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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFA5E8 it is the complementary color #505A17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFA5E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFA5E8 shade: #B4A5E3, #C5B7F6, #D6C9FF, #E7DBFF and #F8EDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFA5E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFA5E8 shade: #AFA5E8, #9E93D5, #8D81C2, #7C6FAF and #6B5D9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFA5E8 shade: #B0A6E8, #C2A6E8, #D3A6E8, #E5A6E8 and #E8A6D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFA5E8 shade: #B0A6E8 and #A6A6E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFA5E8 shade matches the following richer shades: #B0A6E8, #A99DF1 and #A394FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFA5E8 shade: #B0A6E8, #B6AFDF, #BCB8D6, #C3C1CD and #C9CAC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFA5E8 shade: #A6C0E8, #A6AFE8, #AFA6E8, #C0A6E8 and #D2A6E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFA5E8 shade: #7564D7, #9385E0, #B0A6E8, #CDC7F0 and #EAE7F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFA5E8 shade: #AFA5E8, #E8A6D2 and #B7E8A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFA5E8 shade: #AFA5E8, #E8AFA6 and #A6E8AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFA5E8 shade: #AFA5E8, #E8A6D2, #DFE8A6 and #A6E8BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFA5E8 shade: #AFA5E8, #E8A6BE, #DFE8A6 and #A6E8D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 29 / 0 / 9

HEX #AFA5E8

RGB 175 165 232

HSL 248.96, 0.59%, 0.78%

LAB 70.77, 17.71, -32.37

 

Complementary color

CMYK 11 / 0 / 74 / 65

HEX #505A17

RGB 80 90 23

HSL 68.96, 0.59%, 0.22%

LAB 36.14, -13.96, 35.52

 

CMYK 21 / 27 / 0 / 11

HEX #B4A5E3

RGB 180 165 227

HSL 254.52, 0.53%, 0.77%

LAB 70.98, 18.05, -29.28

 

CMYK 20 / 26 / 0 / 4

HEX #C5B7F6

RGB 197 183 246

HSL 253.33, 0.78%, 0.84%

LAB 77.51, 17.57, -29.42

 

CMYK 16 / 21 / 0 / 0

HEX #D6C9FF

RGB 214 201 255

HSL 254.44, 1%, 0.89%

LAB 83.59, 14.97, -24.81

 

CMYK 9 / 14 / 0 / 0

HEX #E7DBFF

RGB 231 219 255

HSL 260, 1%, 0.93%

LAB 89.33, 10.74, -16.01

 

CMYK 3 / 7 / 0 / 0

HEX #F8EDFF

RGB 248 237 255

HSL 276.67, 1%, 0.96%

LAB 95.05, 6.88, -7.34

 

CMYK 25 / 29 / 0 / 9

HEX #AFA5E8

RGB 175 165 232

HSL 248.96, 0.59%, 0.78%

LAB 70.77, 17.71, -32.37

 

CMYK 26 / 31 / 0 / 16

HEX #9E93D5

RGB 158 147 213

HSL 250, 0.44%, 0.71%

LAB 64.11, 18.26, -32.31

 

CMYK 27 / 34 / 0 / 24

HEX #8D81C2

RGB 141 129 194

HSL 251.08, 0.35%, 0.63%

LAB 57.33, 18.88, -32.28

 

CMYK 29 / 37 / 0 / 31

HEX #7C6FAF

RGB 124 111 175

HSL 252.19, 0.29%, 0.56%

LAB 50.39, 19.58, -32.3

 

CMYK 31 / 40 / 0 / 39

HEX #6B5D9C

RGB 107 93 156

HSL 253.33, 0.25%, 0.49%

LAB 43.29, 20.38, -32.37

 

CMYK 24 / 28 / 0 / 9

HEX #B0A6E8

RGB 176 166 232

HSL 249.09, 0.59%, 0.78%

LAB 71.1, 17.45, -31.86

 

CMYK 16 / 28 / 0 / 9

HEX #C2A6E8

RGB 194 166 232

HSL 265.45, 0.59%, 0.78%

LAB 72.61, 22.91, -29.4

 

CMYK 9 / 28 / 0 / 9

HEX #D3A6E8

RGB 211 166 232

HSL 280.91, 0.59%, 0.78%

LAB 74.16, 28.22, -26.89

 

CMYK 1 / 28 / 0 / 9

HEX #E5A6E8

RGB 229 166 232

HSL 297.27, 0.59%, 0.78%

LAB 75.92, 33.94, -24.04

 

CMYK 0 / 28 / 6 / 9

HEX #E8A6D9

RGB 232 166 217

HSL 313.64, 0.59%, 0.78%

LAB 75.72, 32.22, -16.14

 

CMYK 24 / 28 / 0 / 9

HEX #B0A6E8

RGB 176 166 232

HSL 249.09, 0.59%, 0.78%

LAB 71.1, 17.45, -31.86

 

CMYK 28 / 28 / 0 / 9

HEX #A6A6E8

RGB 166 166 232

HSL 240, 0.59%, 0.78%

LAB 70.32, 14.51, -33.12

 

CMYK 24 / 28 / 0 / 9

HEX #B0A6E8

RGB 176 166 232

HSL 249.09, 0.59%, 0.78%

LAB 71.1, 17.45, -31.86

 

CMYK 30 / 35 / 0 / 5

HEX #A99DF1

RGB 169 157 241

HSL 248.57, 0.75%, 0.78%

LAB 68.68, 22.66, -40.58

 

CMYK 35 / 41 / 0 / 2

HEX #A394FA

RGB 163 148 250

HSL 248.82, 0.91%, 0.78%

LAB 66.42, 28.43, -49.08

 

CMYK 24 / 28 / 0 / 9

HEX #B0A6E8

RGB 176 166 232

HSL 249.09, 0.59%, 0.78%

LAB 71.1, 17.45, -31.86

 

CMYK 18 / 22 / 0 / 13

HEX #B6AFDF

RGB 182 175 223

HSL 248.75, 0.43%, 0.78%

LAB 73.5, 12.22, -23.22

 

CMYK 12 / 14 / 0 / 16

HEX #BCB8D6

RGB 188 184 214

HSL 248, 0.27%, 0.78%

LAB 75.96, 7.28, -14.55

 

CMYK 5 / 6 / 0 / 20

HEX #C3C1CD

RGB 195 193 205

HSL 250, 0.11%, 0.78%

LAB 78.55, 2.95, -5.76

 

CMYK 0 / 0 / 3 / 21

HEX #C9CAC4

RGB 201 202 196

HSL 70, 0.05%, 0.78%

LAB 81.1, -1.43, 2.86

 

CMYK 28 / 17 / 0 / 9

HEX #A6C0E8

RGB 166 192 232

HSL 216.36, 0.59%, 0.78%

LAB 77.06, 0.18, -22.78

 

CMYK 28 / 25 / 0 / 9

HEX #A6AFE8

RGB 166 175 232

HSL 231.82, 0.59%, 0.78%

LAB 72.62, 9.49, -29.57

 

CMYK 25 / 28 / 0 / 9

HEX #AFA6E8

RGB 175 166 232

HSL 248.18, 0.59%, 0.78%

LAB 71.02, 17.15, -31.99

 

CMYK 17 / 28 / 0 / 9

HEX #C0A6E8

RGB 192 166 232

HSL 263.64, 0.59%, 0.78%

LAB 72.43, 22.29, -29.69

 

CMYK 9 / 28 / 0 / 9

HEX #D2A6E8

RGB 210 166 232

HSL 280, 0.59%, 0.78%

LAB 74.06, 27.9, -27.04

 

CMYK 46 / 53 / 0 / 16

HEX #7564D7

RGB 117 100 215

HSL 248.87, 0.59%, 0.62%

LAB 49.26, 35.45, -57.14

 

CMYK 34 / 41 / 0 / 12

HEX #9385E0

RGB 147 133 224

HSL 249.23, 0.59%, 0.7%

LAB 60.21, 26, -44.61

 

CMYK 24 / 28 / 0 / 9

HEX #B0A6E8

RGB 176 166 232

HSL 249.09, 0.59%, 0.78%

LAB 71.1, 17.45, -31.86

 

CMYK 15 / 17 / 0 / 6

HEX #CDC7F0

RGB 205 199 240

HSL 248.78, 0.58%, 0.86%

LAB 81.9, 10.07, -19.46

 

CMYK 6 / 7 / 0 / 2

HEX #EAE7F9

RGB 234 231 249

HSL 250, 0.6%, 0.94%

LAB 92.35, 4.3, -8.35

 

CMYK 25 / 29 / 0 / 9

HEX #AFA5E8

RGB 175 165 232

HSL 248.96, 0.59%, 0.78%

LAB 70.77, 17.71, -32.37

 

CMYK 0 / 28 / 9 / 9

HEX #E8A6D2

RGB 232 166 210

HSL 320, 0.59%, 0.78%

LAB 75.5, 31.02, -12.65

 

CMYK 21 / 0 / 28 / 9

HEX #B7E8A6

RGB 183 232 166

HSL 104.55, 0.59%, 0.78%

LAB 87.26, -27.75, 27.12

 

CMYK 25 / 29 / 0 / 9

HEX #AFA5E8

RGB 175 165 232

HSL 248.96, 0.59%, 0.78%

LAB 70.77, 17.71, -32.37

 

CMYK 0 / 25 / 28 / 9

HEX #E8AFA6

RGB 232 175 166

HSL 8.18, 0.59%, 0.78%

LAB 76.42, 19.54, 12.7

 

CMYK 28 / 0 / 25 / 9

HEX #A6E8AF

RGB 166 232 175

HSL 128.18, 0.59%, 0.78%

LAB 86.46, -31.87, 21.23

 

CMYK 25 / 29 / 0 / 9

HEX #AFA5E8

RGB 175 165 232

HSL 248.96, 0.59%, 0.78%

LAB 70.77, 17.71, -32.37

 

CMYK 0 / 28 / 9 / 9

HEX #E8A6D2

RGB 232 166 210

HSL 320, 0.59%, 0.78%

LAB 75.5, 31.02, -12.65

 

CMYK 4 / 0 / 28 / 9

HEX #DFE8A6

RGB 223 232 166

HSL 68.18, 0.59%, 0.78%

LAB 89.93, -13.45, 31.18

 

CMYK 28 / 0 / 19 / 9

HEX #A6E8BC

RGB 166 232 188

HSL 140, 0.59%, 0.78%

LAB 86.73, -29.54, 14.85

 

CMYK 25 / 29 / 0 / 9

HEX #AFA5E8

RGB 175 165 232

HSL 248.96, 0.59%, 0.78%

LAB 70.77, 17.71, -32.37

 

CMYK 0 / 28 / 18 / 9

HEX #E8A6BE

RGB 232 166 190

HSL 338.18, 0.59%, 0.78%

LAB 74.92, 27.8, -2.57

 

CMYK 4 / 0 / 28 / 9

HEX #DFE8A6

RGB 223 232 166

HSL 68.18, 0.59%, 0.78%

LAB 89.93, -13.45, 31.18

 

CMYK 28 / 0 / 10 / 9

HEX #A6E8D0

RGB 166 232 208

HSL 158.18, 0.59%, 0.78%

LAB 87.18, -25.66, 5.03

 

Description

Color code: HEX #AFA5E8 | qconv.com Color code: HEX #AFA5E8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 165 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 165 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 29 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 29% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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