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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFA326 it is the complementary color #505CD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFA326. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFA326 shade: #B4A321, #C5B534, #D6C747, #E7D95A and #F8EB6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFA326. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFA326 shade: #AFA326, #9E9113, #8D7F00, #7C6D00 and #6B5B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFA326 shade: #B0A427, #B07F27, #B05A27, #B03527 and #B02727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFA326 shade: #B0A427, #97B027, #72B027, #4DB027 and #28B027

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFA326 shade matches the following richer shades: #B0A427, #C1B215 and #D2C004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFA326 shade: #B0A427, #9E9538, #8D8749, #7C795B and #6A6A6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFA326 shade: #B05927, #B07D27, #B0A227, #99B027 and #74B027

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFA326 shade: #6C6518, #8E841F, #B0A427, #D1C32E and #D9CD50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFA326 shade: #AFA326, #27B034 and #6B27B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFA326 shade: #AFA326, #27B0A2 and #A227B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFA326 shade: #AFA326, #27B034, #2734B0 and #B027A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFA326 shade: #AFA326, #27B05D, #2734B0 and #B02779

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 78 / 31

HEX #AFA326

RGB 175 163 38

HSL 54.74, 0.64%, 0.42%

LAB 66.1, -9.22, 61.29

 

Complementary color

CMYK 63 / 58 / 0 / 15

HEX #505CD9

RGB 80 92 217

HSL 234.74, 0.64%, 0.58%

LAB 44.76, 33.81, -65.68

 

CMYK 0 / 9 / 82 / 29

HEX #B4A321

RGB 180 163 33

HSL 53.06, 0.69%, 0.42%

LAB 66.53, -7.18, 63.36

 

CMYK 0 / 8 / 74 / 23

HEX #C5B534

RGB 197 181 52

HSL 53.38, 0.58%, 0.49%

LAB 73, -8.4, 63.67

 

CMYK 0 / 7 / 67 / 16

HEX #D6C747

RGB 214 199 71

HSL 53.71, 0.64%, 0.56%

LAB 79.38, -9.43, 63.28

 

CMYK 0 / 6 / 61 / 9

HEX #E7D95A

RGB 231 217 90

HSL 54.04, 0.75%, 0.63%

LAB 85.68, -10.29, 62.52

 

CMYK 0 / 5 / 56 / 3

HEX #F8EB6D

RGB 248 235 109

HSL 54.39, 0.91%, 0.7%

LAB 91.9, -11.02, 61.56

 

CMYK 0 / 7 / 78 / 31

HEX #AFA326

RGB 175 163 38

HSL 54.74, 0.64%, 0.42%

LAB 66.1, -9.22, 61.29

 

CMYK 0 / 8 / 88 / 38

HEX #9E9113

RGB 158 145 19

HSL 54.39, 0.79%, 0.35%

LAB 59.5, -7.88, 60.24

 

CMYK 0 / 10 / 100 / 45

HEX #8D7F00

RGB 141 127 0

HSL 54.04, 1%, 0.28%

LAB 52.78, -6.29, 57.88

 

CMYK 0 / 12 / 100 / 51

HEX #7C6D00

RGB 124 109 0

HSL 52.74, 1%, 0.24%

LAB 45.94, -4.3, 52.22

 

CMYK 0 / 15 / 100 / 58

HEX #6B5B00

RGB 107 91 0

HSL 51.03, 1%, 0.21%

LAB 38.91, -2.2, 46.41

 

CMYK 0 / 7 / 78 / 31

HEX #B0A427

RGB 176 164 39

HSL 54.74, 0.64%, 0.42%

LAB 66.46, -9.27, 61.34

 

CMYK 0 / 28 / 78 / 31

HEX #B07F27

RGB 176 127 39

HSL 38.54, 0.64%, 0.42%

LAB 56.64, 10.89, 52.23

 

CMYK 0 / 49 / 78 / 31

HEX #B05A27

RGB 176 90 39

HSL 22.34, 0.64%, 0.42%

LAB 47.87, 31.37, 43.71

 

CMYK 0 / 70 / 78 / 31

HEX #B03527

RGB 176 53 39

HSL 6.13, 0.64%, 0.42%

LAB 41.09, 49.03, 36.78

 

CMYK 0 / 78 / 78 / 31

HEX #B02727

RGB 176 39 39

HSL 0, 0.64%, 0.42%

LAB 39.29, 54.02, 34.86

 

CMYK 0 / 7 / 78 / 31

HEX #B0A427

RGB 176 164 39

HSL 54.74, 0.64%, 0.42%

LAB 66.46, -9.27, 61.34

 

CMYK 14 / 0 / 78 / 31

HEX #97B027

RGB 151 176 39

HSL 70.95, 0.64%, 0.42%

LAB 67.86, -26.18, 61.87

 

CMYK 35 / 0 / 78 / 31

HEX #72B027

RGB 114 176 39

HSL 87.15, 0.64%, 0.42%

LAB 65.57, -40.79, 58.92

 

CMYK 56 / 0 / 78 / 31

HEX #4DB027

RGB 77 176 39

HSL 103.36, 0.64%, 0.42%

LAB 63.98, -52.63, 56.84

 

CMYK 77 / 0 / 78 / 31

HEX #28B027

RGB 40 176 39

HSL 119.56, 0.64%, 0.42%

LAB 63.05, -60.32, 55.63

 

CMYK 0 / 7 / 78 / 31

HEX #B0A427

RGB 176 164 39

HSL 54.74, 0.64%, 0.42%

LAB 66.46, -9.27, 61.34

 

CMYK 0 / 8 / 89 / 24

HEX #C1B215

RGB 193 178 21

HSL 54.77, 0.8%, 0.42%

LAB 71.71, -9.57, 70.92

 

CMYK 0 / 9 / 98 / 18

HEX #D2C004

RGB 210 192 4

HSL 54.76, 0.96%, 0.42%

LAB 76.93, -9.55, 77.72

 

CMYK 0 / 7 / 78 / 31

HEX #B0A427

RGB 176 164 39

HSL 54.74, 0.64%, 0.42%

LAB 66.46, -9.27, 61.34

 

CMYK 0 / 6 / 65 / 38

HEX #9E9538

RGB 158 149 56

HSL 54.71, 0.48%, 0.42%

LAB 60.83, -8.4, 48.69

 

CMYK 0 / 4 / 48 / 45

HEX #8D8749

RGB 141 135 73

HSL 54.71, 0.32%, 0.42%

LAB 55.55, -6.87, 33.94

 

CMYK 0 / 2 / 27 / 51

HEX #7C795B

RGB 124 121 91

HSL 54.55, 0.15%, 0.42%

LAB 50.35, -4.08, 16.91

 

CMYK 2 / 2 / 0 / 58

HEX #6A6A6C

RGB 106 106 108

HSL 240, 0.01%, 0.42%

LAB 44.88, 0.42, -1.12

 

CMYK 0 / 49 / 78 / 31

HEX #B05927

RGB 176 89 39

HSL 21.9, 0.64%, 0.42%

LAB 47.65, 31.9, 43.5

 

CMYK 0 / 29 / 78 / 31

HEX #B07D27

RGB 176 125 39

HSL 37.66, 0.64%, 0.42%

LAB 56.13, 12.01, 51.75

 

CMYK 0 / 8 / 78 / 31

HEX #B0A227

RGB 176 162 39

HSL 53.87, 0.64%, 0.42%

LAB 65.92, -8.21, 60.84

 

CMYK 13 / 0 / 78 / 31

HEX #99B027

RGB 153 176 39

HSL 70.07, 0.64%, 0.42%

LAB 68, -25.34, 62.05

 

CMYK 34 / 0 / 78 / 31

HEX #74B027

RGB 116 176 39

HSL 86.28, 0.64%, 0.42%

LAB 65.68, -40.06, 59.06

 

CMYK 0 / 6 / 78 / 58

HEX #6C6518

RGB 108 101 24

HSL 55, 0.64%, 0.26%

LAB 42.09, -6.73, 41.78

 

CMYK 0 / 7 / 78 / 44

HEX #8E841F

RGB 142 132 31

HSL 54.59, 0.64%, 0.34%

LAB 54.4, -7.77, 51.85

 

CMYK 0 / 7 / 78 / 31

HEX #B0A427

RGB 176 164 39

HSL 54.74, 0.64%, 0.42%

LAB 66.46, -9.27, 61.34

 

CMYK 0 / 7 / 78 / 18

HEX #D1C32E

RGB 209 195 46

HSL 54.85, 0.64%, 0.5%

LAB 77.75, -10.66, 70.41

 

CMYK 0 / 6 / 63 / 15

HEX #D9CD50

RGB 217 205 80

HSL 54.74, 0.64%, 0.58%

LAB 81.29, -10.68, 61.67

 

CMYK 0 / 7 / 78 / 31

HEX #AFA326

RGB 175 163 38

HSL 54.74, 0.64%, 0.42%

LAB 66.1, -9.22, 61.29

 

CMYK 78 / 0 / 70 / 31

HEX #27B034

RGB 39 176 52

HSL 125.69, 0.64%, 0.42%

LAB 63.12, -59.42, 51.01

 

CMYK 39 / 78 / 0 / 31

HEX #6B27B0

RGB 107 39 176

HSL 269.78, 0.64%, 0.42%

LAB 33.37, 55.11, -60.22

 

CMYK 0 / 7 / 78 / 31

HEX #AFA326

RGB 175 163 38

HSL 54.74, 0.64%, 0.42%

LAB 66.1, -9.22, 61.29

 

CMYK 78 / 0 / 8 / 31

HEX #27B0A2

RGB 39 176 162

HSL 173.87, 0.64%, 0.42%

LAB 65.03, -38.24, -2.99

 

CMYK 8 / 78 / 0 / 31

HEX #A227B0

RGB 162 39 176

HSL 293.87, 0.64%, 0.42%

LAB 41.64, 65.21, -46.45

 

CMYK 0 / 7 / 78 / 31

HEX #AFA326

RGB 175 163 38

HSL 54.74, 0.64%, 0.42%

LAB 66.1, -9.22, 61.29

 

CMYK 78 / 0 / 70 / 31

HEX #27B034

RGB 39 176 52

HSL 125.69, 0.64%, 0.42%

LAB 63.12, -59.42, 51.01

 

CMYK 78 / 70 / 0 / 31

HEX #2734B0

RGB 39 52 176

HSL 234.31, 0.64%, 0.42%

LAB 29.47, 39.28, -66.87

 

CMYK 0 / 78 / 8 / 31

HEX #B027A2

RGB 176 39 162

HSL 306.13, 0.64%, 0.42%

LAB 43.2, 65.85, -35.49

 

CMYK 0 / 7 / 78 / 31

HEX #AFA326

RGB 175 163 38

HSL 54.74, 0.64%, 0.42%

LAB 66.1, -9.22, 61.29

 

CMYK 78 / 0 / 47 / 31

HEX #27B05D

RGB 39 176 93

HSL 143.65, 0.64%, 0.42%

LAB 63.57, -54.05, 32.49

 

CMYK 78 / 70 / 0 / 31

HEX #2734B0

RGB 39 52 176

HSL 234.31, 0.64%, 0.42%

LAB 29.47, 39.28, -66.87

 

CMYK 0 / 78 / 31 / 31

HEX #B02779

RGB 176 39 121

HSL 324.09, 0.64%, 0.42%

LAB 41.31, 60.33, -13.44

 

Description

Color code: HEX #AFA326 | qconv.com Color code: HEX #AFA326 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 163 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 163 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 78 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 78% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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