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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF9E1F it is the complementary color #5061E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF9E1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF9E1F shade: #B49E1A, #C5B02D, #D6C240, #E7D453 and #F8E666

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF9E1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF9E1F shade: #AF9E1F, #9E8C0C, #8D7A00, #7C6800 and #6B5600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF9E1F shade: #AD9D1F, #AD761F, #AD501F, #AD291F and #AD1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF9E1F shade: #AD9D1F, #98AD1F, #71AD1F, #4BAD1F and #24AD1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF9E1F shade matches the following richer shades: #AD9D1F and #BEA90E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF9E1F shade: #AD9D1F, #9D902F, #8C8340, #7C7750 and #6B6A61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF9E1F shade: #AD4E1F, #AD741F, #AD9A1F, #9AAD1F and #74AD1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF9E1F shade: #675D12, #8A7D18, #AD9D1F, #D0BC25 and #DDCB41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF9E1F shade: #AF9E1F, #1FAD28 and #611FAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF9E1F shade: #AF9E1F, #1FAD9A and #9A1FAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF9E1F shade: #AF9E1F, #1FAD28, #1F32AD and #AD1FA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF9E1F shade: #AF9E1F, #1FAD53, #1F32AD and #AD1F79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 82 / 31

HEX #AF9E1F

RGB 175 158 31

HSL 52.92, 0.7%, 0.4%

LAB 64.7, -6.82, 62.17

 

Complementary color

CMYK 64 / 57 / 0 / 12

HEX #5061E0

RGB 80 97 224

HSL 232.92, 0.7%, 0.6%

LAB 46.49, 33.08, -66.84

 

CMYK 0 / 12 / 86 / 29

HEX #B49E1A

RGB 180 158 26

HSL 51.43, 0.75%, 0.4%

LAB 65.15, -4.72, 64.06

 

CMYK 0 / 11 / 77 / 23

HEX #C5B02D

RGB 197 176 45

HSL 51.71, 0.63%, 0.47%

LAB 71.63, -6.09, 64.79

 

CMYK 0 / 9 / 70 / 16

HEX #D6C240

RGB 214 194 64

HSL 52, 0.65%, 0.55%

LAB 78.02, -7.24, 64.64

 

CMYK 0 / 8 / 64 / 9

HEX #E7D453

RGB 231 212 83

HSL 52.3, 0.76%, 0.62%

LAB 84.33, -8.21, 64.01

 

CMYK 0 / 7 / 59 / 3

HEX #F8E666

RGB 248 230 102

HSL 52.6, 0.91%, 0.69%

LAB 90.56, -9.04, 63.12

 

CMYK 0 / 10 / 82 / 31

HEX #AF9E1F

RGB 175 158 31

HSL 52.92, 0.7%, 0.4%

LAB 64.7, -6.82, 62.17

 

CMYK 0 / 11 / 92 / 38

HEX #9E8C0C

RGB 158 140 12

HSL 52.6, 0.86%, 0.33%

LAB 58.09, -5.32, 60.51

 

CMYK 0 / 13 / 100 / 45

HEX #8D7A00

RGB 141 122 0

HSL 51.91, 1%, 0.28%

LAB 51.36, -3.52, 56.87

 

CMYK 0 / 16 / 100 / 51

HEX #7C6800

RGB 124 104 0

HSL 50.32, 1%, 0.24%

LAB 44.5, -1.43, 51.2

 

CMYK 0 / 20 / 100 / 58

HEX #6B5600

RGB 107 86 0

HSL 48.22, 1%, 0.21%

LAB 37.45, 0.78, 45.37

 

CMYK 0 / 9 / 82 / 32

HEX #AD9D1F

RGB 173 157 31

HSL 53.24, 0.7%, 0.4%

LAB 64.24, -7.18, 61.7

 

CMYK 0 / 32 / 82 / 32

HEX #AD761F

RGB 173 118 31

HSL 36.76, 0.7%, 0.4%

LAB 53.96, 14.28, 52.69

 

CMYK 0 / 54 / 82 / 32

HEX #AD501F

RGB 173 80 31

HSL 20.7, 0.7%, 0.4%

LAB 45.25, 35.11, 44.76

 

CMYK 0 / 76 / 82 / 32

HEX #AD291F

RGB 173 41 31

HSL 4.23, 0.7%, 0.4%

LAB 38.84, 52.18, 38.69

 

CMYK 0 / 82 / 82 / 32

HEX #AD1F1F

RGB 173 31 31

HSL 0, 0.7%, 0.4%

LAB 37.78, 55.18, 37.65

 

CMYK 0 / 9 / 82 / 32

HEX #AD9D1F

RGB 173 157 31

HSL 53.24, 0.7%, 0.4%

LAB 64.24, -7.18, 61.7

 

CMYK 12 / 0 / 82 / 32

HEX #98AD1F

RGB 152 173 31

HSL 68.87, 0.7%, 0.4%

LAB 67.02, -24.61, 63.45

 

CMYK 35 / 0 / 82 / 32

HEX #71AD1F

RGB 113 173 31

HSL 85.35, 0.7%, 0.4%

LAB 64.56, -40.25, 60.33

 

CMYK 57 / 0 / 82 / 32

HEX #4BAD1F

RGB 75 173 31

HSL 101.41, 0.7%, 0.4%

LAB 62.91, -52.52, 58.21

 

CMYK 79 / 0 / 82 / 32

HEX #24AD1F

RGB 36 173 31

HSL 117.89, 0.7%, 0.4%

LAB 61.96, -60.45, 56.99

 

CMYK 0 / 9 / 82 / 32

HEX #AD9D1F

RGB 173 157 31

HSL 53.24, 0.7%, 0.4%

LAB 64.24, -7.18, 61.7

 

CMYK 0 / 11 / 93 / 25

HEX #BEA90E

RGB 190 169 14

HSL 52.84, 0.86%, 0.4%

LAB 69.01, -6.32, 69.87

 

CMYK 0 / 9 / 82 / 32

HEX #AD9D1F

RGB 173 157 31

HSL 53.24, 0.7%, 0.4%

LAB 64.24, -7.18, 61.7

 

CMYK 0 / 8 / 70 / 38

HEX #9D902F

RGB 157 144 47

HSL 52.91, 0.54%, 0.4%

LAB 59.27, -6.7, 50.91

 

CMYK 0 / 6 / 54 / 45

HEX #8C8340

RGB 140 131 64

HSL 52.89, 0.37%, 0.4%

LAB 54.22, -5.97, 37

 

CMYK 0 / 4 / 35 / 51

HEX #7C7750

RGB 124 119 80

HSL 53.18, 0.22%, 0.4%

LAB 49.57, -4.5, 22.17

 

CMYK 0 / 1 / 9 / 58

HEX #6B6A61

RGB 107 106 97

HSL 54, 0.05%, 0.4%

LAB 44.66, -1.38, 5.19

 

CMYK 0 / 55 / 82 / 32

HEX #AD4E1F

RGB 173 78 31

HSL 19.86, 0.7%, 0.4%

LAB 44.85, 36.14, 44.39

 

CMYK 0 / 33 / 82 / 32

HEX #AD741F

RGB 173 116 31

HSL 35.92, 0.7%, 0.4%

LAB 53.46, 15.41, 52.24

 

CMYK 0 / 11 / 82 / 32

HEX #AD9A1F

RGB 173 154 31

HSL 51.97, 0.7%, 0.4%

LAB 63.42, -5.58, 60.99

 

CMYK 11 / 0 / 82 / 32

HEX #9AAD1F

RGB 154 173 31

HSL 68.03, 0.7%, 0.4%

LAB 67.17, -23.76, 63.63

 

CMYK 33 / 0 / 82 / 32

HEX #74AD1F

RGB 116 173 31

HSL 84.08, 0.7%, 0.4%

LAB 64.72, -39.13, 60.53

 

CMYK 0 / 10 / 83 / 60

HEX #675D12

RGB 103 93 18

HSL 52.94, 0.7%, 0.24%

LAB 39.17, -4.8, 41.13

 

CMYK 0 / 9 / 83 / 46

HEX #8A7D18

RGB 138 125 24

HSL 53.16, 0.7%, 0.32%

LAB 51.99, -6.04, 51.85

 

CMYK 0 / 9 / 82 / 32

HEX #AD9D1F

RGB 173 157 31

HSL 53.24, 0.7%, 0.4%

LAB 64.24, -7.18, 61.7

 

CMYK 0 / 10 / 82 / 18

HEX #D0BC25

RGB 208 188 37

HSL 52.98, 0.7%, 0.48%

LAB 75.77, -7.8, 71.19

 

CMYK 0 / 8 / 71 / 13

HEX #DDCB41

RGB 221 203 65

HSL 53.08, 0.7%, 0.56%

LAB 81, -8.81, 67.41

 

CMYK 0 / 10 / 82 / 31

HEX #AF9E1F

RGB 175 158 31

HSL 52.92, 0.7%, 0.4%

LAB 64.7, -6.82, 62.17

 

CMYK 82 / 0 / 77 / 32

HEX #1FAD28

RGB 31 173 40

HSL 123.8, 0.7%, 0.4%

LAB 61.94, -60.49, 54.16

 

CMYK 44 / 82 / 0 / 32

HEX #611FAD

RGB 97 31 173

HSL 267.89, 0.7%, 0.4%

LAB 30.73, 55.94, -62.8

 

CMYK 0 / 10 / 82 / 31

HEX #AF9E1F

RGB 175 158 31

HSL 52.92, 0.7%, 0.4%

LAB 64.7, -6.82, 62.17

 

CMYK 82 / 0 / 11 / 32

HEX #1FAD9A

RGB 31 173 154

HSL 171.97, 0.7%, 0.4%

LAB 63.76, -39.91, -0.42

 

CMYK 11 / 82 / 0 / 32

HEX #9A1FAD

RGB 154 31 173

HSL 291.97, 0.7%, 0.4%

LAB 39.36, 65.38, -48.4

 

CMYK 0 / 10 / 82 / 31

HEX #AF9E1F

RGB 175 158 31

HSL 52.92, 0.7%, 0.4%

LAB 64.7, -6.82, 62.17

 

CMYK 82 / 0 / 77 / 32

HEX #1FAD28

RGB 31 173 40

HSL 123.8, 0.7%, 0.4%

LAB 61.94, -60.49, 54.16

 

CMYK 82 / 71 / 0 / 32

HEX #1F32AD

RGB 31 50 173

HSL 231.97, 0.7%, 0.4%

LAB 28.35, 38.8, -66.92

 

CMYK 0 / 82 / 5 / 32

HEX #AD1FA4

RGB 173 31 164

HSL 303.8, 0.7%, 0.4%

LAB 42.07, 67.58, -38.5

 

CMYK 0 / 10 / 82 / 31

HEX #AF9E1F

RGB 175 158 31

HSL 52.92, 0.7%, 0.4%

LAB 64.7, -6.82, 62.17

 

CMYK 82 / 0 / 52 / 32

HEX #1FAD53

RGB 31 173 83

HSL 141.97, 0.7%, 0.4%

LAB 62.34, -55.58, 36.01

 

CMYK 82 / 71 / 0 / 32

HEX #1F32AD

RGB 31 50 173

HSL 231.97, 0.7%, 0.4%

LAB 28.35, 38.8, -66.92

 

CMYK 0 / 82 / 30 / 32

HEX #AD1F79

RGB 173 31 121

HSL 321.97, 0.7%, 0.4%

LAB 39.99, 61.77, -15.51

 

Description

Color code: HEX #AF9E1F | qconv.com Color code: HEX #AF9E1F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 158 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 158 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 82 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 82% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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