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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF8F7E it is the complementary color #507081. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF8F7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF8F7E shade: #B48F79, #C5A18C, #D6B39F, #E7C5B2 and #F8D7C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF8F7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF8F7E shade: #AF8F7E, #9E7D6B, #8D6B58, #7C5945 and #6B4732

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF8F7E shade: #AE8F7E, #AE827E and #AE7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF8F7E shade: #AE8F7E, #AE9C7E, #AEA97E, #A7AE7E and #9AAE7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF8F7E shade matches the following richer shades: #AE8F7E, #BF8A6D, #D0855D, #E1804C and #F27A3B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF8F7E shade: #AE8F7E, #9E948F, #8D99A0, #7C9FB1 and #6BA4C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF8F7E shade: #AE7E88, #AE827E, #AE8E7E, #AE9B7E and #AEA87E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF8F7E shade: #866654, #9F7965, #AE8F7E, #BEA598 and #CEBBB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF8F7E shade: #AF8F7E, #95AE7E and #7E82AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF8F7E shade: #AF8F7E, #7EAE8E and #8E7EAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF8F7E shade: #AF8F7E, #95AE7E, #7E9EAE and #987EAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF8F7E shade: #AF8F7E, #86AE7E, #7E9EAE and #A67EAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 28 / 31

HEX #AF8F7E

RGB 175 143 126

HSL 20.82, 0.23%, 0.59%

LAB 61.88, 9.46, 13.58

 

Complementary color

CMYK 38 / 13 / 0 / 49

HEX #507081

RGB 80 112 129

HSL 200.82, 0.23%, 0.41%

LAB 45.47, -6.9, -13.05

 

CMYK 0 / 21 / 33 / 29

HEX #B48F79

RGB 180 143 121

HSL 22.37, 0.28%, 0.59%

LAB 62.28, 10.78, 17.02

 

CMYK 0 / 18 / 29 / 23

HEX #C5A18C

RGB 197 161 140

HSL 22.11, 0.33%, 0.66%

LAB 68.93, 10.17, 15.93

 

CMYK 0 / 16 / 26 / 16

HEX #D6B39F

RGB 214 179 159

HSL 21.82, 0.4%, 0.73%

LAB 75.48, 9.63, 14.93

 

CMYK 0 / 15 / 23 / 9

HEX #E7C5B2

RGB 231 197 178

HSL 21.51, 0.52%, 0.8%

LAB 81.91, 9.15, 13.99

 

CMYK 0 / 13 / 21 / 3

HEX #F8D7C5

RGB 248 215 197

HSL 21.18, 0.78%, 0.87%

LAB 88.25, 8.72, 13.1

 

CMYK 0 / 18 / 28 / 31

HEX #AF8F7E

RGB 175 143 126

HSL 20.82, 0.23%, 0.59%

LAB 61.88, 9.46, 13.58

 

CMYK 0 / 21 / 32 / 38

HEX #9E7D6B

RGB 158 125 107

HSL 21.18, 0.21%, 0.52%

LAB 55.07, 10.08, 14.67

 

CMYK 0 / 24 / 38 / 45

HEX #8D6B58

RGB 141 107 88

HSL 21.51, 0.23%, 0.45%

LAB 48.11, 10.81, 15.88

 

CMYK 0 / 28 / 44 / 51

HEX #7C5945

RGB 124 89 69

HSL 21.82, 0.28%, 0.38%

LAB 40.99, 11.69, 17.25

 

CMYK 0 / 34 / 53 / 58

HEX #6B4732

RGB 107 71 50

HSL 22.11, 0.36%, 0.31%

LAB 33.7, 12.78, 18.83

 

CMYK 0 / 18 / 28 / 32

HEX #AE8F7E

RGB 174 143 126

HSL 21.25, 0.23%, 0.59%

LAB 61.78, 9.06, 13.43

 

CMYK 0 / 25 / 28 / 32

HEX #AE827E

RGB 174 130 126

HSL 5, 0.23%, 0.59%

LAB 58.48, 16.36, 8.77

 

CMYK 0 / 28 / 28 / 32

HEX #AE7E7E

RGB 174 126 126

HSL 0, 0.23%, 0.59%

LAB 57.49, 18.61, 7.36

 

CMYK 0 / 18 / 28 / 32

HEX #AE8F7E

RGB 174 143 126

HSL 21.25, 0.23%, 0.59%

LAB 61.78, 9.06, 13.43

 

CMYK 0 / 10 / 28 / 32

HEX #AE9C7E

RGB 174 156 126

HSL 37.5, 0.23%, 0.59%

LAB 65.19, 1.87, 18.15

 

CMYK 0 / 3 / 28 / 32

HEX #AEA97E

RGB 174 169 126

HSL 53.75, 0.23%, 0.59%

LAB 68.66, -5.16, 22.89

 

CMYK 4 / 0 / 28 / 32

HEX #A7AE7E

RGB 167 174 126

HSL 68.75, 0.23%, 0.59%

LAB 69.47, -10.56, 23.88

 

CMYK 11 / 0 / 28 / 32

HEX #9AAE7E

RGB 154 174 126

HSL 85, 0.23%, 0.59%

LAB 68.5, -15.55, 22.4

 

CMYK 0 / 18 / 28 / 32

HEX #AE8F7E

RGB 174 143 126

HSL 21.25, 0.23%, 0.59%

LAB 61.78, 9.06, 13.43

 

CMYK 0 / 28 / 43 / 25

HEX #BF8A6D

RGB 191 138 109

HSL 21.22, 0.39%, 0.59%

LAB 61.96, 16.56, 23.5

 

CMYK 0 / 36 / 55 / 18

HEX #D0855D

RGB 208 133 93

HSL 20.87, 0.55%, 0.59%

LAB 62.49, 24.71, 33.38

 

CMYK 0 / 43 / 66 / 12

HEX #E1804C

RGB 225 128 76

HSL 20.94, 0.71%, 0.59%

LAB 63.32, 33.05, 43.9

 

CMYK 0 / 50 / 76 / 5

HEX #F27A3B

RGB 242 122 59

HSL 20.66, 0.88%, 0.59%

LAB 64.25, 41.95, 53.94

 

CMYK 0 / 18 / 28 / 32

HEX #AE8F7E

RGB 174 143 126

HSL 21.25, 0.23%, 0.59%

LAB 61.78, 9.06, 13.43

 

CMYK 0 / 6 / 9 / 38

HEX #9E948F

RGB 158 148 143

HSL 20, 0.07%, 0.59%

LAB 62.03, 2.78, 3.96

 

CMYK 12 / 4 / 0 / 37

HEX #8D99A0

RGB 141 153 160

HSL 202.11, 0.09%, 0.59%

LAB 62.49, -2.81, -5.14

 

CMYK 30 / 10 / 0 / 31

HEX #7C9FB1

RGB 124 159 177

HSL 200.38, 0.25%, 0.59%

LAB 63.55, -7.67, -13.25

 

CMYK 45 / 15 / 0 / 24

HEX #6BA4C2

RGB 107 164 194

HSL 200.69, 0.42%, 0.59%

LAB 64.62, -10.6, -21.23

 

CMYK 0 / 28 / 22 / 32

HEX #AE7E88

RGB 174 126 136

HSL 347.5, 0.23%, 0.59%

LAB 57.75, 20.11, 1.96

 

CMYK 0 / 25 / 28 / 32

HEX #AE827E

RGB 174 130 126

HSL 5, 0.23%, 0.59%

LAB 58.48, 16.36, 8.77

 

CMYK 0 / 18 / 28 / 32

HEX #AE8E7E

RGB 174 142 126

HSL 20, 0.23%, 0.59%

LAB 61.53, 9.62, 13.07

HEX #AE8E7E

CMYK 0 / 11 / 28 / 32

HEX #AE9B7E

RGB 174 155 126

HSL 36.25, 0.23%, 0.59%

LAB 64.92, 2.42, 17.78

HEX #AE9B7E

CMYK 0 / 3 / 28 / 32

HEX #AEA87E

RGB 174 168 126

HSL 52.5, 0.23%, 0.59%

LAB 68.4, -4.63, 22.53

HEX #AEA87E

CMYK 0 / 24 / 37 / 47

HEX #866654

RGB 134 102 84

HSL 21.6, 0.23%, 0.43%

LAB 45.92, 10.22, 15.13

 

CMYK 0 / 24 / 36 / 38

HEX #9F7965

RGB 159 121 101

HSL 20.69, 0.23%, 0.51%

LAB 54.01, 11.98, 16.69

 

CMYK 0 / 18 / 28 / 32

HEX #AE8F7E

RGB 174 143 126

HSL 21.25, 0.23%, 0.59%

LAB 61.78, 9.06, 13.43

 

CMYK 0 / 13 / 20 / 25

HEX #BEA598

RGB 190 165 152

HSL 20.53, 0.23%, 0.67%

LAB 69.56, 7.02, 10.09

 

CMYK 0 / 9 / 14 / 19

HEX #CEBBB1

RGB 206 187 177

HSL 20.69, 0.23%, 0.75%

LAB 77.18, 5.07, 7.5

 

CMYK 0 / 18 / 28 / 31

HEX #AF8F7E

RGB 175 143 126

HSL 20.82, 0.23%, 0.59%

LAB 61.88, 9.46, 13.58

 

CMYK 14 / 0 / 28 / 32

HEX #95AE7E

RGB 149 174 126

HSL 91.25, 0.23%, 0.59%

LAB 68.14, -17.42, 21.87

 

CMYK 28 / 25 / 0 / 32

HEX #7E82AE

RGB 126 130 174

HSL 235, 0.23%, 0.59%

LAB 55.54, 8.66, -23.73

 

CMYK 0 / 18 / 28 / 31

HEX #AF8F7E

RGB 175 143 126

HSL 20.82, 0.23%, 0.59%

LAB 61.88, 9.46, 13.58

 

CMYK 28 / 0 / 18 / 32

HEX #7EAE8E

RGB 126 174 142

HSL 140, 0.23%, 0.59%

LAB 67.02, -22.71, 11.34

 

CMYK 18 / 28 / 0 / 32

HEX #8E7EAE

RGB 142 126 174

HSL 260, 0.23%, 0.59%

LAB 55.81, 16.09, -23.19

 

CMYK 0 / 18 / 28 / 31

HEX #AF8F7E

RGB 175 143 126

HSL 20.82, 0.23%, 0.59%

LAB 61.88, 9.46, 13.58

 

CMYK 14 / 0 / 28 / 32

HEX #95AE7E

RGB 149 174 126

HSL 91.25, 0.23%, 0.59%

LAB 68.14, -17.42, 21.87

 

CMYK 28 / 9 / 0 / 32

HEX #7E9EAE

RGB 126 158 174

HSL 200, 0.23%, 0.59%

LAB 63.3, -7.25, -11.93

 

CMYK 13 / 28 / 0 / 32

HEX #987EAE

RGB 152 126 174

HSL 272.5, 0.23%, 0.59%

LAB 56.74, 19.37, -21.7

 

CMYK 0 / 18 / 28 / 31

HEX #AF8F7E

RGB 175 143 126

HSL 20.82, 0.23%, 0.59%

LAB 61.88, 9.46, 13.58

 

CMYK 23 / 0 / 28 / 32

HEX #86AE7E

RGB 134 174 126

HSL 110, 0.23%, 0.59%

LAB 67.16, -22.88, 20.37

 

CMYK 28 / 9 / 0 / 32

HEX #7E9EAE

RGB 126 158 174

HSL 200, 0.23%, 0.59%

LAB 63.3, -7.25, -11.93

 

CMYK 5 / 28 / 0 / 32

HEX #A67EAE

RGB 166 126 174

HSL 290, 0.23%, 0.59%

LAB 58.12, 24.06, -19.46

 

Description

Color code: HEX #AF8F7E | qconv.com Color code: HEX #AF8F7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 143 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 143 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 28 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 28% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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