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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF8C4B it is the complementary color #5073B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF8C4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF8C4B shade: #B48C46, #C59E59, #D6B06C, #E7C27F and #F8D492

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF8C4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF8C4B shade: #AF8C4B, #9E7A38, #8D6825, #7C5612 and #6B4400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF8C4B shade: #AF8C4B, #AF714B, #AF564B and #AF4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF8C4B shade: #AF8C4B, #AFA74B, #9CAF4B, #81AF4B and #66AF4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF8C4B shade matches the following richer shades: #AF8C4B, #C39237, #D79823 and #EC9E0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF8C4B shade: #AF8C4B, #9B865F, #868073, #727A88 and #5E749C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF8C4B shade: #AF574B, #AF714B, #AF8C4B, #AFA74B and #9DAF4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF8C4B shade: #755E32, #92753F, #AF8C4B, #BD9F66 and #CAB183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF8C4B shade: #AF8C4B, #5AAF4B and #644BAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF8C4B shade: #AF8C4B, #4BAF8C and #8C4BAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF8C4B shade: #AF8C4B, #5AAF4B, #4B6EAF and #A04BAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF8C4B shade: #AF8C4B, #4BAF5A, #4B6EAF and #AF4BA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 57 / 31

HEX #AF8C4B

RGB 175 140 75

HSL 39, 0.4%, 0.49%

LAB 60.23, 5.41, 39.31

 

Complementary color

CMYK 56 / 36 / 0 / 29

HEX #5073B4

RGB 80 115 180

HSL 219, 0.4%, 0.51%

LAB 48.59, 7.01, -38.25

 

CMYK 0 / 22 / 61 / 29

HEX #B48C46

RGB 180 140 70

HSL 38.18, 0.44%, 0.49%

LAB 60.69, 7.21, 42.52

 

CMYK 0 / 20 / 55 / 23

HEX #C59E59

RGB 197 158 89

HSL 38.33, 0.48%, 0.56%

LAB 67.31, 6.17, 41.16

 

CMYK 0 / 18 / 50 / 16

HEX #D6B06C

RGB 214 176 108

HSL 38.49, 0.56%, 0.63%

LAB 73.82, 5.29, 39.82

 

CMYK 0 / 16 / 45 / 9

HEX #E7C27F

RGB 231 194 127

HSL 38.65, 0.68%, 0.7%

LAB 80.24, 4.54, 38.53

 

CMYK 0 / 15 / 41 / 3

HEX #F8D492

RGB 248 212 146

HSL 38.82, 0.88%, 0.77%

LAB 86.56, 3.89, 37.29

HEX #F8D492

CMYK 0 / 20 / 57 / 31

HEX #AF8C4B

RGB 175 140 75

HSL 39, 0.4%, 0.49%

LAB 60.23, 5.41, 39.31

 

CMYK 0 / 23 / 65 / 38

HEX #9E7A38

RGB 158 122 56

HSL 38.82, 0.48%, 0.42%

LAB 53.46, 6.53, 40.66

 

CMYK 0 / 26 / 74 / 45

HEX #8D6825

RGB 141 104 37

HSL 38.65, 0.58%, 0.35%

LAB 46.57, 7.9, 41.83

 

CMYK 0 / 31 / 85 / 51

HEX #7C5612

RGB 124 86 18

HSL 38.49, 0.75%, 0.28%

LAB 39.55, 9.62, 42.38

 

CMYK 0 / 36 / 100 / 58

HEX #6B4400

RGB 107 68 0

HSL 38.13, 1%, 0.21%

LAB 32.39, 11.72, 41.93

 

CMYK 0 / 20 / 57 / 31

HEX #AF8C4B

RGB 175 140 75

HSL 39, 0.4%, 0.49%

LAB 60.23, 5.41, 39.31

 

CMYK 0 / 35 / 57 / 31

HEX #AF714B

RGB 175 113 75

HSL 22.8, 0.4%, 0.49%

LAB 53.42, 20.51, 31.03

 

CMYK 0 / 51 / 57 / 31

HEX #AF564B

RGB 175 86 75

HSL 6.6, 0.4%, 0.49%

LAB 47.34, 35.28, 23.31

 

CMYK 0 / 57 / 57 / 31

HEX #AF4B4B

RGB 175 75 75

HSL 0, 0.4%, 0.49%

LAB 45.16, 40.88, 20.46

 

CMYK 0 / 20 / 57 / 31

HEX #AF8C4B

RGB 175 140 75

HSL 39, 0.4%, 0.49%

LAB 60.23, 5.41, 39.31

 

CMYK 0 / 5 / 57 / 31

HEX #AFA74B

RGB 175 167 75

HSL 55.2, 0.4%, 0.49%

LAB 67.47, -9.19, 47.7

 

CMYK 11 / 0 / 57 / 31

HEX #9CAF4B

RGB 156 175 75

HSL 71.4, 0.4%, 0.49%

LAB 68.19, -21.3, 48.12

 

CMYK 26 / 0 / 57 / 31

HEX #81AF4B

RGB 129 175 75

HSL 87.6, 0.4%, 0.49%

LAB 66.39, -32.02, 45.58

 

CMYK 42 / 0 / 57 / 31

HEX #66AF4B

RGB 102 175 75

HSL 103.8, 0.4%, 0.49%

LAB 64.96, -41.59, 43.55

 

CMYK 0 / 20 / 57 / 31

HEX #AF8C4B

RGB 175 140 75

HSL 39, 0.4%, 0.49%

LAB 60.23, 5.41, 39.31

 

CMYK 0 / 25 / 72 / 24

HEX #C39237

RGB 195 146 55

HSL 39, 0.56%, 0.49%

LAB 63.7, 9.56, 53.26

 

CMYK 0 / 29 / 84 / 16

HEX #D79823

RGB 215 152 35

HSL 39, 0.72%, 0.49%

LAB 67.3, 14.27, 64.84

 

CMYK 0 / 33 / 94 / 7

HEX #EC9E0E

RGB 236 158 14

HSL 38.92, 0.89%, 0.49%

LAB 71.09, 19.71, 73.58

 

CMYK 0 / 20 / 57 / 31

HEX #AF8C4B

RGB 175 140 75

HSL 39, 0.4%, 0.49%

LAB 60.23, 5.41, 39.31

 

CMYK 0 / 14 / 39 / 39

HEX #9B865F

RGB 155 134 95

HSL 39, 0.24%, 0.49%

LAB 56.92, 2.18, 23.95

 

CMYK 0 / 4 / 14 / 47

HEX #868073

RGB 134 128 115

HSL 41.05, 0.08%, 0.49%

LAB 53.75, -0.11, 7.86

 

CMYK 16 / 10 / 0 / 47

HEX #727A88

RGB 114 122 136

HSL 218.18, 0.09%, 0.49%

LAB 51.01, 0.12, -8.62

 

CMYK 40 / 26 / 0 / 39

HEX #5E749C

RGB 94 116 156

HSL 218.71, 0.25%, 0.49%

LAB 48.6, 2.5, -24.17

 

CMYK 0 / 50 / 57 / 31

HEX #AF574B

RGB 175 87 75

HSL 7.2, 0.4%, 0.49%

LAB 47.54, 34.75, 23.58

 

CMYK 0 / 35 / 57 / 31

HEX #AF714B

RGB 175 113 75

HSL 22.8, 0.4%, 0.49%

LAB 53.42, 20.51, 31.03

 

CMYK 0 / 20 / 57 / 31

HEX #AF8C4B

RGB 175 140 75

HSL 39, 0.4%, 0.49%

LAB 60.23, 5.41, 39.31

 

CMYK 0 / 5 / 57 / 31

HEX #AFA74B

RGB 175 167 75

HSL 55.2, 0.4%, 0.49%

LAB 67.47, -9.19, 47.7

 

CMYK 10 / 0 / 57 / 31

HEX #9DAF4B

RGB 157 175 75

HSL 70.8, 0.4%, 0.49%

LAB 68.27, -20.89, 48.22

 

CMYK 0 / 20 / 57 / 54

HEX #755E32

RGB 117 94 50

HSL 39.4, 0.4%, 0.33%

LAB 41.24, 3.49, 28.49

 

CMYK 0 / 20 / 57 / 43

HEX #92753F

RGB 146 117 63

HSL 39.04, 0.4%, 0.41%

LAB 50.91, 4.52, 33.75

 

CMYK 0 / 20 / 57 / 31

HEX #AF8C4B

RGB 175 140 75

HSL 39, 0.4%, 0.49%

LAB 60.23, 5.41, 39.31

 

CMYK 0 / 16 / 46 / 26

HEX #BD9F66

RGB 189 159 102

HSL 39.31, 0.4%, 0.57%

LAB 66.96, 3.46, 33.79

 

CMYK 0 / 12 / 35 / 21

HEX #CAB183

RGB 202 177 131

HSL 38.87, 0.4%, 0.65%

LAB 73.31, 2.34, 26.87

 

CMYK 0 / 20 / 57 / 31

HEX #AF8C4B

RGB 175 140 75

HSL 39, 0.4%, 0.49%

LAB 60.23, 5.41, 39.31

 

CMYK 49 / 0 / 57 / 31

HEX #5AAF4B

RGB 90 175 75

HSL 111, 0.4%, 0.49%

LAB 64.44, -45.32, 42.81

 

CMYK 43 / 57 / 0 / 31

HEX #644BAF

RGB 100 75 175

HSL 255, 0.4%, 0.49%

LAB 39.3, 34.85, -50.04

 

CMYK 0 / 20 / 57 / 31

HEX #AF8C4B

RGB 175 140 75

HSL 39, 0.4%, 0.49%

LAB 60.23, 5.41, 39.31

 

CMYK 57 / 0 / 20 / 31

HEX #4BAF8C

RGB 75 175 140

HSL 159, 0.4%, 0.49%

LAB 65, -37.72, 9.27

 

CMYK 20 / 57 / 0 / 31

HEX #8C4BAF

RGB 140 75 175

HSL 279, 0.4%, 0.49%

LAB 43.8, 44.83, -42.58

 

CMYK 0 / 20 / 57 / 31

HEX #AF8C4B

RGB 175 140 75

HSL 39, 0.4%, 0.49%

LAB 60.23, 5.41, 39.31

 

CMYK 49 / 0 / 57 / 31

HEX #5AAF4B

RGB 90 175 75

HSL 111, 0.4%, 0.49%

LAB 64.44, -45.32, 42.81

 

CMYK 57 / 37 / 0 / 31

HEX #4B6EAF

RGB 75 110 175

HSL 219, 0.4%, 0.49%

LAB 46.64, 7.33, -38.45

 

CMYK 9 / 57 / 0 / 31

HEX #A04BAF

RGB 160 75 175

HSL 291, 0.4%, 0.49%

LAB 46.45, 50.13, -38.23

 

CMYK 0 / 20 / 57 / 31

HEX #AF8C4B

RGB 175 140 75

HSL 39, 0.4%, 0.49%

LAB 60.23, 5.41, 39.31

 

CMYK 57 / 0 / 49 / 31

HEX #4BAF5A

RGB 75 175 90

HSL 129, 0.4%, 0.49%

LAB 64.07, -47.37, 34.85

 

CMYK 57 / 37 / 0 / 31

HEX #4B6EAF

RGB 75 110 175

HSL 219, 0.4%, 0.49%

LAB 46.64, 7.33, -38.45

 

CMYK 0 / 57 / 9 / 31

HEX #AF4BA0

RGB 175 75 160

HSL 309, 0.4%, 0.49%

LAB 47.86, 51.55, -27

 

Description

Color code: HEX #AF8C4B | qconv.com Color code: HEX #AF8C4B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 140 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 140 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 57 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 57% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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