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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF8BD4 it is the complementary color #50742B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF8BD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF8BD4 shade: #B48BCF, #C59DE2, #D6AFF5, #E7C1FF and #F8D3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF8BD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF8BD4 shade: #AF8BD4, #9E79C1, #8D67AE, #7C559B and #6B4388

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF8BD4 shade: #AF8BD4, #C38BD4, #D48BD1, #D48BBE and #D48BAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF8BD4 shade: #AF8BD4, #9B8BD4 and #8B8BD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF8BD4 shade matches the following richer shades: #AF8BD4, #AF7EE1, #AF72ED and #AE65FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF8BD4 shade: #AF8BD4, #AF98C7, #AFA5BA, #AFB1AD and #B0BEA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF8BD4 shade: #8B8FD4, #9B8BD4, #AE8BD4, #C28BD4 and #D48BD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF8BD4 shade: #854FBE, #9A6DC9, #AF8BD4, #C4A9DF and #D8C7EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF8BD4 shade: #AF8BD4, #D48BA2 and #8BD491

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF8BD4 shade: #AF8BD4, #D4AE8B and #8BD4AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF8BD4 shade: #AF8BD4, #D48BA2, #B1D48B and #8BD4BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF8BD4 shade: #AF8BD4, #D48B8C, #B1D48B and #8BD4D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 34 / 0 / 17

HEX #AF8BD4

RGB 175 139 212

HSL 269.59, 0.46%, 0.69%

LAB 63.62, 27.72, -32.4

 

Complementary color

CMYK 31 / 0 / 63 / 55

HEX #50742B

RGB 80 116 43

HSL 89.59, 0.46%, 0.31%

LAB 44.76, -25.93, 35.44

 

CMYK 13 / 33 / 0 / 19

HEX #B48BCF

RGB 180 139 207

HSL 276.18, 0.41%, 0.68%

LAB 63.9, 28.17, -29.14

 

CMYK 13 / 31 / 0 / 11

HEX #C59DE2

RGB 197 157 226

HSL 274.78, 0.54%, 0.75%

LAB 70.51, 27.52, -29.33

 

CMYK 13 / 29 / 0 / 4

HEX #D6AFF5

RGB 214 175 245

HSL 273.43, 0.78%, 0.82%

LAB 77.01, 26.92, -29.53

 

CMYK 9 / 24 / 0 / 0

HEX #E7C1FF

RGB 231 193 255

HSL 276.77, 1%, 0.88%

LAB 83.1, 24.55, -25.44

 

CMYK 3 / 17 / 0 / 0

HEX #F8D3FF

RGB 248 211 255

HSL 290.45, 1%, 0.91%

LAB 88.81, 20.42, -16.65

 

CMYK 17 / 34 / 0 / 17

HEX #AF8BD4

RGB 175 139 212

HSL 269.59, 0.46%, 0.69%

LAB 63.62, 27.72, -32.4

 

CMYK 18 / 37 / 0 / 24

HEX #9E79C1

RGB 158 121 193

HSL 270.83, 0.37%, 0.62%

LAB 56.87, 28.44, -32.3

 

CMYK 19 / 41 / 0 / 32

HEX #8D67AE

RGB 141 103 174

HSL 272.11, 0.3%, 0.54%

LAB 50, 29.22, -32.21

 

CMYK 20 / 45 / 0 / 39

HEX #7C559B

RGB 124 85 155

HSL 273.43, 0.29%, 0.47%

LAB 42.99, 30.07, -32.13

 

CMYK 21 / 51 / 0 / 47

HEX #6B4388

RGB 107 67 136

HSL 274.78, 0.34%, 0.4%

LAB 35.83, 30.98, -32.05

 

CMYK 17 / 34 / 0 / 17

HEX #AF8BD4

RGB 175 139 212

HSL 269.59, 0.46%, 0.69%

LAB 63.62, 27.72, -32.4

 

CMYK 8 / 34 / 0 / 17

HEX #C38BD4

RGB 195 139 212

HSL 286.03, 0.46%, 0.69%

LAB 65.61, 33.92, -29.16

 

CMYK 0 / 34 / 1 / 17

HEX #D48BD1

RGB 212 139 209

HSL 302.47, 0.46%, 0.69%

LAB 67.33, 38.71, -24.69

 

CMYK 0 / 34 / 10 / 17

HEX #D48BBE

RGB 212 139 190

HSL 318.08, 0.46%, 0.69%

LAB 66.66, 35.36, -15.1

 

CMYK 0 / 34 / 20 / 17

HEX #D48BAA

RGB 212 139 170

HSL 334.52, 0.46%, 0.69%

LAB 66.03, 32.15, -4.79

 

CMYK 17 / 34 / 0 / 17

HEX #AF8BD4

RGB 175 139 212

HSL 269.59, 0.46%, 0.69%

LAB 63.62, 27.72, -32.4

 

CMYK 27 / 34 / 0 / 17

HEX #9B8BD4

RGB 155 139 212

HSL 253.15, 0.46%, 0.69%

LAB 61.82, 21.72, -35.34

 

CMYK 34 / 34 / 0 / 17

HEX #8B8BD4

RGB 139 139 212

HSL 240, 0.46%, 0.69%

LAB 60.52, 17.14, -37.46

 

CMYK 17 / 34 / 0 / 17

HEX #AF8BD4

RGB 175 139 212

HSL 269.59, 0.46%, 0.69%

LAB 63.62, 27.72, -32.4

 

CMYK 22 / 44 / 0 / 12

HEX #AF7EE1

RGB 175 126 225

HSL 269.7, 0.62%, 0.69%

LAB 61.2, 37.95, -43.44

 

CMYK 26 / 52 / 0 / 7

HEX #AF72ED

RGB 175 114 237

HSL 269.76, 0.77%, 0.69%

LAB 59.22, 47.28, -53.26

 

CMYK 30 / 60 / 0 / 2

HEX #AE65FA

RGB 174 101 250

HSL 269.4, 0.94%, 0.69%

LAB 57.28, 56.85, -63.58

 

CMYK 17 / 34 / 0 / 17

HEX #AF8BD4

RGB 175 139 212

HSL 269.59, 0.46%, 0.69%

LAB 63.62, 27.72, -32.4

 

CMYK 12 / 24 / 0 / 22

HEX #AF98C7

RGB 175 152 199

HSL 269.36, 0.3%, 0.69%

LAB 66.29, 17.55, -21.05

 

CMYK 6 / 11 / 0 / 27

HEX #AFA5BA

RGB 175 165 186

HSL 268.57, 0.13%, 0.69%

LAB 69.16, 7.61, -9.48

 

CMYK 1 / 0 / 2 / 31

HEX #AFB1AD

RGB 175 177 173

HSL 90, 0.02%, 0.69%

LAB 71.94, -1.45, 1.79

 

CMYK 7 / 0 / 15 / 25

HEX #B0BEA1

RGB 176 190 161

HSL 88.97, 0.18%, 0.69%

LAB 75.22, -10.1, 13.03

 

CMYK 34 / 33 / 0 / 17

HEX #8B8FD4

RGB 139 143 212

HSL 236.71, 0.46%, 0.69%

LAB 61.56, 14.81, -35.84

 

CMYK 27 / 34 / 0 / 17

HEX #9B8BD4

RGB 155 139 212

HSL 253.15, 0.46%, 0.69%

LAB 61.82, 21.72, -35.34

 

CMYK 18 / 34 / 0 / 17

HEX #AE8BD4

RGB 174 139 212

HSL 268.77, 0.46%, 0.69%

LAB 63.52, 27.41, -32.56

 

CMYK 8 / 34 / 0 / 17

HEX #C28BD4

RGB 194 139 212

HSL 285.21, 0.46%, 0.69%

LAB 65.51, 33.6, -29.33

 

CMYK 0 / 34 / 0 / 17

HEX #D48BD3

RGB 212 139 211

HSL 300.82, 0.46%, 0.69%

LAB 67.4, 39.08, -25.69

 

CMYK 30 / 58 / 0 / 25

HEX #854FBE

RGB 133 79 190

HSL 269.19, 0.46%, 0.53%

LAB 44.65, 44.45, -50.06

 

CMYK 23 / 46 / 0 / 21

HEX #9A6DC9

RGB 154 109 201

HSL 269.35, 0.46%, 0.61%

LAB 54.05, 35.96, -41.31

 

CMYK 17 / 34 / 0 / 17

HEX #AF8BD4

RGB 175 139 212

HSL 269.59, 0.46%, 0.69%

LAB 63.62, 27.72, -32.4

 

CMYK 12 / 24 / 0 / 13

HEX #C4A9DF

RGB 196 169 223

HSL 270, 0.46%, 0.77%

LAB 73.18, 19.96, -23.6

 

CMYK 8 / 15 / 0 / 8

HEX #D8C7EA

RGB 216 199 234

HSL 269.14, 0.45%, 0.85%

LAB 82.59, 12.38, -15.14

 

CMYK 17 / 34 / 0 / 17

HEX #AF8BD4

RGB 175 139 212

HSL 269.59, 0.46%, 0.69%

LAB 63.62, 27.72, -32.4

 

CMYK 0 / 34 / 24 / 17

HEX #D48BA2

RGB 212 139 162

HSL 341.1, 0.46%, 0.69%

LAB 65.8, 30.95, -0.62

 

CMYK 34 / 0 / 32 / 17

HEX #8BD491

RGB 139 212 145

HSL 124.93, 0.46%, 0.69%

LAB 78.82, -36.21, 26.14

 

CMYK 17 / 34 / 0 / 17

HEX #AF8BD4

RGB 175 139 212

HSL 269.59, 0.46%, 0.69%

LAB 63.62, 27.72, -32.4

 

CMYK 0 / 18 / 34 / 17

HEX #D4AE8B

RGB 212 174 139

HSL 28.77, 0.46%, 0.69%

LAB 73.63, 8.9, 23.17

 

CMYK 34 / 0 / 18 / 17

HEX #8BD4AE

RGB 139 212 174

HSL 148.77, 0.46%, 0.69%

LAB 79.4, -30.9, 11.67

 

CMYK 17 / 34 / 0 / 17

HEX #AF8BD4

RGB 175 139 212

HSL 269.59, 0.46%, 0.69%

LAB 63.62, 27.72, -32.4

 

CMYK 0 / 34 / 24 / 17

HEX #D48BA2

RGB 212 139 162

HSL 341.1, 0.46%, 0.69%

LAB 65.8, 30.95, -0.62

 

CMYK 17 / 0 / 34 / 17

HEX #B1D48B

RGB 177 212 139

HSL 88.77, 0.46%, 0.69%

LAB 80.9, -24.18, 32.41

 

CMYK 34 / 0 / 11 / 17

HEX #8BD4BD

RGB 139 212 189

HSL 161.1, 0.46%, 0.69%

LAB 79.76, -27.79, 4.18

 

CMYK 17 / 34 / 0 / 17

HEX #AF8BD4

RGB 175 139 212

HSL 269.59, 0.46%, 0.69%

LAB 63.62, 27.72, -32.4

 

CMYK 0 / 34 / 34 / 17

HEX #D48B8C

RGB 212 139 140

HSL 359.18, 0.46%, 0.69%

LAB 65.24, 27.96, 10.99

 

CMYK 17 / 0 / 34 / 17

HEX #B1D48B

RGB 177 212 139

HSL 88.77, 0.46%, 0.69%

LAB 80.9, -24.18, 32.41

 

CMYK 34 / 0 / 0 / 17

HEX #8BD4D3

RGB 139 212 211

HSL 179.18, 0.46%, 0.69%

LAB 80.34, -22.82, -6.73

 

Description

Color code: HEX #AF8BD4 | qconv.com Color code: HEX #AF8BD4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 139 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 139 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 34 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 34% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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