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Color name
HEX #AF9A2D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF9A2D it is the complementary color #5065D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF9A2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF9A2D shade: #B49A28, #C5AC3B, #D6BE4E, #E7D061 and #F8E274

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF9A2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF9A2D shade: #AF9A2D, #9E881A, #8D7607, #7C6400 and #6B5200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF9A2D shade: #AE992D, #AE772D, #AE542D, #AE312D and #AE2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF9A2D shade: #AE992D, #A0AE2D, #7DAE2D, #5BAE2D and #38AE2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF9A2D shade matches the following richer shades: #AE992D, #C0A51B and #D2B109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF9A2D shade: #AE992D, #9D8D3F, #8B8150, #797562 and #676974

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF9A2D shade: #AE542D, #AE762D, #AE992D, #A1AE2D and #7FAE2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF9A2D shade: #6D601C, #8E7D24, #AE992D, #CCB439 and #D4C059

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF9A2D shade: #AF9A2D, #2DAE31 and #652DAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF9A2D shade: #AF9A2D, #2DAE99 and #992DAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF9A2D shade: #AF9A2D, #2DAE31, #2D43AE and #AE2DAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF9A2D shade: #AF9A2D, #2DAE58, #2D43AE and #AE2D83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 74 / 31

HEX #AF9A2D

RGB 175 154 45

HSL 50.31, 0.59%, 0.43%

LAB 63.68, -4.14, 56.61

 

Complementary color

CMYK 62 / 52 / 0 / 18

HEX #5065D2

RGB 80 101 210

HSL 230.31, 0.59%, 0.57%

LAB 46.53, 25.83, -58.81

 

CMYK 0 / 14 / 78 / 29

HEX #B49A28

RGB 180 154 40

HSL 48.86, 0.64%, 0.43%

LAB 64.13, -2.12, 59.01

 

CMYK 0 / 13 / 70 / 23

HEX #C5AC3B

RGB 197 172 59

HSL 49.13, 0.54%, 0.5%

LAB 70.66, -3.36, 58.72

 

CMYK 0 / 11 / 64 / 16

HEX #D6BE4E

RGB 214 190 78

HSL 49.41, 0.62%, 0.57%

LAB 77.08, -4.39, 57.94

 

CMYK 0 / 10 / 58 / 9

HEX #E7D061

RGB 231 208 97

HSL 49.7, 0.74%, 0.64%

LAB 83.42, -5.26, 56.93

 

CMYK 0 / 9 / 53 / 3

HEX #F8E274

RGB 248 226 116

HSL 50, 0.9%, 0.71%

LAB 89.68, -6.01, 55.82

 

CMYK 0 / 12 / 74 / 31

HEX #AF9A2D

RGB 175 154 45

HSL 50.31, 0.59%, 0.43%

LAB 63.68, -4.14, 56.61

 

CMYK 0 / 14 / 84 / 38

HEX #9E881A

RGB 158 136 26

HSL 50, 0.72%, 0.36%

LAB 57.03, -2.79, 56.37

 

CMYK 0 / 16 / 95 / 45

HEX #8D7607

RGB 141 118 7

HSL 49.7, 0.91%, 0.29%

LAB 50.26, -1.14, 54.68

 

CMYK 0 / 19 / 100 / 51

HEX #7C6400

RGB 124 100 0

HSL 48.39, 1%, 0.24%

LAB 43.36, 0.89, 50.39

 

CMYK 0 / 23 / 100 / 58

HEX #6B5200

RGB 107 82 0

HSL 45.98, 1%, 0.21%

LAB 36.29, 3.18, 44.57

 

CMYK 0 / 12 / 74 / 32

HEX #AE992D

RGB 174 153 45

HSL 50.23, 0.59%, 0.43%

LAB 63.32, -4.05, 56.23

 

CMYK 0 / 32 / 74 / 32

HEX #AE772D

RGB 174 119 45

HSL 34.42, 0.59%, 0.43%

LAB 54.43, 14.75, 47.45

 

CMYK 0 / 52 / 74 / 32

HEX #AE542D

RGB 174 84 45

HSL 18.14, 0.59%, 0.43%

LAB 46.35, 34, 39.04

 

CMYK 0 / 72 / 74 / 32

HEX #AE312D

RGB 174 49 45

HSL 1.86, 0.59%, 0.43%

LAB 40.22, 50.16, 32.29

 

CMYK 0 / 74 / 74 / 32

HEX #AE2D2D

RGB 174 45 45

HSL 0, 0.59%, 0.43%

LAB 39.69, 51.63, 31.68

 

CMYK 0 / 12 / 74 / 32

HEX #AE992D

RGB 174 153 45

HSL 50.23, 0.59%, 0.43%

LAB 63.32, -4.05, 56.23

 

CMYK 8 / 0 / 74 / 32

HEX #A0AE2D

RGB 160 174 45

HSL 66.51, 0.59%, 0.43%

LAB 67.97, -21.12, 60.26

 

CMYK 28 / 0 / 74 / 32

HEX #7DAE2D

RGB 125 174 45

HSL 82.79, 0.59%, 0.43%

LAB 65.61, -35.44, 57.17

 

CMYK 48 / 0 / 74 / 32

HEX #5BAE2D

RGB 91 174 45

HSL 98.6, 0.59%, 0.43%

LAB 63.91, -47.4, 54.91

 

CMYK 68 / 0 / 74 / 32

HEX #38AE2D

RGB 56 174 45

HSL 114.88, 0.59%, 0.43%

LAB 62.76, -56.46, 53.39

 

CMYK 0 / 12 / 74 / 32

HEX #AE992D

RGB 174 153 45

HSL 50.23, 0.59%, 0.43%

LAB 63.32, -4.05, 56.23

 

CMYK 0 / 14 / 86 / 25

HEX #C0A51B

RGB 192 165 27

HSL 50.18, 0.75%, 0.43%

LAB 68.16, -3.07, 66.77

 

CMYK 0 / 16 / 96 / 18

HEX #D2B109

RGB 210 177 9

HSL 50.15, 0.92%, 0.43%

LAB 73, -1.73, 74.32

 

CMYK 0 / 12 / 74 / 32

HEX #AE992D

RGB 174 153 45

HSL 50.23, 0.59%, 0.43%

LAB 63.32, -4.05, 56.23

 

CMYK 0 / 10 / 60 / 38

HEX #9D8D3F

RGB 157 141 63

HSL 49.79, 0.43%, 0.43%

LAB 58.58, -4.01, 42.94

 

CMYK 0 / 7 / 42 / 45

HEX #8B8150

RGB 139 129 80

HSL 49.83, 0.27%, 0.43%

LAB 53.78, -3.65, 27.9

 

CMYK 0 / 3 / 19 / 53

HEX #797562

RGB 121 117 98

HSL 49.57, 0.11%, 0.43%

LAB 49.09, -1.92, 11.05

 

CMYK 11 / 9 / 0 / 55

HEX #676974

RGB 103 105 116

HSL 230.77, 0.06%, 0.43%

LAB 44.59, 1.63, -6.41

 

CMYK 0 / 52 / 74 / 32

HEX #AE542D

RGB 174 84 45

HSL 18.14, 0.59%, 0.43%

LAB 46.35, 34, 39.04

 

CMYK 0 / 32 / 74 / 32

HEX #AE762D

RGB 174 118 45

HSL 33.95, 0.59%, 0.43%

LAB 54.18, 15.31, 47.2

 

CMYK 0 / 12 / 74 / 32

HEX #AE992D

RGB 174 153 45

HSL 50.23, 0.59%, 0.43%

LAB 63.32, -4.05, 56.23

 

CMYK 7 / 0 / 74 / 32

HEX #A1AE2D

RGB 161 174 45

HSL 66.05, 0.59%, 0.43%

LAB 68.05, -20.69, 60.36

 

CMYK 27 / 0 / 74 / 32

HEX #7FAE2D

RGB 127 174 45

HSL 81.86, 0.59%, 0.43%

LAB 65.73, -34.67, 57.32

 

CMYK 0 / 12 / 74 / 57

HEX #6D601C

RGB 109 96 28

HSL 50.37, 0.59%, 0.27%

LAB 40.74, -3.13, 38.84

 

CMYK 0 / 12 / 75 / 44

HEX #8E7D24

RGB 142 125 36

HSL 50.38, 0.6%, 0.35%

LAB 52.45, -3.67, 48.14

 

CMYK 0 / 12 / 74 / 32

HEX #AE992D

RGB 174 153 45

HSL 50.23, 0.59%, 0.43%

LAB 63.32, -4.05, 56.23

 

CMYK 0 / 12 / 72 / 20

HEX #CCB439

RGB 204 180 57

HSL 50.2, 0.59%, 0.51%

LAB 73.4, -4.62, 62.44

 

CMYK 0 / 9 / 58 / 17

HEX #D4C059

RGB 212 192 89

HSL 50.24, 0.59%, 0.59%

LAB 77.53, -5.52, 53.46

 

CMYK 0 / 12 / 74 / 31

HEX #AF9A2D

RGB 175 154 45

HSL 50.31, 0.59%, 0.43%

LAB 63.68, -4.14, 56.61

 

CMYK 74 / 0 / 72 / 32

HEX #2DAE31

RGB 45 174 49

HSL 121.86, 0.59%, 0.43%

LAB 62.55, -58.13, 51.61

 

CMYK 42 / 74 / 0 / 32

HEX #652DAE

RGB 101 45 174

HSL 266.05, 0.59%, 0.43%

LAB 33.35, 51, -59.1

 

CMYK 0 / 12 / 74 / 31

HEX #AF9A2D

RGB 175 154 45

HSL 50.31, 0.59%, 0.43%

LAB 63.68, -4.14, 56.61

 

CMYK 74 / 0 / 12 / 32

HEX #2DAE99

RGB 45 174 153

HSL 170.23, 0.59%, 0.43%

LAB 64.27, -39.13, 0.9

 

CMYK 12 / 74 / 0 / 32

HEX #992DAE

RGB 153 45 174

HSL 290.23, 0.59%, 0.43%

LAB 40.74, 61.08, -46.78

 

CMYK 0 / 12 / 74 / 31

HEX #AF9A2D

RGB 175 154 45

HSL 50.31, 0.59%, 0.43%

LAB 63.68, -4.14, 56.61

 

CMYK 74 / 0 / 72 / 32

HEX #2DAE31

RGB 45 174 49

HSL 121.86, 0.59%, 0.43%

LAB 62.55, -58.13, 51.61

 

CMYK 74 / 61 / 0 / 32

HEX #2D43AE

RGB 45 67 174

HSL 229.77, 0.59%, 0.43%

LAB 33.2, 29.59, -59.55

 

CMYK 0 / 74 / 2 / 32

HEX #AE2DAA

RGB 174 45 170

HSL 301.86, 0.59%, 0.43%

LAB 43.91, 64.87, -39.15

 

CMYK 0 / 12 / 74 / 31

HEX #AF9A2D

RGB 175 154 45

HSL 50.31, 0.59%, 0.43%

LAB 63.68, -4.14, 56.61

 

CMYK 74 / 0 / 49 / 32

HEX #2DAE58

RGB 45 174 88

HSL 140, 0.59%, 0.43%

LAB 62.96, -53.31, 34.3

 

CMYK 74 / 61 / 0 / 32

HEX #2D43AE

RGB 45 67 174

HSL 229.77, 0.59%, 0.43%

LAB 33.2, 29.59, -59.55

 

CMYK 0 / 74 / 25 / 32

HEX #AE2D83

RGB 174 45 131

HSL 320, 0.59%, 0.43%

LAB 42.02, 59.17, -18.56

 

Description

Color code: HEX #AF9A2D | qconv.com Color code: HEX #AF9A2D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 154 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 154 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 74 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 74% 31% C M Y K

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Provide designers and agencies with accurate color values.

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