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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF952D4C it is the complementary color #506AD24C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF952D4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF952D4C shade: #B495284C, #C5A73B4C, #D6B94E4C, #E7CB614C and #F8DD744C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF952D4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF952D4C shade: #AF952D4C, #9E831A4C, #8D71074C, #7C5F004C and #6B4D004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF952D4C shade: #AE942D, #AE722D, #AE4F2D and #AE2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF952D4C shade: #AE942D, #A5AE2D, #82AE2D, #60AE2D and #3DAE2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF952D4C shade matches the following richer shades: #AE942D, #C09F1B and #D2AA09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF952D4C shade: #AE942D, #9D8A3F, #8B7F50, #797562 and #676A74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF952D4C shade: #AE4F2D, #AE722D, #AE942D, #A6AE2D and #83AE2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF952D4C shade: #6D5D1C, #8E7924, #AE942D, #CCAE39 and #D4BC59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF952D4C shade: #AF952D, #2DAE2D and #612DAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF952D4C shade: #AF952D, #2DAE94 and #942DAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF952D4C shade: #AF952D, #2DAE2D, #2D47AE and #AE2DAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF952D4C shade: #AF952D, #2DAE54, #2D47AE and #AE2D88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 22 / 9

HEX #AF952D4C

RGBA 175 149 45 0.3

HSLA 48, 0.59%, 0.43%, 0.3

LABA 62.34, -1.44, 55.31, 0.3

 

Complementary color

CMYK 19 / 15 / 0 / 5

HEX #506AD24C

RGBA 80 106 210 0.3

HSLA 228, 0.59%, 0.57%, 0.3

LABA 47.84, 22.71, -56.71, 0.3

 

CMYK 0 / 5 / 23 / 9

HEX #B495284C

RGBA 180 149 40 0.3

HSLA 46.71, 0.64%, 0.43%, 0.3

LABA 62.8, 0.59, 57.78, 0.3

 

CMYK 0 / 5 / 21 / 7

HEX #C5A73B4C

RGBA 197 167 59 0.3

HSLA 46.96, 0.54%, 0.5%, 0.3

LABA 69.34, -0.7, 57.39, 0.3

 

CMYK 0 / 4 / 19 / 5

HEX #D6B94E4C

RGBA 214 185 78 0.3

HSLA 47.21, 0.62%, 0.57%, 0.3

LABA 75.79, -1.79, 56.54, 0.3

 

CMYK 0 / 4 / 17 / 3

HEX #E7CB614C

RGBA 231 203 97 0.3

HSLA 47.46, 0.74%, 0.64%, 0.3

LABA 82.14, -2.7, 55.48, 0.3

 

CMYK 0 / 3 / 16 / 1

HEX #F8DD744C

RGBA 248 221 116 0.3

HSLA 47.73, 0.9%, 0.71%, 0.3

LABA 88.41, -3.49, 54.33, 0.3

 

CMYK 0 / 4 / 22 / 9

HEX #AF952D4C

RGBA 175 149 45 0.3

HSLA 48, 0.59%, 0.43%, 0.3

LABA 62.34, -1.44, 55.31, 0.3

 

CMYK 0 / 5 / 25 / 11

HEX #9E831A4C

RGBA 158 131 26 0.3

HSLA 47.73, 0.72%, 0.36%, 0.3

LABA 55.66, -0.02, 55.2, 0.3

 

CMYK 0 / 6 / 29 / 13

HEX #8D71074C

RGBA 141 113 7 0.3

HSLA 47.46, 0.91%, 0.29%, 0.3

LABA 48.87, 1.7, 53.63, 0.3

 

CMYK 0 / 7 / 30 / 15

HEX #7C5F004C

RGBA 124 95 0 0.3

HSLA 45.97, 1%, 0.24%, 0.3

LABA 41.95, 3.82, 49.42, 0.3

 

CMYK 0 / 8 / 30 / 17

HEX #6B4D004C

RGBA 107 77 0 0.3

HSLA 43.18, 1%, 0.21%, 0.3

LABA 34.87, 6.22, 43.59, 0.3

 

CMYK 0 / 15 / 74 / 32

HEX #AE942D

RGB 174 148 45

HSL 47.91, 0.59%, 0.43%

LAB 61.97, -1.34, 54.92

 

CMYK 0 / 34 / 74 / 32

HEX #AE722D

RGB 174 114 45

HSL 32.09, 0.59%, 0.43%

LAB 53.19, 17.55, 46.2

 

CMYK 0 / 55 / 74 / 32

HEX #AE4F2D

RGB 174 79 45

HSL 15.81, 0.59%, 0.43%

LAB 45.33, 36.59, 37.94

 

CMYK 0 / 74 / 74 / 32

HEX #AE2D2D

RGB 174 45 45

HSL 0, 0.59%, 0.43%

LAB 39.69, 51.63, 31.68

 

CMYK 0 / 15 / 74 / 32

HEX #AE942D

RGB 174 148 45

HSL 47.91, 0.59%, 0.43%

LAB 61.97, -1.34, 54.92

 

CMYK 5 / 0 / 74 / 32

HEX #A5AE2D

RGB 165 174 45

HSL 64.19, 0.59%, 0.43%

LAB 68.36, -18.97, 60.76

 

CMYK 25 / 0 / 74 / 32

HEX #82AE2D

RGB 130 174 45

HSL 80.47, 0.59%, 0.43%

LAB 65.91, -33.49, 57.56

 

CMYK 45 / 0 / 74 / 32

HEX #60AE2D

RGB 96 174 45

HSL 96.28, 0.59%, 0.43%

LAB 64.12, -45.81, 55.2

 

CMYK 65 / 0 / 74 / 32

HEX #3DAE2D

RGB 61 174 45

HSL 112.56, 0.59%, 0.43%

LAB 62.89, -55.4, 53.56

 

CMYK 0 / 15 / 74 / 32

HEX #AE942D

RGB 174 148 45

HSL 47.91, 0.59%, 0.43%

LAB 61.97, -1.34, 54.92

 

CMYK 0 / 17 / 86 / 25

HEX #C09F1B

RGB 192 159 27

HSL 48, 0.75%, 0.43%

LAB 66.58, 0.14, 65.47

 

CMYK 0 / 19 / 96 / 18

HEX #D2AA09

RGB 210 170 9

HSL 48.06, 0.92%, 0.43%

LAB 71.19, 1.96, 73

 

CMYK 0 / 15 / 74 / 32

HEX #AE942D

RGB 174 148 45

HSL 47.91, 0.59%, 0.43%

LAB 61.97, -1.34, 54.92

 

CMYK 0 / 12 / 60 / 38

HEX #9D8A3F

RGB 157 138 63

HSL 47.87, 0.43%, 0.43%

LAB 57.75, -2.36, 42.01

 

CMYK 0 / 9 / 42 / 45

HEX #8B7F50

RGB 139 127 80

HSL 47.8, 0.27%, 0.43%

LAB 53.22, -2.53, 27.18

 

CMYK 0 / 3 / 19 / 53

HEX #797562

RGB 121 117 98

HSL 49.57, 0.11%, 0.43%

LAB 49.09, -1.92, 11.05

 

CMYK 11 / 9 / 0 / 55

HEX #676A74

RGB 103 106 116

HSL 226.15, 0.06%, 0.43%

LAB 44.88, 1.03, -5.98

 

CMYK 0 / 55 / 74 / 32

HEX #AE4F2D

RGB 174 79 45

HSL 15.81, 0.59%, 0.43%

LAB 45.33, 36.59, 37.94

 

CMYK 0 / 34 / 74 / 32

HEX #AE722D

RGB 174 114 45

HSL 32.09, 0.59%, 0.43%

LAB 53.19, 17.55, 46.2

 

CMYK 0 / 15 / 74 / 32

HEX #AE942D

RGB 174 148 45

HSL 47.91, 0.59%, 0.43%

LAB 61.97, -1.34, 54.92

 

CMYK 5 / 0 / 74 / 32

HEX #A6AE2D

RGB 166 174 45

HSL 63.72, 0.59%, 0.43%

LAB 68.44, -18.54, 60.86

 

CMYK 25 / 0 / 74 / 32

HEX #83AE2D

RGB 131 174 45

HSL 80, 0.59%, 0.43%

LAB 65.97, -33.09, 57.64

 

CMYK 0 / 15 / 74 / 57

HEX #6D5D1C

RGB 109 93 28

HSL 48.15, 0.59%, 0.27%

LAB 39.85, -1.37, 37.95

 

CMYK 0 / 15 / 75 / 44

HEX #8E7924

RGB 142 121 36

HSL 48.11, 0.6%, 0.35%

LAB 51.33, -1.43, 47.05

 

CMYK 0 / 15 / 74 / 32

HEX #AE942D

RGB 174 148 45

HSL 47.91, 0.59%, 0.43%

LAB 61.97, -1.34, 54.92

 

CMYK 0 / 15 / 72 / 20

HEX #CCAE39

RGB 204 174 57

HSL 47.76, 0.59%, 0.51%

LAB 71.83, -1.47, 60.89

 

CMYK 0 / 11 / 58 / 17

HEX #D4BC59

RGB 212 188 89

HSL 48.29, 0.59%, 0.59%

LAB 76.49, -3.44, 52.28

 

CMYK 0 / 15 / 74 / 31

HEX #AF952D

RGB 175 149 45

HSL 48, 0.59%, 0.43%

LAB 62.34, -1.44, 55.31

 

CMYK 74 / 0 / 74 / 32

HEX #2DAE2D

RGB 45 174 45

HSL 120, 0.59%, 0.43%

LAB 62.52, -58.47, 53.07

 

CMYK 44 / 74 / 0 / 32

HEX #612DAE

RGB 97 45 174

HSL 264.19, 0.59%, 0.43%

LAB 32.86, 50.31, -59.91

 

CMYK 0 / 15 / 74 / 31

HEX #AF952D

RGB 175 149 45

HSL 48, 0.59%, 0.43%

LAB 62.34, -1.44, 55.31

 

CMYK 74 / 0 / 15 / 32

HEX #2DAE94

RGB 45 174 148

HSL 167.91, 0.59%, 0.43%

LAB 64.14, -40.46, 3.49

 

CMYK 15 / 74 / 0 / 32

HEX #942DAE

RGB 148 45 174

HSL 287.91, 0.59%, 0.43%

LAB 39.96, 60.05, -48.07

 

CMYK 0 / 15 / 74 / 31

HEX #AF952D

RGB 175 149 45

HSL 48, 0.59%, 0.43%

LAB 62.34, -1.44, 55.31

 

CMYK 74 / 0 / 74 / 32

HEX #2DAE2D

RGB 45 174 45

HSL 120, 0.59%, 0.43%

LAB 62.52, -58.47, 53.07

 

CMYK 74 / 59 / 0 / 32

HEX #2D47AE

RGB 45 71 174

HSL 227.91, 0.59%, 0.43%

LAB 34.23, 26.96, -57.86

 

CMYK 0 / 74 / 0 / 32

HEX #AE2DAE

RGB 174 45 174

HSL 300, 0.59%, 0.43%

LAB 44.13, 65.52, -41.17

 

CMYK 0 / 15 / 74 / 31

HEX #AF952D

RGB 175 149 45

HSL 48, 0.59%, 0.43%

LAB 62.34, -1.44, 55.31

 

CMYK 74 / 0 / 52 / 32

HEX #2DAE54

RGB 45 174 84

HSL 138.14, 0.59%, 0.43%

LAB 62.9, -53.93, 36.25

 

CMYK 74 / 59 / 0 / 32

HEX #2D47AE

RGB 45 71 174

HSL 227.91, 0.59%, 0.43%

LAB 34.23, 26.96, -57.86

 

CMYK 0 / 74 / 22 / 32

HEX #AE2D88

RGB 174 45 136

HSL 317.67, 0.59%, 0.43%

LAB 42.24, 59.83, -21.29

 

Description

Color code: HEX #AF952D4C | qconv.com Color code: HEX #AF952D4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 149 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 149 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 22 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 22% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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