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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF90FCCE it is the complementary color #506F03CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF90FCCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF90FCCE shade: #B490F7CE, #C5A2FFCE, #D6B4FFCE, #E7C6FFCE and #F8D8FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF90FCCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF90FCCE shade: #AF90FCCE, #9E7EE9CE, #8D6CD6CE, #7C5AC3CE and #6B48B0CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF90FCCE shade: #B092FC, #CD92FC, #EA92FC, #FC92F2 and #FC92D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF90FCCE shade: #B092FC, #9392FC and #9292FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF90FCCE shade matches the following richer shades: #B092FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF90FCCE shade: #B092FC, #B49BF3, #B8A4EA, #BCADE1 and #C0B6D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF90FCCE shade: #92ACFC, #9392FC, #B092FC, #CC92FC and #E992FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF90FCCE shade: #7641FA, #9369FB, #B092FC, #CDBAFD and #EAE2FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF90FCCE shade: #AF90FC, #FC92C9 and #9EFC92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF90FCCE shade: #AF90FC, #FCB092 and #92FCB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF90FCCE shade: #AF90FC, #FC92C9, #DEFC92 and #92FCC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF90FCCE shade: #AF90FC, #FC92A9, #DEFC92 and #92FCE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 35 / 0 / 1

HEX #AF90FCCE

RGBA 175 144 252 0.81

HSLA 257.22, 0.95%, 0.78%, 0.81

LABA 66.59, 34.36, -49.84, 0.81

 

Complementary color

CMYK 23 / 0 / 79 / 46

HEX #506F03CE

RGBA 80 111 3 0.81

HSLA 77.22, 0.95%, 0.22%, 0.81

LABA 42.88, -25.84, 47.58, 0.81

 

CMYK 22 / 34 / 0 / 3

HEX #B490F7CE

RGBA 180 144 247 0.81

HSLA 260.97, 0.87%, 0.77%, 0.81

LABA 66.8, 34.49, -46.74, 0.81

 

CMYK 18 / 30 / 0 / 0

HEX #C5A2FFCE

RGBA 197 162 255 0.81

HSLA 262.58, 1%, 0.82%, 0.81

LABA 72.85, 31.15, -41.5, 0.81

 

CMYK 13 / 24 / 0 / 0

HEX #D6B4FFCE

RGBA 214 180 255 0.81

HSLA 267.2, 1%, 0.85%, 0.81

LABA 78.55, 26.31, -32.53, 0.81

 

CMYK 8 / 18 / 0 / 0

HEX #E7C6FFCE

RGBA 231 198 255 0.81

HSLA 274.74, 1%, 0.89%, 0.81

LABA 84.28, 21.87, -23.65, 0.81

 

CMYK 2 / 12 / 0 / 0

HEX #F8D8FFCE

RGBA 248 216 255 0.81

HSLA 289.23, 1%, 0.92%, 0.81

LABA 89.99, 17.8, -14.88, 0.81

 

CMYK 25 / 35 / 0 / 1

HEX #AF90FCCE

RGBA 175 144 252 0.81

HSLA 257.22, 0.95%, 0.78%, 0.81

LABA 66.59, 34.36, -49.84, 0.81

 

CMYK 26 / 37 / 0 / 7

HEX #9E7EE9CE

RGBA 158 126 233 0.81

HSLA 257.94, 0.71%, 0.7%, 0.81

LABA 59.96, 35.27, -49.96, 0.81

 

CMYK 28 / 40 / 0 / 13

HEX #8D6CD6CE

RGBA 141 108 214 0.81

HSLA 258.68, 0.56%, 0.63%, 0.81

LABA 53.21, 36.26, -50.11, 0.81

 

CMYK 29 / 44 / 0 / 19

HEX #7C5AC3CE

RGBA 124 90 195 0.81

HSLA 259.43, 0.47%, 0.56%, 0.81

LABA 46.36, 37.35, -50.28, 0.81

 

CMYK 32 / 48 / 0 / 25

HEX #6B48B0CE

RGBA 107 72 176 0.81

HSLA 260.19, 0.42%, 0.49%, 0.81

LABA 39.4, 38.51, -50.44, 0.81

 

CMYK 30 / 42 / 0 / 1

HEX #B092FC

RGB 176 146 252

HSL 256.98, 0.95%, 0.78%

LAB 67.14, 33.51, -48.96

 

CMYK 19 / 42 / 0 / 1

HEX #CD92FC

RGB 205 146 252

HSL 273.4, 0.95%, 0.78%

LAB 69.87, 41.48, -44.48

 

CMYK 7 / 42 / 0 / 1

HEX #EA92FC

RGB 234 146 252

HSL 289.81, 0.95%, 0.78%

LAB 72.94, 49.74, -39.45

 

CMYK 0 / 42 / 4 / 1

HEX #FC92F2

RGB 252 146 242

HSL 305.66, 0.95%, 0.78%

LAB 74.61, 53.2, -31.26

 

CMYK 0 / 42 / 15 / 1

HEX #FC92D5

RGB 252 146 213

HSL 322.08, 0.95%, 0.78%

LAB 73.58, 48.51, -16.96

 

CMYK 30 / 42 / 0 / 1

HEX #B092FC

RGB 176 146 252

HSL 256.98, 0.95%, 0.78%

LAB 67.14, 33.51, -48.96

 

CMYK 42 / 42 / 0 / 1

HEX #9392FC

RGB 147 146 252

HSL 240.57, 0.95%, 0.78%

LAB 64.79, 26.07, -52.82

 

CMYK 42 / 42 / 0 / 1

HEX #9292FC

RGB 146 146 252

HSL 240, 0.95%, 0.78%

LAB 64.72, 25.83, -52.94

 

CMYK 30 / 42 / 0 / 1

HEX #B092FC

RGB 176 146 252

HSL 256.98, 0.95%, 0.78%

LAB 67.14, 33.51, -48.96

 

CMYK 30 / 42 / 0 / 1

HEX #B092FC

RGB 176 146 252

HSL 256.98, 0.95%, 0.78%

LAB 67.14, 33.51, -48.96

 

CMYK 26 / 36 / 0 / 5

HEX #B49BF3

RGB 180 155 243

HSL 257.05, 0.79%, 0.78%

LAB 69.2, 27.38, -40.79

 

CMYK 21 / 30 / 0 / 8

HEX #B8A4EA

RGB 184 164 234

HSL 257.14, 0.63%, 0.78%

LAB 71.34, 21.42, -32.52

 

CMYK 16 / 23 / 0 / 12

HEX #BCADE1

RGB 188 173 225

HSL 257.31, 0.46%, 0.78%

LAB 73.56, 15.65, -24.18

 

CMYK 11 / 16 / 0 / 15

HEX #C0B6D8

RGB 192 182 216

HSL 257.65, 0.3%, 0.78%

LAB 75.84, 10.09, -15.79

 

CMYK 42 / 32 / 0 / 1

HEX #92ACFC

RGB 146 172 252

HSL 225.28, 0.95%, 0.78%

LAB 71.31, 10.96, -42.56

 

CMYK 42 / 42 / 0 / 1

HEX #9392FC

RGB 147 146 252

HSL 240.57, 0.95%, 0.78%

LAB 64.79, 26.07, -52.82

 

CMYK 30 / 42 / 0 / 1

HEX #B092FC

RGB 176 146 252

HSL 256.98, 0.95%, 0.78%

LAB 67.14, 33.51, -48.96

 

CMYK 19 / 42 / 0 / 1

HEX #CC92FC

RGB 204 146 252

HSL 272.83, 0.95%, 0.78%

LAB 69.77, 41.2, -44.64

 

CMYK 8 / 42 / 0 / 1

HEX #E992FC

RGB 233 146 252

HSL 289.25, 0.95%, 0.78%

LAB 72.83, 49.46, -39.63

 

CMYK 53 / 74 / 0 / 2

HEX #7641FA

RGB 118 65 250

HSL 257.19, 0.95%, 0.62%

LAB 44.99, 64.24, -83.82

 

CMYK 41 / 58 / 0 / 2

HEX #9369FB

RGB 147 105 251

HSL 257.26, 0.95%, 0.7%

LAB 55.35, 49.11, -67.38

 

CMYK 30 / 42 / 0 / 1

HEX #B092FC

RGB 176 146 252

HSL 256.98, 0.95%, 0.78%

LAB 67.14, 33.51, -48.96

 

CMYK 19 / 26 / 0 / 1

HEX #CDBAFD

RGB 205 186 253

HSL 257.01, 0.94%, 0.86%

LAB 79.15, 19.9, -30.61

 

CMYK 8 / 11 / 0 / 0

HEX #EAE2FE

RGB 234 226 254

HSL 257.14, 0.93%, 0.94%

LAB 91.25, 7.85, -12.59

 

CMYK 31 / 43 / 0 / 1

HEX #AF90FC

RGB 175 144 252

HSL 257.22, 0.95%, 0.78%

LAB 66.59, 34.36, -49.84

 

CMYK 0 / 42 / 20 / 1

HEX #FC92C9

RGB 252 146 201

HSL 328.87, 0.95%, 0.78%

LAB 73.2, 46.72, -10.92

 

CMYK 37 / 0 / 42 / 1

HEX #9EFC92

RGB 158 252 146

HSL 113.21, 0.95%, 0.78%

LAB 91.22, -47.78, 42.12

 

CMYK 31 / 43 / 0 / 1

HEX #AF90FC

RGB 175 144 252

HSL 257.22, 0.95%, 0.78%

LAB 66.59, 34.36, -49.84

 

CMYK 0 / 30 / 42 / 1

HEX #FCB092

RGB 252 176 146

HSL 16.98, 0.95%, 0.78%

LAB 78.36, 24.24, 26.5

 

CMYK 42 / 0 / 30 / 1

HEX #92FCB0

RGB 146 252 176

HSL 136.98, 0.95%, 0.78%

LAB 91.17, -46.56, 27.04

 

CMYK 31 / 43 / 0 / 1

HEX #AF90FC

RGB 175 144 252

HSL 257.22, 0.95%, 0.78%

LAB 66.59, 34.36, -49.84

 

CMYK 0 / 42 / 20 / 1

HEX #FC92C9

RGB 252 146 201

HSL 328.87, 0.95%, 0.78%

LAB 73.2, 46.72, -10.92

 

CMYK 12 / 0 / 42 / 1

HEX #DEFC92

RGB 222 252 146

HSL 76.98, 0.95%, 0.78%

LAB 94.83, -25.94, 47.46

 

CMYK 42 / 0 / 22 / 1

HEX #92FCC5

RGB 146 252 197

HSL 148.87, 0.95%, 0.78%

LAB 91.58, -42.69, 16.88

 

CMYK 31 / 43 / 0 / 1

HEX #AF90FC

RGB 175 144 252

HSL 257.22, 0.95%, 0.78%

LAB 66.59, 34.36, -49.84

 

CMYK 0 / 42 / 33 / 1

HEX #FC92A9

RGB 252 146 169

HSL 346.98, 0.95%, 0.78%

LAB 72.31, 42.45, 5.5

 

CMYK 12 / 0 / 42 / 1

HEX #DEFC92

RGB 222 252 146

HSL 76.98, 0.95%, 0.78%

LAB 94.83, -25.94, 47.46

 

CMYK 42 / 0 / 9 / 1

HEX #92FCE5

RGB 146 252 229

HSL 166.98, 0.95%, 0.78%

LAB 92.3, -36, 1.4

 

Description

Color code: HEX #AF90FCCE | qconv.com Color code: HEX #AF90FCCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 144 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 144 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 35 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 35% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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