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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF9C46 it is the complementary color #5063B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF9C46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF9C46 shade: #B49C41, #C5AE54, #D6C067, #E7D27A and #F8E48D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF9C46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF9C46 shade: #AF9C46, #9E8A33, #8D7820, #7C660D and #6B5400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF9C46 shade: #AF9C46, #AF8046, #AF6346, #AF4746 and #AF4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF9C46 shade: #AF9C46, #A6AF46, #89AF46, #6DAF46 and #51AF46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF9C46 shade matches the following richer shades: #AF9C46, #C3A932, #D7B51E and #EAC20A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF9C46 shade: #AF9C46, #9B8F5A, #87836D, #747681 and #606995

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF9C46 shade: #AF6446, #AF8046, #AF9C46, #A6AF46 and #8AAF46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF9C46 shade: #74672E, #92823A, #AF9C46, #BFAE5F and #CBBD7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF9C46 shade: #AF9C46, #46AF48 and #7246AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF9C46 shade: #AF9C46, #46AF9C and #9C46AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF9C46 shade: #AF9C46, #46AF48, #4659AF and #AF46AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF9C46 shade: #AF9C46, #46AF67, #4659AF and #AF468E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 60 / 31

HEX #AF9C46

RGB 175 156 70

HSL 49.14, 0.43%, 0.48%

LAB 64.43, -3.72, 46.63

 

Complementary color

CMYK 57 / 46 / 0 / 27

HEX #5063B9

RGB 80 99 185

HSL 229.14, 0.43%, 0.52%

LAB 44.42, 18.64, -47.78

 

CMYK 0 / 13 / 64 / 29

HEX #B49C41

RGB 180 156 65

HSL 47.48, 0.47%, 0.48%

LAB 64.85, -1.89, 49.56

 

CMYK 0 / 12 / 57 / 23

HEX #C5AE54

RGB 197 174 84

HSL 47.79, 0.49%, 0.55%

LAB 71.41, -2.8, 48.45

 

CMYK 0 / 10 / 52 / 16

HEX #D6C067

RGB 214 192 103

HSL 48.11, 0.58%, 0.62%

LAB 77.86, -3.57, 47.25

 

CMYK 0 / 9 / 47 / 9

HEX #E7D27A

RGB 231 210 122

HSL 48.44, 0.69%, 0.69%

LAB 84.22, -4.22, 46.03

 

CMYK 0 / 8 / 43 / 3

HEX #F8E48D

RGB 248 228 141

HSL 48.79, 0.88%, 0.76%

LAB 90.49, -4.78, 44.83

 

CMYK 0 / 11 / 60 / 31

HEX #AF9C46

RGB 175 156 70

HSL 49.14, 0.43%, 0.48%

LAB 64.43, -3.72, 46.63

 

CMYK 0 / 13 / 68 / 38

HEX #9E8A33

RGB 158 138 51

HSL 48.79, 0.51%, 0.41%

LAB 57.74, -2.74, 47.64

 

CMYK 0 / 15 / 77 / 45

HEX #8D7820

RGB 141 120 32

HSL 48.44, 0.63%, 0.34%

LAB 50.92, -1.52, 48.2

 

CMYK 0 / 18 / 90 / 51

HEX #7C660D

RGB 124 102 13

HSL 48.11, 0.81%, 0.27%

LAB 43.97, 0.02, 47.67

 

CMYK 0 / 21 / 100 / 58

HEX #6B5400

RGB 107 84 0

HSL 47.1, 1%, 0.21%

LAB 36.87, 1.98, 44.97

 

CMYK 0 / 11 / 60 / 31

HEX #AF9C46

RGB 175 156 70

HSL 49.14, 0.43%, 0.48%

LAB 64.43, -3.72, 46.63

 

CMYK 0 / 27 / 60 / 31

HEX #AF8046

RGB 175 128 70

HSL 33.14, 0.43%, 0.48%

LAB 57.07, 11.7, 38.15

 

CMYK 0 / 43 / 60 / 31

HEX #AF6346

RGB 175 99 70

HSL 16.57, 0.43%, 0.48%

LAB 50.07, 27.89, 29.68

 

CMYK 0 / 59 / 60 / 31

HEX #AF4746

RGB 175 71 70

HSL 0.57, 0.43%, 0.48%

LAB 44.32, 42.44, 22.39

 

CMYK 0 / 60 / 60 / 31

HEX #AF4646

RGB 175 70 70

HSL 0, 0.43%, 0.48%

LAB 44.14, 42.92, 22.15

 

CMYK 0 / 11 / 60 / 31

HEX #AF9C46

RGB 175 156 70

HSL 49.14, 0.43%, 0.48%

LAB 64.43, -3.72, 46.63

 

CMYK 5 / 0 / 60 / 31

HEX #A6AF46

RGB 166 175 70

HSL 65.14, 0.43%, 0.48%

LAB 68.9, -17.54, 51.39

 

CMYK 22 / 0 / 60 / 31

HEX #89AF46

RGB 137 175 70

HSL 81.71, 0.43%, 0.48%

LAB 66.84, -29.39, 48.52

 

CMYK 38 / 0 / 60 / 31

HEX #6DAF46

RGB 109 175 70

HSL 97.71, 0.43%, 0.48%

LAB 65.24, -39.77, 46.29

 

CMYK 54 / 0 / 60 / 31

HEX #51AF46

RGB 81 175 70

HSL 113.71, 0.43%, 0.48%

LAB 64.04, -48.46, 44.6

 

CMYK 0 / 11 / 60 / 31

HEX #AF9C46

RGB 175 156 70

HSL 49.14, 0.43%, 0.48%

LAB 64.43, -3.72, 46.63

 

CMYK 0 / 13 / 74 / 24

HEX #C3A932

RGB 195 169 50

HSL 49.24, 0.59%, 0.48%

LAB 69.62, -3.08, 61.1

 

CMYK 0 / 16 / 86 / 16

HEX #D7B51E

RGB 215 181 30

HSL 48.97, 0.76%, 0.48%

LAB 74.56, -1.3, 72.19

 

CMYK 0 / 17 / 96 / 8

HEX #EAC20A

RGB 234 194 10

HSL 49.29, 0.92%, 0.48%

LAB 79.67, -0.11, 80.12

 

CMYK 0 / 11 / 60 / 31

HEX #AF9C46

RGB 175 156 70

HSL 49.14, 0.43%, 0.48%

LAB 64.43, -3.72, 46.63

 

CMYK 0 / 8 / 42 / 39

HEX #9B8F5A

RGB 155 143 90

HSL 48.92, 0.27%, 0.48%

LAB 59.3, -3.41, 29.79

 

CMYK 0 / 3 / 19 / 47

HEX #87836D

RGB 135 131 109

HSL 50.77, 0.11%, 0.48%

LAB 54.54, -2.42, 12.45

 

CMYK 10 / 9 / 0 / 49

HEX #747681

RGB 116 118 129

HSL 230.77, 0.05%, 0.48%

LAB 49.8, 1.59, -6.28

 

CMYK 36 / 30 / 0 / 42

HEX #606995

RGB 96 105 149

HSL 229.81, 0.22%, 0.48%

LAB 45.3, 7.75, -25.13

 

CMYK 0 / 43 / 60 / 31

HEX #AF6446

RGB 175 100 70

HSL 17.14, 0.43%, 0.48%

LAB 50.3, 27.34, 29.96

 

CMYK 0 / 27 / 60 / 31

HEX #AF8046

RGB 175 128 70

HSL 33.14, 0.43%, 0.48%

LAB 57.07, 11.7, 38.15

 

CMYK 0 / 11 / 60 / 31

HEX #AF9C46

RGB 175 156 70

HSL 49.14, 0.43%, 0.48%

LAB 64.43, -3.72, 46.63

 

CMYK 5 / 0 / 60 / 31

HEX #A6AF46

RGB 166 175 70

HSL 65.14, 0.43%, 0.48%

LAB 68.9, -17.54, 51.39

 

CMYK 21 / 0 / 60 / 31

HEX #8AAF46

RGB 138 175 70

HSL 81.14, 0.43%, 0.48%

LAB 66.9, -29, 48.61

 

CMYK 0 / 11 / 60 / 55

HEX #74672E

RGB 116 103 46

HSL 48.86, 0.43%, 0.32%

LAB 43.67, -2.62, 33.47

 

CMYK 0 / 11 / 60 / 43

HEX #92823A

RGB 146 130 58

HSL 49.09, 0.43%, 0.4%

LAB 54.43, -3.23, 40.41

 

CMYK 0 / 11 / 60 / 31

HEX #AF9C46

RGB 175 156 70

HSL 49.14, 0.43%, 0.48%

LAB 64.43, -3.72, 46.63

 

CMYK 0 / 9 / 50 / 25

HEX #BFAE5F

RGB 191 174 95

HSL 49.38, 0.43%, 0.56%

LAB 70.99, -4.41, 42.44

 

CMYK 0 / 7 / 39 / 20

HEX #CBBD7C

RGB 203 189 124

HSL 49.37, 0.43%, 0.64%

LAB 76.4, -4.41, 34.64

 

CMYK 0 / 11 / 60 / 31

HEX #AF9C46

RGB 175 156 70

HSL 49.14, 0.43%, 0.48%

LAB 64.43, -3.72, 46.63

 

CMYK 60 / 0 / 59 / 31

HEX #46AF48

RGB 70 175 72

HSL 121.14, 0.43%, 0.48%

LAB 63.7, -51.04, 43.18

 

CMYK 35 / 60 / 0 / 31

HEX #7246AF

RGB 114 70 175

HSL 265.14, 0.43%, 0.48%

LAB 39.67, 41.02, -49.38

 

CMYK 0 / 11 / 60 / 31

HEX #AF9C46

RGB 175 156 70

HSL 49.14, 0.43%, 0.48%

LAB 64.43, -3.72, 46.63

 

CMYK 60 / 0 / 11 / 31

HEX #46AF9C

RGB 70 175 156

HSL 169.14, 0.43%, 0.48%

LAB 65.25, -34.81, 0.74

 

CMYK 11 / 60 / 0 / 31

HEX #9C46AF

RGB 156 70 175

HSL 289.14, 0.43%, 0.48%

LAB 45, 51.49, -40.55

 

CMYK 0 / 11 / 60 / 31

HEX #AF9C46

RGB 175 156 70

HSL 49.14, 0.43%, 0.48%

LAB 64.43, -3.72, 46.63

 

CMYK 60 / 0 / 59 / 31

HEX #46AF48

RGB 70 175 72

HSL 121.14, 0.43%, 0.48%

LAB 63.7, -51.04, 43.18

 

CMYK 60 / 49 / 0 / 31

HEX #4659AF

RGB 70 89 175

HSL 229.14, 0.43%, 0.48%

LAB 40.48, 19.58, -48.28

 

CMYK 0 / 60 / 1 / 31

HEX #AF46AD

RGB 175 70 173

HSL 301.14, 0.43%, 0.48%

LAB 47.64, 56.04, -35.03

 

CMYK 0 / 11 / 60 / 31

HEX #AF9C46

RGB 175 156 70

HSL 49.14, 0.43%, 0.48%

LAB 64.43, -3.72, 46.63

 

CMYK 60 / 0 / 41 / 31

HEX #46AF67

RGB 70 175 103

HSL 138.86, 0.43%, 0.48%

LAB 64.11, -46.42, 28.12

 

CMYK 60 / 49 / 0 / 31

HEX #4659AF

RGB 70 89 175

HSL 229.14, 0.43%, 0.48%

LAB 40.48, 19.58, -48.28

 

CMYK 0 / 60 / 19 / 31

HEX #AF468E

RGB 175 70 142

HSL 318.86, 0.43%, 0.48%

LAB 46.24, 51.02, -18.75

 

Description

Color code: HEX #AF9C46 | qconv.com Color code: HEX #AF9C46 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 156 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 156 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 60 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 60% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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