX #726ED1

RGB 114 110 209

HSL 242.42, 0.52%, 0.63%

LAB 51.07, 27.02, -50.82

 

CMYK 34 / 35 / 0 / 14

HEX #908EDB

RGB 144 142 219

HSL 241.56, 0.52%, 0.71%

LAB 61.99, 18.64, -39.04

 

CMYK 24 / 24 / 0 / 10

HEX #AFADE5

RGB 175 173 229

HSL 242.14, 0.52%, 0.79%

LAB 72.67, 12.55, -27.81

 

CMYK 14 / 15 / 0 / 6

HEX #CECCEF

RGB 206 204 239

HSL 243.43, 0.52%, 0.87%

LAB 83.2, 7.5, -16.96

 

CMYK 5 / 5 / 0 / 2

HEX #ECECF9

RGB 236 236 249

HSL 240, 0.52%, 0.95%

LAB 93.74, 2.37, -6.27

 

CMYK 24 / 24 / 0 / 10

HEX #AFADE5

RGB 175 173 229

HSL 242.14, 0.52%, 0.79%

LAB 72.67, 12.55, -27.81

 

CMYK 0 / 24 / 6 / 10

HEX #E5ADD8

RGB 229 173 216

HSL 313.93, 0.52%, 0.79%

LAB 76.98, 27.3, -13.74

 

CMYK 15 / 0 / 24 / 10

HEX #C2E5AD

RGB 194 229 173

HSL 97.5, 0.52%, 0.79%

LAB 87.25, -21.42, 23.62

 

CMYK 24 / 24 / 0 / 10

HEX #AFADE5

RGB 175 173 229

HSL 242.14, 0.52%, 0.79%

LAB 72.67, 12.55, -27.81

 

CMYK 0 / 24 / 24 / 10

HEX #E5AFAD

RGB 229 175 173

HSL 2.14, 0.52%, 0.79%

LAB 76.27, 19.39, 8.65

 

CMYK 24 / 0 / 24 / 10

HEX #ADE5AF

RGB 173 229 175

HSL 122.14, 0.52%, 0.79%

LAB 86.02, -28.2, 20.67

 

CMYK 24 / 24 / 0 / 10

HEX #AFADE5

RGB 175 173 229

HSL 242.14, 0.52%, 0.79%

LAB 72.67, 12.55, -27.81

 

CMYK 0 / 24 / 6 / 10

HEX #E5ADD8

RGB 229 173 216

HSL 313.93, 0.52%, 0.79%

LAB 76.98, 27.3, -13.74

 

CMYK 1 / 0 / 24 / 10

HEX #E3E5AD

RGB 227 229 173

HSL 62.14, 0.52%, 0.79%

LAB 89.57, -9.54, 27.17

 

CMYK 24 / 0 / 19 / 10

HEX #ADE5BA

RGB 173 229 186

HSL 133.93, 0.52%, 0.79%

LAB 86.24, -26.28, 15.26

 

CMYK 24 / 24 / 0 / 10

HEX #AFADE5

RGB 175 173 229

HSL 242.14, 0.52%, 0.79%

LAB 72.67, 12.55, -27.81

 

CMYK 0 / 24 / 13 / 10

HEX #E5ADC7

RGB 229 173 199

HSL 332.14, 0.52%, 0.79%

LAB 76.48, 24.43, -5.23

 

CMYK 1 / 0 / 24 / 10

HEX #E3E5AD

RGB 227 229 173

HSL 62.14, 0.52%, 0.79%

LAB 89.57, -9.54, 27.17

 

CMYK 24 / 0 / 11 / 10

HEX #ADE5CB

RGB 173 229 203

HSL 152.14, 0.52%, 0.79%

LAB 86.62, -23.08, 6.9

 

Description

Color code: HEX #AFADE5 | qconv.com Color code: HEX #AFADE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 173 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 173 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 24 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 24% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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