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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7DCB it is the complementary color #508234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7DCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF7DCB shade: #B47DC6, #C58FD9, #D6A1EC, #E7B3FF and #F8C5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7DCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF7DCB shade: #AF7DCB, #9E6BB8, #8D59A5, #7C4792 and #6B357F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF7DCB shade: #AE7CCB, #C47CCB, #CB7CBC, #CB7CA7 and #CB7C92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF7DCB shade: #AE7CCB, #997CCB, #847CCB and #7C7CCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF7DCB shade matches the following richer shades: #AE7CCB, #B36DDA, #B75EE8 and #BB4FF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF7DCB shade: #AE7CCB, #AA8BBC, #A699AD, #A2A89E and #9EB78F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF7DCB shade: #847CCB, #997CCB, #AE7CCB, #C37CCB and #CB7CBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF7DCB shade: #8946AE, #9C5EBF, #AE7CCB, #C099D6 and #D3B7E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF7DCB shade: #AF7DCB, #CB7C89 and #7CCB8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF7DCB shade: #AF7DCB, #CBAE7C and #7CCBAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF7DCB shade: #AF7DCB, #CB7C89, #99CB7C and #7CCBBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF7DCB shade: #AF7DCB, #CB867C, #99CB7C and #7CC0CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 38 / 0 / 20

HEX #AF7DCB

RGB 175 125 203

HSL 278.46, 0.43%, 0.64%

LAB 59.97, 33.6, -33.01

 

Complementary color

CMYK 38 / 0 / 60 / 49

HEX #508234

RGB 80 130 52

HSL 98.46, 0.43%, 0.36%

LAB 49.4, -31.68, 36.31

 

CMYK 9 / 37 / 0 / 22

HEX #B47DC6

RGB 180 125 198

HSL 285.21, 0.39%, 0.63%

LAB 60.29, 34.09, -29.65

 

CMYK 9 / 34 / 0 / 15

HEX #C58FD9

RGB 197 143 217

HSL 283.78, 0.49%, 0.71%

LAB 66.92, 33.36, -29.9

 

CMYK 9 / 32 / 0 / 7

HEX #D6A1EC

RGB 214 161 236

HSL 282.4, 0.66%, 0.78%

LAB 73.44, 32.68, -30.14

 

CMYK 9 / 30 / 0 / 0

HEX #E7B3FF

RGB 231 179 255

HSL 281.05, 1%, 0.85%

LAB 79.87, 32.04, -30.38

 

CMYK 3 / 23 / 0 / 0

HEX #F8C5FF

RGB 248 197 255

HSL 292.76, 1%, 0.89%

LAB 85.56, 27.8, -21.56

 

CMYK 14 / 38 / 0 / 20

HEX #AF7DCB

RGB 175 125 203

HSL 278.46, 0.43%, 0.64%

LAB 59.97, 33.6, -33.01

 

CMYK 14 / 42 / 0 / 28

HEX #9E6BB8

RGB 158 107 184

HSL 279.74, 0.35%, 0.57%

LAB 53.22, 34.38, -32.85

 

CMYK 15 / 46 / 0 / 35

HEX #8D59A5

RGB 141 89 165

HSL 281.05, 0.3%, 0.5%

LAB 46.34, 35.21, -32.66

 

CMYK 15 / 51 / 0 / 43

HEX #7C4792

RGB 124 71 146

HSL 282.4, 0.35%, 0.43%

LAB 39.36, 36.05, -32.44

 

CMYK 16 / 58 / 0 / 50

HEX #6B357F

RGB 107 53 127

HSL 283.78, 0.41%, 0.35%

LAB 32.27, 36.84, -32.11

 

CMYK 14 / 39 / 0 / 20

HEX #AE7CCB

RGB 174 124 203

HSL 277.97, 0.43%, 0.64%

LAB 59.64, 33.85, -33.54

 

CMYK 3 / 39 / 0 / 20

HEX #C47CCB

RGB 196 124 203

HSL 294.68, 0.43%, 0.64%

LAB 62.05, 40.6, -29.61

 

CMYK 0 / 39 / 7 / 20

HEX #CB7CBC

RGB 203 124 188

HSL 311.39, 0.43%, 0.64%

LAB 62.29, 40.07, -20.7

 

CMYK 0 / 39 / 18 / 20

HEX #CB7CA7

RGB 203 124 167

HSL 327.34, 0.43%, 0.64%

LAB 61.57, 36.59, -9.84

 

CMYK 0 / 39 / 28 / 20

HEX #CB7C92

RGB 203 124 146

HSL 343.29, 0.43%, 0.64%

LAB 60.95, 33.5, 1.27

 

CMYK 14 / 39 / 0 / 20

HEX #AE7CCB

RGB 174 124 203

HSL 277.97, 0.43%, 0.64%

LAB 59.64, 33.85, -33.54

 

CMYK 25 / 39 / 0 / 20

HEX #997CCB

RGB 153 124 203

HSL 262.03, 0.43%, 0.64%

LAB 57.56, 27.57, -36.94

 

CMYK 35 / 39 / 0 / 20

HEX #847CCB

RGB 132 124 203

HSL 246.08, 0.43%, 0.64%

LAB 55.72, 21.58, -39.96

 

CMYK 39 / 39 / 0 / 20

HEX #7C7CCB

RGB 124 124 203

HSL 240, 0.43%, 0.64%

LAB 55.08, 19.42, -41

 

CMYK 14 / 39 / 0 / 20

HEX #AE7CCB

RGB 174 124 203

HSL 277.97, 0.43%, 0.64%

LAB 59.64, 33.85, -33.54

 

CMYK 18 / 50 / 0 / 15

HEX #B36DDA

RGB 179 109 218

HSL 278.53, 0.6%, 0.64%

LAB 57.64, 46.73, -45.1

 

CMYK 21 / 59 / 0 / 9

HEX #B75EE8

RGB 183 94 232

HSL 278.7, 0.75%, 0.64%

LAB 55.99, 58.37, -55.56

 

CMYK 24 / 68 / 0 / 3

HEX #BB4FF7

RGB 187 79 247

HSL 278.57, 0.91%, 0.64%

LAB 54.94, 69.16, -65.59

 

CMYK 14 / 39 / 0 / 20

HEX #AE7CCB

RGB 174 124 203

HSL 277.97, 0.43%, 0.64%

LAB 59.64, 33.85, -33.54

 

CMYK 10 / 26 / 0 / 26

HEX #AA8BBC

RGB 170 139 188

HSL 277.96, 0.27%, 0.64%

LAB 62.2, 20.91, -21.15

 

CMYK 4 / 12 / 0 / 32

HEX #A699AD

RGB 166 153 173

HSL 279, 0.11%, 0.64%

LAB 64.89, 8.56, -8.68

 

CMYK 4 / 0 / 6 / 34

HEX #A2A89E

RGB 162 168 158

HSL 96, 0.05%, 0.64%

LAB 68.13, -4.01, 4.42

 

CMYK 14 / 0 / 22 / 28

HEX #9EB78F

RGB 158 183 143

HSL 97.5, 0.22%, 0.64%

LAB 71.64, -16, 17.56

 

CMYK 35 / 39 / 0 / 20

HEX #847CCB

RGB 132 124 203

HSL 246.08, 0.43%, 0.64%

LAB 55.72, 21.58, -39.96

 

CMYK 25 / 39 / 0 / 20

HEX #997CCB

RGB 153 124 203

HSL 262.03, 0.43%, 0.64%

LAB 57.56, 27.57, -36.94

 

CMYK 14 / 39 / 0 / 20

HEX #AE7CCB

RGB 174 124 203

HSL 277.97, 0.43%, 0.64%

LAB 59.64, 33.85, -33.54

 

CMYK 4 / 39 / 0 / 20

HEX #C37CCB

RGB 195 124 203

HSL 293.92, 0.43%, 0.64%

LAB 61.94, 40.29, -29.79

 

CMYK 0 / 39 / 6 / 20

HEX #CB7CBE

RGB 203 124 190

HSL 309.87, 0.43%, 0.64%

LAB 62.36, 40.42, -21.72

 

CMYK 21 / 60 / 0 / 32

HEX #8946AE

RGB 137 70 174

HSL 278.65, 0.43%, 0.48%

LAB 42.39, 46.43, -44.27

 

CMYK 18 / 51 / 0 / 25

HEX #9C5EBF

RGB 156 94 191

HSL 278.35, 0.43%, 0.56%

LAB 50.49, 42.55, -41.18

 

CMYK 14 / 39 / 0 / 20

HEX #AE7CCB

RGB 174 124 203

HSL 277.97, 0.43%, 0.64%

LAB 59.64, 33.85, -33.54

 

CMYK 10 / 29 / 0 / 16

HEX #C099D6

RGB 192 153 214

HSL 278.36, 0.43%, 0.72%

LAB 68.64, 25.65, -25.64

 

CMYK 7 / 19 / 0 / 11

HEX #D3B7E2

RGB 211 183 226

HSL 279.07, 0.43%, 0.8%

LAB 78, 17.78, -17.8

 

CMYK 14 / 38 / 0 / 20

HEX #AF7DCB

RGB 175 125 203

HSL 278.46, 0.43%, 0.64%

LAB 59.97, 33.6, -33.01

 

CMYK 0 / 39 / 33 / 20

HEX #CB7C89

RGB 203 124 137

HSL 350.13, 0.43%, 0.64%

LAB 60.71, 32.29, 6.09

 

CMYK 39 / 0 / 30 / 20

HEX #7CCB8E

RGB 124 203 142

HSL 133.67, 0.43%, 0.64%

LAB 75.42, -37.21, 22.98

 

CMYK 14 / 38 / 0 / 20

HEX #AF7DCB

RGB 175 125 203

HSL 278.46, 0.43%, 0.64%

LAB 59.97, 33.6, -33.01

 

CMYK 0 / 14 / 39 / 20

HEX #CBAE7C

RGB 203 174 124

HSL 37.97, 0.43%, 0.64%

LAB 72.51, 3.52, 29.56

 

CMYK 39 / 0 / 14 / 20

HEX #7CCBAE

RGB 124 203 174

HSL 157.97, 0.43%, 0.64%

LAB 76.1, -30.9, 6.86

 

CMYK 14 / 38 / 0 / 20

HEX #AF7DCB

RGB 175 125 203

HSL 278.46, 0.43%, 0.64%

LAB 59.97, 33.6, -33.01

 

CMYK 0 / 39 / 33 / 20

HEX #CB7C89

RGB 203 124 137

HSL 350.13, 0.43%, 0.64%

LAB 60.71, 32.29, 6.09

 

CMYK 25 / 0 / 39 / 20

HEX #99CB7C

RGB 153 203 124

HSL 97.97, 0.43%, 0.64%

LAB 76.64, -30.56, 34.25

 

CMYK 39 / 0 / 6 / 20

HEX #7CCBBE

RGB 124 203 190

HSL 170.13, 0.43%, 0.64%

LAB 76.51, -27.31, -1.18

 

CMYK 14 / 38 / 0 / 20

HEX #AF7DCB

RGB 175 125 203

HSL 278.46, 0.43%, 0.64%

LAB 59.97, 33.6, -33.01

 

CMYK 0 / 34 / 39 / 20

HEX #CB867C

RGB 203 134 124

HSL 7.59, 0.43%, 0.64%

LAB 62.68, 25.27, 16.28

 

CMYK 25 / 0 / 39 / 20

HEX #99CB7C

RGB 153 203 124

HSL 97.97, 0.43%, 0.64%

LAB 76.64, -30.56, 34.25

 

CMYK 39 / 5 / 0 / 20

HEX #7CC0CB

RGB 124 192 203

HSL 188.35, 0.43%, 0.64%

LAB 73.74, -18.65, -12.32

 

Description

Color code: HEX #AF7DCB | qconv.com Color code: HEX #AF7DCB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 125 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 125 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 38 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 38% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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