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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF8233 it is the complementary color #507DCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF8233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF8233 shade: #B4822E, #C59441, #D6A654, #E7B867 and #F8CA7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF8233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF8233 shade: #AF8233, #9E7020, #8D5E0D, #7C4C00 and #6B3A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF8233 shade: #AE8132, #AE6032, #AE3F32 and #AE3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF8233 shade: #AE8132, #AEA232, #98AE32, #77AE32 and #56AE32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF8233 shade matches the following richer shades: #AE8132, #C08620 and #D28B0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF8233 shade: #AE8132, #9C7C45, #8A7757, #777269 and #656D7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF8233 shade: #AE3F32, #AE6032, #AE8132, #AEA232 and #99AE32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF8233 shade: #6E5220, #8E6929, #AE8132, #C89742 and #D1A962

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF8233 shade: #AF8233, #47AE32 and #4F32AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF8233 shade: #AF8233, #32AE81 and #8132AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF8233 shade: #AF8233, #47AE32, #3260AE and #9932AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF8233 shade: #AF8233, #32AE43, #3260AE and #AE329D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 71 / 31

HEX #AF8233

RGB 175 130 51

HSL 38.23, 0.55%, 0.44%

LAB 57.38, 9.34, 47.82

 

Complementary color

CMYK 61 / 39 / 0 / 20

HEX #507DCC

RGB 80 125 204

HSL 218.23, 0.55%, 0.56%

LAB 52.66, 8.92, -45.59

 

CMYK 0 / 28 / 74 / 29

HEX #B4822E

RGB 180 130 46

HSL 37.61, 0.59%, 0.44%

LAB 57.91, 11.31, 50.74

 

CMYK 0 / 25 / 67 / 23

HEX #C59441

RGB 197 148 65

HSL 37.73, 0.53%, 0.51%

LAB 64.51, 9.89, 49.69

 

CMYK 0 / 22 / 61 / 16

HEX #D6A654

RGB 214 166 84

HSL 37.85, 0.61%, 0.58%

LAB 71.01, 8.68, 48.44

 

CMYK 0 / 20 / 55 / 9

HEX #E7B867

RGB 231 184 103

HSL 37.97, 0.73%, 0.65%

LAB 77.43, 7.65, 47.12

 

CMYK 0 / 19 / 51 / 3

HEX #F8CA7A

RGB 248 202 122

HSL 38.1, 0.9%, 0.73%

LAB 83.76, 6.75, 45.81

 

CMYK 0 / 26 / 71 / 31

HEX #AF8233

RGB 175 130 51

HSL 38.23, 0.55%, 0.44%

LAB 57.38, 9.34, 47.82

 

CMYK 0 / 29 / 80 / 38

HEX #9E7020

RGB 158 112 32

HSL 38.1, 0.66%, 0.37%

LAB 50.64, 10.91, 48.61

 

CMYK 0 / 33 / 91 / 45

HEX #8D5E0D

RGB 141 94 13

HSL 37.97, 0.83%, 0.3%

LAB 43.8, 12.82, 48.37

 

CMYK 0 / 39 / 100 / 51

HEX #7C4C00

RGB 124 76 0

HSL 36.77, 1%, 0.24%

LAB 36.84, 15.12, 45.99

 

CMYK 0 / 46 / 100 / 58

HEX #6B3A00

RGB 107 58 0

HSL 32.52, 1%, 0.21%

LAB 29.79, 17.8, 40.09

 

CMYK 0 / 26 / 71 / 32

HEX #AE8132

RGB 174 129 50

HSL 38.23, 0.55%, 0.44%

LAB 57.01, 9.4, 47.85

 

CMYK 0 / 45 / 71 / 32

HEX #AE6032

RGB 174 96 50

HSL 22.26, 0.55%, 0.44%

LAB 49, 27.81, 39.31

 

CMYK 0 / 64 / 71 / 32

HEX #AE3F32

RGB 174 63 50

HSL 6.29, 0.55%, 0.44%

LAB 42.44, 44.57, 31.91

 

CMYK 0 / 71 / 71 / 32

HEX #AE3232

RGB 174 50 50

HSL 0, 0.55%, 0.44%

LAB 40.43, 50.01, 29.56

 

CMYK 0 / 26 / 71 / 32

HEX #AE8132

RGB 174 129 50

HSL 38.23, 0.55%, 0.44%

LAB 57.01, 9.4, 47.85

 

CMYK 0 / 7 / 71 / 32

HEX #AEA232

RGB 174 162 50

HSL 54.19, 0.55%, 0.44%

LAB 65.8, -8.6, 56.73

 

CMYK 13 / 0 / 71 / 32

HEX #98AE32

RGB 152 174 50

HSL 70.65, 0.55%, 0.44%

LAB 67.41, -24.24, 57.72

 

CMYK 32 / 0 / 71 / 32

HEX #77AE32

RGB 119 174 50

HSL 86.61, 0.55%, 0.44%

LAB 65.3, -37.41, 54.92

 

CMYK 51 / 0 / 71 / 32

HEX #56AE32

RGB 86 174 50

HSL 102.58, 0.55%, 0.44%

LAB 63.74, -48.55, 52.83

 

CMYK 0 / 26 / 71 / 32

HEX #AE8132

RGB 174 129 50

HSL 38.23, 0.55%, 0.44%

LAB 57.01, 9.4, 47.85

 

CMYK 0 / 30 / 83 / 25

HEX #C08620

RGB 192 134 32

HSL 38.25, 0.71%, 0.44%

LAB 60.21, 13.9, 58.69

 

CMYK 0 / 34 / 93 / 18

HEX #D28B0E

RGB 210 139 14

HSL 38.27, 0.88%, 0.44%

LAB 63.51, 18.69, 66.73

 

CMYK 0 / 26 / 71 / 32

HEX #AE8132

RGB 174 129 50

HSL 38.23, 0.55%, 0.44%

LAB 57.01, 9.4, 47.85

 

CMYK 0 / 21 / 56 / 39

HEX #9C7C45

RGB 156 124 69

HSL 37.93, 0.39%, 0.44%

LAB 53.93, 5.52, 34.43

 

CMYK 0 / 14 / 37 / 46

HEX #8A7757

RGB 138 119 87

HSL 37.65, 0.23%, 0.44%

LAB 51.02, 2.44, 20.34

 

CMYK 0 / 4 / 12 / 53

HEX #777269

RGB 119 114 105

HSL 38.57, 0.06%, 0.44%

LAB 48.23, 0.22, 5.67

 

CMYK 18 / 11 / 0 / 52

HEX #656D7B

RGB 101 109 123

HSL 218.18, 0.1%, 0.44%

LAB 45.82, 0.16, -8.79

 

CMYK 0 / 64 / 71 / 32

HEX #AE3F32

RGB 174 63 50

HSL 6.29, 0.55%, 0.44%

LAB 42.44, 44.57, 31.91

 

CMYK 0 / 45 / 71 / 32

HEX #AE6032

RGB 174 96 50

HSL 22.26, 0.55%, 0.44%

LAB 49, 27.81, 39.31

 

CMYK 0 / 26 / 71 / 32

HEX #AE8132

RGB 174 129 50

HSL 38.23, 0.55%, 0.44%

LAB 57.01, 9.4, 47.85

 

CMYK 0 / 7 / 71 / 32

HEX #AEA232

RGB 174 162 50

HSL 54.19, 0.55%, 0.44%

LAB 65.8, -8.6, 56.73

 

CMYK 12 / 0 / 71 / 32

HEX #99AE32

RGB 153 174 50

HSL 70.16, 0.55%, 0.44%

LAB 67.48, -23.82, 57.82

 

CMYK 0 / 25 / 71 / 57

HEX #6E5220

RGB 110 82 32

HSL 38.46, 0.55%, 0.28%

LAB 36.84, 5.95, 32.94

 

CMYK 0 / 26 / 71 / 44

HEX #8E6929

RGB 142 105 41

HSL 38.02, 0.55%, 0.36%

LAB 46.99, 8, 40.43

 

CMYK 0 / 26 / 71 / 32

HEX #AE8132

RGB 174 129 50

HSL 38.23, 0.55%, 0.44%

LAB 57.01, 9.4, 47.85

 

CMYK 0 / 25 / 67 / 22

HEX #C89742

RGB 200 151 66

HSL 38.06, 0.55%, 0.52%

LAB 65.6, 9.61, 50.5

 

CMYK 0 / 19 / 53 / 18

HEX #D1A962

RGB 209 169 98

HSL 38.38, 0.55%, 0.6%

LAB 71.43, 6.06, 41.85

 

CMYK 0 / 26 / 71 / 31

HEX #AF8233

RGB 175 130 51

HSL 38.23, 0.55%, 0.44%

LAB 57.38, 9.34, 47.82

 

CMYK 59 / 0 / 71 / 32

HEX #47AE32

RGB 71 174 50

HSL 109.84, 0.55%, 0.44%

LAB 63.21, -52.66, 52.12

 

CMYK 55 / 71 / 0 / 32

HEX #4F32AE

RGB 79 50 174

HSL 254.03, 0.55%, 0.44%

LAB 31.81, 44.81, -61.72

 

CMYK 0 / 26 / 71 / 31

HEX #AF8233

RGB 175 130 51

HSL 38.23, 0.55%, 0.44%

LAB 57.38, 9.34, 47.82

 

CMYK 71 / 0 / 26 / 32

HEX #32AE81

RGB 50 174 129

HSL 158.23, 0.55%, 0.44%

LAB 63.78, -44.46, 13.52

 

CMYK 26 / 71 / 0 / 32

HEX #8132AE

RGB 129 50 174

HSL 278.23, 0.55%, 0.44%

LAB 37.85, 54.13, -51.62

 

CMYK 0 / 26 / 71 / 31

HEX #AF8233

RGB 175 130 51

HSL 38.23, 0.55%, 0.44%

LAB 57.38, 9.34, 47.82

 

CMYK 59 / 0 / 71 / 32

HEX #47AE32

RGB 71 174 50

HSL 109.84, 0.55%, 0.44%

LAB 63.21, -52.66, 52.12

 

CMYK 71 / 45 / 0 / 32

HEX #3260AE

RGB 50 96 174

HSL 217.74, 0.55%, 0.44%

LAB 41.37, 11.22, -46.3

 

CMYK 12 / 71 / 0 / 32

HEX #9932AE

RGB 153 50 174

HSL 289.84, 0.55%, 0.44%

LAB 41.39, 59.24, -45.74

 

CMYK 0 / 26 / 71 / 31

HEX #AF8233

RGB 175 130 51

HSL 38.23, 0.55%, 0.44%

LAB 57.38, 9.34, 47.82

 

CMYK 71 / 0 / 61 / 32

HEX #32AE43

RGB 50 174 67

HSL 128.23, 0.55%, 0.44%

LAB 62.81, -55.43, 44.33

 

CMYK 71 / 45 / 0 / 32

HEX #3260AE

RGB 50 96 174

HSL 217.74, 0.55%, 0.44%

LAB 41.37, 11.22, -46.3

 

CMYK 0 / 71 / 10 / 32

HEX #AE329D

RGB 174 50 157

HSL 308.23, 0.55%, 0.44%

LAB 43.82, 61.15, -31.54

 

Description

Color code: HEX #AF8233 | qconv.com Color code: HEX #AF8233 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 130 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 130 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 71 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 71% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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