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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF8FDB it is the complementary color #507024. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF8FDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF8FDB shade: #B48FD6, #C5A1E9, #D6B3FC, #E7C5FF and #F8D7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF8FDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF8FDB shade: #AF8FDB, #9E7DC8, #8D6BB5, #7C59A2 and #6B478F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF8FDB shade: #AF8FDB, #C38FDB, #D88FDB, #DB8FC9 and #DB8FB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF8FDB shade: #AF8FDB, #9B8FDB and #8F8FDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF8FDB shade matches the following richer shades: #AF8FDB, #AD83E7, #AB77F3 and #A96BFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF8FDB shade: #AF8FDB, #B19BCF, #B3A7C3, #B5B3B7 and #B7BFAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF8FDB shade: #8F98DB, #9B8FDB, #AF8FDB, #C38FDB and #D78FDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF8FDB shade: #8351C7, #9970D1, #AF8FDB, #C5AEE5 and #DCCEEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF8FDB shade: #AF8FDB, #DB8FAC and #8FDB91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF8FDB shade: #AF8FDB, #DBAF8F and #8FDBAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF8FDB shade: #AF8FDB, #DB8FAC, #BBDB8F and #8FDBBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF8FDB shade: #AF8FDB, #DB8F96, #BBDB8F and #8FDBD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 35 / 0 / 14

HEX #AF8FDB

RGB 175 143 219

HSL 265.26, 0.51%, 0.71%

LAB 64.86, 27.05, -34.37

 

Complementary color

CMYK 29 / 0 / 68 / 56

HEX #507024

RGB 80 112 36

HSL 85.26, 0.51%, 0.29%

LAB 43.39, -24.6, 37.25

 

CMYK 16 / 33 / 0 / 16

HEX #B48FD6

RGB 180 143 214

HSL 271.27, 0.46%, 0.7%

LAB 65.12, 27.45, -31.15

 

CMYK 15 / 31 / 0 / 9

HEX #C5A1E9

RGB 197 161 233

HSL 270, 0.62%, 0.77%

LAB 71.72, 26.81, -31.29

 

CMYK 15 / 29 / 0 / 1

HEX #D6B3FC

RGB 214 179 252

HSL 268.77, 0.92%, 0.85%

LAB 78.21, 26.22, -31.46

 

CMYK 9 / 23 / 0 / 0

HEX #E7C5FF

RGB 231 197 255

HSL 275.17, 1%, 0.89%

LAB 84.04, 22.41, -24.01

 

CMYK 3 / 16 / 0 / 0

HEX #F8D7FF

RGB 248 215 255

HSL 289.5, 1%, 0.92%

LAB 89.76, 18.32, -15.23

 

CMYK 20 / 35 / 0 / 14

HEX #AF8FDB

RGB 175 143 219

HSL 265.26, 0.51%, 0.71%

LAB 64.86, 27.05, -34.37

 

CMYK 21 / 38 / 0 / 22

HEX #9E7DC8

RGB 158 125 200

HSL 266.4, 0.41%, 0.64%

LAB 58.14, 27.77, -34.31

 

CMYK 22 / 41 / 0 / 29

HEX #8D6BB5

RGB 141 107 181

HSL 267.57, 0.33%, 0.56%

LAB 51.28, 28.55, -34.27

 

CMYK 23 / 45 / 0 / 36

HEX #7C59A2

RGB 124 89 162

HSL 268.77, 0.29%, 0.49%

LAB 44.29, 29.41, -34.25

 

CMYK 25 / 50 / 0 / 44

HEX #6B478F

RGB 107 71 143

HSL 270, 0.34%, 0.42%

LAB 37.14, 30.35, -34.25

 

CMYK 20 / 35 / 0 / 14

HEX #AF8FDB

RGB 175 143 219

HSL 265.26, 0.51%, 0.71%

LAB 64.86, 27.05, -34.37

 

CMYK 11 / 35 / 0 / 14

HEX #C38FDB

RGB 195 143 219

HSL 281.05, 0.51%, 0.71%

LAB 66.8, 33.15, -31.22

 

CMYK 1 / 35 / 0 / 14

HEX #D88FDB

RGB 216 143 219

HSL 297.63, 0.51%, 0.71%

LAB 69.01, 39.69, -27.62

 

CMYK 0 / 35 / 8 / 14

HEX #DB8FC9

RGB 219 143 201

HSL 314.21, 0.51%, 0.71%

LAB 68.69, 37.43, -18.09

 

CMYK 0 / 35 / 17 / 14

HEX #DB8FB5

RGB 219 143 181

HSL 330, 0.51%, 0.71%

LAB 68.05, 34.15, -7.89

 

CMYK 20 / 35 / 0 / 14

HEX #AF8FDB

RGB 175 143 219

HSL 265.26, 0.51%, 0.71%

LAB 64.86, 27.05, -34.37

 

CMYK 29 / 35 / 0 / 14

HEX #9B8FDB

RGB 155 143 219

HSL 249.47, 0.51%, 0.71%

LAB 63.12, 21.16, -37.22

 

CMYK 35 / 35 / 0 / 14

HEX #8F8FDB

RGB 143 143 219

HSL 240, 0.51%, 0.71%

LAB 62.17, 17.78, -38.77

 

CMYK 20 / 35 / 0 / 14

HEX #AF8FDB

RGB 175 143 219

HSL 265.26, 0.51%, 0.71%

LAB 64.86, 27.05, -34.37

 

CMYK 25 / 43 / 0 / 9

HEX #AD83E7

RGB 173 131 231

HSL 265.2, 0.68%, 0.71%

LAB 62.41, 36.01, -44.88

 

CMYK 30 / 51 / 0 / 5

HEX #AB77F3

RGB 171 119 243

HSL 265.16, 0.84%, 0.71%

LAB 60.18, 44.99, -55.08

 

CMYK 34 / 58 / 0 / 0

HEX #A96BFF

RGB 169 107 255

HSL 265.14, 1%, 0.71%

LAB 58.2, 53.84, -64.89

 

CMYK 20 / 35 / 0 / 14

HEX #AF8FDB

RGB 175 143 219

HSL 265.26, 0.51%, 0.71%

LAB 64.86, 27.05, -34.37

 

CMYK 14 / 25 / 0 / 19

HEX #B19BCF

RGB 177 155 207

HSL 265.38, 0.35%, 0.71%

LAB 67.5, 18.24, -23.63

 

CMYK 8 / 14 / 0 / 24

HEX #B3A7C3

RGB 179 167 195

HSL 265.71, 0.19%, 0.71%

LAB 70.29, 9.69, -12.74

 

CMYK 1 / 2 / 0 / 28

HEX #B5B3B7

RGB 181 179 183

HSL 270, 0.03%, 0.71%

LAB 73.21, 1.46, -1.79

 

CMYK 4 / 0 / 10 / 25

HEX #B7BFAB

RGB 183 191 171

HSL 84, 0.14%, 0.71%

LAB 76.23, -6.4, 9.14

 

CMYK 35 / 31 / 0 / 14

HEX #8F98DB

RGB 143 152 219

HSL 232.89, 0.51%, 0.71%

LAB 64.49, 12.6, -35.14

 

CMYK 29 / 35 / 0 / 14

HEX #9B8FDB

RGB 155 143 219

HSL 249.47, 0.51%, 0.71%

LAB 63.12, 21.16, -37.22

 

CMYK 20 / 35 / 0 / 14

HEX #AF8FDB

RGB 175 143 219

HSL 265.26, 0.51%, 0.71%

LAB 64.86, 27.05, -34.37

 

CMYK 11 / 35 / 0 / 14

HEX #C38FDB

RGB 195 143 219

HSL 281.05, 0.51%, 0.71%

LAB 66.8, 33.15, -31.22

 

CMYK 2 / 35 / 0 / 14

HEX #D78FDB

RGB 215 143 219

HSL 296.84, 0.51%, 0.71%

LAB 68.9, 39.37, -27.8

 

CMYK 34 / 59 / 0 / 22

HEX #8351C7

RGB 131 81 199

HSL 265.42, 0.51%, 0.55%

LAB 45.41, 45.13, -54.09

 

CMYK 27 / 46 / 0 / 18

HEX #9970D1

RGB 153 112 209

HSL 265.36, 0.51%, 0.63%

LAB 55.04, 35.9, -44.31

 

CMYK 20 / 35 / 0 / 14

HEX #AF8FDB

RGB 175 143 219

HSL 265.26, 0.51%, 0.71%

LAB 64.86, 27.05, -34.37

 

CMYK 14 / 24 / 0 / 10

HEX #C5AEE5

RGB 197 174 229

HSL 265.09, 0.51%, 0.79%

LAB 74.7, 18.8, -24.54

 

CMYK 8 / 14 / 0 / 6

HEX #DCCEEF

RGB 220 206 239

HSL 265.45, 0.51%, 0.87%

LAB 84.79, 10.93, -14.47

 

CMYK 20 / 35 / 0 / 14

HEX #AF8FDB

RGB 175 143 219

HSL 265.26, 0.51%, 0.71%

LAB 64.86, 27.05, -34.37

 

CMYK 0 / 35 / 21 / 14

HEX #DB8FAC

RGB 219 143 172

HSL 337.11, 0.51%, 0.71%

LAB 67.79, 32.78, -3.24

 

CMYK 35 / 0 / 34 / 14

HEX #8FDB91

RGB 143 219 145

HSL 121.58, 0.51%, 0.71%

LAB 81.04, -38.14, 29.16

 

CMYK 20 / 35 / 0 / 14

HEX #AF8FDB

RGB 175 143 219

HSL 265.26, 0.51%, 0.71%

LAB 64.86, 27.05, -34.37

 

CMYK 0 / 20 / 35 / 14

HEX #DBAF8F

RGB 219 175 143

HSL 25.26, 0.51%, 0.71%

LAB 74.64, 11.6, 22.49

 

CMYK 35 / 0 / 20 / 14

HEX #8FDBAF

RGB 143 219 175

HSL 145.26, 0.51%, 0.71%

LAB 81.62, -32.82, 14.3

 

CMYK 20 / 35 / 0 / 14

HEX #AF8FDB

RGB 175 143 219

HSL 265.26, 0.51%, 0.71%

LAB 64.86, 27.05, -34.37

 

CMYK 0 / 35 / 21 / 14

HEX #DB8FAC

RGB 219 143 172

HSL 337.11, 0.51%, 0.71%

LAB 67.79, 32.78, -3.24

 

CMYK 15 / 0 / 35 / 14

HEX #BBDB8F

RGB 187 219 143

HSL 85.26, 0.51%, 0.71%

LAB 83.55, -23.39, 33.98

 

CMYK 35 / 0 / 13 / 14

HEX #8FDBBE

RGB 143 219 190

HSL 157.11, 0.51%, 0.71%

LAB 81.96, -29.8, 6.84

 

CMYK 20 / 35 / 0 / 14

HEX #AF8FDB

RGB 175 143 219

HSL 265.26, 0.51%, 0.71%

LAB 64.86, 27.05, -34.37

 

CMYK 0 / 35 / 32 / 14

HEX #DB8F96

RGB 219 143 150

HSL 354.47, 0.51%, 0.71%

LAB 67.21, 29.72, 8.27

 

CMYK 15 / 0 / 35 / 14

HEX #BBDB8F

RGB 187 219 143

HSL 85.26, 0.51%, 0.71%

LAB 83.55, -23.39, 33.98

 

CMYK 35 / 0 / 3 / 14

HEX #8FDBD4

RGB 143 219 212

HSL 174.47, 0.51%, 0.71%

LAB 82.52, -24.97, -4.03

 

Description

Color code: HEX #AF8FDB | qconv.com Color code: HEX #AF8FDB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 143 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 143 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 35 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 35% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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