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Color name
HEX #AF991E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF991E it is the complementary color #5066E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF991E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF991E shade: #B49919, #C5AB2C, #D6BD3F, #E7CF52 and #F8E165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF991E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF991E shade: #AF991E, #9E870B, #8D7500, #7C6300 and #6B5100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF991E shade: #AE981E, #AE711E, #AE4A1E, #AE231E and #AE1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF991E shade: #AE981E, #9DAE1E, #76AE1E, #4FAE1E and #28AE1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF991E shade matches the following richer shades: #AE981E and #BFA40D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF991E shade: #AE981E, #9E8D2E, #8D813F, #7D764F and #6C6A60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF991E shade: #AE491E, #AE701E, #AE961E, #A0AE1E and #79AE1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF991E shade: #685B12, #8B7A18, #AE981E, #D2B724 and #DFC740

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF991E shade: #AF991E, #1EAE22 and #5C1EAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF991E shade: #AF991E, #1EAE96 and #961EAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF991E shade: #AF991E, #1EAE22, #1E36AE and #AE1EAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF991E shade: #AF991E, #1EAE4E, #1E36AE and #AE1E7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 83 / 31

HEX #AF991E

RGB 175 153 30

HSL 50.9, 0.71%, 0.4%

LAB 63.33, -4.18, 61.28

 

Complementary color

CMYK 64 / 55 / 0 / 12

HEX #5066E1

RGB 80 102 225

HSL 230.9, 0.71%, 0.6%

LAB 47.81, 30.32, -65.27

 

CMYK 0 / 15 / 86 / 29

HEX #B49919

RGB 180 153 25

HSL 49.55, 0.76%, 0.4%

LAB 63.8, -2.07, 63.2

 

CMYK 0 / 13 / 78 / 23

HEX #C5AB2C

RGB 197 171 44

HSL 49.8, 0.63%, 0.47%

LAB 70.3, -3.5, 63.9

 

CMYK 0 / 12 / 71 / 16

HEX #D6BD3F

RGB 214 189 63

HSL 50.07, 0.65%, 0.54%

LAB 76.71, -4.71, 63.72

 

CMYK 0 / 10 / 65 / 9

HEX #E7CF52

RGB 231 207 82

HSL 50.34, 0.76%, 0.61%

LAB 83.03, -5.73, 63.05

 

CMYK 0 / 9 / 59 / 3

HEX #F8E165

RGB 248 225 101

HSL 50.61, 0.91%, 0.68%

LAB 89.27, -6.61, 62.13

 

CMYK 0 / 13 / 83 / 31

HEX #AF991E

RGB 175 153 30

HSL 50.9, 0.71%, 0.4%

LAB 63.33, -4.18, 61.28

 

CMYK 0 / 15 / 93 / 38

HEX #9E870B

RGB 158 135 11

HSL 50.61, 0.87%, 0.33%

LAB 56.7, -2.6, 59.62

 

CMYK 0 / 17 / 100 / 45

HEX #8D7500

RGB 141 117 0

HSL 49.79, 1%, 0.28%

LAB 49.96, -0.7, 55.88

 

CMYK 0 / 20 / 100 / 51

HEX #7C6300

RGB 124 99 0

HSL 47.9, 1%, 0.24%

LAB 43.08, 1.48, 50.2

 

CMYK 0 / 24 / 100 / 58

HEX #6B5100

RGB 107 81 0

HSL 45.42, 1%, 0.21%

LAB 36, 3.79, 44.37

 

CMYK 0 / 13 / 83 / 32

HEX #AE981E

RGB 174 152 30

HSL 50.83, 0.71%, 0.4%

LAB 62.97, -4.09, 60.93

 

CMYK 0 / 35 / 83 / 32

HEX #AE711E

RGB 174 113 30

HSL 34.58, 0.71%, 0.4%

LAB 52.84, 17.51, 52.1

 

CMYK 0 / 57 / 83 / 32

HEX #AE4A1E

RGB 174 74 30

HSL 18.33, 0.71%, 0.4%

LAB 44.22, 38.52, 44.32

 

CMYK 0 / 80 / 83 / 32

HEX #AE231E

RGB 174 35 30

HSL 2.08, 0.71%, 0.4%

LAB 38.37, 54.34, 38.84

 

CMYK 0 / 83 / 83 / 32

HEX #AE1E1E

RGB 174 30 30

HSL 0, 0.71%, 0.4%

LAB 37.88, 55.71, 38.38

 

CMYK 0 / 13 / 83 / 32

HEX #AE981E

RGB 174 152 30

HSL 50.83, 0.71%, 0.4%

LAB 62.97, -4.09, 60.93

 

CMYK 10 / 0 / 83 / 32

HEX #9DAE1E

RGB 157 174 30

HSL 67.08, 0.71%, 0.4%

LAB 67.68, -23, 64.42

 

CMYK 32 / 0 / 83 / 32

HEX #76AE1E

RGB 118 174 30

HSL 83.33, 0.71%, 0.4%

LAB 65.13, -38.86, 61.21

 

CMYK 55 / 0 / 83 / 32

HEX #4FAE1E

RGB 79 174 30

HSL 99.58, 0.71%, 0.4%

LAB 63.37, -51.83, 58.95

 

CMYK 77 / 0 / 83 / 32

HEX #28AE1E

RGB 40 174 30

HSL 115.83, 0.71%, 0.4%

LAB 62.35, -60.25, 57.65

 

CMYK 0 / 13 / 83 / 32

HEX #AE981E

RGB 174 152 30

HSL 50.83, 0.71%, 0.4%

LAB 62.97, -4.09, 60.93

 

CMYK 0 / 14 / 93 / 25

HEX #BFA40D

RGB 191 164 13

HSL 50.9, 0.87%, 0.4%

LAB 67.77, -3.25, 69.12

 

CMYK 0 / 13 / 83 / 32

HEX #AE981E

RGB 174 152 30

HSL 50.83, 0.71%, 0.4%

LAB 62.97, -4.09, 60.93

 

CMYK 0 / 11 / 71 / 38

HEX #9E8D2E

RGB 158 141 46

HSL 50.89, 0.55%, 0.4%

LAB 58.52, -4.67, 50.6

 

CMYK 0 / 9 / 55 / 45

HEX #8D813F

RGB 141 129 63

HSL 50.77, 0.38%, 0.4%

LAB 53.73, -4.5, 36.97

 

CMYK 0 / 6 / 37 / 51

HEX #7D764F

RGB 125 118 79

HSL 50.87, 0.23%, 0.4%

LAB 49.35, -3.63, 22.48

 

CMYK 0 / 2 / 11 / 58

HEX #6C6A60

RGB 108 106 96

HSL 50, 0.06%, 0.4%

LAB 44.72, -1.16, 5.89

 

CMYK 0 / 58 / 83 / 32

HEX #AE491E

RGB 174 73 30

HSL 17.92, 0.71%, 0.4%

LAB 44.03, 39.01, 44.15

 

CMYK 0 / 36 / 83 / 32

HEX #AE701E

RGB 174 112 30

HSL 34.17, 0.71%, 0.4%

LAB 52.6, 18.07, 51.89

 

CMYK 0 / 14 / 83 / 32

HEX #AE961E

RGB 174 150 30

HSL 50, 0.71%, 0.4%

LAB 62.43, -3.01, 60.46

 

CMYK 8 / 0 / 83 / 32

HEX #A0AE1E

RGB 160 174 30

HSL 65.83, 0.71%, 0.4%

LAB 67.9, -21.72, 64.7

 

CMYK 30 / 0 / 83 / 32

HEX #79AE1E

RGB 121 174 30

HSL 82.08, 0.71%, 0.4%

LAB 65.3, -37.72, 61.42

 

CMYK 0 / 13 / 83 / 59

HEX #685B12

RGB 104 91 18

HSL 50.93, 0.7%, 0.24%

LAB 38.67, -3.13, 40.72

 

CMYK 0 / 12 / 83 / 45

HEX #8B7A18

RGB 139 122 24

HSL 51.13, 0.71%, 0.32%

LAB 51.24, -3.9, 51.23

 

CMYK 0 / 13 / 83 / 32

HEX #AE981E

RGB 174 152 30

HSL 50.83, 0.71%, 0.4%

LAB 62.97, -4.09, 60.93

 

CMYK 0 / 13 / 83 / 18

HEX #D2B724

RGB 210 183 36

HSL 50.69, 0.71%, 0.48%

LAB 74.63, -4.37, 70.57

 

CMYK 0 / 11 / 71 / 13

HEX #DFC740

RGB 223 199 64

HSL 50.94, 0.71%, 0.56%

LAB 80.13, -5.97, 66.99

 

CMYK 0 / 13 / 83 / 31

HEX #AF991E

RGB 175 153 30

HSL 50.9, 0.71%, 0.4%

LAB 63.33, -4.18, 61.28

 

CMYK 83 / 0 / 80 / 32

HEX #1EAE22

RGB 30 174 34

HSL 121.67, 0.71%, 0.4%

LAB 62.22, -61.32, 56.34

 

CMYK 47 / 83 / 0 / 32

HEX #5C1EAE

RGB 92 30 174

HSL 265.83, 0.71%, 0.4%

LAB 30.06, 55.86, -64.53

 

CMYK 0 / 13 / 83 / 31

HEX #AF991E

RGB 175 153 30

HSL 50.9, 0.71%, 0.4%

LAB 63.33, -4.18, 61.28

 

CMYK 83 / 0 / 14 / 32

HEX #1EAE96

RGB 30 174 150

HSL 170, 0.71%, 0.4%

LAB 63.96, -41.53, 2.09

 

CMYK 14 / 83 / 0 / 32

HEX #961EAE

RGB 150 30 174

HSL 290, 0.71%, 0.4%

LAB 38.67, 65.09, -50.13

 

CMYK 0 / 13 / 83 / 31

HEX #AF991E

RGB 175 153 30

HSL 50.9, 0.71%, 0.4%

LAB 63.33, -4.18, 61.28

 

CMYK 83 / 0 / 80 / 32

HEX #1EAE22

RGB 30 174 34

HSL 121.67, 0.71%, 0.4%

LAB 62.22, -61.32, 56.34

 

CMYK 83 / 69 / 0 / 32

HEX #1E36AE

RGB 30 54 174

HSL 230, 0.71%, 0.4%

LAB 29.34, 36.58, -65.9

 

CMYK 0 / 83 / 2 / 32

HEX #AE1EAA

RGB 174 30 170

HSL 301.67, 0.71%, 0.4%

LAB 42.51, 68.93, -41.38

 

CMYK 0 / 13 / 83 / 31

HEX #AF991E

RGB 175 153 30

HSL 50.9, 0.71%, 0.4%

LAB 63.33, -4.18, 61.28

 

CMYK 83 / 0 / 55 / 32

HEX #1EAE4E

RGB 30 174 78

HSL 140, 0.71%, 0.4%

LAB 62.59, -56.78, 38.79

 

CMYK 83 / 69 / 0 / 32

HEX #1E36AE

RGB 30 54 174

HSL 230, 0.71%, 0.4%

LAB 29.34, 36.58, -65.9

 

CMYK 0 / 83 / 28 / 32

HEX #AE1E7E

RGB 174 30 126

HSL 320, 0.71%, 0.4%

LAB 40.3, 62.85, -18.12

 

Description

Color code: HEX #AF991E | qconv.com Color code: HEX #AF991E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 153 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 153 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 83 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 83% 31% C M Y K

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Provide designers and agencies with accurate color values.

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