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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF8F76 it is the complementary color #507089. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF8F76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF8F76 shade: #B48F71, #C5A184, #D6B397, #E7C5AA and #F8D7BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF8F76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF8F76 shade: #AF8F76, #9E7D63, #8D6B50, #7C593D and #6B472A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF8F76 shade: #AE8E75, #AE7E75 and #AE7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF8F76 shade: #AE8E75, #AE9D75, #AEAD75, #A0AE75 and #90AE75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF8F76 shade matches the following richer shades: #AE8E75, #C08C63, #D18A51, #E38740 and #F5852E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF8F76 shade: #AE8E75, #9C9087, #8A9298, #7994AA and #6797BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF8F76 shade: #AE757B, #AE7E75, #AE8E75, #AE9D75 and #AEAC75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF8F76 shade: #83654D, #9D795C, #AE8E75, #BDA38F and #CCB8A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF8F76 shade: #AF8F76, #8AAE75 and #7775AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF8F76 shade: #AF8F76, #75AE8E and #8E75AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF8F76 shade: #AF8F76, #8AAE75, #7595AE and #9975AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF8F76 shade: #AF8F76, #79AE75, #7595AE and #AA75AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 33 / 31

HEX #AF8F76

RGB 175 143 118

HSL 26.32, 0.26%, 0.57%

LAB 61.71, 8.36, 17.85

 

Complementary color

CMYK 42 / 18 / 0 / 46

HEX #507089

RGB 80 112 137

HSL 206.32, 0.26%, 0.43%

LAB 45.77, -4.62, -17.36

 

CMYK 0 / 21 / 37 / 29

HEX #B48F71

RGB 180 143 113

HSL 26.87, 0.31%, 0.57%

LAB 62.12, 9.76, 21.28

 

CMYK 0 / 18 / 33 / 23

HEX #C5A184

RGB 197 161 132

HSL 26.77, 0.36%, 0.65%

LAB 68.77, 9.11, 20.11

 

CMYK 0 / 16 / 29 / 16

HEX #D6B397

RGB 214 179 151

HSL 26.67, 0.43%, 0.72%

LAB 75.31, 8.54, 19.02

 

CMYK 0 / 15 / 26 / 9

HEX #E7C5AA

RGB 231 197 170

HSL 26.56, 0.56%, 0.79%

LAB 81.74, 8.04, 18.01

 

CMYK 0 / 13 / 24 / 3

HEX #F8D7BD

RGB 248 215 189

HSL 26.44, 0.81%, 0.86%

LAB 88.08, 7.59, 17.06

 

CMYK 0 / 18 / 33 / 31

HEX #AF8F76

RGB 175 143 118

HSL 26.32, 0.26%, 0.57%

LAB 61.71, 8.36, 17.85

 

CMYK 0 / 21 / 37 / 38

HEX #9E7D63

RGB 158 125 99

HSL 26.44, 0.23%, 0.5%

LAB 54.9, 9.02, 19.04

 

CMYK 0 / 24 / 43 / 45

HEX #8D6B50

RGB 141 107 80

HSL 26.56, 0.28%, 0.43%

LAB 47.95, 9.82, 20.36

 

CMYK 0 / 28 / 51 / 51

HEX #7C593D

RGB 124 89 61

HSL 26.67, 0.34%, 0.36%

LAB 40.84, 10.79, 21.83

 

CMYK 0 / 34 / 61 / 58

HEX #6B472A

RGB 107 71 42

HSL 26.77, 0.44%, 0.29%

LAB 33.56, 12.01, 23.5

 

CMYK 0 / 18 / 33 / 32

HEX #AE8E75

RGB 174 142 117

HSL 26.32, 0.26%, 0.57%

LAB 61.33, 8.38, 17.87

 

CMYK 0 / 28 / 33 / 32

HEX #AE7E75

RGB 174 126 117

HSL 9.47, 0.26%, 0.57%

LAB 57.27, 17.36, 12.25

 

CMYK 0 / 33 / 33 / 32

HEX #AE7575

RGB 174 117 117

HSL 0, 0.26%, 0.57%

LAB 55.08, 22.43, 9.15

 

CMYK 0 / 18 / 33 / 32

HEX #AE8E75

RGB 174 142 117

HSL 26.32, 0.26%, 0.57%

LAB 61.33, 8.38, 17.87

 

CMYK 0 / 10 / 33 / 32

HEX #AE9D75

RGB 174 157 117

HSL 42.11, 0.26%, 0.57%

LAB 65.28, 0.11, 23.23

 

CMYK 0 / 1 / 33 / 32

HEX #AEAD75

RGB 174 173 117

HSL 58.95, 0.26%, 0.57%

LAB 69.59, -8.47, 28.97

 

CMYK 8 / 0 / 33 / 32

HEX #A0AE75

RGB 160 174 117

HSL 74.74, 0.26%, 0.57%

LAB 68.77, -14.53, 27.69

 

CMYK 17 / 0 / 33 / 32

HEX #90AE75

RGB 144 174 117

HSL 91.58, 0.26%, 0.57%

LAB 67.64, -20.66, 25.98

 

CMYK 0 / 18 / 33 / 32

HEX #AE8E75

RGB 174 142 117

HSL 26.32, 0.26%, 0.57%

LAB 61.33, 8.38, 17.87

 

CMYK 0 / 27 / 48 / 25

HEX #C08C63

RGB 192 140 99

HSL 26.45, 0.42%, 0.57%

LAB 62.39, 14.83, 29.61

 

CMYK 0 / 34 / 61 / 18

HEX #D18A51

RGB 209 138 81

HSL 26.72, 0.58%, 0.57%

LAB 63.61, 21.49, 41.16

 

CMYK 0 / 41 / 72 / 11

HEX #E38740

RGB 227 135 64

HSL 26.13, 0.74%, 0.57%

LAB 64.99, 29.54, 51.73

 

CMYK 0 / 46 / 81 / 4

HEX #F5852E

RGB 245 133 46

HSL 26.23, 0.91%, 0.57%

LAB 66.81, 37.13, 62.07

 

CMYK 0 / 18 / 33 / 32

HEX #AE8E75

RGB 174 142 117

HSL 26.32, 0.26%, 0.57%

LAB 61.33, 8.38, 17.87

 

CMYK 0 / 8 / 13 / 39

HEX #9C9087

RGB 156 144 135

HSL 25.71, 0.1%, 0.57%

LAB 60.57, 2.86, 6.38

 

CMYK 9 / 4 / 0 / 40

HEX #8A9298

RGB 138 146 152

HSL 205.71, 0.06%, 0.57%

LAB 60.09, -1.65, -4.17

 

CMYK 29 / 13 / 0 / 33

HEX #7994AA

RGB 121 148 170

HSL 206.94, 0.22%, 0.57%

LAB 60.02, -4.23, -14.64

 

CMYK 45 / 20 / 0 / 26

HEX #6797BC

RGB 103 151 188

HSL 206.12, 0.39%, 0.57%

LAB 60.47, -6.13, -24.24

 

CMYK 0 / 33 / 29 / 32

HEX #AE757B

RGB 174 117 123

HSL 353.68, 0.26%, 0.57%

LAB 55.23, 23.25, 5.87

 

CMYK 0 / 28 / 33 / 32

HEX #AE7E75

RGB 174 126 117

HSL 9.47, 0.26%, 0.57%

LAB 57.27, 17.36, 12.25

 

CMYK 0 / 18 / 33 / 32

HEX #AE8E75

RGB 174 142 117

HSL 26.32, 0.26%, 0.57%

LAB 61.33, 8.38, 17.87

 

CMYK 0 / 10 / 33 / 32

HEX #AE9D75

RGB 174 157 117

HSL 42.11, 0.26%, 0.57%

LAB 65.28, 0.11, 23.23

 

CMYK 0 / 1 / 33 / 32

HEX #AEAC75

RGB 174 172 117

HSL 57.89, 0.26%, 0.57%

LAB 69.32, -7.94, 28.61

 

CMYK 0 / 23 / 41 / 49

HEX #83654D

RGB 131 101 77

HSL 26.67, 0.26%, 0.41%

LAB 45.18, 8.61, 18.22

 

CMYK 0 / 23 / 41 / 38

HEX #9D795C

RGB 157 121 92

HSL 26.77, 0.26%, 0.49%

LAB 53.62, 10.03, 21.29

 

CMYK 0 / 18 / 33 / 32

HEX #AE8E75

RGB 174 142 117

HSL 26.32, 0.26%, 0.57%

LAB 61.33, 8.38, 17.87

 

CMYK 0 / 14 / 24 / 26

HEX #BDA38F

RGB 189 163 143

HSL 26.09, 0.26%, 0.65%

LAB 68.75, 6.38, 13.9

 

CMYK 0 / 10 / 17 / 20

HEX #CCB8A9

RGB 204 184 169

HSL 25.71, 0.26%, 0.73%

LAB 76.06, 4.67, 10.2

 

CMYK 0 / 18 / 33 / 31

HEX #AF8F76

RGB 175 143 118

HSL 26.32, 0.26%, 0.57%

LAB 61.71, 8.36, 17.85

 

CMYK 21 / 0 / 33 / 32

HEX #8AAE75

RGB 138 174 117

HSL 97.89, 0.26%, 0.57%

LAB 67.25, -22.88, 25.39

 

CMYK 32 / 33 / 0 / 32

HEX #7775AE

RGB 119 117 174

HSL 242.11, 0.26%, 0.57%

LAB 51.5, 14.23, -30.03

 

CMYK 0 / 18 / 33 / 31

HEX #AF8F76

RGB 175 143 118

HSL 26.32, 0.26%, 0.57%

LAB 61.71, 8.36, 17.85

 

CMYK 33 / 0 / 18 / 32

HEX #75AE8E

RGB 117 174 142

HSL 146.32, 0.26%, 0.57%

LAB 66.53, -25.6, 10.57

 

CMYK 18 / 33 / 0 / 32

HEX #8E75AE

RGB 142 117 174

HSL 266.32, 0.26%, 0.57%

LAB 53.52, 21.35, -26.72

 

CMYK 0 / 18 / 33 / 31

HEX #AF8F76

RGB 175 143 118

HSL 26.32, 0.26%, 0.57%

LAB 61.71, 8.36, 17.85

 

CMYK 21 / 0 / 33 / 32

HEX #8AAE75

RGB 138 174 117

HSL 97.89, 0.26%, 0.57%

LAB 67.25, -22.88, 25.39

 

CMYK 33 / 14 / 0 / 32

HEX #7595AE

RGB 117 149 174

HSL 206.32, 0.26%, 0.57%

LAB 60.19, -4.98, -16.68

 

CMYK 12 / 33 / 0 / 32

HEX #9975AE

RGB 153 117 174

HSL 277.89, 0.26%, 0.57%

LAB 54.61, 24.9, -24.96

 

CMYK 0 / 18 / 33 / 31

HEX #AF8F76

RGB 175 143 118

HSL 26.32, 0.26%, 0.57%

LAB 61.71, 8.36, 17.85

 

CMYK 30 / 0 / 33 / 32

HEX #79AE75

RGB 121 174 117

HSL 115.79, 0.26%, 0.57%

LAB 66.23, -28.9, 23.84

 

CMYK 33 / 14 / 0 / 32

HEX #7595AE

RGB 117 149 174

HSL 206.32, 0.26%, 0.57%

LAB 60.19, -4.98, -16.68

 

CMYK 2 / 33 / 0 / 32

HEX #AA75AE

RGB 170 117 174

HSL 295.79, 0.26%, 0.57%

LAB 56.41, 30.49, -22.03

 

Description

Color code: HEX #AF8F76 | qconv.com Color code: HEX #AF8F76 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 143 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 143 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 33 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 33% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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