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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF85CC it is the complementary color #507A33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF85CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF85CC shade: #B485C7, #C597DA, #D6A9ED, #E7BBFF and #F8CDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF85CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF85CC shade: #AF85CC, #9E73B9, #8D61A6, #7C4F93 and #6B3D80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF85CC shade: #AF85CC, #C285CC, #CC85C3, #CC85AF and #CC859C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF85CC shade: #AF85CC, #9C85CC, #8885CC and #8585CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF85CC shade matches the following richer shades: #AF85CC, #B177DA, #B469E8 and #B75BF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF85CC shade: #AF85CC, #AC93BE, #AAA1B0, #A7AFA2 and #A5BD94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF85CC shade: #8885CC, #9B85CC, #AE85CC, #C185CC and #CC85C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF85CC shade: #894BB3, #9C68C0, #AF85CC, #C2A2D8 and #D5BFE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF85CC shade: #AF85CC, #CC8594 and #85CC92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF85CC shade: #AF85CC, #CCAE85 and #85CCAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF85CC shade: #AF85CC, #CC8594, #A2CC85 and #85CCBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF85CC shade: #AF85CC, #CC8B85, #A2CC85 and #85C6CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 35 / 0 / 20

HEX #AF85CC

RGB 175 133 204

HSL 275.49, 0.41%, 0.66%

LAB 61.87, 29.33, -30.63

 

Complementary color

CMYK 34 / 0 / 58 / 52

HEX #507A33

RGB 80 122 51

HSL 95.49, 0.41%, 0.34%

LAB 46.79, -28, 33.8

 

CMYK 10 / 33 / 0 / 22

HEX #B485C7

RGB 180 133 199

HSL 282.73, 0.37%, 0.65%

LAB 62.17, 29.84, -27.31

 

CMYK 10 / 31 / 0 / 15

HEX #C597DA

RGB 197 151 218

HSL 281.19, 0.48%, 0.72%

LAB 68.8, 29.17, -27.56

 

CMYK 10 / 29 / 0 / 7

HEX #D6A9ED

RGB 214 169 237

HSL 279.71, 0.65%, 0.8%

LAB 75.32, 28.54, -27.8

 

CMYK 9 / 27 / 0 / 0

HEX #E7BBFF

RGB 231 187 255

HSL 278.82, 1%, 0.87%

LAB 81.7, 27.76, -27.57

 

CMYK 3 / 20 / 0 / 0

HEX #F8CDFF

RGB 248 205 255

HSL 291.6, 1%, 0.9%

LAB 87.41, 23.58, -18.76

 

CMYK 14 / 35 / 0 / 20

HEX #AF85CC

RGB 175 133 204

HSL 275.49, 0.41%, 0.66%

LAB 61.87, 29.33, -30.63

 

CMYK 15 / 38 / 0 / 27

HEX #9E73B9

RGB 158 115 185

HSL 276.86, 0.33%, 0.59%

LAB 55.11, 30.07, -30.48

 

CMYK 15 / 42 / 0 / 35

HEX #8D61A6

RGB 141 97 166

HSL 278.26, 0.28%, 0.52%

LAB 48.22, 30.86, -30.32

 

CMYK 16 / 46 / 0 / 42

HEX #7C4F93

RGB 124 79 147

HSL 279.71, 0.3%, 0.44%

LAB 41.19, 31.71, -30.16

 

CMYK 16 / 52 / 0 / 50

HEX #6B3D80

RGB 107 61 128

HSL 281.19, 0.35%, 0.37%

LAB 34.03, 32.58, -29.95

 

CMYK 14 / 35 / 0 / 20

HEX #AF85CC

RGB 175 133 204

HSL 275.49, 0.41%, 0.66%

LAB 61.87, 29.33, -30.63

 

CMYK 5 / 35 / 0 / 20

HEX #C285CC

RGB 194 133 204

HSL 291.55, 0.41%, 0.66%

LAB 63.84, 35.29, -27.43

 

CMYK 0 / 35 / 4 / 20

HEX #CC85C3

RGB 204 133 195

HSL 307.61, 0.41%, 0.66%

LAB 64.61, 36.81, -21.1

 

CMYK 0 / 35 / 14 / 20

HEX #CC85AF

RGB 204 133 175

HSL 324.51, 0.41%, 0.66%

LAB 63.92, 33.38, -10.85

 

CMYK 0 / 35 / 24 / 20

HEX #CC859C

RGB 204 133 156

HSL 340.56, 0.41%, 0.66%

LAB 63.35, 30.42, -0.92

 

CMYK 14 / 35 / 0 / 20

HEX #AF85CC

RGB 175 133 204

HSL 275.49, 0.41%, 0.66%

LAB 61.87, 29.33, -30.63

 

CMYK 24 / 35 / 0 / 20

HEX #9C85CC

RGB 156 133 204

HSL 259.44, 0.41%, 0.66%

LAB 60.07, 23.52, -33.56

 

CMYK 33 / 35 / 0 / 20

HEX #8885CC

RGB 136 133 204

HSL 242.54, 0.41%, 0.66%

LAB 58.39, 17.67, -36.32

 

CMYK 35 / 35 / 0 / 20

HEX #8585CC

RGB 133 133 204

HSL 240, 0.41%, 0.66%

LAB 58.15, 16.83, -36.7

 

CMYK 14 / 35 / 0 / 20

HEX #AF85CC

RGB 175 133 204

HSL 275.49, 0.41%, 0.66%

LAB 61.87, 29.33, -30.63

 

CMYK 19 / 45 / 0 / 15

HEX #B177DA

RGB 177 119 218

HSL 275.15, 0.57%, 0.66%

LAB 59.53, 40.79, -42.14

 

CMYK 22 / 55 / 0 / 9

HEX #B469E8

RGB 180 105 232

HSL 275.43, 0.73%, 0.66%

LAB 57.69, 52.14, -52.87

 

CMYK 26 / 63 / 0 / 4

HEX #B75BF6

RGB 183 91 246

HSL 275.61, 0.9%, 0.66%

LAB 56.29, 62.8, -62.89

 

CMYK 14 / 35 / 0 / 20

HEX #AF85CC

RGB 175 133 204

HSL 275.49, 0.41%, 0.66%

LAB 61.87, 29.33, -30.63

 

CMYK 9 / 23 / 0 / 25

HEX #AC93BE

RGB 172 147 190

HSL 274.88, 0.25%, 0.66%

LAB 64.45, 17.47, -18.84

 

CMYK 3 / 9 / 0 / 31

HEX #AAA1B0

RGB 170 161 176

HSL 276, 0.09%, 0.66%

LAB 67.4, 6.1, -6.58

 

CMYK 5 / 0 / 7 / 31

HEX #A7AFA2

RGB 167 175 162

HSL 96.92, 0.08%, 0.66%

LAB 70.51, -5.25, 5.69

 

CMYK 13 / 0 / 22 / 26

HEX #A5BD94

RGB 165 189 148

HSL 95.12, 0.24%, 0.66%

LAB 73.89, -15.72, 18.06

 

CMYK 33 / 35 / 0 / 20

HEX #8885CC

RGB 136 133 204

HSL 242.54, 0.41%, 0.66%

LAB 58.39, 17.67, -36.32

 

CMYK 24 / 35 / 0 / 20

HEX #9B85CC

RGB 155 133 204

HSL 258.59, 0.41%, 0.66%

LAB 59.98, 23.22, -33.71

 

CMYK 15 / 35 / 0 / 20

HEX #AE85CC

RGB 174 133 204

HSL 274.65, 0.41%, 0.66%

LAB 61.77, 29.02, -30.8

 

CMYK 5 / 35 / 0 / 20

HEX #C185CC

RGB 193 133 204

HSL 290.7, 0.41%, 0.66%

LAB 63.73, 34.98, -27.6

 

CMYK 0 / 35 / 4 / 20

HEX #CC85C4

RGB 204 133 196

HSL 306.76, 0.41%, 0.66%

LAB 64.64, 36.99, -21.61

 

CMYK 23 / 58 / 0 / 30

HEX #894BB3

RGB 137 75 179

HSL 275.77, 0.41%, 0.5%

LAB 43.66, 44.96, -45.19

 

CMYK 19 / 46 / 0 / 25

HEX #9C68C0

RGB 156 104 192

HSL 275.45, 0.41%, 0.58%

LAB 52.7, 37.26, -38.27

 

CMYK 14 / 35 / 0 / 20

HEX #AF85CC

RGB 175 133 204

HSL 275.49, 0.41%, 0.66%

LAB 61.87, 29.33, -30.63

 

CMYK 10 / 25 / 0 / 15

HEX #C2A2D8

RGB 194 162 216

HSL 275.56, 0.41%, 0.74%

LAB 71.06, 21.72, -23.02

 

CMYK 7 / 16 / 0 / 11

HEX #D5BFE4

RGB 213 191 228

HSL 275.68, 0.41%, 0.82%

LAB 80.18, 14.51, -15.56

 

CMYK 14 / 35 / 0 / 20

HEX #AF85CC

RGB 175 133 204

HSL 275.49, 0.41%, 0.66%

LAB 61.87, 29.33, -30.63

 

CMYK 0 / 35 / 27 / 20

HEX #CC8594

RGB 204 133 148

HSL 347.32, 0.41%, 0.66%

LAB 63.14, 29.28, 3.32

 

CMYK 35 / 0 / 28 / 20

HEX #85CC92

RGB 133 204 146

HSL 130.99, 0.41%, 0.66%

LAB 76.22, -34.23, 22.04

 

CMYK 14 / 35 / 0 / 20

HEX #AF85CC

RGB 175 133 204

HSL 275.49, 0.41%, 0.66%

LAB 61.87, 29.33, -30.63

 

CMYK 0 / 15 / 35 / 20

HEX #CCAE85

RGB 204 174 133

HSL 34.65, 0.41%, 0.66%

LAB 72.76, 4.99, 25.1

 

CMYK 35 / 0 / 15 / 20

HEX #85CCAE

RGB 133 204 174

HSL 154.65, 0.41%, 0.66%

LAB 76.82, -28.83, 7.94

 

CMYK 14 / 35 / 0 / 20

HEX #AF85CC

RGB 175 133 204

HSL 275.49, 0.41%, 0.66%

LAB 61.87, 29.33, -30.63

 

CMYK 0 / 35 / 27 / 20

HEX #CC8594

RGB 204 133 148

HSL 347.32, 0.41%, 0.66%

LAB 63.14, 29.28, 3.32

 

CMYK 21 / 0 / 35 / 20

HEX #A2CC85

RGB 162 204 133

HSL 95.49, 0.41%, 0.66%

LAB 77.61, -26.56, 30.99

 

CMYK 35 / 0 / 8 / 20

HEX #85CCBC

RGB 133 204 188

HSL 166.48, 0.41%, 0.66%

LAB 77.16, -25.8, 0.91

 

CMYK 14 / 35 / 0 / 20

HEX #AF85CC

RGB 175 133 204

HSL 275.49, 0.41%, 0.66%

LAB 61.87, 29.33, -30.63

 

CMYK 0 / 32 / 35 / 20

HEX #CC8B85

RGB 204 139 133

HSL 5.07, 0.41%, 0.66%

LAB 64.16, 24.02, 13.27

 

CMYK 21 / 0 / 35 / 20

HEX #A2CC85

RGB 162 204 133

HSL 95.49, 0.41%, 0.66%

LAB 77.61, -26.56, 30.99

 

CMYK 35 / 3 / 0 / 20

HEX #85C6CC

RGB 133 198 204

HSL 185.07, 0.41%, 0.66%

LAB 75.91, -19.07, -9.58

 

Description

Color code: HEX #AF85CC | qconv.com Color code: HEX #AF85CC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 133 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 133 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 35 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 35% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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