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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF9CFE3F it is the complementary color #5063013F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF9CFE3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF9CFE3F shade: #B49CF93F, #C5AEFF3F, #D6C0FF3F, #E7D2FF3F and #F8E4FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF9CFE3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF9CFE3F shade: #AF9CFE3F, #9E8AEB3F, #8D78D83F, #7C66C53F and #6B54B23F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF9CFE3F shade: #AD9AFE, #C89AFE, #E39AFE, #FE9AFE and #FE9AE3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF9CFE3F shade: #AD9AFE and #9A9AFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF9CFE3F shade matches the following richer shades: #AD9AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF9CFE3F shade: #AD9AFE, #B2A2F6, #B8ABED, #BDB3E5 and #C2BBDD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF9CFE3F shade: #9ABDFE, #9AA2FE, #AC9AFE, #C79AFE and #E29AFE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF9CFE3F shade: #6B48FD, #8C71FE, #AD9AFE, #CEC3FE and #EFECFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF9CFE3F shade: #AF9CFE, #FE9AD8 and #B0FE9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF9CFE3F shade: #AF9CFE, #FEAC9A and #9AFEAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF9CFE3F shade: #AF9CFE, #FE9AD8, #ECFE9A and #9AFEC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF9CFE3F shade: #AF9CFE, #FE9ABA, #ECFE9A and #9AFEDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 10 / 0 / 0

HEX #AF9CFE3F

RGBA 175 156 254 0.25

HSLA 251.63, 0.98%, 0.8%, 0.25

LABA 69.5, 28.12, -46.33, 0.25

 

Complementary color

CMYK 5 / 0 / 25 / 15

HEX #5063013F

RGBA 80 99 1 0.25

HSLA 71.63, 0.98%, 0.2%, 0.25

LABA 38.95, -19.81, 45.04, 0.25

 

CMYK 7 / 9 / 0 / 1

HEX #B49CF93F

RGBA 180 156 249 0.25

HSLA 255.48, 0.89%, 0.79%, 0.25

LABA 69.7, 28.26, -43.28, 0.25

 

CMYK 6 / 8 / 0 / 0

HEX #C5AEFF3F

RGBA 197 174 255 0.25

HSLA 257.04, 1%, 0.84%, 0.25

LABA 75.68, 24.54, -37.1, 0.25

 

CMYK 4 / 6 / 0 / 0

HEX #D6C0FF3F

RGBA 214 192 255 0.25

HSLA 260.95, 1%, 0.88%, 0.25

LABA 81.41, 19.81, -28.15, 0.25

 

CMYK 2 / 4 / 0 / 0

HEX #E7D2FF3F

RGBA 231 210 255 0.25

HSLA 268, 1%, 0.91%, 0.25

LABA 87.14, 15.49, -19.3, 0.25

 

CMYK 1 / 3 / 0 / 0

HEX #F8E4FF3F

RGBA 248 228 255 0.25

HSLA 284.44, 1%, 0.95%, 0.25

LABA 92.87, 11.53, -10.59, 0.25

 

CMYK 8 / 10 / 0 / 0

HEX #AF9CFE3F

RGBA 175 156 254 0.25

HSLA 251.63, 0.98%, 0.8%, 0.25

LABA 69.5, 28.12, -46.33, 0.25

 

CMYK 8 / 10 / 0 / 2

HEX #9E8AEB3F

RGBA 158 138 235 0.25

HSLA 252.37, 0.71%, 0.73%, 0.25

LABA 62.88, 28.93, -46.44, 0.25

 

CMYK 9 / 11 / 0 / 4

HEX #8D78D83F

RGBA 141 120 216 0.25

HSLA 253.13, 0.55%, 0.66%, 0.25

LABA 56.14, 29.84, -46.59, 0.25

 

CMYK 9 / 12 / 0 / 6

HEX #7C66C53F

RGBA 124 102 197 0.25

HSLA 253.89, 0.45%, 0.59%, 0.25

LABA 49.28, 30.85, -46.78, 0.25

 

CMYK 10 / 13 / 0 / 8

HEX #6B54B23F

RGBA 107 84 178 0.25

HSLA 254.68, 0.38%, 0.51%, 0.25

LABA 42.28, 31.99, -47, 0.25

 

CMYK 32 / 39 / 0 / 0

HEX #AD9AFE

RGB 173 154 254

HSL 251.4, 0.98%, 0.8%

LAB 68.86, 28.71, -47.35

 

CMYK 21 / 39 / 0 / 0

HEX #C89AFE

RGB 200 154 254

HSL 267.6, 0.98%, 0.8%

LAB 71.25, 36.17, -43.44

 

CMYK 11 / 39 / 0 / 0

HEX #E39AFE

RGB 227 154 254

HSL 283.8, 0.98%, 0.8%

LAB 73.93, 43.94, -39.05

 

CMYK 0 / 39 / 0 / 0

HEX #FE9AFE

RGB 254 154 254

HSL 300, 0.98%, 0.8%

LAB 76.88, 51.86, -34.24

 

CMYK 0 / 39 / 11 / 0

HEX #FE9AE3

RGB 254 154 227

HSL 316.2, 0.98%, 0.8%

LAB 75.9, 47.29, -21.09

 

CMYK 32 / 39 / 0 / 0

HEX #AD9AFE

RGB 173 154 254

HSL 251.4, 0.98%, 0.8%

LAB 68.86, 28.71, -47.35

 

CMYK 39 / 39 / 0 / 0

HEX #9A9AFE

RGB 154 154 254

HSL 240, 0.98%, 0.8%

LAB 67.38, 23.76, -49.79

 

CMYK 32 / 39 / 0 / 0

HEX #AD9AFE

RGB 173 154 254

HSL 251.4, 0.98%, 0.8%

LAB 68.86, 28.71, -47.35

 

CMYK 32 / 39 / 0 / 0

HEX #AD9AFE

RGB 173 154 254

HSL 251.4, 0.98%, 0.8%

LAB 68.86, 28.71, -47.35

 

CMYK 28 / 34 / 0 / 4

HEX #B2A2F6

RGB 178 162 246

HSL 251.43, 0.82%, 0.8%

LAB 70.84, 23.61, -39.87

 

CMYK 22 / 28 / 0 / 7

HEX #B8ABED

RGB 184 171 237

HSL 251.82, 0.65%, 0.8%

LAB 73.17, 18.22, -31.32

 

CMYK 17 / 22 / 0 / 10

HEX #BDB3E5

RGB 189 179 229

HSL 252, 0.49%, 0.8%

LAB 75.27, 13.54, -23.72

 

CMYK 12 / 15 / 0 / 13

HEX #C2BBDD

RGB 194 187 221

HSL 252.35, 0.33%, 0.8%

LAB 77.42, 9.06, -16.1

 

CMYK 39 / 26 / 0 / 0

HEX #9ABDFE

RGB 154 189 254

HSL 219, 0.98%, 0.8%

LAB 76.33, 4.08, -35.8

 

CMYK 39 / 36 / 0 / 0

HEX #9AA2FE

RGB 154 162 254

HSL 235.2, 0.98%, 0.8%

LAB 69.37, 19.2, -46.65

 

CMYK 32 / 39 / 0 / 0

HEX #AC9AFE

RGB 172 154 254

HSL 250.8, 0.98%, 0.8%

LAB 68.78, 28.44, -47.49

 

CMYK 22 / 39 / 0 / 0

HEX #C79AFE

RGB 199 154 254

HSL 267, 0.98%, 0.8%

LAB 71.15, 35.88, -43.6

 

CMYK 11 / 39 / 0 / 0

HEX #E29AFE

RGB 226 154 254

HSL 283.2, 0.98%, 0.8%

LAB 73.83, 43.65, -39.22

 

CMYK 58 / 72 / 0 / 1

HEX #6B48FD

RGB 107 72 253

HSL 251.6, 0.98%, 0.64%

LAB 45.43, 60.24, -84.8

 

CMYK 45 / 56 / 0 / 0

HEX #8C71FE

RGB 140 113 254

HSL 251.49, 0.99%, 0.72%

LAB 56.63, 44, -67.01

 

CMYK 32 / 39 / 0 / 0

HEX #AD9AFE

RGB 173 154 254

HSL 251.4, 0.98%, 0.8%

LAB 68.86, 28.71, -47.35

 

CMYK 19 / 23 / 0 / 0

HEX #CEC3FE

RGB 206 195 254

HSL 251.19, 0.97%, 0.88%

LAB 81.46, 15.53, -27.59

 

CMYK 6 / 7 / 0 / 0

HEX #EFECFF

RGB 239 236 255

HSL 249.47, 1%, 0.96%

LAB 94.12, 4.47, -8.79

 

CMYK 31 / 39 / 0 / 0

HEX #AF9CFE

RGB 175 156 254

HSL 251.63, 0.98%, 0.8%

LAB 69.5, 28.12, -46.33

 

CMYK 0 / 39 / 15 / 0

HEX #FE9AD8

RGB 254 154 216

HSL 322.8, 0.98%, 0.8%

LAB 75.54, 45.55, -15.64

 

CMYK 31 / 0 / 39 / 0

HEX #B0FE9A

RGB 176 254 154

HSL 106.8, 0.98%, 0.8%

LAB 92.77, -41.89, 40.39

 

CMYK 31 / 39 / 0 / 0

HEX #AF9CFE

RGB 175 156 254

HSL 251.63, 0.98%, 0.8%

LAB 69.5, 28.12, -46.33

 

CMYK 0 / 32 / 39 / 0

HEX #FEAC9A

RGB 254 172 154

HSL 10.8, 0.98%, 0.8%

LAB 77.82, 27.96, 21.51

 

CMYK 39 / 0 / 32 / 0

HEX #9AFEAC

RGB 154 254 172

HSL 130.8, 0.98%, 0.8%

LAB 92.01, -45.87, 30.25

 

CMYK 31 / 39 / 0 / 0

HEX #AF9CFE

RGB 175 156 254

HSL 251.63, 0.98%, 0.8%

LAB 69.5, 28.12, -46.33

 

CMYK 0 / 39 / 15 / 0

HEX #FE9AD8

RGB 254 154 216

HSL 322.8, 0.98%, 0.8%

LAB 75.54, 45.55, -15.64

 

CMYK 7 / 0 / 39 / 0

HEX #ECFE9A

RGB 236 254 154

HSL 70.8, 0.98%, 0.8%

LAB 96.43, -20.8, 45.82

 

CMYK 39 / 0 / 24 / 0

HEX #9AFEC0

RGB 154 254 192

HSL 142.8, 0.98%, 0.8%

LAB 92.38, -42.37, 20.61

 

CMYK 31 / 39 / 0 / 0

HEX #AF9CFE

RGB 175 156 254

HSL 251.63, 0.98%, 0.8%

LAB 69.5, 28.12, -46.33

 

CMYK 0 / 39 / 27 / 0

HEX #FE9ABA

RGB 254 154 186

HSL 340.8, 0.98%, 0.8%

LAB 74.65, 41.23, -0.47

 

CMYK 7 / 0 / 39 / 0

HEX #ECFE9A

RGB 236 254 154

HSL 70.8, 0.98%, 0.8%

LAB 96.43, -20.8, 45.82

 

CMYK 39 / 0 / 13 / 0

HEX #9AFEDE

RGB 154 254 222

HSL 160.8, 0.98%, 0.8%

LAB 93.03, -36.42, 6.11

 

Description

Color code: HEX #AF9CFE3F | qconv.com Color code: HEX #AF9CFE3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 156 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 156 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 10 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 10% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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