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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF9C2E it is the complementary color #5063D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF9C2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF9C2E shade: #B49C29, #C5AE3C, #D6C04F, #E7D262 and #F8E475

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF9C2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF9C2E shade: #AF9C2E, #9E8A1B, #8D7808, #7C6600 and #6B5400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF9C2E shade: #AD9A2E, #AD782E, #AD552E, #AD332E and #AD2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF9C2E shade: #AD9A2E, #9DAD2E, #7BAD2E, #59AD2E and #36AD2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF9C2E shade matches the following richer shades: #AD9A2E, #BEA71C and #D0B30A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF9C2E shade: #AD9A2E, #9B8D3F, #898151, #787463 and #666875

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF9C2E shade: #AD562E, #AD782E, #AD9A2E, #9EAD2E and #7CAD2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF9C2E shade: #6C601C, #8C7D25, #AD9A2E, #CAB539 and #D3C15A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF9C2E shade: #AF9C2E, #2EAD34 and #672EAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF9C2E shade: #AF9C2E, #2EAD9A and #9A2EAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF9C2E shade: #AF9C2E, #2EAD34, #2E41AD and #AD2EA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF9C2E shade: #AF9C2E, #2EAD5A, #2E41AD and #AD2E80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 74 / 31

HEX #AF9C2E

RGB 175 156 46

HSL 51.16, 0.58%, 0.43%

LAB 64.23, -5.17, 56.76

 

Complementary color

CMYK 62 / 53 / 0 / 18

HEX #5063D1

RGB 80 99 209

HSL 231.16, 0.58%, 0.57%

LAB 45.95, 26.75, -59.18

 

CMYK 0 / 13 / 77 / 29

HEX #B49C29

RGB 180 156 41

HSL 49.64, 0.63%, 0.43%

LAB 64.68, -3.16, 59.16

 

CMYK 0 / 12 / 70 / 23

HEX #C5AE3C

RGB 197 174 60

HSL 49.93, 0.54%, 0.5%

LAB 71.19, -4.36, 58.86

 

CMYK 0 / 10 / 63 / 16

HEX #D6C04F

RGB 214 192 79

HSL 50.22, 0.62%, 0.57%

LAB 77.61, -5.36, 58.08

 

CMYK 0 / 9 / 58 / 9

HEX #E7D262

RGB 231 210 98

HSL 50.53, 0.73%, 0.65%

LAB 83.95, -6.21, 57.07

 

CMYK 0 / 8 / 53 / 3

HEX #F8E475

RGB 248 228 117

HSL 50.84, 0.9%, 0.72%

LAB 90.2, -6.93, 55.96

 

CMYK 0 / 11 / 74 / 31

HEX #AF9C2E

RGB 175 156 46

HSL 51.16, 0.58%, 0.43%

LAB 64.23, -5.17, 56.76

 

CMYK 0 / 13 / 83 / 38

HEX #9E8A1B

RGB 158 138 27

HSL 50.84, 0.71%, 0.36%

LAB 57.58, -3.86, 56.56

 

CMYK 0 / 15 / 94 / 45

HEX #8D7808

RGB 141 120 8

HSL 50.53, 0.89%, 0.29%

LAB 50.82, -2.25, 54.91

 

CMYK 0 / 18 / 100 / 51

HEX #7C6600

RGB 124 102 0

HSL 49.35, 1%, 0.24%

LAB 43.93, -0.27, 50.79

 

CMYK 0 / 21 / 100 / 58

HEX #6B5400

RGB 107 84 0

HSL 47.1, 1%, 0.21%

LAB 36.87, 1.98, 44.97

 

CMYK 0 / 11 / 73 / 32

HEX #AD9A2E

RGB 173 154 46

HSL 51.02, 0.58%, 0.43%

LAB 63.5, -4.98, 55.99

 

CMYK 0 / 31 / 73 / 32

HEX #AD782E

RGB 173 120 46

HSL 34.96, 0.58%, 0.43%

LAB 54.57, 13.79, 47.11

 

CMYK 0 / 51 / 73 / 32

HEX #AD552E

RGB 173 85 46

HSL 18.43, 0.58%, 0.43%

LAB 46.42, 33.12, 38.54

 

CMYK 0 / 71 / 73 / 32

HEX #AD332E

RGB 173 51 46

HSL 2.36, 0.58%, 0.43%

LAB 40.33, 49.11, 31.77

 

CMYK 0 / 73 / 73 / 32

HEX #AD2E2E

RGB 173 46 46

HSL 0, 0.58%, 0.43%

LAB 39.64, 51, 30.98

 

CMYK 0 / 11 / 73 / 32

HEX #AD9A2E

RGB 173 154 46

HSL 51.02, 0.58%, 0.43%

LAB 63.5, -4.98, 55.99

 

CMYK 9 / 0 / 73 / 32

HEX #9DAD2E

RGB 157 173 46

HSL 67.56, 0.58%, 0.43%

LAB 67.47, -21.84, 59.35

 

CMYK 29 / 0 / 73 / 32

HEX #7BAD2E

RGB 123 173 46

HSL 83.62, 0.58%, 0.43%

LAB 65.2, -35.7, 56.37

 

CMYK 49 / 0 / 73 / 32

HEX #59AD2E

RGB 89 173 46

HSL 99.69, 0.58%, 0.43%

LAB 63.51, -47.55, 54.13

 

CMYK 69 / 0 / 73 / 32

HEX #36AD2E

RGB 54 173 46

HSL 116.22, 0.58%, 0.43%

LAB 62.4, -56.44, 52.64

 

CMYK 0 / 11 / 73 / 32

HEX #AD9A2E

RGB 173 154 46

HSL 51.02, 0.58%, 0.43%

LAB 63.5, -4.98, 55.99

 

CMYK 0 / 12 / 85 / 25

HEX #BEA71C

RGB 190 167 28

HSL 51.48, 0.74%, 0.43%

LAB 68.51, -4.99, 66.73

 

CMYK 0 / 14 / 95 / 18

HEX #D0B30A

RGB 208 179 10

HSL 51.21, 0.91%, 0.43%

LAB 73.33, -3.65, 74.36

 

CMYK 0 / 11 / 73 / 32

HEX #AD9A2E

RGB 173 154 46

HSL 51.02, 0.58%, 0.43%

LAB 63.5, -4.98, 55.99

 

CMYK 0 / 9 / 59 / 39

HEX #9B8D3F

RGB 155 141 63

HSL 50.87, 0.42%, 0.43%

LAB 58.39, -4.9, 42.68

 

CMYK 0 / 6 / 41 / 46

HEX #898151

RGB 137 129 81

HSL 51.43, 0.26%, 0.43%

LAB 53.61, -4.4, 27.1

 

CMYK 0 / 3 / 18 / 53

HEX #787463

RGB 120 116 99

HSL 48.57, 0.1%, 0.43%

LAB 48.74, -1.59, 9.95

 

CMYK 13 / 11 / 0 / 54

HEX #666875

RGB 102 104 117

HSL 232, 0.07%, 0.43%

LAB 44.25, 2.09, -7.52

 

CMYK 0 / 50 / 73 / 32

HEX #AD562E

RGB 173 86 46

HSL 18.9, 0.58%, 0.43%

LAB 46.63, 32.59, 38.77

 

CMYK 0 / 31 / 73 / 32

HEX #AD782E

RGB 173 120 46

HSL 34.96, 0.58%, 0.43%

LAB 54.57, 13.79, 47.11

 

CMYK 0 / 11 / 73 / 32

HEX #AD9A2E

RGB 173 154 46

HSL 51.02, 0.58%, 0.43%

LAB 63.5, -4.98, 55.99

 

CMYK 9 / 0 / 73 / 32

HEX #9EAD2E

RGB 158 173 46

HSL 67.09, 0.58%, 0.43%

LAB 67.54, -21.42, 59.45

 

CMYK 28 / 0 / 73 / 32

HEX #7CAD2E

RGB 124 173 46

HSL 83.15, 0.58%, 0.43%

LAB 65.25, -35.31, 56.44

 

CMYK 0 / 11 / 74 / 58

HEX #6C601C

RGB 108 96 28

HSL 51, 0.59%, 0.27%

LAB 40.63, -3.62, 38.7

 

CMYK 0 / 11 / 74 / 45

HEX #8C7D25

RGB 140 125 37

HSL 51.26, 0.58%, 0.35%

LAB 52.26, -4.55, 47.49

 

CMYK 0 / 11 / 73 / 32

HEX #AD9A2E

RGB 173 154 46

HSL 51.02, 0.58%, 0.43%

LAB 63.5, -4.98, 55.99

 

CMYK 0 / 10 / 72 / 21

HEX #CAB539

RGB 202 181 57

HSL 51.31, 0.58%, 0.51%

LAB 73.48, -6.01, 62.45

 

CMYK 0 / 9 / 57 / 17

HEX #D3C15A

RGB 211 193 90

HSL 51.07, 0.58%, 0.59%

LAB 77.71, -6.38, 53.18

 

CMYK 0 / 11 / 74 / 31

HEX #AF9C2E

RGB 175 156 46

HSL 51.16, 0.58%, 0.43%

LAB 64.23, -5.17, 56.76

 

CMYK 73 / 0 / 70 / 32

HEX #2EAD34

RGB 46 173 52

HSL 122.83, 0.58%, 0.43%

LAB 62.27, -57.37, 50.15

 

CMYK 40 / 73 / 0 / 32

HEX #672EAD

RGB 103 46 173

HSL 266.93, 0.58%, 0.43%

LAB 33.68, 50.64, -57.95

 

CMYK 0 / 11 / 74 / 31

HEX #AF9C2E

RGB 175 156 46

HSL 51.16, 0.58%, 0.43%

LAB 64.23, -5.17, 56.76

 

CMYK 73 / 0 / 11 / 32

HEX #2EAD9A

RGB 46 173 154

HSL 171.02, 0.58%, 0.43%

LAB 64, -38.28, -0.04

 

CMYK 11 / 73 / 0 / 32

HEX #9A2EAD

RGB 154 46 173

HSL 291.02, 0.58%, 0.43%

LAB 40.96, 60.75, -45.82

 

CMYK 0 / 11 / 74 / 31

HEX #AF9C2E

RGB 175 156 46

HSL 51.16, 0.58%, 0.43%

LAB 64.23, -5.17, 56.76

 

CMYK 73 / 0 / 70 / 32

HEX #2EAD34

RGB 46 173 52

HSL 122.83, 0.58%, 0.43%

LAB 62.27, -57.37, 50.15

 

CMYK 73 / 62 / 0 / 32

HEX #2E41AD

RGB 46 65 173

HSL 231.02, 0.58%, 0.43%

LAB 32.65, 30.65, -59.83

 

CMYK 0 / 73 / 4 / 32

HEX #AD2EA6

RGB 173 46 166

HSL 303.31, 0.58%, 0.43%

LAB 43.64, 63.68, -37.21

 

CMYK 0 / 11 / 74 / 31

HEX #AF9C2E

RGB 175 156 46

HSL 51.16, 0.58%, 0.43%

LAB 64.23, -5.17, 56.76

 

CMYK 73 / 0 / 48 / 32

HEX #2EAD5A

RGB 46 173 90

HSL 140.79, 0.58%, 0.43%

LAB 62.68, -52.46, 32.94

 

CMYK 73 / 62 / 0 / 32

HEX #2E41AD

RGB 46 65 173

HSL 231.02, 0.58%, 0.43%

LAB 32.65, 30.65, -59.83

 

CMYK 0 / 73 / 26 / 32

HEX #AD2E80

RGB 173 46 128

HSL 321.26, 0.58%, 0.43%

LAB 41.84, 58.18, -17.01

 

Description

Color code: HEX #AF9C2E | qconv.com Color code: HEX #AF9C2E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 156 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 156 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 74 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 74% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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