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Color name
HEX #AF7D13CE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF7D13CE it is the complementary color #5082ECCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF7D13CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF7D13CE shade: #B47D0ECE, #C58F21CE, #D6A134CE, #E7B347CE and #F8C55ACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF7D13CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF7D13CE shade: #AF7D13CE, #9E6B00CE, #8D5900CE, #7C4700CE and #6B3500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF7D13CE shade: #AE7D13, #AE5313, #AE2913 and #AE1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF7D13CE shade: #AE7D13, #AEA713, #8CAE13, #63AE13 and #39AE13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF7D13CE shade matches the following richer shades: #AE7D13 and #BE8204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF7D13CE shade: #AE7D13, #9F7723, #8F7133, #7F6C42 and #706652

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF7D13CE shade: #AE2813, #AE5113, #AE7B13, #AEA413 and #8FAE13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF7D13CE shade: #64480B, #89620F, #AE7D13, #D49718 and #E8AC2D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF7D13CE shade: #AF7D13, #28AE13 and #3D13AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF7D13CE shade: #AF7D13, #13AE7B and #7B13AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF7D13CE shade: #AF7D13, #28AE13, #1347AE and #9A13AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF7D13CE shade: #AF7D13, #13AE2D, #1347AE and #AE1395

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 72 / 25

HEX #AF7D13CE

RGBA 175 125 19 0.81

HSLA 40.77, 0.8%, 0.38%, 0.81

LABA 55.92, 10.93, 58.12, 0.81

 

Complementary color

CMYK 54 / 36 / 0 / 6

HEX #5082ECCE

RGBA 80 130 236 0.81

HSLA 220.77, 0.8%, 0.62%, 0.81

LABA 55.81, 16.82, -58.55, 0.81

 

CMYK 0 / 25 / 75 / 24

HEX #B47D0ECE

RGBA 180 125 14 0.81

HSLA 40.12, 0.86%, 0.38%, 0.81

LABA 56.49, 13.1, 59.95, 0.81

 

CMYK 0 / 22 / 67 / 18

HEX #C58F21CE

RGBA 197 143 33 0.81

HSLA 40.24, 0.71%, 0.45%, 0.81

LABA 63.03, 11.2, 61.02, 0.81

 

CMYK 0 / 20 / 61 / 13

HEX #D6A134CE

RGBA 214 161 52 0.81

HSLA 40.37, 0.66%, 0.52%, 0.81

LABA 69.49, 9.58, 60.9, 0.81

 

CMYK 0 / 18 / 56 / 8

HEX #E7B347CE

RGBA 231 179 71 0.81

HSLA 40.5, 0.77%, 0.59%, 0.81

LABA 75.87, 8.19, 60.16, 0.81

 

CMYK 0 / 17 / 52 / 2

HEX #F8C55ACE

RGBA 248 197 90 0.81

HSLA 40.63, 0.92%, 0.66%, 0.81

LABA 82.18, 6.98, 59.13, 0.81

 

CMYK 0 / 23 / 72 / 25

HEX #AF7D13CE

RGBA 175 125 19 0.81

HSLA 40.77, 0.8%, 0.38%, 0.81

LABA 55.92, 10.93, 58.12, 0.81

 

CMYK 0 / 26 / 81 / 31

HEX #9E6B00CE

RGBA 158 107 0 0.81

HSLA 40.63, 1%, 0.31%, 0.81

LABA 49.23, 13, 56.3, 0.81

 

CMYK 0 / 30 / 81 / 36

HEX #8D5900CE

RGBA 141 89 0 0.81

HSLA 37.87, 1%, 0.28%, 0.81

LABA 42.47, 15.48, 50.78, 0.81

 

CMYK 0 / 35 / 81 / 42

HEX #7C4700CE

RGBA 124 71 0 0.81

HSLA 34.35, 1%, 0.24%, 0.81

LABA 35.58, 18.08, 45.18, 0.81

 

CMYK 0 / 41 / 81 / 47

HEX #6B3500CE

RGBA 107 53 0 0.81

HSLA 29.72, 1%, 0.21%, 0.81

LABA 28.57, 20.78, 39.13, 0.81

 

CMYK 0 / 28 / 89 / 32

HEX #AE7D13

RGB 174 125 19

HSL 41.03, 0.8%, 0.38%

LAB 55.8, 10.48, 57.98

 

CMYK 0 / 52 / 89 / 32

HEX #AE5313

RGB 174 83 19

HSL 24.77, 0.8%, 0.38%

LAB 45.95, 33.63, 50.22

 

CMYK 0 / 76 / 89 / 32

HEX #AE2913

RGB 174 41 19

HSL 8.52, 0.8%, 0.38%

LAB 38.95, 52.2, 44.76

 

CMYK 0 / 89 / 89 / 32

HEX #AE1313

RGB 174 19 19

HSL 0, 0.8%, 0.38%

LAB 36.95, 57.86, 43.21

 

CMYK 0 / 28 / 89 / 32

HEX #AE7D13

RGB 174 125 19

HSL 41.03, 0.8%, 0.38%

LAB 55.8, 10.48, 57.98

 

CMYK 0 / 4 / 89 / 32

HEX #AEA713

RGB 174 167 19

HSL 57.29, 0.8%, 0.38%

LAB 67.04, -12.31, 66.88

 

CMYK 20 / 0 / 89 / 32

HEX #8CAE13

RGB 140 174 19

HSL 73.16, 0.8%, 0.38%

LAB 66.44, -30.48, 65.32

 

CMYK 43 / 0 / 89 / 32

HEX #63AE13

RGB 99 174 19

HSL 89.03, 0.8%, 0.38%

LAB 64.14, -46.06, 62.46

 

CMYK 67 / 0 / 89 / 32

HEX #39AE13

RGB 57 174 19

HSL 105.29, 0.8%, 0.38%

LAB 62.67, -57.69, 60.63

 

CMYK 0 / 28 / 89 / 32

HEX #AE7D13

RGB 174 125 19

HSL 41.03, 0.8%, 0.38%

LAB 55.8, 10.48, 57.98

 

CMYK 0 / 32 / 98 / 25

HEX #BE8204

RGB 190 130 4

HSL 40.65, 0.96%, 0.38%

LAB 58.9, 14.68, 63.95

 

CMYK 0 / 28 / 89 / 32

HEX #AE7D13

RGB 174 125 19

HSL 41.03, 0.8%, 0.38%

LAB 55.8, 10.48, 57.98

 

CMYK 0 / 25 / 78 / 38

HEX #9F7723

RGB 159 119 35

HSL 40.65, 0.64%, 0.38%

LAB 52.6, 7.51, 49.31

 

CMYK 0 / 21 / 64 / 44

HEX #8F7133

RGB 143 113 51

HSL 40.43, 0.47%, 0.38%

LAB 49.36, 4.5, 38.12

 

CMYK 0 / 15 / 48 / 50

HEX #7F6C42

RGB 127 108 66

HSL 41.31, 0.32%, 0.38%

LAB 46.49, 1.45, 26.21

 

CMYK 0 / 9 / 27 / 56

HEX #706652

RGB 112 102 82

HSL 40, 0.15%, 0.38%

LAB 43.59, 0.47, 12.76

 

CMYK 0 / 77 / 89 / 32

HEX #AE2813

RGB 174 40 19

HSL 8.13, 0.8%, 0.38%

LAB 38.83, 52.53, 44.67

 

CMYK 0 / 53 / 89 / 32

HEX #AE5113

RGB 174 81 19

HSL 24, 0.8%, 0.38%

LAB 45.54, 34.67, 49.9

 

CMYK 0 / 29 / 89 / 32

HEX #AE7B13

RGB 174 123 19

HSL 40.26, 0.8%, 0.38%

LAB 55.29, 11.6, 57.57

 

CMYK 0 / 6 / 89 / 32

HEX #AEA413

RGB 174 164 19

HSL 56.13, 0.8%, 0.38%

LAB 66.21, -10.74, 66.23

 

CMYK 18 / 0 / 89 / 32

HEX #8FAE13

RGB 143 174 19

HSL 72, 0.8%, 0.38%

LAB 66.64, -29.24, 65.56

 

CMYK 0 / 28 / 89 / 61

HEX #64480B

RGB 100 72 11

HSL 41.12, 0.8%, 0.22%

LAB 32.63, 6.11, 37.71

 

CMYK 0 / 28 / 89 / 46

HEX #89620F

RGB 137 98 15

HSL 40.82, 0.8%, 0.3%

LAB 44.36, 8.65, 48.05

 

CMYK 0 / 28 / 89 / 32

HEX #AE7D13

RGB 174 125 19

HSL 41.03, 0.8%, 0.38%

LAB 55.8, 10.48, 57.98

 

CMYK 0 / 29 / 89 / 17

HEX #D49718

RGB 212 151 24

HSL 40.53, 0.8%, 0.46%

LAB 66.67, 13.24, 67.16

 

CMYK 0 / 26 / 81 / 9

HEX #E8AC2D

RGB 232 172 45

HSL 40.75, 0.8%, 0.54%

LAB 74.09, 11.23, 68.31

 

CMYK 0 / 29 / 89 / 31

HEX #AF7D13

RGB 175 125 19

HSL 40.77, 0.8%, 0.38%

LAB 55.92, 10.93, 58.12

 

CMYK 77 / 0 / 89 / 32

HEX #28AE13

RGB 40 174 19

HSL 111.87, 0.8%, 0.38%

LAB 62.31, -60.74, 60.18

 

CMYK 65 / 89 / 0 / 32

HEX #3D13AE

RGB 61 19 174

HSL 256.26, 0.8%, 0.38%

LAB 25.3, 56.41, -72.5

 

CMYK 0 / 29 / 89 / 31

HEX #AF7D13

RGB 175 125 19

HSL 40.77, 0.8%, 0.38%

LAB 55.92, 10.93, 58.12

 

CMYK 89 / 0 / 29 / 32

HEX #13AE7B

RGB 19 174 123

HSL 160.26, 0.8%, 0.38%

LAB 63.21, -49.18, 15.95

 

CMYK 29 / 89 / 0 / 32

HEX #7B13AE

RGB 123 19 174

HSL 280.26, 0.8%, 0.38%

LAB 33.42, 63.3, -58.85

 

CMYK 0 / 29 / 89 / 31

HEX #AF7D13

RGB 175 125 19

HSL 40.77, 0.8%, 0.38%

LAB 55.92, 10.93, 58.12

 

CMYK 77 / 0 / 89 / 32

HEX #28AE13

RGB 40 174 19

HSL 111.87, 0.8%, 0.38%

LAB 62.31, -60.74, 60.18

 

CMYK 89 / 59 / 0 / 32

HEX #1347AE

RGB 19 71 174

HSL 219.87, 0.8%, 0.38%

LAB 33.35, 24.58, -59.33

 

CMYK 11 / 89 / 0 / 32

HEX #9A13AE

RGB 154 19 174

HSL 292.26, 0.8%, 0.38%

LAB 38.54, 68.15, -50.32

 

CMYK 0 / 29 / 89 / 31

HEX #AF7D13

RGB 175 125 19

HSL 40.77, 0.8%, 0.38%

LAB 55.92, 10.93, 58.12

 

CMYK 89 / 0 / 74 / 32

HEX #13AE2D

RGB 19 174 45

HSL 130.06, 0.8%, 0.38%

LAB 62.17, -61.56, 52.6

 

CMYK 89 / 59 / 0 / 32

HEX #1347AE

RGB 19 71 174

HSL 219.87, 0.8%, 0.38%

LAB 33.35, 24.58, -59.33

 

CMYK 0 / 89 / 14 / 32

HEX #AE1395

RGB 174 19 149

HSL 309.68, 0.8%, 0.38%

LAB 40.63, 68, -31.72

 

Description

Color code: HEX #AF7D13CE | qconv.com Color code: HEX #AF7D13CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 125 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 125 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 72 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 72% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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