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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF89EE it is the complementary color #507611. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF89EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF89EE shade: #B489E9, #C59BFC, #D6ADFF, #E7BFFF and #F8D1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF89EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF89EE shade: #AF89EE, #9E77DB, #8D65C8, #7C53B5 and #6B41A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF89EE shade: #B08BEE, #CB8BEE, #E68BEE, #EE8BDC and #EE8BC1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF89EE shade: #B08BEE, #968BEE and #8B8BEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF89EE shade matches the following richer shades: #B08BEE and #AE80F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF89EE shade: #B08BEE, #B396E4, #B6A0D9, #B8ABCE and #BBB6C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF89EE shade: #8B9CEE, #958BEE, #AF8BEE, #CA8BEE and #E48BEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF89EE shade: #7F43E4, #9867E9, #B08BEE, #C9AFF4 and #E1D3F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF89EE shade: #AF89EE, #EE8BB6 and #8EEE8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF89EE shade: #AF89EE, #EEAF8B and #8BEEAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF89EE shade: #AF89EE, #EE8BB6, #CAEE8B and #8BEEC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF89EE shade: #AF89EE, #EE8B98, #CAEE8B and #8BEEE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 42 / 0 / 7

HEX #AF89EE

RGB 175 137 238

HSL 262.57, 0.75%, 0.74%

LAB 64.31, 34.87, -45.75

 

Complementary color

CMYK 32 / 0 / 86 / 54

HEX #507611

RGB 80 118 17

HSL 82.57, 0.75%, 0.26%

LAB 45.22, -28.74, 46.2

 

CMYK 23 / 41 / 0 / 9

HEX #B489E9

RGB 180 137 233

HSL 266.88, 0.69%, 0.73%

LAB 64.55, 35.09, -42.58

 

CMYK 22 / 38 / 0 / 1

HEX #C59BFC

RGB 197 155 252

HSL 265.98, 0.94%, 0.8%

LAB 71.11, 34.32, -42.6

 

CMYK 16 / 32 / 0 / 0

HEX #D6ADFF

RGB 214 173 255

HSL 270, 1%, 0.84%

LAB 76.92, 30.11, -35.05

 

CMYK 9 / 25 / 0 / 0

HEX #E7BFFF

RGB 231 191 255

HSL 277.5, 1%, 0.87%

LAB 82.63, 25.62, -26.15

 

CMYK 3 / 18 / 0 / 0

HEX #F8D1FF

RGB 248 209 255

HSL 290.87, 1%, 0.91%

LAB 88.34, 21.47, -17.36

 

CMYK 26 / 42 / 0 / 7

HEX #AF89EE

RGB 175 137 238

HSL 262.57, 0.75%, 0.74%

LAB 64.31, 34.87, -45.75

 

CMYK 28 / 46 / 0 / 14

HEX #9E77DB

RGB 158 119 219

HSL 263.4, 0.58%, 0.66%

LAB 57.63, 35.74, -45.82

 

CMYK 30 / 50 / 0 / 22

HEX #8D65C8

RGB 141 101 200

HSL 264.24, 0.47%, 0.59%

LAB 50.85, 36.69, -45.9

 

CMYK 31 / 54 / 0 / 29

HEX #7C53B5

RGB 124 83 181

HSL 265.1, 0.4%, 0.52%

LAB 43.96, 37.7, -45.98

 

CMYK 34 / 60 / 0 / 36

HEX #6B41A2

RGB 107 65 162

HSL 265.98, 0.43%, 0.45%

LAB 36.96, 38.75, -46.03

 

CMYK 26 / 42 / 0 / 7

HEX #B08BEE

RGB 176 139 238

HSL 262.42, 0.74%, 0.74%

LAB 64.86, 34.03, -44.88

 

CMYK 15 / 42 / 0 / 7

HEX #CB8BEE

RGB 203 139 238

HSL 278.79, 0.74%, 0.74%

LAB 67.53, 41.69, -40.5

 

CMYK 3 / 42 / 0 / 7

HEX #E68BEE

RGB 230 139 238

HSL 295.15, 0.74%, 0.74%

LAB 70.5, 49.55, -35.65

 

CMYK 0 / 42 / 8 / 7

HEX #EE8BDC

RGB 238 139 220

HSL 310.91, 0.74%, 0.74%

LAB 70.74, 48.78, -25.3

 

CMYK 0 / 42 / 19 / 7

HEX #EE8BC1

RGB 238 139 193

HSL 327.27, 0.74%, 0.74%

LAB 69.82, 44.51, -11.72

 

CMYK 26 / 42 / 0 / 7

HEX #B08BEE

RGB 176 139 238

HSL 262.42, 0.74%, 0.74%

LAB 64.86, 34.03, -44.88

 

CMYK 37 / 42 / 0 / 7

HEX #968BEE

RGB 150 139 238

HSL 246.67, 0.74%, 0.74%

LAB 62.61, 27.04, -48.57

 

CMYK 42 / 42 / 0 / 7

HEX #8B8BEE

RGB 139 139 238

HSL 240, 0.74%, 0.74%

LAB 61.76, 24.26, -49.97

 

CMYK 26 / 42 / 0 / 7

HEX #B08BEE

RGB 176 139 238

HSL 262.42, 0.74%, 0.74%

LAB 64.86, 34.03, -44.88

 

CMYK 30 / 49 / 0 / 2

HEX #AE80F9

RGB 174 128 249

HSL 262.81, 0.91%, 0.74%

LAB 62.74, 42.26, -54.29

 

CMYK 26 / 42 / 0 / 7

HEX #B08BEE

RGB 176 139 238

HSL 262.42, 0.74%, 0.74%

LAB 64.86, 34.03, -44.88

 

CMYK 21 / 34 / 0 / 11

HEX #B396E4

RGB 179 150 228

HSL 262.31, 0.59%, 0.74%

LAB 67.28, 26.37, -35.56

 

CMYK 16 / 26 / 0 / 15

HEX #B6A0D9

RGB 182 160 217

HSL 263.16, 0.43%, 0.74%

LAB 69.54, 19.22, -25.99

 

CMYK 11 / 17 / 0 / 19

HEX #B8ABCE

RGB 184 171 206

HSL 262.29, 0.26%, 0.74%

LAB 72.08, 11.41, -16.07

 

CMYK 5 / 7 / 0 / 23

HEX #BBB6C4

RGB 187 182 196

HSL 261.43, 0.11%, 0.74%

LAB 74.83, 4.4, -6.45

 

CMYK 42 / 34 / 0 / 7

HEX #8B9CEE

RGB 139 156 238

HSL 229.7, 0.74%, 0.74%

LAB 66.09, 14.41, -43.15

 

CMYK 37 / 42 / 0 / 7

HEX #958BEE

RGB 149 139 238

HSL 246.06, 0.74%, 0.74%

LAB 62.53, 26.78, -48.7

 

CMYK 26 / 42 / 0 / 7

HEX #AF8BEE

RGB 175 139 238

HSL 261.82, 0.74%, 0.74%

LAB 64.77, 33.75, -45.03

 

CMYK 15 / 42 / 0 / 7

HEX #CA8BEE

RGB 202 139 238

HSL 278.18, 0.74%, 0.74%

LAB 67.42, 41.4, -40.67

 

CMYK 4 / 42 / 0 / 7

HEX #E48BEE

RGB 228 139 238

HSL 293.94, 0.74%, 0.74%

LAB 70.27, 48.96, -36.02

 

CMYK 44 / 71 / 0 / 11

HEX #7F43E4

RGB 127 67 228

HSL 262.36, 0.75%, 0.58%

LAB 44.42, 58.93, -72.32

 

CMYK 35 / 56 / 0 / 9

HEX #9867E9

RGB 152 103 233

HSL 262.62, 0.75%, 0.66%

LAB 54.3, 46.64, -59.02

 

CMYK 26 / 42 / 0 / 7

HEX #B08BEE

RGB 176 139 238

HSL 262.42, 0.74%, 0.74%

LAB 64.86, 34.03, -44.88

 

CMYK 18 / 28 / 0 / 4

HEX #C9AFF4

RGB 201 175 244

HSL 262.61, 0.76%, 0.82%

LAB 75.83, 22.72, -30.91

 

CMYK 10 / 15 / 0 / 2

HEX #E1D3F9

RGB 225 211 249

HSL 262.11, 0.76%, 0.9%

LAB 86.72, 11.86, -16.82

 

CMYK 26 / 42 / 0 / 7

HEX #AF89EE

RGB 175 137 238

HSL 262.57, 0.75%, 0.74%

LAB 64.31, 34.87, -45.75

 

CMYK 0 / 42 / 24 / 7

HEX #EE8BB6

RGB 238 139 182

HSL 333.94, 0.74%, 0.74%

LAB 69.48, 42.91, -6.08

 

CMYK 40 / 0 / 42 / 7

HEX #8EEE8B

RGB 142 238 139

HSL 118.18, 0.74%, 0.74%

LAB 86.39, -47.65, 39.2

 

CMYK 26 / 42 / 0 / 7

HEX #AF89EE

RGB 175 137 238

HSL 262.57, 0.75%, 0.74%

LAB 64.31, 34.87, -45.75

 

CMYK 0 / 26 / 42 / 7

HEX #EEAF8B

RGB 238 175 139

HSL 21.82, 0.74%, 0.74%

LAB 76.5, 18.59, 27.48

 

CMYK 42 / 0 / 26 / 7

HEX #8BEEAF

RGB 139 238 175

HSL 141.82, 0.74%, 0.74%

LAB 86.87, -42.58, 21.59

 

CMYK 26 / 42 / 0 / 7

HEX #AF89EE

RGB 175 137 238

HSL 262.57, 0.75%, 0.74%

LAB 64.31, 34.87, -45.75

 

CMYK 0 / 42 / 24 / 7

HEX #EE8BB6

RGB 238 139 182

HSL 333.94, 0.74%, 0.74%

LAB 69.48, 42.91, -6.08

 

CMYK 15 / 0 / 42 / 7

HEX #CAEE8B

RGB 202 238 139

HSL 81.82, 0.74%, 0.74%

LAB 89.66, -27.48, 44.04

 

CMYK 42 / 0 / 18 / 7

HEX #8BEEC3

RGB 139 238 195

HSL 153.94, 0.74%, 0.74%

LAB 87.28, -38.68, 11.8

 

CMYK 26 / 42 / 0 / 7

HEX #AF89EE

RGB 175 137 238

HSL 262.57, 0.75%, 0.74%

LAB 64.31, 34.87, -45.75

 

CMYK 0 / 42 / 36 / 7

HEX #EE8B98

RGB 238 139 152

HSL 352.12, 0.74%, 0.74%

LAB 68.69, 39.03, 9.57

 

CMYK 15 / 0 / 42 / 7

HEX #CAEE8B

RGB 202 238 139

HSL 81.82, 0.74%, 0.74%

LAB 89.66, -27.48, 44.04

 

CMYK 42 / 0 / 5 / 7

HEX #8BEEE1

RGB 139 238 225

HSL 172.12, 0.74%, 0.74%

LAB 88, -32.11, -2.83

 

Description

Color code: HEX #AF89EE | qconv.com Color code: HEX #AF89EE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 137 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 137 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 42 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 42% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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