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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7F3C it is the complementary color #5080C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7F3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF7F3C shade: #B47F37, #C5914A, #D6A35D, #E7B570 and #F8C783

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7F3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF7F3C shade: #AF7F3C, #9E6D29, #8D5B16, #7C4903 and #6B3700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF7F3C shade: #AF7F3C, #AF603C, #AF413C and #AF3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF7F3C shade: #AF7F3C, #AF9E3C, #A1AF3C, #82AF3C and #63AF3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF7F3C shade matches the following richer shades: #AF7F3C, #C28229, #D58516 and #E88803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF7F3C shade: #AF7F3C, #9C7C4F, #897962, #767575 and #637288

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF7F3C shade: #AF403C, #AF5E3C, #AF7D3C, #AF9C3C and #A3AF3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF7F3C shade: #715227, #906931, #AF7F3C, #C39351 and #CEA66F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF7F3C shade: #AF7F3C, #57AF3C and #4F3CAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF7F3C shade: #AF7F3C, #3CAF7D and #7D3CAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF7F3C shade: #AF7F3C, #57AF3C, #3C6EAF and #943CAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF7F3C shade: #AF7F3C, #3CAF43, #3C6EAF and #AF3CA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 66 / 31

HEX #AF7F3C

RGB 175 127 60

HSL 34.96, 0.49%, 0.46%

LAB 56.7, 11.55, 42.81

 

Complementary color

CMYK 59 / 34 / 0 / 24

HEX #5080C3

RGB 80 128 195

HSL 214.96, 0.49%, 0.54%

LAB 53.04, 4.09, -39.86

 

CMYK 0 / 29 / 69 / 29

HEX #B47F37

RGB 180 127 55

HSL 34.56, 0.53%, 0.46%

LAB 57.23, 13.45, 45.98

 

CMYK 0 / 26 / 62 / 23

HEX #C5914A

RGB 197 145 74

HSL 34.63, 0.51%, 0.53%

LAB 63.85, 12.1, 44.63

 

CMYK 0 / 24 / 57 / 16

HEX #D6A35D

RGB 214 163 93

HSL 34.71, 0.6%, 0.6%

LAB 70.37, 10.96, 43.23

 

CMYK 0 / 22 / 52 / 9

HEX #E7B570

RGB 231 181 112

HSL 34.79, 0.71%, 0.67%

LAB 76.8, 9.98, 41.85

 

CMYK 0 / 20 / 47 / 3

HEX #F8C783

RGB 248 199 131

HSL 34.87, 0.89%, 0.74%

LAB 83.15, 9.12, 40.52

 

CMYK 0 / 27 / 66 / 31

HEX #AF7F3C

RGB 175 127 60

HSL 34.96, 0.49%, 0.46%

LAB 56.7, 11.55, 42.81

 

CMYK 0 / 31 / 74 / 38

HEX #9E6D29

RGB 158 109 41

HSL 34.87, 0.59%, 0.39%

LAB 49.94, 13.03, 44.08

 

CMYK 0 / 35 / 84 / 45

HEX #8D5B16

RGB 141 91 22

HSL 34.79, 0.73%, 0.32%

LAB 43.07, 14.82, 44.82

 

CMYK 0 / 41 / 98 / 51

HEX #7C4903

RGB 124 73 3

HSL 34.71, 0.95%, 0.25%

LAB 36.09, 16.97, 44.46

 

CMYK 0 / 49 / 100 / 58

HEX #6B3700

RGB 107 55 0

HSL 30.84, 1%, 0.21%

LAB 29.05, 19.6, 39.52

 

CMYK 0 / 27 / 66 / 31

HEX #AF7F3C

RGB 175 127 60

HSL 34.96, 0.49%, 0.46%

LAB 56.7, 11.55, 42.81

 

CMYK 0 / 45 / 66 / 31

HEX #AF603C

RGB 175 96 60

HSL 18.78, 0.49%, 0.46%

LAB 49.26, 28.82, 34.29

 

CMYK 0 / 63 / 66 / 31

HEX #AF413C

RGB 175 65 60

HSL 2.61, 0.49%, 0.46%

LAB 43.09, 44.58, 26.84

 

CMYK 0 / 66 / 66 / 31

HEX #AF3C3C

RGB 175 60 60

HSL 0, 0.49%, 0.46%

LAB 42.26, 46.8, 25.81

 

CMYK 0 / 27 / 66 / 31

HEX #AF7F3C

RGB 175 127 60

HSL 34.96, 0.49%, 0.46%

LAB 56.7, 11.55, 42.81

 

CMYK 0 / 10 / 66 / 31

HEX #AF9E3C

RGB 175 158 60

HSL 51.13, 0.49%, 0.46%

LAB 64.88, -5.47, 51.69

 

CMYK 8 / 0 / 66 / 31

HEX #A1AF3C

RGB 161 175 60

HSL 67.3, 0.49%, 0.46%

LAB 68.43, -20.34, 55.06

 

CMYK 26 / 0 / 66 / 31

HEX #82AF3C

RGB 130 175 60

HSL 83.48, 0.49%, 0.46%

LAB 66.31, -32.95, 52.18

 

CMYK 43 / 0 / 66 / 31

HEX #63AF3C

RGB 99 175 60

HSL 99.65, 0.49%, 0.46%

LAB 64.67, -44.07, 49.94

 

CMYK 0 / 27 / 66 / 31

HEX #AF7F3C

RGB 175 127 60

HSL 34.96, 0.49%, 0.46%

LAB 56.7, 11.55, 42.81

 

CMYK 0 / 33 / 79 / 24

HEX #C28229

RGB 194 130 41

HSL 34.9, 0.65%, 0.46%

LAB 59.52, 17.28, 54.91

 

CMYK 0 / 38 / 90 / 16

HEX #D58516

RGB 213 133 22

HSL 34.87, 0.81%, 0.46%

LAB 62.49, 23.35, 64.47

 

CMYK 0 / 41 / 99 / 9

HEX #E88803

RGB 232 136 3

HSL 34.85, 0.97%, 0.46%

LAB 65.57, 29.54, 71.09

 

CMYK 0 / 27 / 66 / 31

HEX #AF7F3C

RGB 175 127 60

HSL 34.96, 0.49%, 0.46%

LAB 56.7, 11.55, 42.81

 

CMYK 0 / 21 / 49 / 39

HEX #9C7C4F

RGB 156 124 79

HSL 35.06, 0.33%, 0.46%

LAB 54.08, 6.46, 29.18

 

CMYK 0 / 12 / 28 / 46

HEX #897962

RGB 137 121 98

HSL 35.38, 0.17%, 0.46%

LAB 51.7, 2.39, 14.89

 

CMYK 0 / 1 / 1 / 54

HEX #767575

RGB 118 117 117

HSL 0, 0%, 0.46%

LAB 49.32, 0.38, 0.13

 

CMYK 27 / 16 / 0 / 47

HEX #637288

RGB 99 114 136

HSL 215.68, 0.16%, 0.46%

LAB 47.58, -0.25, -13.9

 

CMYK 0 / 63 / 66 / 31

HEX #AF403C

RGB 175 64 60

HSL 2.09, 0.49%, 0.46%

LAB 42.92, 45.03, 26.63

 

CMYK 0 / 46 / 66 / 31

HEX #AF5E3C

RGB 175 94 60

HSL 17.74, 0.49%, 0.46%

LAB 48.82, 29.91, 33.76

 

CMYK 0 / 29 / 66 / 31

HEX #AF7D3C

RGB 175 125 60

HSL 33.91, 0.49%, 0.46%

LAB 56.2, 12.67, 42.25

 

CMYK 0 / 11 / 66 / 31

HEX #AF9C3C

RGB 175 156 60

HSL 50.09, 0.49%, 0.46%

LAB 64.34, -4.4, 51.12

 

CMYK 7 / 0 / 66 / 31

HEX #A3AF3C

RGB 163 175 60

HSL 66.26, 0.49%, 0.46%

LAB 68.59, -19.5, 55.27

 

CMYK 0 / 27 / 65 / 56

HEX #715227

RGB 113 82 39

HSL 34.86, 0.49%, 0.3%

LAB 37.28, 7.89, 29.81

 

CMYK 0 / 27 / 66 / 44

HEX #906931

RGB 144 105 49

HSL 35.37, 0.49%, 0.38%

LAB 47.31, 9.43, 36.86

 

CMYK 0 / 27 / 66 / 31

HEX #AF7F3C

RGB 175 127 60

HSL 34.96, 0.49%, 0.46%

LAB 56.7, 11.55, 42.81

 

CMYK 0 / 25 / 58 / 24

HEX #C39351

RGB 195 147 81

HSL 34.74, 0.49%, 0.54%

LAB 64.21, 10.66, 41.48

 

CMYK 0 / 19 / 46 / 19

HEX #CEA66F

RGB 206 166 111

HSL 34.74, 0.49%, 0.62%

LAB 70.55, 7.64, 33.96

 

CMYK 0 / 27 / 66 / 31

HEX #AF7F3C

RGB 175 127 60

HSL 34.96, 0.49%, 0.46%

LAB 56.7, 11.55, 42.81

 

CMYK 50 / 0 / 66 / 31

HEX #57AF3C

RGB 87 175 60

HSL 105.91, 0.49%, 0.46%

LAB 64.17, -47.79, 49.24

 

CMYK 55 / 66 / 0 / 31

HEX #4F3CAF

RGB 79 60 175

HSL 249.91, 0.49%, 0.46%

LAB 33.96, 39.45, -58.8

 

CMYK 0 / 27 / 66 / 31

HEX #AF7F3C

RGB 175 127 60

HSL 34.96, 0.49%, 0.46%

LAB 56.7, 11.55, 42.81

 

CMYK 66 / 0 / 29 / 31

HEX #3CAF7D

RGB 60 175 125

HSL 153.91, 0.49%, 0.46%

LAB 64.24, -44.11, 16.39

 

CMYK 29 / 66 / 0 / 31

HEX #7D3CAF

RGB 125 60 175

HSL 273.91, 0.49%, 0.46%

LAB 39.05, 48.85, -50.31

 

CMYK 0 / 27 / 66 / 31

HEX #AF7F3C

RGB 175 127 60

HSL 34.96, 0.49%, 0.46%

LAB 56.7, 11.55, 42.81

 

CMYK 50 / 0 / 66 / 31

HEX #57AF3C

RGB 87 175 60

HSL 105.91, 0.49%, 0.46%

LAB 64.17, -47.79, 49.24

 

CMYK 66 / 37 / 0 / 31

HEX #3C6EAF

RGB 60 110 175

HSL 213.91, 0.49%, 0.46%

LAB 45.92, 4.38, -39.63

 

CMYK 15 / 66 / 0 / 31

HEX #943CAF

RGB 148 60 175

HSL 285.91, 0.49%, 0.46%

LAB 42.19, 54.15, -45.1

 

CMYK 0 / 27 / 66 / 31

HEX #AF7F3C

RGB 175 127 60

HSL 34.96, 0.49%, 0.46%

LAB 56.7, 11.55, 42.81

 

CMYK 66 / 0 / 62 / 31

HEX #3CAF43

RGB 60 175 67

HSL 123.65, 0.49%, 0.46%

LAB 63.36, -53.86, 45.03

 

CMYK 66 / 37 / 0 / 31

HEX #3C6EAF

RGB 60 110 175

HSL 213.91, 0.49%, 0.46%

LAB 45.92, 4.38, -39.63

 

CMYK 0 / 66 / 5 / 31

HEX #AF3CA7

RGB 175 60 167

HSL 304.17, 0.49%, 0.46%

LAB 45.82, 59.23, -34.34

 

Description

Color code: HEX #AF7F3C | qconv.com Color code: HEX #AF7F3C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 127 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 127 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 66 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 66% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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