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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF87D1 it is the complementary color #50782E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF87D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF87D1 shade: #B487CC, #C599DF, #D6ABF2, #E7BDFF and #F8CFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF87D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF87D1 shade: #AF87D1, #9E75BE, #8D63AB, #7C5198 and #6B3F85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF87D1 shade: #AE85D1, #C285D1, #D185CB, #D185B6 and #D185A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF87D1 shade: #AE85D1, #9985D1 and #8585D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF87D1 shade matches the following richer shades: #AE85D1, #AF77DE, #B06AEC and #B15CFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF87D1 shade: #AE85D1, #AD93C3, #ACA0B5, #ABAEA8 and #AABB9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF87D1 shade: #8585D1, #9985D1, #AD85D1, #C285D1 and #D185CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF87D1 shade: #8649BA, #9A67C5, #AE85D1, #C2A3DC and #D6C1E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF87D1 shade: #AF87D1, #D18599 and #85D18F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF87D1 shade: #AF87D1, #D1AD85 and #85D1AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF87D1 shade: #AF87D1, #D18599, #A8D185 and #85D1BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF87D1 shade: #AF87D1, #D18885, #A8D185 and #85CED1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 35 / 0 / 18

HEX #AF87D1

RGB 175 135 209

HSL 272.43, 0.45%, 0.67%

LAB 62.55, 29.3, -32.39

 

Complementary color

CMYK 33 / 0 / 62 / 53

HEX #50782E

RGB 80 120 46

HSL 92.43, 0.45%, 0.33%

LAB 46.09, -27.58, 35.48

 

CMYK 12 / 34 / 0 / 20

HEX #B487CC

RGB 180 135 204

HSL 279.13, 0.4%, 0.66%

LAB 62.84, 29.77, -29.1

 

CMYK 12 / 31 / 0 / 13

HEX #C599DF

RGB 197 153 223

HSL 277.71, 0.52%, 0.74%

LAB 69.46, 29.1, -29.3

 

CMYK 12 / 29 / 0 / 5

HEX #D6ABF2

RGB 214 171 242

HSL 276.34, 0.73%, 0.81%

LAB 75.97, 28.47, -29.52

 

CMYK 9 / 26 / 0 / 0

HEX #E7BDFF

RGB 231 189 255

HSL 278.18, 1%, 0.87%

LAB 82.17, 26.69, -26.86

 

CMYK 3 / 19 / 0 / 0

HEX #F8CFFF

RGB 248 207 255

HSL 291.25, 1%, 0.91%

LAB 87.87, 22.53, -18.06

 

CMYK 16 / 35 / 0 / 18

HEX #AF87D1

RGB 175 135 209

HSL 272.43, 0.45%, 0.67%

LAB 62.55, 29.3, -32.39

 

CMYK 17 / 38 / 0 / 25

HEX #9E75BE

RGB 158 117 190

HSL 273.7, 0.36%, 0.6%

LAB 55.8, 30.04, -32.27

 

CMYK 18 / 42 / 0 / 33

HEX #8D63AB

RGB 141 99 171

HSL 275, 0.3%, 0.53%

LAB 48.92, 30.84, -32.16

 

CMYK 18 / 47 / 0 / 40

HEX #7C5198

RGB 124 81 152

HSL 276.34, 0.3%, 0.46%

LAB 41.9, 31.7, -32.04

 

CMYK 20 / 53 / 0 / 48

HEX #6B3F85

RGB 107 63 133

HSL 277.71, 0.36%, 0.38%

LAB 34.75, 32.6, -31.9

 

CMYK 17 / 36 / 0 / 18

HEX #AE85D1

RGB 174 133 209

HSL 272.37, 0.45%, 0.67%

LAB 61.98, 30.12, -33.28

 

CMYK 7 / 36 / 0 / 18

HEX #C285D1

RGB 194 133 209

HSL 288.16, 0.45%, 0.67%

LAB 64.04, 36.28, -29.92

 

CMYK 0 / 36 / 3 / 18

HEX #D185CB

RGB 209 133 203

HSL 304.74, 0.45%, 0.67%

LAB 65.47, 39.87, -24.22

 

CMYK 0 / 36 / 13 / 18

HEX #D185B6

RGB 209 133 182

HSL 321.32, 0.45%, 0.67%

LAB 64.73, 36.24, -13.54

 

CMYK 0 / 36 / 22 / 18

HEX #D185A2

RGB 209 133 162

HSL 337.11, 0.45%, 0.67%

LAB 64.11, 33.11, -3.14

 

CMYK 17 / 36 / 0 / 18

HEX #AE85D1

RGB 174 133 209

HSL 272.37, 0.45%, 0.67%

LAB 61.98, 30.12, -33.28

 

CMYK 27 / 36 / 0 / 18

HEX #9985D1

RGB 153 133 209

HSL 255.79, 0.45%, 0.67%

LAB 60.02, 23.85, -36.47

 

CMYK 36 / 36 / 0 / 18

HEX #8585D1

RGB 133 133 209

HSL 240, 0.45%, 0.67%

LAB 58.38, 18.18, -39.16

 

CMYK 17 / 36 / 0 / 18

HEX #AE85D1

RGB 174 133 209

HSL 272.37, 0.45%, 0.67%

LAB 61.98, 30.12, -33.28

 

CMYK 21 / 46 / 0 / 13

HEX #AF77DE

RGB 175 119 222

HSL 272.62, 0.61%, 0.67%

LAB 59.51, 41.12, -44.42

 

CMYK 25 / 55 / 0 / 7

HEX #B06AEC

RGB 176 106 236

HSL 272.31, 0.77%, 0.67%

LAB 57.65, 51.53, -55.19

 

CMYK 29 / 63 / 0 / 2

HEX #B15CFA

RGB 177 92 250

HSL 272.28, 0.94%, 0.67%

LAB 55.99, 61.92, -65.63

 

CMYK 17 / 36 / 0 / 18

HEX #AE85D1

RGB 174 133 209

HSL 272.37, 0.45%, 0.67%

LAB 61.98, 30.12, -33.28

 

CMYK 11 / 25 / 0 / 24

HEX #AD93C3

RGB 173 147 195

HSL 272.5, 0.29%, 0.67%

LAB 64.72, 18.86, -21.22

 

CMYK 5 / 12 / 0 / 29

HEX #ACA0B5

RGB 172 160 181

HSL 274.29, 0.12%, 0.67%

LAB 67.46, 8.34, -9.27

 

CMYK 2 / 0 / 3 / 32

HEX #ABAEA8

RGB 171 174 168

HSL 90, 0.04%, 0.67%

LAB 70.7, -2.18, 2.7

 

CMYK 9 / 0 / 18 / 27

HEX #AABB9A

RGB 170 187 154

HSL 90.91, 0.2%, 0.67%

LAB 73.82, -11.89, 14.77

 

CMYK 36 / 36 / 0 / 18

HEX #8585D1

RGB 133 133 209

HSL 240, 0.45%, 0.67%

LAB 58.38, 18.18, -39.16

 

CMYK 27 / 36 / 0 / 18

HEX #9985D1

RGB 153 133 209

HSL 255.79, 0.45%, 0.67%

LAB 60.02, 23.85, -36.47

 

CMYK 17 / 36 / 0 / 18

HEX #AD85D1

RGB 173 133 209

HSL 271.58, 0.45%, 0.67%

LAB 61.88, 29.82, -33.44

 

CMYK 7 / 36 / 0 / 18

HEX #C285D1

RGB 194 133 209

HSL 288.16, 0.45%, 0.67%

LAB 64.04, 36.28, -29.92

 

CMYK 0 / 36 / 2 / 18

HEX #D185CC

RGB 209 133 204

HSL 303.95, 0.45%, 0.67%

LAB 65.51, 40.05, -24.72

 

CMYK 28 / 61 / 0 / 27

HEX #8649BA

RGB 134 73 186

HSL 272.39, 0.45%, 0.51%

LAB 43.33, 46.92, -49.85

 

CMYK 22 / 48 / 0 / 23

HEX #9A67C5

RGB 154 103 197

HSL 272.55, 0.45%, 0.59%

LAB 52.51, 38.39, -41.46

 

CMYK 17 / 36 / 0 / 18

HEX #AE85D1

RGB 174 133 209

HSL 272.37, 0.45%, 0.67%

LAB 61.98, 30.12, -33.28

 

CMYK 12 / 26 / 0 / 14

HEX #C2A3DC

RGB 194 163 220

HSL 272.63, 0.45%, 0.75%

LAB 71.44, 22, -24.63

 

CMYK 7 / 16 / 0 / 9

HEX #D6C1E7

RGB 214 193 231

HSL 273.16, 0.44%, 0.83%

LAB 80.85, 14.35, -16.16

 

CMYK 16 / 35 / 0 / 18

HEX #AF87D1

RGB 175 135 209

HSL 272.43, 0.45%, 0.67%

LAB 62.55, 29.3, -32.39

 

CMYK 0 / 36 / 27 / 18

HEX #D18599

RGB 209 133 153

HSL 344.21, 0.45%, 0.67%

LAB 63.86, 31.81, 1.6

 

CMYK 36 / 0 / 32 / 18

HEX #85D18F

RGB 133 209 143

HSL 127.89, 0.45%, 0.67%

LAB 77.62, -37.04, 25.52

 

CMYK 16 / 35 / 0 / 18

HEX #AF87D1

RGB 175 135 209

HSL 272.43, 0.45%, 0.67%

LAB 62.55, 29.3, -32.39

 

CMYK 0 / 17 / 36 / 18

HEX #D1AD85

RGB 209 173 133

HSL 31.58, 0.45%, 0.67%

LAB 72.98, 7.51, 25.47

 

CMYK 36 / 0 / 17 / 18

HEX #85D1AD

RGB 133 209 173

HSL 151.58, 0.45%, 0.67%

LAB 78.23, -31.42, 10.49

 

CMYK 16 / 35 / 0 / 18

HEX #AF87D1

RGB 175 135 209

HSL 272.43, 0.45%, 0.67%

LAB 62.55, 29.3, -32.39

 

CMYK 0 / 36 / 27 / 18

HEX #D18599

RGB 209 133 153

HSL 344.21, 0.45%, 0.67%

LAB 63.86, 31.81, 1.6

 

CMYK 20 / 0 / 36 / 18

HEX #A8D185

RGB 168 209 133

HSL 92.37, 0.45%, 0.67%

LAB 79.4, -26.81, 33.4

 

CMYK 36 / 0 / 10 / 18

HEX #85D1BD

RGB 133 209 189

HSL 164.21, 0.45%, 0.67%

LAB 78.61, -28.02, 2.49

 

CMYK 16 / 35 / 0 / 18

HEX #AF87D1

RGB 175 135 209

HSL 272.43, 0.45%, 0.67%

LAB 62.55, 29.3, -32.39

 

CMYK 0 / 35 / 36 / 18

HEX #D18885

RGB 209 136 133

HSL 2.37, 0.45%, 0.67%

LAB 64.05, 27.58, 13.2

 

CMYK 20 / 0 / 36 / 18

HEX #A8D185

RGB 168 209 133

HSL 92.37, 0.45%, 0.67%

LAB 79.4, -26.81, 33.4

 

CMYK 36 / 1 / 0 / 18

HEX #85CED1

RGB 133 206 209

HSL 182.37, 0.45%, 0.67%

LAB 78.31, -21.9, -8.7

 

Description

Color code: HEX #AF87D1 | qconv.com Color code: HEX #AF87D1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 135 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 135 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 35 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 35% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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