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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF8B38 it is the complementary color #5074C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF8B38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF8B38 shade: #B48B33, #C59D46, #D6AF59, #E7C16C and #F8D37F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF8B38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF8B38 shade: #AF8B38, #9E7925, #8D6712, #7C5500 and #6B4300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF8B38 shade: #AE8A37, #AE6A37, #AE4A37 and #AE3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF8B38 shade: #AE8A37, #AEAB37, #92AE37, #72AE37 and #52AE37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF8B38 shade matches the following richer shades: #AE8A37, #C19225 and #D49912

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF8B38 shade: #AE8A37, #9C834A, #897C5C, #77746F and #646D81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF8B38 shade: #AE4937, #AE6937, #AE8937, #AEA837 and #95AE37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF8B38 shade: #705923, #8F712D, #AE8A37, #C6A049 and #CFB069

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF8B38 shade: #AF8B38, #45AE37 and #5937AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF8B38 shade: #AF8B38, #37AE89 and #8937AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF8B38 shade: #AF8B38, #45AE37, #375DAE and #A037AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF8B38 shade: #AF8B38, #37AE4D, #375DAE and #AE3799

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 68 / 31

HEX #AF8B38

RGB 175 139 56

HSL 41.85, 0.52%, 0.45%

LAB 59.77, 4.62, 48.05

 

Complementary color

CMYK 60 / 42 / 0 / 22

HEX #5074C7

RGB 80 116 199

HSL 221.85, 0.52%, 0.55%

LAB 49.88, 12.74, -47.15

 

CMYK 0 / 23 / 72 / 29

HEX #B48B33

RGB 180 139 51

HSL 40.93, 0.56%, 0.45%

LAB 60.26, 6.57, 50.96

 

CMYK 0 / 20 / 64 / 23

HEX #C59D46

RGB 197 157 70

HSL 41.1, 0.52%, 0.52%

LAB 66.84, 5.31, 49.92

 

CMYK 0 / 18 / 58 / 16

HEX #D6AF59

RGB 214 175 89

HSL 41.28, 0.6%, 0.59%

LAB 73.34, 4.24, 48.7

 

CMYK 0 / 16 / 53 / 9

HEX #E7C16C

RGB 231 193 108

HSL 41.46, 0.72%, 0.66%

LAB 79.73, 3.33, 47.43

 

CMYK 0 / 15 / 49 / 3

HEX #F8D37F

RGB 248 211 127

HSL 41.65, 0.9%, 0.74%

LAB 86.05, 2.55, 46.16

 

CMYK 0 / 21 / 68 / 31

HEX #AF8B38

RGB 175 139 56

HSL 41.85, 0.52%, 0.45%

LAB 59.77, 4.62, 48.05

 

CMYK 0 / 23 / 77 / 38

HEX #9E7925

RGB 158 121 37

HSL 41.65, 0.62%, 0.38%

LAB 53.03, 6.01, 48.88

 

CMYK 0 / 27 / 87 / 45

HEX #8D6712

RGB 141 103 18

HSL 41.46, 0.77%, 0.31%

LAB 46.19, 7.71, 48.85

 

CMYK 0 / 31 / 100 / 51

HEX #7C5500

RGB 124 85 0

HSL 41.13, 1%, 0.24%

LAB 39.21, 9.76, 47.55

 

CMYK 0 / 37 / 100 / 58

HEX #6B4300

RGB 107 67 0

HSL 37.57, 1%, 0.21%

LAB 32.12, 12.33, 41.76

 

CMYK 0 / 21 / 68 / 32

HEX #AE8A37

RGB 174 138 55

HSL 41.85, 0.52%, 0.45%

LAB 59.39, 4.67, 48.08

 

CMYK 0 / 39 / 68 / 32

HEX #AE6A37

RGB 174 106 55

HSL 25.71, 0.52%, 0.45%

LAB 51.36, 22.57, 39.34

 

CMYK 0 / 57 / 68 / 32

HEX #AE4A37

RGB 174 74 55

HSL 9.58, 0.52%, 0.45%

LAB 44.48, 39.63, 31.41

 

CMYK 0 / 68 / 68 / 32

HEX #AE3737

RGB 174 55 55

HSL 0, 0.52%, 0.45%

LAB 41.23, 48.28, 27.51

 

CMYK 0 / 21 / 68 / 32

HEX #AE8A37

RGB 174 138 55

HSL 41.85, 0.52%, 0.45%

LAB 59.39, 4.67, 48.08

 

CMYK 0 / 2 / 68 / 32

HEX #AEAB37

RGB 174 171 55

HSL 58.49, 0.52%, 0.45%

LAB 68.31, -13.04, 57.28

 

CMYK 16 / 0 / 68 / 32

HEX #92AE37

RGB 146 174 55

HSL 74.12, 0.52%, 0.45%

LAB 67.02, -26.43, 55.28

 

CMYK 34 / 0 / 68 / 32

HEX #72AE37

RGB 114 174 55

HSL 90.25, 0.52%, 0.45%

LAB 65.06, -38.89, 52.64

 

CMYK 53 / 0 / 68 / 32

HEX #52AE37

RGB 82 174 55

HSL 106.39, 0.52%, 0.45%

LAB 63.62, -49.3, 50.68

 

CMYK 0 / 21 / 68 / 32

HEX #AE8A37

RGB 174 138 55

HSL 41.85, 0.52%, 0.45%

LAB 59.39, 4.67, 48.08

 

CMYK 0 / 24 / 81 / 24

HEX #C19225

RGB 193 146 37

HSL 41.92, 0.68%, 0.45%

LAB 63.37, 7.92, 59.84

 

CMYK 0 / 28 / 92 / 17

HEX #D49912

RGB 212 153 18

HSL 41.75, 0.84%, 0.45%

LAB 67.14, 12.06, 68.79

 

CMYK 0 / 21 / 68 / 32

HEX #AE8A37

RGB 174 138 55

HSL 41.85, 0.52%, 0.45%

LAB 59.39, 4.67, 48.08

 

CMYK 0 / 16 / 53 / 39

HEX #9C834A

RGB 156 131 74

HSL 41.71, 0.36%, 0.45%

LAB 55.88, 2.02, 34.13

 

CMYK 0 / 9 / 33 / 46

HEX #897C5C

RGB 137 124 92

HSL 42.67, 0.2%, 0.45%

LAB 52.4, -0.18, 19.31

 

CMYK 0 / 3 / 7 / 53

HEX #77746F

RGB 119 116 111

HSL 37.5, 0.03%, 0.45%

LAB 48.96, 0.18, 3.16

 

CMYK 22 / 16 / 0 / 49

HEX #646D81

RGB 100 109 129

HSL 221.38, 0.13%, 0.45%

LAB 45.95, 1.28, -12.19

 

CMYK 0 / 58 / 68 / 32

HEX #AE4937

RGB 174 73 55

HSL 9.08, 0.52%, 0.45%

LAB 44.29, 40.12, 31.19

 

CMYK 0 / 40 / 68 / 32

HEX #AE6937

RGB 174 105 55

HSL 25.21, 0.52%, 0.45%

LAB 51.13, 23.13, 39.07

 

CMYK 0 / 21 / 68 / 32

HEX #AE8937

RGB 174 137 55

HSL 41.34, 0.52%, 0.45%

LAB 59.13, 5.23, 47.8

 

CMYK 0 / 3 / 68 / 32

HEX #AEA837

RGB 174 168 55

HSL 56.97, 0.52%, 0.45%

LAB 67.49, -11.49, 56.45

 

CMYK 14 / 0 / 68 / 32

HEX #95AE37

RGB 149 174 55

HSL 72.61, 0.52%, 0.45%

LAB 67.23, -25.19, 55.56

 

CMYK 0 / 21 / 69 / 56

HEX #705923

RGB 112 89 35

HSL 42.08, 0.52%, 0.29%

LAB 39.09, 2.9, 33.9

 

CMYK 0 / 21 / 69 / 44

HEX #8F712D

RGB 143 113 45

HSL 41.63, 0.52%, 0.37%

LAB 49.3, 4.09, 41

 

CMYK 0 / 21 / 68 / 32

HEX #AE8A37

RGB 174 138 55

HSL 41.85, 0.52%, 0.45%

LAB 59.39, 4.67, 48.08

 

CMYK 0 / 19 / 63 / 22

HEX #C6A049

RGB 198 160 73

HSL 41.76, 0.52%, 0.53%

LAB 67.75, 4.31, 49.54

 

CMYK 0 / 15 / 49 / 19

HEX #CFB069

RGB 207 176 105

HSL 41.76, 0.52%, 0.61%

LAB 73.11, 2.12, 40.32

 

CMYK 0 / 21 / 68 / 31

HEX #AF8B38

RGB 175 139 56

HSL 41.85, 0.52%, 0.45%

LAB 59.77, 4.62, 48.05

 

CMYK 60 / 0 / 68 / 32

HEX #45AE37

RGB 69 174 55

HSL 112.94, 0.52%, 0.45%

LAB 63.19, -52.72, 50.09

 

CMYK 49 / 68 / 0 / 32

HEX #5937AE

RGB 89 55 174

HSL 257.14, 0.52%, 0.45%

LAB 33.8, 43.79, -58.42

 

CMYK 0 / 21 / 68 / 31

HEX #AF8B38

RGB 175 139 56

HSL 41.85, 0.52%, 0.45%

LAB 59.77, 4.62, 48.05

 

CMYK 68 / 0 / 21 / 32

HEX #37AE89

RGB 55 174 137

HSL 161.34, 0.52%, 0.45%

LAB 64.07, -41.78, 9.53

 

CMYK 21 / 68 / 0 / 32

HEX #8937AE

RGB 137 55 174

HSL 281.34, 0.52%, 0.45%

LAB 39.76, 53.66, -48.49

 

CMYK 0 / 21 / 68 / 31

HEX #AF8B38

RGB 175 139 56

HSL 41.85, 0.52%, 0.45%

LAB 59.77, 4.62, 48.05

 

CMYK 60 / 0 / 68 / 32

HEX #45AE37

RGB 69 174 55

HSL 112.94, 0.52%, 0.45%

LAB 63.19, -52.72, 50.09

 

CMYK 68 / 47 / 0 / 32

HEX #375DAE

RGB 55 93 174

HSL 220.84, 0.52%, 0.45%

LAB 40.73, 13.94, -47.33

 

CMYK 8 / 68 / 0 / 32

HEX #A037AE

RGB 160 55 174

HSL 292.94, 0.52%, 0.45%

LAB 43.16, 58.85, -42.86

 

CMYK 0 / 21 / 68 / 31

HEX #AF8B38

RGB 175 139 56

HSL 41.85, 0.52%, 0.45%

LAB 59.77, 4.62, 48.05

 

CMYK 68 / 0 / 56 / 32

HEX #37AE4D

RGB 55 174 77

HSL 131.09, 0.52%, 0.45%

LAB 63.03, -53.23, 39.91

 

CMYK 68 / 47 / 0 / 32

HEX #375DAE

RGB 55 93 174

HSL 220.84, 0.52%, 0.45%

LAB 40.73, 13.94, -47.33

 

CMYK 0 / 68 / 12 / 32

HEX #AE3799

RGB 174 55 153

HSL 310.59, 0.52%, 0.45%

LAB 44.28, 58.7, -28.42

 

Description

Color code: HEX #AF8B38 | qconv.com Color code: HEX #AF8B38 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 139 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 139 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 68 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 68% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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