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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF8C70 it is the complementary color #50738F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF8C70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF8C70 shade: #B48C6B, #C59E7E, #D6B091, #E7C2A4 and #F8D4B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF8C70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF8C70 shade: #AF8C70, #9E7A5D, #8D684A, #7C5637 and #6B4424

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF8C70 shade: #AE8B6F, #AE7A6F and #AE6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF8C70 shade: #AE8B6F, #AE9C6F, #AEAD6F, #9EAE6F and #8DAE6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF8C70 shade matches the following richer shades: #AE8B6F, #C0895D, #D3874B, #E58539 and #F78327

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF8C70 shade: #AE8B6F, #9C8D82, #8A8F94, #7891A6 and #6693B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF8C70 shade: #AE6F76, #AE7A6F, #AE8B6F, #AE9B6F and #AEAC6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF8C70 shade: #826249, #9C7658, #AE8B6F, #BDA18A and #CCB6A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF8C70 shade: #AF8C70, #86AE6F and #716FAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF8C70 shade: #AF8C70, #6FAE8B and #8B6FAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF8C70 shade: #AF8C70, #86AE6F, #6F93AE and #976FAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF8C70 shade: #AF8C70, #74AE6F, #6F93AE and #AA6FAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 36 / 31

HEX #AF8C70

RGB 175 140 112

HSL 26.67, 0.28%, 0.56%

LAB 60.82, 9.26, 19.99

 

Complementary color

CMYK 44 / 20 / 0 / 44

HEX #50738F

RGB 80 115 143

HSL 206.67, 0.28%, 0.44%

LAB 46.91, -4.63, -19.18

 

CMYK 0 / 22 / 41 / 29

HEX #B48C6B

RGB 180 140 107

HSL 27.12, 0.33%, 0.56%

LAB 61.24, 10.71, 23.44

 

CMYK 0 / 20 / 36 / 23

HEX #C59E7E

RGB 197 158 126

HSL 27.04, 0.38%, 0.63%

LAB 67.9, 9.99, 22.2

 

CMYK 0 / 18 / 32 / 16

HEX #D6B091

RGB 214 176 145

HSL 26.96, 0.46%, 0.7%

LAB 74.44, 9.36, 21.06

 

CMYK 0 / 16 / 29 / 9

HEX #E7C2A4

RGB 231 194 164

HSL 26.87, 0.58%, 0.77%

LAB 80.88, 8.81, 20

 

CMYK 0 / 15 / 26 / 3

HEX #F8D4B7

RGB 248 212 183

HSL 26.77, 0.82%, 0.85%

LAB 87.22, 8.32, 19.01

 

CMYK 0 / 20 / 36 / 31

HEX #AF8C70

RGB 175 140 112

HSL 26.67, 0.28%, 0.56%

LAB 60.82, 9.26, 19.99

 

CMYK 0 / 23 / 41 / 38

HEX #9E7A5D

RGB 158 122 93

HSL 26.77, 0.26%, 0.49%

LAB 54, 10, 21.25

 

CMYK 0 / 26 / 48 / 45

HEX #8D684A

RGB 141 104 74

HSL 26.87, 0.31%, 0.42%

LAB 47.05, 10.89, 22.65

 

CMYK 0 / 31 / 56 / 51

HEX #7C5637

RGB 124 86 55

HSL 26.96, 0.39%, 0.35%

LAB 39.94, 11.98, 24.22

 

CMYK 0 / 36 / 66 / 58

HEX #6B4424

RGB 107 68 36

HSL 27.04, 0.5%, 0.28%

LAB 32.67, 13.35, 25.96

 

CMYK 0 / 20 / 36 / 32

HEX #AE8B6F

RGB 174 139 111

HSL 26.67, 0.28%, 0.56%

LAB 60.44, 9.28, 20.02

 

CMYK 0 / 30 / 36 / 32

HEX #AE7A6F

RGB 174 122 111

HSL 10.48, 0.28%, 0.56%

LAB 56.15, 18.83, 14.14

 

CMYK 0 / 36 / 36 / 32

HEX #AE6F6F

RGB 174 111 111

HSL 0, 0.28%, 0.56%

LAB 53.51, 25.01, 10.44

 

CMYK 0 / 20 / 36 / 32

HEX #AE8B6F

RGB 174 139 111

HSL 26.67, 0.28%, 0.56%

LAB 60.44, 9.28, 20.02

 

CMYK 0 / 10 / 36 / 32

HEX #AE9C6F

RGB 174 156 111

HSL 42.86, 0.28%, 0.56%

LAB 64.9, -0.11, 26.01

 

CMYK 0 / 1 / 36 / 32

HEX #AEAD6F

RGB 174 173 111

HSL 59.05, 0.28%, 0.56%

LAB 69.49, -9.21, 32.02

 

CMYK 9 / 0 / 36 / 32

HEX #9EAE6F

RGB 158 174 111

HSL 75.24, 0.28%, 0.56%

LAB 68.53, -16.11, 30.52

 

CMYK 19 / 0 / 36 / 32

HEX #8DAE6F

RGB 141 174 111

HSL 91.43, 0.28%, 0.56%

LAB 67.34, -22.65, 28.75

 

CMYK 0 / 20 / 36 / 32

HEX #AE8B6F

RGB 174 139 111

HSL 26.67, 0.28%, 0.56%

LAB 60.44, 9.28, 20.02

 

CMYK 0 / 29 / 52 / 25

HEX #C0895D

RGB 192 137 93

HSL 26.67, 0.44%, 0.56%

LAB 61.56, 15.91, 31.81

 

CMYK 0 / 36 / 64 / 17

HEX #D3874B

RGB 211 135 75

HSL 26.47, 0.61%, 0.56%

LAB 63.08, 23.55, 43.67

 

CMYK 0 / 42 / 75 / 10

HEX #E58539

RGB 229 133 57

HSL 26.51, 0.77%, 0.56%

LAB 64.75, 31.09, 54.77

 

CMYK 0 / 47 / 84 / 3

HEX #F78327

RGB 247 131 39

HSL 26.54, 0.93%, 0.56%

LAB 66.64, 38.75, 64.6

 

CMYK 0 / 20 / 36 / 32

HEX #AE8B6F

RGB 174 139 111

HSL 26.67, 0.28%, 0.56%

LAB 60.44, 9.28, 20.02

 

CMYK 0 / 10 / 17 / 39

HEX #9C8D82

RGB 156 141 130

HSL 25.38, 0.12%, 0.56%

LAB 59.64, 3.7, 7.9

 

CMYK 7 / 3 / 0 / 42

HEX #8A8F94

RGB 138 143 148

HSL 210, 0.04%, 0.56%

LAB 59.15, -0.8, -3.29

 

CMYK 28 / 13 / 0 / 35

HEX #7891A6

RGB 120 145 166

HSL 207.39, 0.21%, 0.56%

LAB 58.97, -3.85, -13.96

 

CMYK 45 / 20 / 0 / 28

HEX #6693B8

RGB 102 147 184

HSL 207.07, 0.37%, 0.56%

LAB 59.12, -5.28, -24.06

 

CMYK 0 / 36 / 32 / 32

HEX #AE6F76

RGB 174 111 118

HSL 353.33, 0.28%, 0.56%

LAB 53.68, 25.92, 6.58

 

CMYK 0 / 30 / 36 / 32

HEX #AE7A6F

RGB 174 122 111

HSL 10.48, 0.28%, 0.56%

LAB 56.15, 18.83, 14.14

 

CMYK 0 / 20 / 36 / 32

HEX #AE8B6F

RGB 174 139 111

HSL 26.67, 0.28%, 0.56%

LAB 60.44, 9.28, 20.02

 

CMYK 0 / 11 / 36 / 32

HEX #AE9B6F

RGB 174 155 111

HSL 41.9, 0.28%, 0.56%

LAB 64.64, 0.44, 25.65

 

CMYK 0 / 1 / 36 / 32

HEX #AEAC6F

RGB 174 172 111

HSL 58.1, 0.28%, 0.56%

LAB 69.22, -8.68, 31.67

 

CMYK 0 / 25 / 44 / 49

HEX #826249

RGB 130 98 73

HSL 26.32, 0.28%, 0.4%

LAB 44.18, 9.46, 19.23

 

CMYK 0 / 24 / 44 / 39

HEX #9C7658

RGB 156 118 88

HSL 26.47, 0.28%, 0.48%

LAB 52.65, 10.85, 22.27

 

CMYK 0 / 20 / 36 / 32

HEX #AE8B6F

RGB 174 139 111

HSL 26.67, 0.28%, 0.56%

LAB 60.44, 9.28, 20.02

 

CMYK 0 / 15 / 27 / 26

HEX #BDA18A

RGB 189 161 138

HSL 27.06, 0.28%, 0.64%

LAB 68.13, 6.76, 15.8

 

CMYK 0 / 11 / 20 / 20

HEX #CCB6A4

RGB 204 182 164

HSL 27, 0.28%, 0.72%

LAB 75.43, 4.97, 12.03

 

CMYK 0 / 20 / 36 / 31

HEX #AF8C70

RGB 175 140 112

HSL 26.67, 0.28%, 0.56%

LAB 60.82, 9.26, 19.99

 

CMYK 23 / 0 / 36 / 32

HEX #86AE6F

RGB 134 174 111

HSL 98.1, 0.28%, 0.56%

LAB 66.89, -25.24, 28.07

 

CMYK 35 / 36 / 0 / 32

HEX #716FAE

RGB 113 111 174

HSL 241.9, 0.28%, 0.56%

LAB 49.42, 16.09, -33.31

 

CMYK 0 / 20 / 36 / 31

HEX #AF8C70

RGB 175 140 112

HSL 26.67, 0.28%, 0.56%

LAB 60.82, 9.26, 19.99

 

CMYK 36 / 0 / 20 / 32

HEX #6FAE8B

RGB 111 174 139

HSL 146.67, 0.28%, 0.56%

LAB 66.15, -28.05, 11.65

 

CMYK 20 / 36 / 0 / 32

HEX #8B6FAE

RGB 139 111 174

HSL 266.67, 0.28%, 0.56%

LAB 51.74, 23.92, -29.51

 

CMYK 0 / 20 / 36 / 31

HEX #AF8C70

RGB 175 140 112

HSL 26.67, 0.28%, 0.56%

LAB 60.82, 9.26, 19.99

 

CMYK 23 / 0 / 36 / 32

HEX #86AE6F

RGB 134 174 111

HSL 98.1, 0.28%, 0.56%

LAB 66.89, -25.24, 28.07

 

CMYK 36 / 16 / 0 / 32

HEX #6F93AE

RGB 111 147 174

HSL 205.71, 0.28%, 0.56%

LAB 59.25, -5.6, -18.13

 

CMYK 13 / 36 / 0 / 32

HEX #976FAE

RGB 151 111 174

HSL 278.1, 0.28%, 0.56%

LAB 52.95, 27.72, -27.53

 

CMYK 0 / 20 / 36 / 31

HEX #AF8C70

RGB 175 140 112

HSL 26.67, 0.28%, 0.56%

LAB 60.82, 9.26, 19.99

 

CMYK 33 / 0 / 36 / 32

HEX #74AE6F

RGB 116 174 111

HSL 115.24, 0.28%, 0.56%

LAB 65.85, -31.57, 26.51

 

CMYK 36 / 16 / 0 / 32

HEX #6F93AE

RGB 111 147 174

HSL 205.71, 0.28%, 0.56%

LAB 59.25, -5.6, -18.13

 

CMYK 2 / 36 / 0 / 32

HEX #AA6FAE

RGB 170 111 174

HSL 296.19, 0.28%, 0.56%

LAB 55.04, 33.84, -24.14

 

Description

Color code: HEX #AF8C70 | qconv.com Color code: HEX #AF8C70 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 140 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 140 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 36 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 36% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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