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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7EE000 it is the complementary color #50811F00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7EE000. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF7EE000 shade: #B47EDB00, #C590EE00, #D6A2FF00, #E7B4FF00 and #F8C6FF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7EE000. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF7EE000 shade: #AF7EE000, #9E6CCD00, #8D5ABA00, #7C48A700 and #6B369400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF7EE000 shade: #B080E0, #CA80E0, #E080DC, #E080C2 and #E080A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF7EE000 shade: #B080E0, #9680E0 and #8080E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF7EE000 shade matches the following richer shades: #B080E0, #B073ED and #B066FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF7EE000 shade: #B080E0, #B08DD3, #B099C7, #B0A6BA and #B0B3AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF7EE000 shade: #8083E0, #9680E0, #B080E0, #CA80E0 and #E080DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF7EE000 shade: #873DD0, #9B5FD8, #B080E0, #C5A1E8 and #D9C2F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF7EE000 shade: #AF7EE0, #E0809D and #80E089

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF7EE000 shade: #AF7EE0, #E0B080 and #80E0B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF7EE000 shade: #AF7EE0, #E0809D, #B0E080 and #80E0C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF7EE000 shade: #AF7EE0, #E08080, #B0E080 and #80E0E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #AF7EE000

RGBA 175 126 224 0

HSLA 270, 0.61%, 0.69%, 0

LABA 61.15, 37.72, -42.96, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #50811F00

RGBA 80 129 31 0

HSLA 90, 0.61%, 0.31%, 0

LABA 48.89, -33.08, 44.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B47EDB00

RGBA 180 126 219 0

HSLA 274.84, 0.56%, 0.68%, 0

LABA 61.43, 38.02, -39.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C590EE00

RGBA 197 144 238 0

HSLA 273.83, 0.73%, 0.75%, 0

LABA 68.01, 37.24, -39.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D6A2FF00

RGBA 214 162 255 0

HSLA 273.55, 1%, 0.82%, 0

LABA 74.42, 36.07, -38.94, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E7B4FF00

RGBA 231 180 255 0

HSLA 280.8, 1%, 0.85%, 0

LABA 80.1, 31.5, -30.03, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F8C6FF00

RGBA 248 198 255 0

HSLA 292.63, 1%, 0.89%, 0

LABA 85.79, 27.28, -21.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AF7EE000

RGBA 175 126 224 0

HSLA 270, 0.61%, 0.69%, 0

LABA 61.15, 37.72, -42.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9E6CCD00

RGBA 158 108 205 0

HSLA 270.93, 0.49%, 0.61%, 0

LABA 54.45, 38.58, -42.93, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8D5ABA00

RGBA 141 90 186 0

HSLA 271.88, 0.41%, 0.54%, 0

LABA 47.65, 39.48, -42.9, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7C48A700

RGBA 124 72 167 0

HSLA 272.84, 0.4%, 0.47%, 0

LABA 40.75, 40.4, -42.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6B369400

RGBA 107 54 148 0

HSLA 273.83, 0.47%, 0.4%, 0

LABA 33.78, 41.24, -42.66, 0

 

CMYK 21 / 43 / 0 / 12

HEX #B080E0

RGB 176 128 224

HSL 270, 0.61%, 0.69%

LAB 61.7, 36.89, -42.09

 

CMYK 10 / 43 / 0 / 12

HEX #CA80E0

RGB 202 128 224

HSL 286.25, 0.61%, 0.69%

LAB 64.46, 44.39, -37.55

 

CMYK 0 / 43 / 2 / 12

HEX #E080DC

RGB 224 128 220

HSL 302.5, 0.61%, 0.69%

LAB 66.86, 50.13, -31.4

 

CMYK 0 / 43 / 13 / 12

HEX #E080C2

RGB 224 128 194

HSL 318.75, 0.61%, 0.69%

LAB 65.89, 45.75, -18.37

 

CMYK 0 / 43 / 25 / 12

HEX #E080A8

RGB 224 128 168

HSL 335, 0.61%, 0.69%

LAB 65.05, 41.85, -4.95

 

CMYK 21 / 43 / 0 / 12

HEX #B080E0

RGB 176 128 224

HSL 270, 0.61%, 0.69%

LAB 61.7, 36.89, -42.09

 

CMYK 33 / 43 / 0 / 12

HEX #9680E0

RGB 150 128 224

HSL 253.75, 0.61%, 0.69%

LAB 59.25, 29.69, -46.1

 

CMYK 43 / 43 / 0 / 12

HEX #8080E0

RGB 128 128 224

HSL 240, 0.61%, 0.69%

LAB 57.47, 24.03, -49.04

 

CMYK 21 / 43 / 0 / 12

HEX #B080E0

RGB 176 128 224

HSL 270, 0.61%, 0.69%

LAB 61.7, 36.89, -42.09

 

CMYK 26 / 51 / 0 / 7

HEX #B073ED

RGB 176 115 237

HSL 270, 0.77%, 0.69%

LAB 59.53, 47, -52.75

 

CMYK 30 / 59 / 0 / 2

HEX #B066FA

RGB 176 102 250

HSL 270, 0.94%, 0.69%

LAB 57.69, 56.79, -62.9

 

CMYK 21 / 43 / 0 / 12

HEX #B080E0

RGB 176 128 224

HSL 270, 0.61%, 0.69%

LAB 61.7, 36.89, -42.09

 

CMYK 17 / 33 / 0 / 17

HEX #B08DD3

RGB 176 141 211

HSL 270, 0.44%, 0.69%

LAB 64.15, 26.68, -31.02

 

CMYK 12 / 23 / 0 / 22

HEX #B099C7

RGB 176 153 199

HSL 270, 0.29%, 0.69%

LAB 66.62, 17.32, -20.52

 

CMYK 5 / 11 / 0 / 27

HEX #B0A6BA

RGB 176 166 186

HSL 270, 0.13%, 0.69%

LAB 69.5, 7.4, -8.97

 

CMYK 2 / 0 / 3 / 30

HEX #B0B3AD

RGB 176 179 173

HSL 90, 0.04%, 0.69%

LAB 72.55, -2.17, 2.68

 

CMYK 43 / 42 / 0 / 12

HEX #8083E0

RGB 128 131 224

HSL 238.13, 0.61%, 0.69%

LAB 58.23, 22.26, -47.84

 

CMYK 33 / 43 / 0 / 12

HEX #9680E0

RGB 150 128 224

HSL 253.75, 0.61%, 0.69%

LAB 59.25, 29.69, -46.1

 

CMYK 21 / 43 / 0 / 12

HEX #B080E0

RGB 176 128 224

HSL 270, 0.61%, 0.69%

LAB 61.7, 36.89, -42.09

 

CMYK 10 / 43 / 0 / 12

HEX #CA80E0

RGB 202 128 224

HSL 286.25, 0.61%, 0.69%

LAB 64.46, 44.39, -37.55

 

CMYK 0 / 43 / 1 / 12

HEX #E080DD

RGB 224 128 221

HSL 301.88, 0.61%, 0.69%

LAB 66.9, 50.3, -31.9

 

CMYK 35 / 71 / 0 / 18

HEX #873DD0

RGB 135 61 208

HSL 270.2, 0.61%, 0.53%

LAB 42.83, 58.22, -63.43

 

CMYK 28 / 56 / 0 / 15

HEX #9B5FD8

RGB 155 95 216

HSL 269.75, 0.61%, 0.61%

LAB 51.96, 47.51, -53.16

 

CMYK 21 / 43 / 0 / 12

HEX #B080E0

RGB 176 128 224

HSL 270, 0.61%, 0.69%

LAB 61.7, 36.89, -42.09

 

CMYK 15 / 31 / 0 / 9

HEX #C5A1E8

RGB 197 161 232

HSL 270.42, 0.61%, 0.77%

LAB 71.68, 26.59, -30.81

 

CMYK 10 / 19 / 0 / 6

HEX #D9C2F0

RGB 217 194 240

HSL 270, 0.61%, 0.85%

LAB 81.63, 16.57, -19.77

 

CMYK 22 / 44 / 0 / 12

HEX #AF7EE0

RGB 175 126 224

HSL 270, 0.61%, 0.69%

LAB 61.15, 37.72, -42.96

 

CMYK 0 / 43 / 30 / 12

HEX #E0809D

RGB 224 128 157

HSL 341.88, 0.61%, 0.69%

LAB 64.74, 40.37, 0.83

 

CMYK 43 / 0 / 39 / 12

HEX #80E089

RGB 128 224 137

HSL 125.63, 0.61%, 0.69%

LAB 81.68, -46.11, 33.96

 

CMYK 22 / 44 / 0 / 12

HEX #AF7EE0

RGB 175 126 224

HSL 270, 0.61%, 0.69%

LAB 61.15, 37.72, -42.96

 

CMYK 0 / 21 / 43 / 12

HEX #E0B080

RGB 224 176 128

HSL 30, 0.61%, 0.69%

LAB 75.11, 11.34, 31.24

 

CMYK 43 / 0 / 21 / 12

HEX #80E0B0

RGB 128 224 176

HSL 150, 0.61%, 0.69%

LAB 82.4, -39.12, 14.77

 

CMYK 22 / 44 / 0 / 12

HEX #AF7EE0

RGB 175 126 224

HSL 270, 0.61%, 0.69%

LAB 61.15, 37.72, -42.96

 

CMYK 0 / 43 / 30 / 12

HEX #E0809D

RGB 224 128 157

HSL 341.88, 0.61%, 0.69%

LAB 64.74, 40.37, 0.83

 

CMYK 21 / 0 / 43 / 12

HEX #B0E080

RGB 176 224 128

HSL 90, 0.61%, 0.69%

LAB 84.02, -31.68, 41.96

 

CMYK 43 / 0 / 13 / 12

HEX #80E0C3

RGB 128 224 195

HSL 161.88, 0.61%, 0.69%

LAB 82.83, -35.11, 5.36

 

CMYK 22 / 44 / 0 / 12

HEX #AF7EE0

RGB 175 126 224

HSL 270, 0.61%, 0.69%

LAB 61.15, 37.72, -42.96

 

CMYK 0 / 43 / 43 / 12

HEX #E08080

RGB 224 128 128

HSL 0, 0.61%, 0.69%

LAB 64.03, 36.93, 16.3

 

CMYK 21 / 0 / 43 / 12

HEX #B0E080

RGB 176 224 128

HSL 90, 0.61%, 0.69%

LAB 84.02, -31.68, 41.96

 

CMYK 43 / 0 / 0 / 12

HEX #80E0E0

RGB 128 224 224

HSL 180, 0.61%, 0.69%

LAB 83.59, -28.32, -8.88

 

Description

Color code: HEX #AF7EE000 | qconv.com Color code: HEX #AF7EE000 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 126 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 126 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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