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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF95C64C it is the complementary color #506A394C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF95C64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF95C64C shade: #B495C14C, #C5A7D44C, #D6B9E74C, #E7CBFA4C and #F8DDFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF95C64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF95C64C shade: #AF95C64C, #9E83B34C, #8D71A04C, #7C5F8D4C and #6B4D7A4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF95C64C shade: #AF95C6, #BC95C6, #C695C2, #C695B5 and #C695A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF95C64C shade: #AF95C6, #A295C6 and #9595C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF95C64C shade matches the following richer shades: #AF95C6, #B088D3, #B17BE0, #B16DED and #B260FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF95C64C shade: #AF95C6, #AEA2B9, #ADAFAB, #ACBD9E and #ACCA91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF95C64C shade: #9596C6, #A195C6, #AE95C6, #BB95C6 and #C695C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF95C64C shade: #865FA9, #9B7AB7, #AF95C6, #C3B0D4 and #D7CBE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF95C64C shade: #AF95C6, #C695A3 and #95C69B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF95C64C shade: #AF95C6, #C6AE95 and #95C6AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF95C64C shade: #AF95C6, #C695A3, #ADC695 and #95C6B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF95C64C shade: #AF95C6, #C69695, #ADC695 and #95C5C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 7 / 0 / 7

HEX #AF95C64C

RGBA 175 149 198 0.3

HSLA 271.84, 0.3%, 0.68%, 0.3

LABA 65.5, 19.03, -21.68, 0.3

 

Complementary color

CMYK 7 / 0 / 14 / 18

HEX #506A394C

RGBA 80 106 57 0.3

HSLA 91.84, 0.3%, 0.32%, 0.3

LABA 41.7, -19.14, 24.4, 0.3

 

CMYK 2 / 7 / 0 / 7

HEX #B495C14C

RGBA 180 149 193 0.3

HSLA 282.27, 0.26%, 0.67%, 0.3

LABA 65.79, 19.64, -18.42, 0.3

 

CMYK 2 / 6 / 0 / 5

HEX #C5A7D44C

RGBA 197 167 212 0.3

HSLA 280, 0.34%, 0.74%, 0.3

LABA 72.4, 19.13, -18.76, 0.3

 

CMYK 2 / 6 / 0 / 3

HEX #D6B9E74C

RGBA 214 185 231 0.3

HSLA 277.83, 0.49%, 0.82%, 0.3

LABA 78.9, 18.66, -19.1, 0.3

 

CMYK 2 / 6 / 0 / 1

HEX #E7CBFA4C

RGBA 231 203 250 0.3

HSLA 275.74, 0.82%, 0.89%, 0.3

LABA 85.3, 18.23, -19.44, 0.3

 

CMYK 1 / 4 / 0 / 0

HEX #F8DDFF4C

RGBA 248 221 255 0.3

HSLA 287.65, 1%, 0.93%, 0.3

LABA 91.18, 15.18, -13.09, 0.3

 

CMYK 3 / 7 / 0 / 7

HEX #AF95C64C

RGBA 175 149 198 0.3

HSLA 271.84, 0.3%, 0.68%, 0.3

LABA 65.5, 19.03, -21.68, 0.3

 

CMYK 4 / 8 / 0 / 9

HEX #9E83B34C

RGBA 158 131 179 0.3

HSLA 273.75, 0.24%, 0.61%, 0.3

LABA 58.75, 19.57, -21.43, 0.3

 

CMYK 4 / 9 / 0 / 11

HEX #8D71A04C

RGBA 141 113 160 0.3

HSLA 275.74, 0.2%, 0.54%, 0.3

LABA 51.85, 20.18, -21.18, 0.3

 

CMYK 4 / 10 / 0 / 13

HEX #7C5F8D4C

RGBA 124 95 141 0.3

HSLA 277.83, 0.19%, 0.46%, 0.3

LABA 44.79, 20.85, -20.95, 0.3

 

CMYK 4 / 11 / 0 / 16

HEX #6B4D7A4C

RGBA 107 77 122 0.3

HSLA 280, 0.23%, 0.39%, 0.3

LABA 37.55, 21.6, -20.72, 0.3

 

CMYK 12 / 25 / 0 / 22

HEX #AF95C6

RGB 175 149 198

HSL 271.84, 0.3%, 0.68%

LAB 65.5, 19.03, -21.68

 

CMYK 5 / 25 / 0 / 22

HEX #BC95C6

RGB 188 149 198

HSL 287.76, 0.3%, 0.68%

LAB 66.72, 23.31, -19.72

 

CMYK 0 / 25 / 2 / 22

HEX #C695C2

RGB 198 149 194

HSL 304.9, 0.3%, 0.68%

LAB 67.57, 25.9, -16.1

 

CMYK 0 / 25 / 9 / 22

HEX #C695B5

RGB 198 149 181

HSL 320.82, 0.3%, 0.68%

LAB 67.15, 23.55, -9.47

 

CMYK 0 / 25 / 15 / 22

HEX #C695A8

RGB 198 149 168

HSL 336.73, 0.3%, 0.68%

LAB 66.77, 21.34, -2.76

 

CMYK 12 / 25 / 0 / 22

HEX #AF95C6

RGB 175 149 198

HSL 271.84, 0.3%, 0.68%

LAB 65.5, 19.03, -21.68

 

CMYK 18 / 25 / 0 / 22

HEX #A295C6

RGB 162 149 198

HSL 255.92, 0.3%, 0.68%

LAB 64.37, 14.83, -23.52

 

CMYK 25 / 25 / 0 / 22

HEX #9595C6

RGB 149 149 198

HSL 240, 0.3%, 0.68%

LAB 63.31, 10.75, -25.23

 

CMYK 12 / 25 / 0 / 22

HEX #AF95C6

RGB 175 149 198

HSL 271.84, 0.3%, 0.68%

LAB 65.5, 19.03, -21.68

 

CMYK 17 / 36 / 0 / 17

HEX #B088D3

RGB 176 136 211

HSL 272, 0.46%, 0.68%

LAB 62.96, 29.49, -32.85

 

CMYK 21 / 45 / 0 / 12

HEX #B17BE0

RGB 177 123 224

HSL 272.08, 0.62%, 0.68%

LAB 60.69, 39.94, -43.67

 

CMYK 25 / 54 / 0 / 7

HEX #B16DED

RGB 177 109 237

HSL 271.88, 0.78%, 0.68%

LAB 58.41, 50.44, -54.52

 

CMYK 29 / 62 / 0 / 2

HEX #B260FB

RGB 178 96 251

HSL 271.74, 0.95%, 0.68%

LAB 56.88, 60.44, -64.75

 

CMYK 12 / 25 / 0 / 22

HEX #AF95C6

RGB 175 149 198

HSL 271.84, 0.3%, 0.68%

LAB 65.5, 19.03, -21.68

 

CMYK 6 / 12 / 0 / 27

HEX #AEA2B9

RGB 174 162 185

HSL 271.3, 0.14%, 0.68%

LAB 68.27, 8.73, -10.27

 

CMYK 1 / 0 / 2 / 31

HEX #ADAFAB

RGB 173 175 171

HSL 90, 0.02%, 0.68%

LAB 71.2, -1.45, 1.79

 

CMYK 9 / 0 / 16 / 26

HEX #ACBD9E

RGB 172 189 158

HSL 92.9, 0.19%, 0.68%

LAB 74.59, -11.53, 13.72

 

CMYK 15 / 0 / 28 / 21

HEX #ACCA91

RGB 172 202 145

HSL 91.58, 0.35%, 0.68%

LAB 77.91, -20.21, 25.23

 

CMYK 25 / 24 / 0 / 22

HEX #9596C6

RGB 149 150 198

HSL 238.78, 0.3%, 0.68%

LAB 63.57, 10.18, -24.83

 

CMYK 19 / 25 / 0 / 22

HEX #A195C6

RGB 161 149 198

HSL 254.69, 0.3%, 0.68%

LAB 64.28, 14.51, -23.66

 

CMYK 12 / 25 / 0 / 22

HEX #AE95C6

RGB 174 149 198

HSL 270.61, 0.3%, 0.68%

LAB 65.41, 18.7, -21.83

 

CMYK 6 / 25 / 0 / 22

HEX #BB95C6

RGB 187 149 198

HSL 286.53, 0.3%, 0.68%

LAB 66.62, 22.98, -19.87

 

CMYK 0 / 25 / 2 / 22

HEX #C695C3

RGB 198 149 195

HSL 303.67, 0.3%, 0.68%

LAB 67.61, 26.08, -16.61

 

CMYK 21 / 44 / 0 / 34

HEX #865FA9

RGB 134 95 169

HSL 271.62, 0.3%, 0.52%

LAB 47.13, 30.58, -33.84

 

CMYK 15 / 33 / 0 / 28

HEX #9B7AB7

RGB 155 122 183

HSL 272.46, 0.3%, 0.6%

LAB 56.39, 24.66, -27.36

 

CMYK 12 / 25 / 0 / 22

HEX #AF95C6

RGB 175 149 198

HSL 271.84, 0.3%, 0.68%

LAB 65.5, 19.03, -21.68

 

CMYK 8 / 17 / 0 / 17

HEX #C3B0D4

RGB 195 176 212

HSL 271.67, 0.3%, 0.76%

LAB 74.45, 13.53, -15.68

 

CMYK 5 / 11 / 0 / 11

HEX #D7CBE3

RGB 215 203 227

HSL 270, 0.3%, 0.84%

LAB 83.29, 8.56, -10.36

 

CMYK 12 / 25 / 0 / 22

HEX #AF95C6

RGB 175 149 198

HSL 271.84, 0.3%, 0.68%

LAB 65.5, 19.03, -21.68

 

CMYK 0 / 25 / 18 / 22

HEX #C695A3

RGB 198 149 163

HSL 342.86, 0.3%, 0.68%

LAB 66.63, 20.54, -0.16

 

CMYK 25 / 0 / 22 / 22

HEX #95C69B

RGB 149 198 155

HSL 127.35, 0.3%, 0.68%

LAB 75.54, -24.61, 16.44

 

CMYK 12 / 25 / 0 / 22

HEX #AF95C6

RGB 175 149 198

HSL 271.84, 0.3%, 0.68%

LAB 65.5, 19.03, -21.68

 

CMYK 0 / 12 / 25 / 22

HEX #C6AE95

RGB 198 174 149

HSL 30.61, 0.3%, 0.68%

LAB 72.53, 4.77, 16.02

 

CMYK 25 / 0 / 12 / 22

HEX #95C6AE

RGB 149 198 174

HSL 150.61, 0.3%, 0.68%

LAB 75.97, -21, 6.83

 

CMYK 12 / 25 / 0 / 22

HEX #AF95C6

RGB 175 149 198

HSL 271.84, 0.3%, 0.68%

LAB 65.5, 19.03, -21.68

 

CMYK 0 / 25 / 18 / 22

HEX #C695A3

RGB 198 149 163

HSL 342.86, 0.3%, 0.68%

LAB 66.63, 20.54, -0.16

 

CMYK 13 / 0 / 25 / 22

HEX #ADC695

RGB 173 198 149

HSL 90.61, 0.3%, 0.68%

LAB 76.95, -17.23, 21.82

 

CMYK 25 / 0 / 7 / 22

HEX #95C6B8

RGB 149 198 184

HSL 162.86, 0.3%, 0.68%

LAB 76.22, -18.95, 1.79

 

CMYK 12 / 25 / 0 / 22

HEX #AF95C6

RGB 175 149 198

HSL 271.84, 0.3%, 0.68%

LAB 65.5, 19.03, -21.68

 

CMYK 0 / 24 / 25 / 22

HEX #C69695

RGB 198 150 149

HSL 1.22, 0.3%, 0.68%

LAB 66.51, 17.85, 7.52

 

CMYK 13 / 0 / 25 / 22

HEX #ADC695

RGB 173 198 149

HSL 90.61, 0.3%, 0.68%

LAB 76.95, -17.23, 21.82

 

CMYK 25 / 1 / 0 / 22

HEX #95C5C6

RGB 149 197 198

HSL 181.22, 0.3%, 0.68%

LAB 76.31, -15.4, -5.63

 

Description

Color code: HEX #AF95C64C | qconv.com Color code: HEX #AF95C64C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 149 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 149 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 7 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 7% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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