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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF8829 it is the complementary color #5077D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF8829. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF8829 shade: #B48824, #C59A37, #D6AC4A, #E7BE5D and #F8D070

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF8829. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF8829 shade: #AF8829, #9E7616, #8D6403, #7C5200 and #6B4000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF8829 shade: #AE8729, #AE6329, #AE3F29 and #AE2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF8829 shade: #AE8729, #AEAB29, #8DAE29, #69AE29 and #45AE29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF8829 shade matches the following richer shades: #AE8729, #BF8E17 and #D09506

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF8829 shade: #AE8729, #9C803A, #8B784B, #7A715D and #686A6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF8829 shade: #AE3F29, #AE6229, #AE8629, #AEA929 and #8FAE29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF8829 shade: #6B5319, #8C6D21, #AE8729, #CFA131 and #D6B052

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF8829 shade: #AF8829, #36AE29 and #5129AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF8829 shade: #AF8829, #29AE86 and #8629AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF8829 shade: #AF8829, #36AE29, #2951AE and #A029AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF8829 shade: #AF8829, #29AE43, #2951AE and #AE2993

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 77 / 31

HEX #AF8829

RGB 175 136 41

HSL 42.54, 0.62%, 0.42%

LAB 58.87, 5.52, 53.53

 

Complementary color

CMYK 63 / 44 / 0 / 16

HEX #5077D6

RGB 80 119 214

HSL 222.54, 0.62%, 0.58%

LAB 51.56, 15.99, -53.01

 

CMYK 0 / 24 / 80 / 29

HEX #B48824

RGB 180 136 36

HSL 41.67, 0.67%, 0.42%

LAB 59.38, 7.57, 56.06

 

CMYK 0 / 22 / 72 / 23

HEX #C59A37

RGB 197 154 55

HSL 41.83, 0.56%, 0.49%

LAB 65.95, 6.08, 55.61

 

CMYK 0 / 20 / 65 / 16

HEX #D6AC4A

RGB 214 172 74

HSL 42, 0.63%, 0.56%

LAB 72.43, 4.82, 54.68

 

CMYK 0 / 18 / 60 / 9

HEX #E7BE5D

RGB 231 190 93

HSL 42.17, 0.74%, 0.64%

LAB 78.81, 3.75, 53.53

 

CMYK 0 / 16 / 55 / 3

HEX #F8D070

RGB 248 208 112

HSL 42.35, 0.91%, 0.71%

LAB 85.12, 2.83, 52.31

 

CMYK 0 / 22 / 77 / 31

HEX #AF8829

RGB 175 136 41

HSL 42.54, 0.62%, 0.42%

LAB 58.87, 5.52, 53.53

 

CMYK 0 / 25 / 86 / 38

HEX #9E7616

RGB 158 118 22

HSL 42.35, 0.76%, 0.35%

LAB 52.16, 7.16, 53.43

 

CMYK 0 / 29 / 98 / 45

HEX #8D6403

RGB 141 100 3

HSL 42.17, 0.96%, 0.28%

LAB 45.34, 9.13, 51.95

 

CMYK 0 / 34 / 100 / 51

HEX #7C5200

RGB 124 82 0

HSL 39.68, 1%, 0.24%

LAB 38.41, 11.54, 47.01

 

CMYK 0 / 40 / 100 / 58

HEX #6B4000

RGB 107 64 0

HSL 35.89, 1%, 0.21%

LAB 31.33, 14.17, 41.22

 

CMYK 0 / 22 / 76 / 32

HEX #AE8729

RGB 174 135 41

HSL 42.41, 0.62%, 0.42%

LAB 58.5, 5.62, 53.14

 

CMYK 0 / 43 / 76 / 32

HEX #AE6329

RGB 174 99 41

HSL 26.17, 0.62%, 0.42%

LAB 49.6, 25.72, 44.4

 

CMYK 0 / 64 / 76 / 32

HEX #AE3F29

RGB 174 63 41

HSL 9.92, 0.62%, 0.42%

LAB 42.33, 44.15, 36.87

 

CMYK 0 / 76 / 76 / 32

HEX #AE2929

RGB 174 41 41

HSL 0, 0.62%, 0.42%

LAB 39.15, 52.84, 33.43

 

CMYK 0 / 22 / 76 / 32

HEX #AE8729

RGB 174 135 41

HSL 42.41, 0.62%, 0.42%

LAB 58.5, 5.62, 53.14

 

CMYK 0 / 2 / 76 / 32

HEX #AEAB29

RGB 174 171 41

HSL 58.65, 0.62%, 0.42%

LAB 68.23, -13.71, 62.24

 

CMYK 19 / 0 / 76 / 32

HEX #8DAE29

RGB 141 174 41

HSL 74.89, 0.62%, 0.42%

LAB 66.59, -29.27, 59.81

 

CMYK 40 / 0 / 76 / 32

HEX #69AE29

RGB 105 174 41

HSL 91.13, 0.62%, 0.42%

LAB 64.51, -43.04, 57.1

 

CMYK 60 / 0 / 76 / 32

HEX #45AE29

RGB 69 174 41

HSL 107.37, 0.62%, 0.42%

LAB 63.09, -53.83, 55.24

 

CMYK 0 / 22 / 76 / 32

HEX #AE8729

RGB 174 135 41

HSL 42.41, 0.62%, 0.42%

LAB 58.5, 5.62, 53.14

 

CMYK 0 / 26 / 88 / 25

HEX #BF8E17

RGB 191 142 23

HSL 42.5, 0.79%, 0.42%

LAB 62.07, 8.82, 62.77

 

CMYK 0 / 28 / 97 / 18

HEX #D09506

RGB 208 149 6

HSL 42.48, 0.94%, 0.42%

LAB 65.68, 12.31, 69.35

 

CMYK 0 / 22 / 76 / 32

HEX #AE8729

RGB 174 135 41

HSL 42.41, 0.62%, 0.42%

LAB 58.5, 5.62, 53.14

 

CMYK 0 / 18 / 63 / 39

HEX #9C803A

RGB 156 128 58

HSL 42.86, 0.46%, 0.42%

LAB 54.88, 2.38, 41.19

 

CMYK 0 / 14 / 46 / 45

HEX #8B784B

RGB 139 120 75

HSL 42.19, 0.3%, 0.42%

LAB 51.19, 0.87, 27.37

 

CMYK 0 / 7 / 24 / 52

HEX #7A715D

RGB 122 113 93

HSL 41.38, 0.13%, 0.42%

LAB 47.93, -0.01, 12.38

 

CMYK 5 / 4 / 0 / 57

HEX #686A6E

RGB 104 106 110

HSL 220, 0.03%, 0.42%

LAB 44.77, 0.08, -2.51

 

CMYK 0 / 64 / 76 / 32

HEX #AE3F29

RGB 174 63 41

HSL 9.92, 0.62%, 0.42%

LAB 42.33, 44.15, 36.87

 

CMYK 0 / 44 / 76 / 32

HEX #AE6229

RGB 174 98 41

HSL 25.71, 0.62%, 0.42%

LAB 49.37, 26.27, 44.17

 

CMYK 0 / 23 / 76 / 32

HEX #AE8629

RGB 174 134 41

HSL 41.95, 0.62%, 0.42%

LAB 58.23, 6.17, 52.89

 

CMYK 0 / 3 / 76 / 32

HEX #AEA929

RGB 174 169 41

HSL 57.74, 0.62%, 0.42%

LAB 67.68, -12.68, 61.73

 

CMYK 18 / 0 / 76 / 32

HEX #8FAE29

RGB 143 174 41

HSL 73.98, 0.62%, 0.42%

LAB 66.73, -28.45, 59.99

 

CMYK 0 / 22 / 77 / 58

HEX #6B5319

RGB 107 83 25

HSL 42.44, 0.62%, 0.26%

LAB 36.71, 3.47, 36.09

 

CMYK 0 / 22 / 76 / 45

HEX #8C6D21

RGB 140 109 33

HSL 42.62, 0.62%, 0.34%

LAB 47.78, 4.33, 44.75

 

CMYK 0 / 22 / 76 / 32

HEX #AE8729

RGB 174 135 41

HSL 42.41, 0.62%, 0.42%

LAB 58.5, 5.62, 53.14

 

CMYK 0 / 22 / 76 / 19

HEX #CFA131

RGB 207 161 49

HSL 42.53, 0.62%, 0.5%

LAB 68.73, 6.41, 61.05

 

CMYK 0 / 18 / 62 / 16

HEX #D6B052

RGB 214 176 82

HSL 42.73, 0.62%, 0.58%

LAB 73.52, 3.21, 52.22

 

CMYK 0 / 22 / 77 / 31

HEX #AF8829

RGB 175 136 41

HSL 42.54, 0.62%, 0.42%

LAB 58.87, 5.52, 53.53

 

CMYK 69 / 0 / 76 / 32

HEX #36AE29

RGB 54 174 41

HSL 114.14, 0.62%, 0.42%

LAB 62.69, -57.15, 54.71

 

CMYK 53 / 76 / 0 / 32

HEX #5129AE

RGB 81 41 174

HSL 258.05, 0.62%, 0.42%

LAB 30.38, 49.71, -64.05

 

CMYK 0 / 22 / 77 / 31

HEX #AF8829

RGB 175 136 41

HSL 42.54, 0.62%, 0.42%

LAB 58.87, 5.52, 53.53

 

CMYK 76 / 0 / 23 / 32

HEX #29AE86

RGB 41 174 134

HSL 161.95, 0.62%, 0.42%

LAB 63.73, -44.51, 10.66

 

CMYK 23 / 76 / 0 / 32

HEX #8629AE

RGB 134 41 174

HSL 281.95, 0.62%, 0.42%

LAB 37.32, 58.72, -52.45

 

CMYK 0 / 22 / 77 / 31

HEX #AF8829

RGB 175 136 41

HSL 42.54, 0.62%, 0.42%

LAB 58.87, 5.52, 53.53

 

CMYK 69 / 0 / 76 / 32

HEX #36AE29

RGB 54 174 41

HSL 114.14, 0.62%, 0.42%

LAB 62.69, -57.15, 54.71

 

CMYK 76 / 53 / 0 / 32

HEX #2951AE

RGB 41 81 174

HSL 221.95, 0.62%, 0.42%

LAB 36.77, 19.84, -53.75

 

CMYK 8 / 76 / 0 / 32

HEX #A029AE

RGB 160 41 174

HSL 293.68, 0.62%, 0.42%

LAB 41.4, 63.85, -45.66

 

CMYK 0 / 22 / 77 / 31

HEX #AF8829

RGB 175 136 41

HSL 42.54, 0.62%, 0.42%

LAB 58.87, 5.52, 53.53

 

CMYK 76 / 0 / 61 / 32

HEX #29AE43

RGB 41 174 67

HSL 131.73, 0.62%, 0.42%

LAB 62.63, -56.87, 44.08

 

CMYK 76 / 53 / 0 / 32

HEX #2951AE

RGB 41 81 174

HSL 221.95, 0.62%, 0.42%

LAB 36.77, 19.84, -53.75

 

CMYK 0 / 76 / 16 / 32

HEX #AE2993

RGB 174 41 147

HSL 312.18, 0.62%, 0.42%

LAB 42.29, 62.62, -27.9

 

Description

Color code: HEX #AF8829 | qconv.com Color code: HEX #AF8829 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 136 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 136 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 77 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 77% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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